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How do today’s leaders move from playing it safe to playing for great?In a volatile time of climate crisis, global pandemics, and disruptive technologies, leaders may find themselves clinging to fear-based mindsets that favor individualism over collectivism – inadvertently controlling their teams rather than inspiring genuine commitment in them. To navigate uncertainty and seize emerging opportunities, leaders must move toward a more facilitative, enabling approach that centers on purpose before profit and the team before the individual.In Safe to Great, consultant, keynote speaker, and author Skip Bowman outlines an integrated organizational and leadership development process for implementing a growth mindset based on psychological safety. Grounded in more than 25 years of experience working with global organizations, Bowman’s model unites theory and practice in a set of practicable principles designed to meet the opportunities and challenges of leading and organizing in the twenty-first century and beyond.Bowman looks to the concept of psychological safety, as described in Amy C. Edmondson’s work on fearless organizations, to examine how a workplace that tolerates risk and exhibits a willingness to experiment can facilitate high levels of innovation. The tenets of a growth mindset, as popularized by Carol Dweck, also serve as a guiding philosophy: Bowman urges organizations to take a generative approach to managing people and resources, putting at least much back as they extract. In this relational model, success rests on the combined achievements and developmental growth of the collective rather than on the accumulation of power and wealth by a single executive or small group of stakeholders.Conversational in tone and packed with big hopes and uncomfortable truths, Safe to Great makes an impassioned appeal for a new standard of leadership that will move people and organizations from a place of relative comfort and little risk to a space of daring curiosity, engagement, and collaboration.

From international best-selling author and futurist Doug Stephens, Resurrecting Retail is not just a riveting story of the unprecedented crash of an industry but a roadmap for its rebirth. Few crises in modern history have so completely disrupted every aspect of daily life as the Covid-19 pandemic. Every market, industry, profession, service, and category of product was in some way rocked by its impact. Researched in real time from inside the crisis, Resurrecting Retail provides a comprehensive and surprising vision of how it will reshape every aspect of consumer life, including the very essence of why we shop. Above all, it provides an inspirational and actionable future vision for any business leader looking not only to survive but thrive in a very different post-pandemic retail world.

Since the release of Doug Stephens' first book, The Retail Revival, change in the global retail sector has accelerated beyond even the boldest forecasts. As predicted, online giants like Amazon and Alibaba.com are growing at a dizzying pace. Hundreds of well-known brick and mortar retailers have closed their doors, and brands and retailers across categories are struggling to understand the shifting needs and expectations of a new consumer.Picking up where The Retail Revival left off, Reengineering Retail explores the coming revolution in the global retail and consumer goods market, offering sales and marketing executives a roadmap to the future. Author and internationally renowned consumer futurist, Doug Stephens, paints a bold vision of the future where every aspect of the retail experience as we know it, will be radically transformed. From online to bricks and mortar, the very concept of what stores are, how consumers shop them, and even the core economic model for revenue, will be will be profoundly reinvented; changes sure to affect not only retailers large and small but any business with a stake in the global retail industry.Infused with real world examples and interviews with industry disruptors, Reengineering Retail illustrates the vast opportunities at play for bold brands and business leaders. Stephens' strategies will provide businesses with the foresight required to move quickly and effectively into the future.

Raw, personal and political, John Scott: Firestorm; presents an artist's searing critique of modernity’s capacity for industrial warfare and the machines that enable it.Scott produced paintings, drawings, and sculptures of what he called “engines of history,” the hyper-masculine military and civilian weapons of the past half century. Surveillance aircraft, B-52 and stealth bombers, tanks, cruise missiles and rockets, as well as handguns, muscle cars, and motorcycles forcefully imprint themselves upon the viewer through Scott’s fierce mark-making and large, rough sculptural gestures. Humanoid rabbits —often surrounded by numbers that fail to add up—represent those threatened by such technologies. The dichotomy between the death-dealing weaponry of the nuclear era and the vulnerability of human beings lies at the core of Scott’s work.Scott (1949–2022) deployed an idiosyncratic graphic language to represent apocalyptic machines and the imbalances of power, working in the tradition of Francisco Goya, Käthe Kollwitz, Nancy Spero, and others. Scott grew up in Windsor, Ontario, across the river from Detroit, Michigan. Like many Canadian artists, writers, and intellectuals of his time, Scott was a close watcher of America, with a front-row seat on a sometimes rogue nation. Stylistically, his work is close to that of his contemporaries Jean-Michel Basquiat and William Kentridge, showing a kindred ferocity of mark making and dark urgency.John Scott: Firestorm accompanies the exhibition of the same name organized by the McMichael Canadian Art Collection, curated by esteemed Canadian art scholar John O’Brian. It is the first major exhibition of Scott’s work to focus on his imagery of machines and on modernity’s capacity for industrial war—a body of work as meaningful today as it was when it first appeared in the 1970s. This publications features more than 100 of Scott’s works, a detailed biography, and new critical writings on the artist.

