Bøker utgitt av Feminist Press at The City University of New York

"QUEER THEN AND NOW: THE DAVID R. KESSLER LECTURES, 2002-2020 includes seventeen lectures, reflections, and two scholarly roundtables by prominent queer and trans scholars, activists, and artists-including Adrienne Rich, Amber Hollibaugh, Cathy J. Cohen, Cheryl Clarke, Dean Spade, Douglas Crimp, Gayle Rubin, Isaac Julien, Jasbir K. Puar, Jonathan Ned Katz, Martin Duberman, Richard Fung, Roderick A. Ferguson, Sara Ahmed, Sarah Schulman, Susan Stryker, and Urvashi Vaid-on the past, present, and future of queer studies"--

In this disarming and candid memoir, cultural critic Clarkisha Kent unpacks the kind of compounded problems you face when you’re a fat, Black, queer woman in a society obsessed with heteronormativity.There was no easy way for Kent to navigate personal discovery and self-love. As a dark-skinned, first-generation American facing a myriad of mental health issues and intergenerational trauma, at times Kent’s body felt like a cosmic punishment. In the face of body dysmorphia, homophobia, anti-Blackness, and respectability politics, the pursuit of “high self-esteem” seemed oxymoronic. Fat Off, Fat On: A Big Bitch Manifesto is a humorous, at times tragic, memoir that follows Kent on her journey to realizing that her body is a gift to be grown into, that sometimes family doesn’t always mean home, and how even ill-fated bisexual romances could free her from gender essentialism. Perfect for readers of Keah Brown’s The Pretty One, Alida Nugent’s You Don’t Have to Like Me, and Stephanie Yeboah’s Fattily Ever After, Kent’s debut explores her own lived experiences to illuminate how fatphobia intertwines with other oppressions. It stresses the importance of addressing the violence scored upon our minds and our bodies, and how we might begin the difficult—but joyful—work of setting ourselves free.

The eleven stories in Sweetlust interweave feminist critique, intertextuality, and science fiction tropes in an irreverent portrait of our past, present, and future.In a dystopian world with no men, women are “rehabilitated” at an erotic amusement park. Climate change has caused massive flooding and warming in the Balkans, where one programmer builds a time machine. And a devious reimagining of The Sorrows of Young Werther refocuses to center a sexually adventurous Charlotte.Asja Bakić deploys the speculative and weird to playfully interrogate conversations around artificial intelligence, gender fluidity, and environmental degradation. As she did in her acclaimed debut Mars, Bakić once again upends her characters’ convictions and identities—and infuses each disorienting universe with sly humor and off-kilter eroticism. Visceral and otherworldly, Sweetlust takes apart human desire and fragility, repeatedly framing pleasure as both inviting and perilous.

By one of Southeast Asia’s most exciting writers, The Age of Goodbyes is a wildly inventive account of family history, political turmoil, and the redemptive grace of storytelling.In 1969, in the wake of Malaysia's deadliest race riots, a woman named Du Li An secures her place in society by marrying a gangster. In a parallel narrative, a critic known only as The Fourth Person explores the work of a writer also named Du Li An. And a third storyline is in the second person; “you” are reading a novel titled The Age of Goodbyes. Floundering in the wake of “your” mother’s death, “you” are trying to unpack the secrets surrounding “your” lineage.The Age of Goodbyes—which begins on page 513, a reference to the riots of May 13, 1969—is the acclaimed debut by Li Zi Shu. The winner of multiple awards and a Taiwanese bestseller, this dazzling novel is a profound exploration of what happens to personal memory when official accounts of history distort and render it taboo.

Informed by the author’s experience in and between genders, this debut story collection blurs fantasy and reality, excavating new meanings from our varied dysphorias. Misfit mothers, prodigal "undaughters," con artists, and middle-aged runaways populate these ten short stories that blur the lives we wish for with the ones we actually lead. A tornado survivor grapples with a new identity, a trans teen psychic can read only indecisive minds, and a woman informs her family of her plans to upload her consciousness and abandon her body. Luke Dani Blue invites the reader into a world of outlier lives made central and magical thinking made real. Surreal, darkly humorous, and always deeply felt, Pretend It’s My Body is bound together by the act of searching—for a spark of recognition and a story of one's own.

