Bøker utgitt av Fordham University Press

Toward a Feminist Ethics of Nonviolence brings together major feminist thinkers to debate Cavarero's call for a postural ethics of nonviolence and a sociality rooted in bodily interdependence.

Textures of the Ordinary shows how life is marked not only by catastrophic events but also by the soft knife of economic deprivation and the repetitive corrosions and routine violence within everyday life itself. As an alternative to normative ethics, this book develops ordinary ethics as attentiveness to the other and as the ability of small acts of care to stand up to horrific violence.

In the third text in the phenomenological trilogy that includes "Reduction and Givenness" and "Being Given", Jean-Luc Marion renews his argument for a phenomenology of givenness, with penetrating analyses of the phenomena of event, idol, flesh and icon.

A lyrical meditation on listening, this work examines sound in relation to the human body. It also explores the mystery of music and of its effects on the listener.

Here, philosopher and theologian Jean-Louis Chretien revisits a favourite theme: how human life is shaped by the experience of call and response, explored with art as the context. For Chretien, art is about acts in response to what the artist sees or hears and how these acts provoke responses from viewers.

Shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. This book rewrites musically the history and philosophy of the sublime. It presents a sublime of matter, rather than form-performative rather than representational.

Christian Zen is a ground breaking book for all Christians seeking to deepen and broaden their inner lives. Providing concrete guidelines for a way of Christian meditation that incorporates Eastern insights, it is a helpful book that can open new spiritual vistas and reveal profound, often undreamed-of dimensions of the Christian faith.

How have we thought 'the body'? How can we think it anew? This title incorporates the body of mortal creatures, the body politic, the body of letters and of laws, and the 'mystical body of Christ'. It offers us an encyclopedia and a polemical program - reviewing classical takes on the "corpus" from Plato, Aristotle, and Saint Paul to Descartes.

This book explores the impact of nationalism on Orthodox Christianity in nineteenth-century South-Eastern Europe. It analyses the challenges posed by nationalism to the Ecumenical Patriarchate and the ways in which Orthodox Churches engaged in the nationalist ideology in Greece, Serbia, Romania and Bulgaria.

Hannah Arendt is one of the most important political theorists of the twentieth century. This book focuses on how, against the professionalized discourses of theory, Arendt insists on the greater political importance of the ordinary activity of thinking.

Dive into the electrifying tale of a Brooklyn-born patriot turned radical activist, in an era when America was torn by its ideological extremesIn the shadow of recent turmoil, Join the Conspiracy transports readers to a pivotal moment of division and dissent in American history: the late 1960s. Against the backdrop of the Vietnam War and a nation grappling with internal conflict, this compelling narrative follows the life of George Demmerle, a factory worker whose political odyssey encapsulates the era's tumultuous spirit. From his roots as a concerned citizen wary of his country's leftward tilt, Demmerle's journey takes a dramatic turn as he delves into the heart of radical activism. Participating in iconic protests from the March on Washington to the Democratic National Convention in Chicago, Demmerle's story is a whirlwind of political fervor, embodying the struggle against what was perceived as imperialist war and racial injustice. His transformation is marked by alliances with key figures of the time, including Abbie Hoffman, and an eventual leadership role within an East Coast Black Panther affiliate. Yet, beneath his radical veneer lies a secret: Demmerle is an FBI informant. Join the Conspiracy reveals Demmerle's complex role in a society at war with itself, where his deepening involvement with the radical left and a bombing collective forces him to confront his loyalties. The narrative, enriched by a rare trove of period documents, candid photos taken from inside the radical movement, and underground art-more than a hundred of which are included in the book-not only charts Demmerle's saga but also reflects the broader story of a nation struggling to find its moral compass amidst chaos. As Demmerle navigates the dangerous waters of political extremism, readers are invited to ponder the price of ideology, the nature of loyalty, and the fine line between activism and betrayal. This book is not just a recounting of historical events but a vibrant portrait of a man and a movement that sought to reshape America.

A coming-of-age memoir of life on the front lines of the AIDS crisis with ACT UP New York.From the moment Ron Goldberg stumbled into his first ACT UP meeting in June 1987, the AIDS activist organization became his life. For the next eight years, he chaired committees, planned protests, led teach-ins, and facilitated their Monday night meetings. He cruised and celebrated at ACT UP parties, attended far too many AIDS memorials, and participated in more than a hundred zaps and demonstrations, becoming the group's unofficial "e;Chant Queen,"e; writing and leading chants for many of their major actions. Boy with the Bullhorn is both a memoir and an immersive history of the original New York chapter of ACT UP, the AIDS Coalition to Unleash Power, from 1987 to 1995, told with great humor, heart, and insight.Using the author's own story, "e;the activist education of a well-intentioned, if somewhat nave nice gay Jewish theater queen,"e; Boy with the Bullhorn intertwines Goldberg's experiences with the larger chronological history of ACT UP, the grassroots AIDS activist organization that confronted politicians, scientists, drug companies, religious leaders, the media, and an often uncaring public to successfully change the course of the AIDS epidemic.Diligently sourced and researched, Boy with the Bullhorn provides both an intimate look into how activist strategies are developed and deployed and a snapshot of life in New York City during the darkest days of the AIDS epidemic. On the occasions where Goldberg writes outside his personal experience, he relies on his extensive archive of original ACT UP documents, news articles, and other published material, as well as activist videos and oral histories, to help flesh out actions, events, and the background stories of key activists. Writing with great candor, Goldberg examines the group's triumphs and failures, as well as the pressures and bad behaviors that eventually tore ACT UP apart.A story of ordinary people doing extraordinary things, from engaging in outrageous, media-savvy demonstrations, to navigating the intricacies of drug research and the byzantine bureaucracies of the FDA, NIH, and CDC, Boy with the Bullhorn captures the passion, smarts, and evanescent spirit of ACT UP-the anger, grief, and desperation, but also the joy, camaraderie, and sexy, campy playfulness-and the exhilarating adrenaline rush of activism.