An eclectically curated collection reveals a kaleidoscopic portrait of the many and diverse talents working in and around BC's art scene over the past forty years. As a musician, performer, activist, collector, John David Lawrence has long held an important, if underrecognized, position in Vancouver's creative community. After settling in the city in the mid-1980s he participated in and advocated for performance spaces and artist-run centres, building deep roots in the community, and since 2000 he has been the proprietor of DoDa Antiques. Over several decades, Lawrence amassed an idiosyncratic personal collection that includes ceramics, Indigenous art, jewelry, folk art, photography, and plant life. Through the stories of some of these pieces and of Lawrence himself, as well as extensive new photography of his holdings, The Place of Objects illuminates the rich cultural production that is often overlooked by Vancouver's established artistic community. Released to coincide with a Vancouver Art Gallery exhibition of 300 ceramic works from Lawrence's collection, The Place of Objects opens with an engrossing conversation between scholar Dr. Michael J. Prokopow and Lawrence that uses specific objects and the diverse areas of his collections to reveal Lawrence's enigmatic biography and ponder the broader cultural obsession with things. The second half of the book features texts by artists, scholars, friends, and curators who highlight objects of art with historical, cultural, or personal significance. The publication also includes a visual index--a two-dimensional genogram of the objects in his collection--to map the tentacular threads that have informed Lawrence's collecting practices over the decades. Contributors: Glenn Alteen, Daina Augaitis, Nicholas Bell, Allan Collier, Diana Freundl, Donna Hagerman, Richard Hill, Mandy Ginson, Jenn Jackson, Diane Jillings, Hilary Letwin, Carol Mayer, Siobhan McCracken Nixon, Edmond Melnychuk, Michael J. Prokopow, Esther Rausenberg, Stephanie Rebick, among others. Artists: Mollie Carter, John Charnetski, Stanley Clarke, Hans Coper, Olea Davis, Walter Dexter, Beau Dick, Denny Dixon, Pat Dixon, Sandra Dolph, Axel Ebring, Gathie Falk, Ken Foster, Ken Gerberick, Herta Gerz, Kathleen Hamilton, Frances Hatfield, Richard Hawbolt, Michael Henry, Gillian Hodge, Robin Hopper, Ben Houstie, Henry Hunt, Gordon Hutchens, Avery Huyghe, Tam Irving, Elsie John, Charmian Johnson, Thomas Kakinuma, Bob Kingsmill, Zoltan Kiss, Roy Kiyooka, Zeljko Kujundzic, Sam Kwan, Corey Larocque, Heinz Laffin, David Lambert, Laura Wee Láy Láq, Bernard Leach, Janet Leach, Glenn Lewis, Luke Lindoe, Des Loan, Brian Lynch, Mad Dog, Edmond Melnychuk, Grace Melvyn, Joseph Mihalic, Santo Mignosa, Carel Moiseiwitsch, Ellen Neel, Gailan Ngan, Wayne Ngan, Oraf, Leonard Osborne, Mary Osborne, Davide Pan, Randy Pandora, Bill Reid, John Reeve, Bill Rennie, Hilda Ross, Debra Sloan, Russell Smith, Ian Steele, Roger Stribley, Gordon Thorlaksson, Ron Tribe, Hiro Urakami, Jan Wade, Jean Marie Weakland, among others.

A major publication, Dreaming Forward: Worlds on Paper from Kinngait features over 150 never-before-seen original drawings by internationally renowned Inuit artists from Kinngait (Cape Dorset). In 1990, the celebrated printmaking studio in Kinngait (Cape Dorset) transferred their complete drawings archive to the McMichael Canadian Art Collection in Ontario for safekeeping. The McMichael recently completed the digitization of this invaluable treasury of works, making it accessible to communities across the Arctic as well as to the wider public. Dreaming Forward, an exhibition led by Inuit curator Emily Laurent Henderson, explores the profound impact and importance of drawing in Kinngait, not just as a precursor to printmaking, but as a vital and enduring discipline in its own right. This groundbreaking Inuit-led publication includes essays by Susan Aglukark, Kyle Aleekuk, Mark Bennett, Napatsi Folger, Jamesie Fournier, Janice Grey, Jonas Laurent Henderson, Jessica Kotierk, Nicole Luke, Malayah Maloney, Aghalingiak Ohokannoak, Jocelyn Piirainen, Krista Ulukuk Zawadski, and others, and explores the transition from traditional life on the land to 21st century community living. Kinngait is renowned internationally for printmaking but an exploration of the drawings archive reveals careers previously overlooked while also allowing established artists to be seen in a new light. Dreaming Forward provides a richer understanding of the creativity that blossomed in Kinngait over four decades, as the print making studio rose to international renown. This publication animates the legacy of Kinngait Studio and its role in generating, nurturing, and promoting artists who continue to challenge expectations and provoke fresh understandings.

