Bøker utgitt av Farrar, Strauss & Giroux-3pl

A memoir of spiritualism and self-discovery from the acclaimed, award-winning authorAt fifty, Alix Kates Shulman, author of the celebrated feminist novel, Memoirs of an Ex-Prom Queen, left a city life dense with political activism, family and literary community, and went to live alone on an island off the coast of Maine. On a windswept beach, in a cabin with no plumbing, power, or telephone, she found that she was learning to live all over again. In this luminous, spirited book, she charts her subsequent path as she learned not simply the joys of meditative solitude, but to integrate her new awareness into a busy, committed, even hectic mainland life."A ten-year voyage of discovery . . . Shulman's honesty and sense of inquiry carry us with her all the way--could even, if we were willing, change our lives." -San Francisco Sunday Examiner & Chronicle

Mark Bibbins finds damaged glamour at the fringes of respectability in this exceptional debut collectionI was bornwith capable eyes,a moveable heartand time to spare.-from "Euphorium"In his restless and unpredictable debut, Mark Bibbins offers a virtuosic poetry. Lovers struggle to connect; groupies, hustlers, and corporate drones covet better-or at least different-lives; locations fluctuate, without forewarning, from bars to beaches to city streets. With beguiling tonal and formal variety, these poems question the ordinary and unwitting acceptance of the status quo as they hover where "error arranges itself." As indebted to Stereolab and Siouxsie Sioux as to any poetic lineage, Sky Lounge introduces an imagination committed to making irreverence, sensuality, and elegy into a provocative new music.

A lean, high-tension version of a classic tragedy.The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus' love for the forbidden beauty Aricia has come to be known as one of the great stories of tragic infatuation, a tale of love strong enough to bring down a kingdom.In this "tough, unrhyming avalanche of a translation" (Paul Taylor, The Independent), Hughes replaces Racine's alexandrines with an English verse that serves eloquently to convey the passions of his protagonists. The translation was performed to acclaim in London in 1998, and the London production, starring Diana Rigg, was staged in 1999 at the Brooklyn Academy of Music."We are still catching up with Ted Hughes's gift for narrative verse after his Tales from Ovid," one English critic observed after the London premiere. "Little needs to happen on stage when there's a swirling action-packed disaster movie-riddled with sex and violence-in Hughes's free verse."

1996 Academy Award in Literature from the American Academy of Arts and Letters.In this powerful and inventive collection, August Kleinzahler succeeds in creating a new idiom for American lyric poetry that captures the velocity and swerves of contemporary life in the city. He pushes the language very hard to get there, and the results are breathtaking: an angular, propulsive poetry that transforms character, voice, and setting into buzzing, luminous events.

"The blinding intensity of Ms. Gregg's lines stains the reader's psyche the way lightning or heartache do."-Joseph Brodsky "Love, death and longing are archetypal presences in Gregg's intense, sundrenched lyrics, which have been compared to archaic Greek poetry."-Publishers Weekly "Beautifully crafted poems, vulnerably sensitive, at once piercingly generous and starkly tough-minded . . ."-William Arrowsmith

The Hill and Wang Critical Issues Series: concise, affordable works on pivotal topics in American history, society, and politics. This account of Congress's Indian Removal Act of 1830 focuses on the plight of the Indians of the Southeast--Cherokees, Creeks, Choctaws, Chickasaws, and Seminoles--who were forced to leave their ancestral lands and relocate to what is now the state of Oklahoma. Revealing Andrew Jackson's central role in the government's policies, Wallace examines the racist attitudes toward Native Americans that led to their removal and, ultimately, their tragic fate.

At the end of the Reconstruction, the spread of science and technology, industrialism, urbanization, immigration, and economic depressions eroded Americans' conventional beliefs in individualism and a divinely ordained social system. In The Search for Order, Robert Wiebe shows how, in subsequent years, during the Progressive Era of Theodore Roosevelt and Woodrow Wilson, Americans sought the organizing principles around which a new viable social order could be constructed in the modern world. This subtle and sophisticated study combines the virtues of historical narrative, sociological analysis, and social criticism.

Can someone honestly love a person whom they have deceived for thirty years? This is the central question behind Wrecks, Neil LaBute's latest foray into the dark side of human nature. Meet Edward Carr: loving father, successful businessman, grieving widower. In this concise powerhouse of a play, LaBute limns the boundaries of love, exploring the limits of what society will accept versus what the heart will desire. This collection also features rarely staged short plays, including "Liars' Club," "Coax," and the never-before-seen "Falling in Like."

The early twentieth century was a time of technological revolution in the United States. New inventions and corporations were transforming the economic landscape, bringing a stunning array of consumer goods, millions of additional jobs, and ever more wealth. Steven J. Diner draws on the rich scholarship of recent social history to show how these changes affected Americans of all backgrounds and walks of life, and in doing so offers a striking new interpretation of a crucial epoch in our history.

In this moving exploration of parenthood, an American mother and a Tibetan father have a three-year-old son believed to be the reincarnation of a Buddhist lama. When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter-Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.

