Bøker utgitt av FARRAR STRAUSS & GIROUX

A beautifully crafted memoir about fathers and sons, masculinity, and the lengths we sometimes go to in order to confront our past"[A] lucidly written memoir . . . Coffin's triumph lies in ridding the language of his father, a language that compelled him to dwell in a house he did not recognize." -Matthew Janney, The Los Angeles Review of BooksWhile lifting weights in the Seldon Jackson College gymnasium on a rainy autumn night, Jaed Coffin heard the distinctive whacking sound of sparring boxers down the hall. A year out of college, he had been biding his time as a tutor at a local high school in Sitka, Alaska, without any particular life plan. That evening, Coffin joined a ragtag boxing club. For the first time, he felt like he fit in.Coffin washed up in Alaska after a forty-day solo kayaking journey. Born to an American father and a Thai mother who had met during the Vietnam War, Coffin never felt particularly comfortable growing up in his rural Vermont town. Following his parents' prickly divorce and a childhood spent drifting between his father's new white family and his mother's Thai roots, Coffin didn't know who he was, much less what path his life should follow. His father's notions about what it meant to be a man-formed by King Arthur legends and calcified in the military-did nothing to help. After college, he took to the road, working odd jobs and sleeping in his car before heading north. Despite feeling initially terrified, Coffin learns to fight. His coach, Victor "the Savage," invites him to participate in the monthly Roughhouse Friday competition, where men contend for the title of best boxer in southeast Alaska. With every successive match, Coffin realizes that he isn't just fighting for the championship belt; he is also learning to confront the anger he feels about a past he never knew how to make sense of.Deeply honest and vulnerable, Roughhouse Friday is a meditation on violence and abandonment, masculinity, and our inescapable longing for love. It suggests that sometimes the truth of what's inside you comes only if you push yourself to the extreme.

"Triumphant . . . as heartwarming as it is beautifully written." -Michael Schaub, NPRFrom the acclaimed author of Girlchild, this gritty, irreverent novel sees a young misfit grow into hopeUnsinkable and wrecked by grief, motherless and aimless and looking for connection, Helen Dedleder is a girl with a gift she doesn't want to use and a pack of friends who are all just helping each other get by. So cut off from the rest of the world that even the internet is blocked (never mind traffic in and out), Rosary, California, is run by evangelicals but was named by Catholics. It's a town on very formal relations with its neighbors, one that boasts an oil refinery as well as a fairly sizable population of teenagers. For Helen and her gang of misfits, the tire yard, sex, and beer help pass the days until they turn eighteen and leave town. Her best friends, Win and Rainbolene, late arrivals to Rosary, are particularly keen to depart-Rain because she'll finally be able to get the hormones she needs to fully become herself. Watching over them is Aunt Bev, an outcast like the kids, who runs the barely tolerated Psychic Encounter Shoppe and tries to keep Helen connected to her own psychic talents-a gift passed down from her mother. Tensions are building, though, in every way. Threats against the Psychic Encounter Shoppe become serious actions. One of the kids gets in trouble, and then another. And Helen can see some things before they happen, but somehow can't see the most important things happening right in front of her. Tupelo Hassman's gods with a little g bursts and splinters with flawed, lovable characters whose haphazard investigations into each others's hearts will reshape your understanding of trust, how to build a family, and how to make a future you can see.

A fever dream of a novel-strangely funny, entirely unconventional-Valerie conjures the life, mind, and art of American firebrand Valerie SolanasIn April 1988, Valerie Solanas-the writer, radical feminist, author of the SCUM Manifesto and would-be assassin of Andy Warhol-was discovered dead at fifty-two in her hotel room, in a grimy corner of San Francisco, alone, penniless, and surrounded by the typed pages of her last writings. In Valerie, a nameless narrator revisits the room where Solanas died, the courtroom where she was tried and convicted of attempting to murder Andy Warhol, the Georgia wastelands where she spent her childhood and was repeatedly raped by her father and beaten by her alcoholic grandfather, and the mental hospitals where she was shut away. A leading feminist in Sweden and one of the most acclaimed writers in Scandinavia, Sara Stridsberg here blurs the boundaries between history and fiction, self-making and storytelling, madness and art, love and tragedy. Through imagined conversations and monologues, reminiscences and rantings, she reconstructs this most intriguing and enigmatic of women, reaching back in time to amplify her voice and bring her powerful, heartbreaking story into new light.