A personal and intimate perspective on one of Canada's most prominent 20th century multidisciplinary artists, who was once described as "abstraction's poet-philosopher." Charles Gagnon (1934-2003) was a painter, photographer and filmmaker considered by many to be an important figure in Quebec and Canadian art in the 20th century. His early career emerged alongside the American Abstract Expressionists and his growing multidisciplinary practice broke away from the singularity of painting shared by his Montreal contemporaries of the Automatistes and the Plasticiens. The complexity and depth of his work as a painter, photographer, and filmmaker was distinguished by a probing, introspective quality. His paintings were simultaneously rigid and free-flowing, with self-imposed rules and structure contrasted by rich fracture and gestural brush work. Across all disciplines he played with multiple levels of perception, and many works evoke the liminal space of the threshold, or multi-plane spaces. In Charles Gagnon: The Colour of Time, the Sound of Space, this long-standing multidisciplinary work is brought into full view with texts that explore Gagnon's various practices, from painting to photography to film. An English-language essay by art historian and curator Roald Nasgaard chronicles Gagnon's artistic evolution from his early years in New York in the 1950s to his final productive years in the late 1990s in Quebec, and situates him within an expanded international historical context of artists, artworks, and art movements. Filmmaker and professor Olivier Asselin's French-language essay engages Gagnon's use of different media, including the role of sound and music in his artworks. Michiko Yajima Gagnon, the wife of the late artist, gives insight into the inseparability of everyday life and Charles's creative undertakings: his friendships with other artists (Tōru Takemitsu, Lee Friedlander), travel (to New York, Japan, and, particularly, the American Southwest), and the relationship between the landscapes surrounding his studios and his artwork. Featuring more than 250 art reproductions and archival images, Charles Gagnon is an intimate portrait of an artist and the celebration of a life's work.

Sea of Islands brings together knowledge holders, scholars, and artists from across the Pacific with Western scholars working with Pacific collections—as well as members of diasporic Oceanic communities—to share the stories and journeys of the objects that comprise Canada’s largest Oceanic collection, housed at The Museum of Anthropology at UBC.In 1927 a stunning collection of 1,500 items—from canoes and barkcloths, to paintings and musical instruments, to tools and masks—was donated by adventurer and writer Dr. Frank Burnett to the University of British Columbia. This donation would be the founding collection of the University’s Museum of Anthropology, which has since grown to become Canada’s largest and most diverse Oceanic collection.Today, museums acknowledge they live with a legacy of a different time that situates their collections in a difficult and contested past. Author Carol E. Mayer’s text draws on her decades of research and outreach centered around the complex intersections between museum collections, contemporary art practices and different knowledge systems. The result is an exploration of MOA’s Oceanic collection’s objects—old and new—alongside stories and journeys of those objects as shared by knowledge holders, scholars, and artists from across the Pacific. The text considers how these items continue to articulate systems of meaning and engender new relationships, and is illustrated with stunning photographs of the collection, and field photographs from Oceanic communities.

From railway disasters and robberies to mycology and mountain biking, twelve authors tell true stories of Cumberland, BC, that highlight the diverse and eclectic history of the vibrant village. Established as a coal mining camp in the late nineteenth century and now reborn as a centre of arts, culture, and outdoor recreation in Vancouver Island's Comox Valley, Cumberland has long fostered a strong sense of community that has attracted residents from all over the world. In this collection of riveting historical accounts, touching personal memoirs, and engaging creative non-fiction essays--complemented by more than two dozen historical and contemporary photos--writers with ties to Cumberland and the Comox Valley reveal lesser-known aspects of the region's colourful past. We hear about Joe Naylor, the unsung mentor to celebrated labour activist Ginger Goodwin, and the immigrants from countries like China and Italy who crossed oceans to work in the mines and build a new life. The story of the Ogaki family, active in the logging industry until their forced relocation to internment camps during World War II, demystifies the origins of the Japanese-Canadian comfort dish Cumberland Chow Mein. The aftermath of a collapsed rail trestle and the criminal exploits of "The Flying Dutchman" speak to the prejudices and priorities of the early twentieth century. Biographies of Diana Bruce, the first hotelier in Cumberland, and Dr. Irene Mounce, a pioneering mycologist raised in the village, illustrate the challenges faced--and overcome--by women of the era. Closer to the present, we hear of the grassroots trailbuilding work that put Cumberland on the mountain biking map, and how efforts at building affordable housing in the community led to the carving and installation of two welcome poles by local First Nations carvers, to help make more visible the long history and continued presence of the K'ómoks people in the area.

People of the Watershed: Photographs by John Macfie features more than 100 photographs taken by John Macfie as he worked as a trapline manager in Northern Ontario for the Department of Lands and Forests in the 1950s and 1960s. A settler, Macfie developed deep and lasting relationships with Anishinaabe, Cree and Oji-Cree communities in the region including Attawapiskat, Sandy Lake, and Mattagami as he travelled the vast expanse of the Hudson Bay watershed. Macfie's photographs bear witness to the adaptability and survivance of Indigenous people in a period of dramatic change, and the pleasures of ways of life firmly rooted in the land. Curated by nîpisîhkopâwiyiniw (Willow Cree) curator, writer, journalist, cultural advocate, and commentator Paul Seesequasis, the book centers the lives and resiliency of the Indigenous people represented, many of whom have been identified by Macfie and Seesequasis. The accompanying exhibition is part of the Scotiabank CONTACT Photography Festival.