This collection of essays explores the historical and theoretical dimensions of the contemporary neural subject. With a multidisciplinary perspective, the volume focuses attention on the important, but problematic notion of plasticity as a way of rethinking the relationship between human experience and both pathological and normal states of the nervous system.

A revealing exploration of domestic fascism in the United States from the 1930s to the January 6th insurrection in Washington, D.C. In 1951, the Civil Rights Congress presented to the United Nations We Charge Genocide, a more than two-hundred-page petition that held the United States accountable for genocide against African Americans. This landmark text represented the dawn of Black Lives Matter and is as relevant today as it was then, as evidenced by the rise of white supremacist groups across the nation, and the January 6th Capitol riot which disclosed the specter of a fascist revival in the U.S. Tracing this specter to its roots, We Charge Genocide! provides an original interpretation of American fascism as a permanent and longstanding current in U.S. politics dating to the origins of U.S. settler-colonialism. Picking up where Angela Davis's 1971 essay, "Political Prisoners, Prisons, and Black Liberation," left off, We Charge Genocide! reveals how the United States legal system has contributed to the growth of fascist states and fascist movements domestically and internationally. American Studies scholar Bill V. Mullen contends that the preservation of a white supremacist world order--and the prevention of revolutionary threats to that order--structure the discourse and practice of U.S. fascism. He names this fascist modality the "counterrevolution of race" in tribute to the radicals on the American Left, such as George Jackson, Angela Davis, Herbert Marcuse, and the Black Panther Party, who perceived the American state's destruction of revolutionary groups and ideas as a distinctive form of American fascism. Mullen argues that U.S. law, particularly U.S. "race law," has been an enabling mechanism for modalities of fascist rule that have locked historic blocs of non-white populations into an iron cage of legal and extralegal violence. To this end We Charge Genocide! offers a legal historiography of U.S. fascism rooted in law's capacity to legitimate and sustain racial domination. By recovering the legacy of important organizations, such as the Civil Rights Congress and Black Panther Party, which have both theorized and resisted American legal fascism, Mullen demonstrates how their work and critical theorists like Davis, Marcuse, Jackson, Walter Benjamin and Ernst Fraenkel illuminate the threat of American legal fascism to its most vulnerable racialized victims of state violence in our time, including gender and transgender violence.

A fictional manual to help disrupt today's all-too-real energy and climate emergencies The Energy Emergency Repair Kit (E.E.R.K.) is a collaboratively-authored research-creation intervention that explores myriad ecological, cultural, and political resonances of the three concepts named in its title: energy; emergency; repair. The E.E.R.K combines image, text, and sound to riff on the idea of a repair manual--that staple genre of self-help and self-making--while exploring energy emergency and energy emergence in several entangled registers. Created collectively by artists, designers, and scholars working and living at various places on Turtle Island, the E.E.R.K. offers a host of situated activities and speculative probes designed to respond to today and tomorrow's energy emergencies. The kit intermingles diagrammatic designs with instructional convolutions and perplexing protocols that supply non-programmatic yet highly pragmatic means for navigating, communicating, operating, and undoing the investments that have come to overdetermine energetic relations in the past, present, and future. Triggered most immediately by the pandemic moment circa 2020, with its strangely intermittent and inscrutable convolutions of fossil-fueled business-as-usual, the E.E.R.K. reflects and reckons the long-roiling and fully chronic energy emergency orchestrated over several centuries by racial-fossil capitalism's mass production of injustices. The E.E.R.K. positions energy as more than just a resource to be exploited and managed, more than an infrastructural obstacle to overcome, more than fuel for the nightmares that lie ahead (or that are, in too many cases, already here). As a generative, multitudinous fabulation, the E.E.R.K. probes energetic networks--the bonds of endeavour; the glow of affection; the pulse of attunement; the drive of subtraction; the charge of uncertainty; the resilience of exhaustion; the obstinacy of making do; the shadow of fossils; the pull of futurity; the zeroes and ones; the force of an otherwise--that, together, seem to compose the circuits of energy emergency now.

A moving journey through the shadows of queer suicide and a tribute to lives marked by struggle and beauty. The Lamentations explores the struggles and resilience within the queer community, offering a unique blend of historical analysis and emotional tribute to those affected. Author Patrick Anderson examines the phenomenon of queer suicide across various art forms such as film, theatre, and literature, tracing its evolution from the twentieth century to today. Anderson brings to light the personal stories of individuals in the queer community who have ended their lives, compiling narratives from sources like newspaper articles, obituaries, and case studies. The book confronts the harsh realities of loneliness, shame, and oppression faced by many LGBTQ+ individuals, providing a poignant reflection on the societal challenges they face. The Lamentations is more than a meditation on death; it's a narrative of survival, mourning, and healing. Sharing personal accounts, including the losses of loved ones and friends, Anderson highlights the importance of memory and storytelling in celebrating the vibrancy of queer life amidst the sorrow of loss. Accessible to a broad readership, the book transcends academic boundaries to address themes of love, loss, and the human spirit. It's a compelling read for anyone interested in queer studies or anyone seeking to understand human experience through the lens of loss and legacy.