Tractor Mac and his vehicle and animal friends return in a jacketed hardcover edition about the joys and challenges of change. Fergus the calf doesn't want autumn to come to Stony Meadow Farm. Not if it means the cornstalks are cut, the trees lose their leaves, and his bird friends migrate away. Why can't things just stay the same?But with the help of Tractor Mac and the rest of his friends, Fergus realizes that there are plenty of fun things about autumn, too, as he learns to appreciate what makes each season special.

A young girl learns what it really means to sparkle in this charming picture book about the challenges and joys of making new friends.Lightning-bug-loving Maude wants to be a member of the Bug-of-the-Month Club in her new neighborhood, and decides that her entrance speech will be about fireflies. She reads, she researches, she prepares, and she delivers a speech that all the club members love-except for hard-to-please Louise. Louise won't even let Maude in the club! So Maude vows to really let Louise have it for being so rude. But when she does, it's not in the way anyone expects.Featuring wonderful illustrations by Jennifer Plecas, Cari Best's Bug Off! is a sparkly story about friendship, kindness, and inclusion-packed with info about fireflies, too!

A New York Times Bestseller!An extraordinary look at what it means to grow old and a heartening guide to well-being, Happiness Is a Choice You Make weaves together the stories and wisdom of six New Yorkers who number among the "oldest old"-those eighty-five and up.In 2015, when the award-winning journalist John Leland set out on behalf of The New York Times to meet members of America's fastest-growing age group, he anticipated learning of challenges, of loneliness, and of the deterioration of body, mind, and quality of life. But the elders he met took him in an entirely different direction. Despite disparate backgrounds and circumstances, they each lived with a surprising lightness and contentment. The reality Leland encountered upended contemporary notions of aging, revealing the late stages of life as unexpectedly rich and the elderly as incomparably wise.Happiness Is a Choice You Make is an enduring collection of lessons that emphasizes, above all, the extraordinary influence we wield over the quality of our lives. With humility, heart, and wit, Leland has crafted a sophisticated and necessary reflection on how to "live better"-informed by those who have mastered the art.

A New York Times Book Review Editors' Choice. A 2019 NPR Staff Pick."Malcolm is always worth reading; it can be instructive to see how much satisfying craft she brings to even the most trivial article." --Phillip Lopate, TLSJanet Malcolm's previous collection, Forty-One False Starts: Essays on Artists and Writers, was "unmistakably the work of a master" (The New York Times Book Review). Like Forty-One False Starts, Nobody's Looking at You brings together previously uncompiled pieces, mainly from The New Yorker and The New York Review of Books.The title piece of this wonderfully eclectic collection is a profile of the fashion designer Eileen Fisher, whose mother often said to her, "Nobody's looking at you." But in every piece in this volume, Malcolm looks closely and with impunity at a broad range of subjects, from Donald Trump's TV nemesis Rachel Maddow, to the stiletto-heel-wearing pianist Yuju Wang, to "the big-league game" of Supreme Court confirmation hearings. In an essay called "Socks," the Pevears are seen as the "sort of asteroid [that] has hit the safe world of Russian Literature in English translation," and in "Dreams and Anna Karenina," the focus is Tolstoy, "one of literature's greatest masters of manipulative techniques." Nobody's Looking at You concludes with "Pandora's Click," a brief, cautionary piece about e-mail etiquette that was written in the early two thousands, and that reverberates-albeit painfully-to this day.