An intimately candid memoir about the ambitions, struggles, and achievements of one of Canada's most prolific and important modernist artists.Why do I paint? I paint because I must.But why must I? As Picasso wouldanswer, why must a bird sing?I want a kind of dangerous art, risking the daemonic—a form emerging out of chaos like a rare monster surfacing from the deep, throwing offspumes, breathing the air.Jack Leonard Shadbolt (1909–1998) was one of Canada’s most prolific modernist artists, deeply influenced both by the West Coast landscapes and cultures that surrounded him and by the wider international currents in artmaking. Throughout his life, he remained singularly fixated on the question of how to make great art, bringing articulate and piercing analysis to a life-long search for meaning through his ceaseless acts of art.He also yearned—as we all do—to belong and to be understood. Using excerpts from his sometimes startlingly self-confessional journals, letters, talks, and writings, as well as his poetry, arts critic Susan Mertens—who enjoyed a twenty-five-year friendship with Shadbolt—crafts an intimate and candid collage of an extraordinarily driven and divided personality navigating the rapidly changing social and artistic challenges of the 20th century.This is the memoir Shadbolt never quite got around to writing.

"If the function of the artist is to see, the first duty of the critic is to understand what the artist saw."– J.E.H. MacDonaldTo See What He Saw focuses on the Lake O’Hara work produced by English-Canadian artist and Group of Seven member James Edward Hervey (J.E.H.) MacDonald, R.C A. (1873–1932) between 1924 and 1932. The book documents MacDonald’s seven trips to Yoho National Park in the Rocky Mountains of eastern British Columbia, Canada, and presents a detailed catalogue of the resulting en plein air sketches and the subsequent studio works completed during the last nine years of his life.The book features more than 200 of MacDonald’s western works from this period, organized geographically with en plein air sketches and studio work illustrated side by side. Each sketch is accompanied by at least one present-day photograph, many of which are taken from the exact rocky perch where MacDonald sat. Save for the forest growth since the 1920s, this pairing enables the viewer to see what MacDonald saw, and to understand how he processed the landscape before him. The book includes full transcripts of diaries, essays, and poems from which detailed, chronological descriptions of MacDonald's seven trips have been compiled. Relevant excerpts and original research further contextualize and illuminate the artist’s practices for specific sketches wherever possible.Of interest to Group of Seven and Canadian art collectors, curators, historians, students, and enthusiasts alike, this book is produced in conjunction with a 2024 exhibition at the Whyte Museum of the Canadian Rockies in Banff, Alberta. To See What He Saw offers a comprehensive examination of this esteemed artist’s painting process, finished works, and mindset over this period, and provides a unique lens through which to view MacDonald’s O’Hara work—a perspective that has not previously been fully explored in exhibition or in publication.

"An Endless Thread serves as a long-overdue celebration of Grant, who has long advocated for the intersection of cultural pride, style, and a maintaining of tradition.”—VoguePart look-book, part memoir, and part history, this beautifully illustrated monument to a singular designer who helped inspire the growing Indigenous fashion movement is also a powerful demonstration of the enduring resonance and possibilities of Haida art.Inspired by a discussion with celebrated Haida artist Bill Reid, Haida designer Dorothy Grant made it her life’s mission to bring her culture’s traditional art into contemporary fashion while adhering to the principle of Yaguudang, or respect for oneself and others. The 1989 launch of her Feastwear collection, featuring modern silhouettes hand-appliquéd with Northwest Coast formline, immediately established her at the forefront of Indigenous fashion in North America, and she has since hosted runway shows and trunk sales from Paris to Vancouver to Tokyo. Her clients include Indigenous leaders, national politicians, and global celebrities, and her garments can be found in museums and galleries around the world, including the Metropolitan Museum of Art.Dorothy Grant: An Endless Thread is the first monograph to celebrate her trailblazing career. It features new photography of dozens of garments spanning the past four decades, modeled in studio and natural settings in Vancouver and Haida Gwaii, alongside sketches, traditional button robes and spruce-root weaving, and personal stories and reflections from Grant. Essays by Haida repatriation specialist and museologist Sdahl Ḵ’awaas Lucy Bell and curator India Rael Young place Grant in the long continuum of Haida fashion and trace the many innovations and accomplishments of her journey, and Haida curator and artist Kwiaahwah Jones, a longtime assistant to Grant, shares behind-the-scenes insights and memories. An associated exhibition, Dorothy Grant: Raven Comes Full Circle, opens at Haida Gwaii Museum in July 2024.

