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A beautiful meditation on war, violence, memory and injustice, set in the occupied Palestinian territories.

Drawing from personal experience, Despentes shatters received ideas about rape and prostitution,and explodes common attitudes about sex and gender. KING KONG THEORY is a manifesto for a new punk feminism,reissued here in a brilliant new translation by Frank Wynne.

Getting Lost is the diary kept by Annie Ernaux during the year and a half she had a secret love affair with a younger, married man, an attache to the Soviet embassy in Paris. Her novel, Simple Passion, was based on this affair, but here her writing is immediate and unfiltered. In these diaries it is 1989 and Annie is divorced with two grown sons, living in the suburbs of Paris and nearing fifty. Her lover escapes the city to see her there and Ernaux seems to survive only in expectation of these encounters. She cannot write, she trudges distractedly through her various other commitments in the world, she awaits his next call; she lives merely to feel desire and for the next rendezvous. When he is gone and the moment of desire has faded, she feels that she is a step closer to death.Lauded for her spare prose, Ernaux here removes all artifice, her writing pared down to its most naked and vulnerable. Translated brilliantly for the first time by Alison L. Strayer,Getting Lostis a haunting record of a woman in the grips of love, desire and despair.

Taking the form of random journal entries over the course of seven years, Exteriors concentrates on the ephemeral encounters that take place just on the periphery of a person's lived environment. Ernaux captures the feeling of contemporary living on the outskirts of Paris: poignantly lyrical, chaotic, and strangely alive.

In A GIRL'S STORY, Annie Ernaux revisits the summer of 1958, her first away from home, and recounts the first night she spent with a man.

With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Man Booker International Prize-winner Olga Tokarczuk returns with a subversive, entertaining noir novel.

A powerful meditation on ageing and familial love, I Remain in Darkness recounts Annie Ernaux's attempts to help her mother recover from Alzheimer's disease, and then, when that proves futile, to bear witness to the older woman's gradual decline and her own experience as a daughter losing a beloved parent. Haunting and devastatingly poignant, I Remain in Darkness showcases Ernaux's unique talent for evoking life's darkest and most bewildering episodes.

A mother and daughter travel from abroad to meet in Tokyo: they walk along the canals through the autumn evenings, escape the typhoon rains, share meals in small cafes and restaurants, and visit galleries to see some of the city's most radical modern art. All the while, they talk: about the weather, horoscopes, clothes, and objects, about family, distance, and memory. But uncertainties abound. Who is really speaking here - is it only the daughter? And what is the real reason behind this elliptical, perhaps even spectral journey? At once a careful reckoning and an elegy, Cold Enough for Snow questions whether any of us speak a common language, which dimensions can contain love, and what claim we have to truly know another's inner world. Selected from more than 1,500 entries, Cold Enough for Snow won the Novel Prize, a new, biennial award offered by Fitzcarraldo Editions, New Directions (US) and Giramondo (Australia), for any novel written in English that explores and expands the possibilities of the form.

Inside a luxury housing complex, two misfit teenagers sneak around and get drunk. Franco Andrade, lonely, overweight, and addicted to porn, obsessively fantasizes about seducing his neighbor - an attractive married woman and mother - while Polo dreams about quitting his gruelling job as a gardener within the gated community and fleeing his overbearing mother and their narco-controlled village. Each facing the impossibility of getting what he thinks he deserves, Franco and Polo hatch a mindless and macabre scheme. Written in a chilling torrent of prose by one of our most thrilling new writers, Paradais explores the explosive fragility of Mexican society - fractured by issues of race, class and violence - and how the myths, desires, and hardships of teenagers can tear life apart at the seams.

What makes us who we are? And why do we lead one life and not another? The year is coming to a close and Asle, an ageing painter and widower who lives alone on the southwest coast of Norway, is reminiscing about his life. His only friends are his neighbour, Asleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjorgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgangers - two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness. Written in melodious and hypnotic 'slow prose', The Other Name: Septology I-II is an indelible and poignant exploration of the human condition by Jon Fosse, 'a major European writer' (Karl Ove Knausgaard), in which everything is always there, and past and present flow together.

The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance.

Laughter shakes us out of our deadness. An outburst of spontaneous laughter is an eruption from the unconscious that, like political resistance, poetry, or self-revelation, expresses a provocative, impish drive to burst free from external constraints. Taking laughter's revelatory capacity as a starting point, and rooted in Nuar Alsadir's experience as a poet and psychoanalyst, Animal Joy seeks to recover the sensation of feeling alive and embodied.Writing in a poetic, associative style, blending the personal with the theoretical, Alsadir ranges from her experience in clown school, Anna Karenina's morphine addiction, Freud's unfreudian behaviors, marriage brokers and war brokers to 'Not Jokes', Abu Ghraib, Fanon's negrophobia, smut, the Brett Kavanaugh hearings, laugh tracks, the problem with adjectives, to how poetry can wake us up. At the centre of the book, though, is the author's relationship with her daughters, who erupt into the text like sudden, unexpected laughter. These interventions - frank, tender, and always a challenge to the writer and her thinking - are like tiny revolutions, pointedly showing the dangers of being severed from our True Self and hinting at ways we might be called back to it. A bold and insatiably curious prose debut,Animal Joyis an ode to spontaneity and feeling alive.