A monumental reevaluation of the career of John Hersey, the author of HiroshimaFew are the books with as immediate an impact and as enduring a legacy as John Hersey's Hiroshima. First published as an entire issue of The New Yorker in 1946, it was serialized in newspapers the world over and has never gone out of print. By conveying plainly the experiences of six survivors of the 1945 atomic bombing and its aftermath, Hersey brought to light the magnitude of nuclear war. And in his adoption of novelistic techniques, he prefigured the conventions of New Journalism. But how did Hersey-who was not Japanese, not an eyewitness, not a scientist-come to be the first person to communicate the experience to a global audience?In Mr. Straight Arrow, Jeremy Treglown answers that question and shows that Hiroshima was not an aberration but was emblematic of the author's lifework. By the time of Hiroshima's publication, Hersey was already a famed war writer and had won a Pulitzer Prize for Fiction. He continued to publish journalism of immediate and pressing moral concern; his reporting from the Freedom Summer and his exposés of the Detroit riots resonate all too loudly today. But his obsessive doubts over the value of his work never ceased. Mr. Straight Arrow is an intimate, exacting study of the achievements and contradictions of Hersey's career, which reveals the powers of a writer tirelessly committed to truth and social change.

A decisive key to help grasp some of the essential points of what is happening around us. The ninth part of Roberto Calasso's masterwork, The Unnamable Present, is closely connected with themes of the first book, The Ruin of Kasch (originally published in 1983, and reissued by FSG in a new translation). But while Kasch is an enlightened exploration of modernity, The Unnamable Present propels us into the twenty first century.Tourists, terrorists, secularists, fundamentalists, hackers, transhumanists, algorithmicians: these are all tribes that inhabit the unnamable present and act on its nervous system. This is a world that seems to have no living past, but was foreshadowed in the period between 1933 and 1945, when everything appeared bent on self-annihilation. The Unnamable Present is a meditation on the obscure and ubiquitous process of transformation happening today in all societies, which makes so many previous names either inadequate or misleading or a parody of what they used to mean.Translated with sensitivity by Calasso's longtime translator, Richard Dixon, The Unnamable Present is a strikingly original and provocative vision of our times, from the writer The Paris Review called "a literary institution of one."

An "extraordinary" (The Sunday Times) debut of unnerving beauty, Chris Power's short story collection Mothers evokes the magic and despair of the essential human longing for purpose.Chris Power's stories are peopled by men and women who find themselves at crossroads or dead ends-characters who search without knowing what they seek. Their paths lead them to thresholds, bridges, rivers, and sites of mysterious, irresistible connection to the past. A woman uses her mother's old travel guide, aged years beyond relevance, to navigate on a journey to nowhere; a stand-up comic with writer's block performs a fateful gig at a cocaine-fueled bachelor party; on holiday in Greece, a father must confront the limits to which he can keep his daughters safe. Braided throughout is the story of Eva, a daughter, wife, and mother, whose search for a self and place of belonging tracks a devastating path through generations.Ranging from remote English moors to an ancient Swedish burial ground to a hedonistic Mexican wedding, the stories in Mothers lay bare the emotional and psychic damage of life, love, and abandonment. Suffused with yearning, Power's transcendent prose expresses a profound ache for vanished pasts and uncertain futures.

A career-spanning collection of Bruce Berger's beautiful, subtle, and spiky essays on the American desertOccupying a space between traditional nature writing, memoir, journalism, and prose poetry, Bruce Berger's essays are beautiful, subtle, and haunting meditations on the landscape and culture of the American Southwest. Combining new, unpublished essays with selections from his acclaimed trilogy of "desert books"-The Telling Distance, There Was a River, and Almost an Island-A Desert Harvest is a career-spanning selection of the best work by this unique and undervalued voice.Wasteland architecture, mountaintop astronomy, Bach in the wilderness, the mind of the wood rat, the canals of Phoenix, and the numerous eccentric personalities who call the desert their home all come to life in these fascinating portraits of America's seemingly desolate terrains.