A vibrant collection of 70 recipes from San Diego’s top restaurants and chefs that celebrates America’s Finest City’s diverse culinary scene.San Diego is known for sun, surf, and slinging excellent tacos and beer. But when it comes to the restaurant scene, there’s a whole world of multi-cultural eats to explore—in and beyond the city limits. From casual yet-design-centric brunch cafés to high-end sushi restaurants, and from farmers’ market stalls to Michelin-starred dining experiences, this is a place where chefs and foodies alike enjoy the benefits of the region’s enviously long growing season, proximity to the sea, cross-cultural exchanges with Mexico, and the overall diversity of its population.San Diego Cooks proudly presents some of the city (and county)’s most iconic dishes. Recipes such as TJ Oyster Bar’s Baja Fish Tacos and Kettner Exchange’s Kale Salad with Lemon-Pepper Dressing come together quickly with a quick sear of protein and a few turns of a mixing bowl. Smokin J’s Smoked Brisket Chili with Cornbread and Extraordinary Desserts’ Lemon Meringue Cake are surefire crowd-pleasers. And with easy-to-find ingredients and simple instructions, all recipes are designed for home cooks of all levels. For those who want to level up, consider Valle’s charred Onion Tart and Avant’s Grilled Rib-eye with Mole Demi and Guajillo Marmalade.Welcome to a taste of some of the chefs, bakers, distillers, and more who are nourishing us with their passion, stories, eats, and sips throughout this dynamic region.

An eighty-year overview of wood and argillite carving by Indigenous women artists on the Northwest Coast.Though women of the Northwest Coast have long carved poles, canoes, panels, and masks, many of these artists have not become as well known outside their communities as their male counterparts. These artists are cherished within their communities for helping to keep traditional carving practices alive, and for maintaining the dances, songs, and ceremonies that are intertwined with visual art production. This book, and an associated exhibition at the Audain Art Museum, gathers a range of sculptural formats by Indigenous women in order to expand the discourse of carving in the region.Both the exhibition and publication are co-curated by Dana Claxton, artist, filmmaker and head of the University of British Columbia’s Department of Art History, Visual Art and Theory; and Dr. Curtis Collins, the AAM’s Director & Chief Curator. Commentaries by Skeena Reece, Claxton, and Marika Swan, and interviews with artists Dale Campbell and Mary Anne Barkhouse are presented alongside more than one hundred artworks from public and private collections across North America, including several newly commissioned pieces.Featured artists include:Ellen Neel (Kwakwaka'wakw, 1916–1966)Freda Diesing (Haida, 1925–2002)Doreen Jensen (Gitxsan, 1933–2009)Susan Point (Musqueam, b. 1952)Dale Campbell (Tahltan, b. 1954)Marianne Nicolson (Kwakwaka’wakw, b. 1969)Arlene Ness (Gitxsan, b. 1970s)Melanie Russ (Haida, b. 1977)Marika Swan (Nuu-chah-nulth, b. 1982)Morgan Asoyuf (Ts’msyen, b. 1984)Cori Savard (Haida, b. 1985)Cherish Alexander (Gitwangak, b. 1987)Stephanie Anderson (Wetsuwet’en, b. 1991)Veronica Waechter (Gitxsan, b. 1995)

Exquisitely detailed drawings offer a “field guide” to ubiquitous but overlooked elements of Vancouver’s urban landscape.Three series of intricate graphite drawings depict, with arresting realism, real-world examples of assembled, grown, and built objects common to distinct milieus of Vancouver: the shopping carts piled high with belongings that clatter along sidewalks in the downtown core; the long, high hedges that insulate single-family homes from the din of arterial traffic; and the sculptural lions placed for good luck atop fenceposts in front of many homes, especially on the city’s east side.In creating snapshots and then laborious drawings of these objects, Taizo Yamamoto, the principal of Yamamoto Architecture, was driven by a fascination with how the recurrence of these seemingly mundane objects speaks to omnipresent issues of housing unaffordability, densification, and the aspirations of diasporic communities—concerns that have an uneasy relationship to celebrated narratives of Vancouver but play a prominent role in residents’ everyday lives. To this work he brings not just sustained careful attention but an architect’s eye for details both structural and textural, resulting in immersive, richly nuanced drawings.New essays and fiction from three authors engages the work through prose: Aaron Peck, author of Jeff Wall: North & West (2015), interprets the shopping cart drawings as an appreciation of “ephemeral architecture” and sees affinities to work by Walker Evans and Hilda and Bernd Becher; a short story by Giller Prize–nominated author Kevin Chong (The Double Life of Benson Yu, 2023) imagines the lives behind the hedges; and Jackie Wong, senior editor of The Tyee, reports on the origin, production, and symbolism of the many lions dotting the city.