Every family has its own mythology, but in this family none of the myths match up. Claudia's mother says she met her husband when she stopped him from jumping off a bridge. Her father says it happened when he saved her from an attempted robbery. Both parents are deaf but couldn't be more different; they can't even agree on how they met, much less who needed saving. Into this unlikely yet somehow inevitable union, our narrator is born. She comes of age with her brother in this strange, and increasingly estranged, household split between a small village in southern Italy and New York City. Without even sign language in common - their parents have not bothered to teach them - family communications are chaotic and rife with misinterpretations. An outsider in every way, she longs for a freedom she's not even sure exists. Only books and punk rock - and a tumultuous relationship - begin to show her the way to create her own mythology, to construct her own version of the story of her life. Kinetic, formally daring, and strikingly original, Strangers I Know is a funny and profound portrait of an unconventional family that makes us look anew at how language shapes our understanding of ourselves.

An essay with the reach and momentum of a novel, Kate Briggs's THIS LITTLE ART is a genre-bending song for the practice of literary translation, offering fresh, fierce and timely thinking on reading, writing and living with the works of others.

With the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled, these shards tell the story of how a seemingly ordinary Jewish family managed to survive the twentieth century.

Feverish and forthright, Pond is an absorbing chronicle of the pitfalls and pleasures of a solitudinous life told by an unnamed woman living on the cusp of a coastal town. Claire-Louise Bennett's startlingly original debut collection slips effortlessly between worlds and is by turns darkly funny and deeply moving.

Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned?In Dandelions, Thea Lenarduzzi pieces together her family history through four generations' worth of migration between Italy and England, and the stories scattered like seeds along the way. At the heart of this book is her grandmother Dirce, a former seamstress and a repository of tales that are by turns unpredictable, unreliable, significant. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges.A family memoir rich in folk legends, food, art, politics and literature, Dandelions heralds the arrival of an exceptional writer: bold, joyful and wise.

A landmark in contemporary Spanish literature, Agustin Fernandez Mallo's Nocilla Trilogy charts a hidden and exhilarating cartography of contemporary experience.

Suffused with a generative, transcendent rage, Alice Hattrick's genre-bending debut is a moving and defiant exploration of life with a medically unexplained illness.

In November 2019, Paul B. Preciado was invited to speak in front of 3,500 psychoanalysts at the Ecole de la Cause Freudienne's annual conference in Paris. Standing up in front of the profession for whom he is a 'mentally ill person' suffering from 'gender dysphoria', Preciado draws inspiration in his lecture from Kafka's 'A Report to an Academy', in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars. Demonstrating the discipline's complicity with the ideology of sex, gender and sexual difference dating back to the colonial era, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, ended up published online, where fragments were transcribed, translated and published with no regard for exactitude. Eighteen months on, Can the Monster Speak? is published in a definitive translation for the first time.

Why Japan? In Fifty Sounds, winner of the 2019 Fitzcarraldo Editions Essay Prize, Polly Barton attempts to exhaust her obsession with the country she moved to at the age of 21, before eventually becoming a literary translator. From min-min, the sound of air screaming, to jin-jin, the sound of being touched for the very first time, from hi'sori, the sound of harbouring masochist tendencies, to mote-mote, the sound of becoming a small-town movie star, Fifty Sounds is a personal dictionary of the Japanese language, recounting her life as an outsider in Japan. Irreverent, humane, witty and wise, Fifty Sounds is an exceptional debut about the quietly revolutionary act of learning, speaking, and living in another language.

Originally written as a libretto for the Berlin State Opera, Elfriede Jelinek's REIN GOLD reconstructs the events of Wagner's epic Ring cycle and extends them into the present day.

Barely educated and valued since childhood strictly for his labour, Ernaux's father had grown into a hard, practical man who showed his family little affection. Narrating his slow ascent towards material comfort, Ernaux's cold observation in A MAN'S PLACE reveals the shame that haunted her father throughout his life.

SUPPOSE A SENTENCE is a critical and personal reflection on the art of the sentence in literature.

In these essays, the acclaimed artist, photographer, writer, and filmmaker Moyra Davey often begins with a daily encounter - with a photograph, a memory, or a passage from a book - and links that subject to others, drawing fascinating and unlikely connections, until you can almost feel the texture of her thinking.

Animalia retraces the history of a modest peasant family through the twentieth century as they develop their small plot of land into an intensive pig farm.