NEW YORK TIMES BESTSELLER. SEMI-FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR ART OF THE ESSAY.One of Amazon, Buzzfeed, ELLE, Electric Literature and Pop Sugar's Best Books of 2018. Named one of the Best Books of October and Fall by Amazon, Buzzfeed, TIME, Vulture, The Millions and Vol. 1 Brooklyn."Hilarious, nimble, and thoroughly illuminating." -Colson Whitehead, author of The Underground Railroad A globe-spanning, ambitious book of essays from one of the most enthralling storytellers in narrative nonfictionIn his highly anticipated debut essay collection, Impossible Owls, Brian Phillips demonstrates why he's one of the most iconoclastic journalists of the digital age, beloved for his ambitious, off-kilter, meticulously reported essays that read like novels.The eight essays assembled here-five from Phillips's Grantland and MTV days, and three new pieces-go beyond simply chronicling some of the modern world's most uncanny, unbelievable, and spectacular oddities (though they do that, too). Researched for months and even years on end, they explore the interconnectedness of the globalized world, the consequences of history, the power of myth, and the ways people attempt to find meaning. He searches for tigers in India, and uncovers a multigenerational mystery involving an oil tycoon and his niece turned stepdaughter turned wife in the Oklahoma town where he grew up. Through each adventure, Phillips's remarkable voice becomes a character itself-full of verve, rich with offhanded humor, and revealing unexpected vulnerability. Dogged, self-aware, and radiating a contagious enthusiasm for his subjects, Phillips is an exhilarating guide to the confusion and wonder of the world today. If John Jeremiah Sullivan's Pulphead was the last great collection of New Journalism from the print era, Impossible Owls is the first of the digital age.

In Gomorrah, a New York Times Book Review Notable Book of the Year, Roberto Saviano revealed a true, devastating portrait of Naples, Italy under the rule of the Camorra, a crime organization more powerful and violent than the Mafia. In The Piranhas, now a major motion picture, the international bestselling author returns to his home city with a novel of gang warfare and a young man's dark desire to rise to the top of Naples's underworld.Nicolas Fiorillo is a brilliant and ambitious fifteen-year-old from the slums of Naples, eager to make his mark and to acquire power and the money that comes with it. With nine friends, he sets out to create a new paranza, or gang. Together they roam the streets on their motorscooters, learning how to break into the network of small-time hoodlums that controls drug-dealing and petty crime in the city. They learn to cheat and to steal, to shoot semiautomatic pistols and AK-47s. Slowly they begin to wrest control of the neighborhoods from enemy gangs while making alliances with failing old bosses. Nicolas's strategic brilliance is prodigious, and his cohorts' rapid rise and envelopment in the ensuing maelstrom of violence and death is riveting and impossible to turn away from. In The Piranhas, Roberto Saviano imagines the lurid glamour of Nicolas's story with all the vividness and insight that made Gomorrah a worldwide sensation."With the openhearted rashness that belongs to every true writer, Saviano returns to tell the story of the fierce and grieving heart of Naples." -Elena Ferrante

One of The New Yorker's "Books We Loved in 2017"A Grace Paley Reader compiles a selection of Paley's writing across genres, showcasing her breadth of work as well as her extraordinary insight and brilliant economy of words."A writer like Paley," writes George Saunders, "comes along and brightens language up again, takes it aside and gives it a pep talk, sends it back renewed, so it can do its job, which is to wake us up." Best known for her inimitable short stories, Grace Paley was also an enormously talented essayist and poet, as well as a fierce activist. She was a tireless member of the antiwar movement, the civil rights movement, the tenants' rights movement, the anti-nuclear-power movement, and the Women's Pentagon Action, among other causes, and proved herself to be a passionate citizen of each of her communities-New York City and rural Vermont.

An exploration of love and loss by the renowned Costa Award-winning poetYou lived at such speed that the ballpoint script running aslant and fadingacross the faded bluecan scarcely keep up. Many words are illegible. I missimportant steps. Your movements blur. I want to follow, but can't.A Scattering is a book of lamentation and remembrance, its subject being Christopher Reid's wife, the actress Lucinda Gane, who died of cancer at the age of fifty-five. First published in the UK in 2009 to wide acclaim, winning the Costa Book of the Year, this moving and fiercely self-reflective collection is divided into four poetic sequences. The first was written during a holiday a few months before Gane's death with the knowledge that the end was approaching; the second recalls her last courageous weeks, spent in a hospice in London; the third continues the exploration of bereavement from a variety of perspectives; and the fourth addresses her directly, celebrating her life, personality, and achievements. Paired for the first time with Anniversary, which was written to commemorate the tenth anniversary of Gane's death, A Scattering and Anniversary brings the poet into dialogue, again, with the wife he loved. A moving exploration of the stages of grief and how the "weighty emptinesses" that remain after bereavement change us, A Scattering and Anniversary shows us what it means to love, lose, and-forever changed-continue on.