The lives and habitats of two majestic bird species are shared through striking space, aerial, and surface photographs to artfully convey the fragile elegance of life on Earth.New perspectives can inspire us to think differently about our place in the universe. The first photos of Earth from space showed the home of all known life as a small “blue marble” in a vast darkness and are thought by many to have inspired the environmental movement. For Dr. Roberta L. Bondar, the first female Canadian astronaut and the world’s first neurologist in space, the rare perspective she enjoyed aboard the Space Shuttle Discovery enhanced her reverence for the world we share with non-human life— especially birds, the only animals also able to fly vast distances across the globe.In Space for Birds: Patterns and Parallels of Beauty and Flight, Bondar, also an accomplished professional nature and landscape photographer, focuses her lens on two international species: the endangered Whooping Crane, which migrates from its boreal nesting grounds in Canada’s Wood Buffalo National Park to the seaside abundance of its winter habitat in Texas; and the near-threatened Lesser Flamingo, which is seen in dazzling pink flocks on and above East African Rift Valley soda lakes. Photos from the International Space Station convey the continental scale of these birds’ travels, and Bondar’s aerial and surface photos, accompanied by insights both scientific and personal, offer intimate glimpses of their daily lives and unique behaviours. While these birds lead different lives on opposite sides of the globe, they share, with each other and with us, an imperative to survive and a reliance on Earth’s fragile ecosystems.This book complements a travelling photographic exhibit, Patterns & Parallels: The Great Imperative to Survive.

Decadent daytime dishes to keep the party goingJoey Maggiore is the force behind the Maggiore Group and Hash Kitchen, the restaurant empire launched in Arizona in 2015 that has become the go-to destination for the most audacious brunch around. With his epic DIY Bloody Mary Bar and Instagram-famous dishes like Carnitas Hash and Billionaire Bacon, Chef Joey is all about serving up a good time.In his debut cookbook, the King of Brunch shares 70 of his favorite flavor-forward recipes for pulling off the best meal of the week at home, including a Ten-Layer Breakfast Lasagna recipe, Crème Brulée French Toast Sticks, and nostalgic cereal-infused cocktails. Call your friends over, turn up the tunes–courtesy of a bumpin’ playlist by DJ Ice–and stake your claim to the brunch crown."When your motto is 'The Brunch Life,' your late-morning meal game better be strong and Chef Joey’s Hash Kitchen absolutely lives up to the mantra."—Thrillist

"Splendid. This monumentally intimate collection journeys into the diverse soul of the nation. Moments of wit and affection contrast with an austere and formal observation of the human desire to settle, celebrate, and survive. A joyous and inspired book full of moments that are oddly resonant and deeply moving."—Atom EgoyanA subversive look at the liminal locations and transitional moments that make up the Canadian unconscious and the Not-So-True North.In this unvarnished look at Canada, renowned photographer Geoffrey James directs his gaze to the in-between spaces and forgotten places that resist the idea of a cohesive national identity. With an equable eye, James documents the ephemeral and the monumental: a demolition derby in Quebec, how an inmate at Kingston Penitentiary has decorated his cell, the Dickensian side door of Massey Hall in Toronto. The photographs in this collection celebrate the everyday while meditating on the issues James's adopted home faces: the bifurcation of rural and urban, rapid growth and increasing inequality, and its journey toward truth and reconciliation. Linked by views taken from train windows from British Columbia to Nova Scotia, James’s unofficial portrait of Canada brings into sharp relief the unfinished business of the nation as it lurches into the next century.Canadian Photographs includes a conversation between the photographer and Peter Galassi, former Chief Curator of Photography at the Museum of Modern Art.

The first comprehensive look at a leading figure in Canadian modernism and the many facets of his artistic creativity. Bertram Brooker (1888-1955), an associate of the Group of Seven, was a multi-disciplinary artist who was deeply engaged with the visual, literary and performing arts in Canada during the dynamic inter-war period. This was a time of dramatic change in Canadian cultural life, and Brooker was one of the artistic community's most gifted first responders. In 1927 he burst onto the Toronto art scene at the Arts and Letters Club with his painting exhibition "World and Spirit," considered to be the first show of abstract paintings in Canada. An advertising executive by day, he was inspired by music and mystical experience throughout his polymathic creative career. Brooker combined elements of abstraction and figuration as a painter, illustrator and graphic designer - the focus of this publication - and reflected myriad strains of contemporary thought in his efforts as a novelist, poet, short-story and essay writer, screenwriter, playwright, actor, musician, and as one of the most influential art critics of his day. Bertram Brooker: When We Awake! is the fully illustrated catalogue accompanying the exhibition organized by the McMichael Canadian Art Collection and curated by noted Canadian art scholar Michael Parke-Taylor, placing Brooker's career as a visual artist in the context of his wider creativity at last. It includes 150 of his paintings and drawings, a detailed chronology of his career, and new critical reflections on his trailblazing contribution to Canadian cultural life.

"A ground-breaking and definitive roadmap to finding success through the dynamic partnership of private equity and franchising."-Justin Nihiser, Operating Partner, Garnett Station PartnersPrivate equity (PE) is profoundly transforming the business of franchising, as companies increasingly perceive PE transactions as an attractive alternative to going public, and as investors realize the strength and resilience of the franchise model. In recent years, franchisors and multi-unit franchisees encompassing more than 700 brands have partnered with private capital, including Subway, which announced in 2023 that after decades of independence it would be acquired by Roark Capital Group for more than $9 billion. It's estimated that private capital is currently sitting on at least $1 trillion of "dry powder" - committed funds that haven't yet been deployed. Franchising will continue to attract investment out of this substantial and still-growing pool. In Big Money in Franchising, franchise thought leader, board advisor, franchise investor, and PE consultant Alicia Miller demonstrates how founders and franchisees alike can effectively leverage private capital to take their businesses to the next level of performance. Miller walks through PE growth playbooks in depth, drawing on recent case studies, highlighting best practices, and sharing valuable insights into PE's investing mindset, key players, selection criteria, and trading dynamics. The book also tracks the top challenges private capital has experienced in franchise investing, providing guidelines for vetting potential partners and conducting due diligence to avoid negative outcomes, value destruction, and stall-outs. Featuring interviews with franchise entrepreneurs, brand founders, deal advisors, and PE executives, Big Money in Franchising empowers readers with the information needed to build enterprise value and climb the private equity profit ladder.