A collection of life stories so funny, moving that “you don’t have to be a Jewish feminist mama to love this book . . . but it wouldn’t hurt” (Tablet Magazine).Here are the collected autobiographical writings of memoirist, poet, and professor Faye Moskowitz. Known for both her sense of humor—even in the bleakest of circumstances—and her insight into the relationships that define who we are, where we come from, and where we hope to be going, Moskowitz shares her own life stories in “a book that will make you stand up and cheer” (The Detroit News).From her childhood in Detroit during the Great Depression to the time when her mother abandoning the family to pursue her own dreams; from helping a dying friend simply get through another day to a hilarious account of binge eating at a wedding; from finding love and leaving home to building her own family and legacy, these recounted experiences give us “her piercingly tender observations about unlikely friendships, transgressive love, disappointing plants, and sacred Jewish rituals of the kitchen” (Lilith Magazine).

Sexy, beautiful, but frustrated… a neglected housewife finds the delights and degradations of forbidden love.

This crucial expansion on social justice discourse surrounding reproductive rights explores the practical applications for activist thought migrating from the community into the academy.

In this prize-winning, provocative novel set in contemporary Iran, a spoiled and foul-mouthed young woman looks to get high while her family and city fall to pieces.

Detouring from the traditional timeline of marriage-kids-house, twenty-six-year-old Vikki Warner skips straight to homeownership. She buys a downtrodden three-story house in Providence, Rhode Island, and suddenly finds herself responsible for a rotating cast of colourful tenants. Adulthood comes with unforeseen challenges: backed-up sewage, gentrification, global economic downturn. A candid portrait of how sharing space profoundly reshapes our lives, and forces us to grow into ourselves.

An arabophone cult classic traces the impact of power, abuse, and illness on the body, by Morocco’s foremost writer of life on the margins.

An interdisciplinary exploration of Asian diasporas as gendered spaces that host uneven movements of bodies, identities, histories, and hegemonies.

A jealous husband frames his wife for his own suicide so she'll never love again.

Who is your icon? Today's most fascinating writers reveal a private view on a public person.

An aristocratic naif colludes with the Nazis, then stands up against the Gulag in this epic of riches to rags.

In this evocative account of navigating pregnancy loss, Jessica Zucker confronts the cultural silence around miscarriages and illuminates how she built a movement from her experience, transforming trauma into human connection.

Black love is explored as a concept and tool for forming, sustaining, and fragmenting global Black communities in the twentieth and twenty-first centuries.

Interweaving oral history, scholarly research, and first-person memoir, WE WERE THERE documents how the TWWA shaped and defined second wave feminism. Highlighting the essential contributions of women of colour to the movement, this historical resource will inspire activists today and tomorrow, reminding a new generation that solidarity across difference is the only way forward.

A powerful account of a Korean American daughter's exploration of food and family history to understand her mother's schizophrenia.

This lyrical memoir of late motherhood reconstructs the lost history of a Black American family, defying erasure, intergenerational trauma, and racist violence.

The Black women and nonbinary members of the writing collective Echoing Ida harness the power of media for social justice. With over five hundred articles published, their work amplifies the struggles and successes of contemporary freedom movements in America. In this anthology, the best of Echoing Ida''s writing is collected for the first time. Featuring a foreword by Michelle Duster, activist and great-granddaughter of Ida B. Wells-Barnett, the essays imagine a gender-expansive and liberated future.

Melissa s mixed-race family is torn apart when her older brother Junior is murdered as a result of gun violence. The Names of All the Flowers connects one tragic death to a collective grief for all black people who die too young. A lyrical recounting of a life lost, Melissa Valentine''s debut memoir is an intimate portrait of a family fractured by the school-to-prison pipeline and an enduring love letter to an adored older brother. It is a call for justice amid endless cycles of violence, grief, and trauma, declaring: ''we are all witness and therefore no one is spared from this loss.''

In this evocative memoir, now a foundational text in postcolonial studies, an acclaimed Indian poet explores writing, memory, and place in a post-9/11 world.