Selected poems from the critically acclaimed author of Submission and The Elementary ParticlesA shimmering selection of poems chosen from four collections of one of France's most exciting authors, Unreconciled shines a fresh light on Michel Houellebecq and reveals the radical singularity of his work. Drawing on themes that are similar to the ones in his novels, these poems are a journey into the depths of individual experience and universal passions.Divided into five parts, Unreconciled forms a narrative of love, hopelessness, catastrophe, dedication, and-ultimately-redemption. In a world of supermarkets and public transportation, indifferent landscapes and lonely nights, Houellebecq manages to find traces of divine grace even as he exposes our inexorable decline into chaos.Told through forms and rhythms that are both ancient and new, with language steeped in the everyday, Unreconciled stands in the tradition of Baudelaire while making a bold new claim on contemporary verse. It reveals that in addition to his work as an incisive novelist, Houellebecq is one of our most perceptive poets with a vision of our era that brims with tensions that cannot-and will not-be reconciled.

A startling analysis of how tech solutionism is obscuring creative problem-solving toward a more equitable society.From smart devices that help reduce one's carbon footprint to apps where one can buy themed portfolios of companies that promote vegan or LGBTQ-friendly causes, corporations appear to be producing, at light speed, solutions to our most preoccupying social problems. You, as a conscientious user, just need to buy in. Welcome to solutionism.In Freedom as a Service, tech's most formidable critic, Evgeny Morozov, identifies a new stage of capitalism: organic capitalism, a system that is happy to admit to its own failures while unleashing more capitalist solutions to them. Under organic capitalism, "platform populism" enables a multitude of solutionist interventions while also creating the illusion that the users are in charge. And, Morozov argues, it's the left that is most susceptible to this Trojan horse, as technocratic approaches are combined with the do-good rhetoric of a more humane capitalism. But solutionism doesn't really solve problems; it simply monetizes the behavioral change of an individual. We are actually under-producing solutions because the sort of structural solutions that are not favorable to capital never come into existence.Trenchant, bold, and highly original, Freedom as a Service is an urgent exposé of our current political and technological order. Drawing on Marx and Hayek, Morozov cuts through the fog of solutionism's false promises, proposing a counter-paradigm: obsoletism, where instead of solving problems, we concentrate our efforts on creating a new world where such problems are made obsolete. With this groundbreaking new concept, Morozov illuminates a way forward: more tech-literate, more imaginative, and more effective at securing a just and habitable future.

A hypnotic novel intertwining the author's past with James Earl Ray's attempt to escape after shooting Martin Luther King Jr.The year is 1968 and James Earl Ray has just shot Martin Luther King Jr. For two months he evades authorities, driving to Canada, securing a fake passport, and flying to London, all while relishing the media's confusion about his location and his image on the FBI's Most Wanted list. Eventually he lands at the Hotel Portugal in Lisbon, where he anxiously awaits a visa to Angola. But the visa never comes, and for his last ten days of freedom, Ray walks around Lisbon, paying for his pleasures and rehearsing his fake identities. Using recently declassified FBI files, Antonio Muñoz Molina reconstructs Ray's final steps through the Portuguese capital, taking us inside his feverish mind, troubled past, and infamous crime. But Lisbon is also the city that inspired Muñoz Molina's first novel, A Winter in Lisbon, and as he returns now, thirty years later, it becomes the stage for and witness to three alternating stories: Ray in 1968 at the center of an international manhunt; a thirty-year-old Muñoz Molina in 1987 struggling to find his literary voice; and the author in the present, reflecting on his life and the form of the novel as an instrument for imagining the world through another person's eyes. Part historical fiction, part fictional memoir, Like a Fading Shadow masterfully explores the borders between the imagined, the reported, and the experienced past in the construction of identity.