"Chef Dev brilliantly combines flavors and techniques from across the globe into dishes that feel comfortingly familiar yet wildly exciting. Each recipe is a story you can't wait to re-tell so you can watch the joy spread to others and invite them to join in the feast."--

A landmark publication bringing together more than seventy voices illuminating the rich array of Indigenous art held by the McMichael Canadian Art Collection. Under the editorial direction of Anishinaabe artist and scholar Bonnie Devine, Early Days gathers the insights of myriad Indigenous cultural stakeholders, informing us on everything from goose hunting techniques, to the history of Northwest Coast mask making, to the emergence of the Woodland style of painting and printmaking, to the challenges of art making in the Arctic, to the latest developments in contemporary art by Indigenous peoples from across Turtle Island. Splendidly illustrated, Early Days not only tells the story of a leading collection but traces the emergence and increasing participation of many Indigenous artists in the contemporary art world. This publication will be the largest in the history of the McMichael, and represents a vital acknowledgment of the place of Indigenous art and ways of knowing in global art history. Featured contributors: Barry Ace, Pierre Aupilardjuk, Leland Bell, Dempsey Bob, Violet Chum, Hannah Claus, Dana Claxton, Taa.uu 'Tuuwans Nika Collison, Alan Ojiig Corbiere, Marcia Crosby, Ruth Cuthand, Mique'l Dangeli, Sarah Florence Davidson, Robert Davidson, Blake Debassige, Bonnie Devine, Tarralik Duffy, Norma Dunning, David Garneau, John Geoghegan, Janice Grey, Haay'uups (Ron Hamilton), Jim Hart, Emma Hassencahl-Perley, Emily Henderson, Lynn Hill, Richard William Hill, Maria Hupfield, Heather Igoliorte, Luis Jacob, Gayle Uyagaqi Kabloona, William Kingfisher, Jessica Kotierk, Robin Laurence, Duane Linklater, Ange Loft, Tanya Lukin Linklater, Jean Marshal, Michael Massie, Kaitlin McCormick, Gerald McMaster, Ossie Michelin, Sarah Milroy, Antoine Mountain, Nadia Myre, Wanda Nanibush, Jeneen Frei Njootli, Ruth B. Phillips, Jocelyn Piirainen, Ryan Rice, Carmen Robertson, Paul Seesequasis, Leanne Betasamosake Simpson, Wedlidi Speck, Michelle Sylliboy, Snxakila Clyde Tallio, Drew Hayden Taylor, Nakkita Trimble, Jesse Tungilik, Camille Georgeson-Usher, William Wasden Jr., Jordan Wilson, Jessica Winters.

THINKERS50 BEST MANAGEMENT BOOKS FOR 2024GOLD MEDAL WINNER – 2024 AXIOM BUSINESS BOOKS AWARD – LEADERSHIP CATEGORY"Work-life balance" isn't making anyone happy.In fact, our relentless attempts to achieve this goal have created workplaces full of stress, discontent, and burnout.While this workplace disillusionment has been brewing for years, the pandemic helped catalyze a cultural shift of workers redefining themselves beyond what they do for a living. Now, it's time for you to rethink your role as a leader in the nexus of work and life.In Work-Life Bloom: How to Nurture a Team That Flourishes, award-winning author Dan Pontefract contends that a thriving workplace isn't about employee engagement levels, nor is it predicated on your team members bringing their "best selves" to work. Instead, it requires you to support the people you manage so they can be their best in work and life.Just as a flower needs the right mix of sunlight, water, and nutrients to grow, your people need the right mix of work-life factors to create a fulfilling and harmonious existence. Pontefract introduces a new leadership paradigm focused on twelve key work-life factors that determine whether your team members' gardens are able to grow.Drawing upon primary global research, interviews, and personal experiences, Pontefract delivers a timely blueprint for leaders to cultivate work-life ecosystems where individuals don't just survive—they bloom.

A captivating photographic portrait of the diverse experiences of immigrants in the United States, depicting the resilience and realities of building a home in a new place. Disturbed by the increasingly hostile views of immigrants that arose in the United States during the 2016 presidential election, photographer Colin Boyd Shafer set out on a road trip to meet hundreds of families and individuals with roots abroad who now live in America. The result, after a year of travel covering fifty thousand miles, is this collection of striking photos and moving stories that form a portrait of the nation's complex and shifting relationship to immigration. Some of the participants chose to make America home; others were displaced by crises. Some were warmly welcomed and granted citizenship; others battled the immigration system for years and still live with fear and uncertainty. Their circumstances and origins vary, but all are united by a willingness to share their stories-of harrowing journeys, intense love, separated families, passionate activism-in hopes of adding nuance and depth to a vital issue that continues to polarize Americans.

Unlock the 10/10 life already within you. We all have that friend. The one who seems to glide through the day with an effortless smile on her face. The one who seems unstoppable-confident in her ability to achieve what she desires without the slightest trace of fear or doubt. The one who always seems to have the capacity to do and give more. If you're someone who's struggling with life's ebbs and flows, feeling left behind, or simply having difficulty getting through the day, you might think that high-performing friend is living in a different reality. But in fact, we're all capable of achieving that dime state through effective energy management. In Be a Dime, renowned corporate speaker, multi-sport athlete, and former celebrity trainer Jill Payne shares surprisingly simple and time-tested principles to modulate the signals that you send yourself and broadcast out to the world through your body language, your mental focus, and your internal dialogue. The result is a newfound ability to channel your emotions and determine your experience of life, with less interference from external factors. Complete with workbook exercises and prompts for self-reflection, Payne's program will help you to unlock greater resilience, drive, and joy to live a life that is the highest expression of yourself, from the inside out. The truth is that you're already a dime. Here's how to choose to consistently shine.

A socially conscious, adventurous, and style-forward look at how to make drinks for anyone, anytime. “In a cocktail world that is starting to look and act more like a science laboratory than a bar, Evelyn Chick is a breath of fresh air. Her easy-to-follow recipes will give readers more time to entertain and enjoy the drinks themselves‿and isn't that the point?â€? ‿Ivy Mix, American Bartender of the Year (2015 Spirited Awards), Mixologist of the Year (2016, Wine Enthusiast), co-owner Leyenda, BrooklynA great cocktail is more than the sum of its parts. Globally acclaimed beverage expert Evelyn Chick knows that our enjoyment of a cocktail goes beyond the ingredients, equipment, and skills in the mix: it‿s about keeping an open mind and embracing the simple joy of sharing flavors with others. In this playful collection of recipes, Chick celebrates the simple joy of sharing flavors in approachable ways, offering unpretentious guidance on:Home bar tool and pantry essentialsSpirit categoriesEasy-peasy fancy garnishesSeriously refreshing summer drinks and warming cocktail-hour staplesLow-alcohol, zero-proof, and cannabis-inclusive optionsLarge-format servings for get-togethersVersatile syrups, tinctures, and infusions For the Love of Cocktails will inspire home bartenders‿both beginners and those looking to level up‿to curate the right drink for every occasion, whether you‿re in the mood for an after-work cocktail, a celebratory libation, or a backyard party favor. “Guaranteed to delight the palate of even the most discerning of cocktail aficionados. A must- have for the modern drinker.â€?‿Erick Castro, award-winning bartender; host of Bartender at Large“Levelling up the at-home happy-hour experience for any occasion ‿ Evelyn Chick mixes artistry and alchemy with practical advice, easy-to-find ingredients and mood-based recipes that deliver.â€?‿Elle Canada"This is the kind of mixology guide that will have a place on bookshelves for years to come."‿Library Journal

Art and physics collide in this expansive exploration of how knowledge can be translated across disciplinary communities to activate new aesthetic and scientific perspectives.Leaning Out of Windows shares findings from a six-year collaboration by a group of artists and physicists exploring the connections and differences between the language they use, the means by which they develop knowledge, how that knowledge is visualized, and, ultimately, how they seek to understand the universe. Physicists from TRIUMF, Canada's particle physics accelerator, presented key concepts in the physics of Antimatter, Emergence, and In/visible Forces to artists convened by Emily Carr University of Art + Design; the participants then generated conversations, process drawings, diagrams, field notes, and works of art. The "wondrous back-and-forth" of this process allowed both scientists and artists to, as Koenig and Cutler describe, "lean out of our respective fields of inquiry and inhabit the infinite spaces of not knowing."From this leaning into uncertainty comes a rich array of work towards furthering the shared project of artists and scientists in shaping cultural understandings of the universe: Otoniya J. Okot Bitek reflects on the invisible forces of power; Jess H. Brewer contemplates emergence, free will, and magic; Mimi Gellman looks at the resonances between Indigenous Knowledge and physics; Jeff Derksen finds Hegelian dialectics within the matter–antimatter process; Sanem Güvenç considers the possibilities of the void; Nirmal Raj ponders the universe's "special moment of light and visibility" we happen to inhabit; Sadira Rodrigues eschews the artificiality of the lab for a “boring berm of dirt”; and Marina Roy metaphorically turns beams of stable and radioactive gold particles into art of pigments, oils, liquid plastic, and wood. Combined with additional essays, diagrams, and artworks, these texts and artworks live in the intersection of disparate fields that nonetheless share a deep curiosity of the world and our place within it, and a dedication to building and sharing knowledges.