Otto Preminger was one of Hollywood's first truly independent producer-directors. He sought to address the major social, political, and historical questions of his time in films designed to appeal to a wide public. Blazing a trail in the examination of controversial issues such as drug addiction (The Man with the Golden Arm) and homosexuality (Advise & Consent) and in the frank, sophisticated treatment of adult material (Anatomy of a Murder), Preminger broke the censorship of the Hollywood Production Code and the blacklist. He also made some of Hollywood's most enduring film noir classics, including Laura and Fallen Angel. More than anyone else, Preminger represented the transition from the Hollywood of the studios to the decentralized, wheeling-and-dealing New Hollywood of today. Chris Fujiwara's "studious, informative, often astutely argued" (Gerald Peary, The Phoenix) biography follows Preminger throughout his varied career, penetrating his carefully constructed public persona and revealing the many layers of his work.

From the author of Bach at Leipzig (Faber, 2005) comes a play about loyalty, integrity, and the price of success. When Benjamin's first novel vaults him into literary stardom, his friend David, a struggling playwright, is thrilled for his newfound success . . . or is he? Should Benjamin help David by using his new connections? Can David even expect such favors from his friend? More importantly, who should pick up the tab at lunch? Hailed as a writer who "e;makes the kinds of stylistic gambles that should be applauded"e; (Eric Grode, The New York Sun), Itamar Moses proves once again with this inventive exploration of the evershifting ground of friendship that he is a playwright to watch. The Four of Us had its off-Broadway premiere in March 2008 at Manhattan Theatre Club."e;Clever [and] smart...[The Four of Us] suggests that Moses will be displaying a big range as his career unfolds."e;--The San Diego Union-Tribune

Wide-ranging, discerning essays and reviews in which Mr. Brustein finds that the theatre has been quietly reinventing the nature of its art.

The shocking story behind the U.S. Army's longest court-martial-full of sex, intrigue, and betrayal.In April 1879, on a remote military base in west Texas, a decorated army officer of dubious moral reputation faced a court-martial. The trial involved shocking issues-of sex and seduction, incest and abduction. The highest figures in the United States Army got involved, and General William Tecumseh Sherman himself made it his personal mission to see that Captain Andrew Geddes was punished for his alleged crime.But just what had Geddes done? He had spoken out about an "unspeakable" act-he had accused a fellow officer, Louis Orleman, of incest with his teenage daughter, Lillie. The army quickly charged not Orleman but Geddes with "conduct unbecoming a gentleman," for his accusation had come about only because Orleman was at the same time preparing to charge that Geddes himself had attempted the seduction and abduction of the same young lady. Which man was the villain and which the savior?Louise Barnett's compelling examination of the Geddes drama is at once a suspenseful narrative of a very important trial and a study of prevailing attitudes toward sexuality, parental discipline, the army, and the appropriate division between public and private life. It will enrich any reader's understanding of the tumultuous post-Civil War period, when the United States was striving to define its moral codes anew.

"Lincoln's Smile demonstrates why Alan Trachtenberg has been the leading scholar in American studies for more than four decades." -Casey Nelson Blake, Columbia University Alan Trachtenberg has always been interested in cultural artifacts that register meanings and feelings that Americans share even when they disagree about them. Some of the most beloved ones-like the famous last photograph of Abraham Lincoln, taken at the time of his second inaugural-are downright puzzling, and it is their obscure, riddlelike aspects that draw his attention in the scintillating essays of Lincoln's Smile and Other Enigmas. With matchless authority, Trachtenberg moves from daguerreotypes to literary texts to subjects as diverse as Louis Sullivan's Auditorium Building, the Brooklyn Bridge, and the early works of Lewis Mumford.

An impassioned argument for reproductive rightsIn the late 1960s and early 1970s, advocates of legal abortion mostly used the term rights when describing their agenda. But after Roe v. Wade, their determination to develop a respectable, nonconfrontational movement encouraged many of them to use the word choice--an easier concept for people weary of various rights movements. At first the distinction in language didn't seem to make much difference-the law seemed to guarantee both. But in the years since, the change has become enormously important.In Beggars and Choosers, Solinger shows how historical distinctions between women of color and white women, between poor and middle-class women, were used in new ways during the era of "choice." Politicians and policy makers began to exclude certain women from the class of "deserving mothers" by using the language of choice to create new public policies concerning everything from Medicaid funding for abortions to family tax credits, infertility treatments, international adoption, teen pregnancy, and welfare. Solinger argues that the class-and-race-inflected guarantee of "choice" is a shaky foundation on which to build our notions of reproductive freedom. Her impassioned argument is for reproductive rights as human rights--as a basis for full citizenship status for women.

A suspenseful account of the glorious days more than a century ago when our national madness began, the first Major League Baseball World Series. A post-season series of games to establish supremacy in the major leagues was not inevitable in the baseball world. But in 1903 the owner of the Pittsburgh Pirates (in the well-established National League) challenged the Boston Americans (in the upstart American League) to a play-off, which he was sure his team would win. They didn't--and that wasn't the only surprise during what became the first World Series. In Autumn Glory, Louis P. Masur tells the riveting story of two agonizing weeks in which the stars blew it, unknown players stole the show, hysterical fans got into the act, and umpires had to hold on for dear life.Before and even during the 1903 season, it had seemed that baseball might succumb to the forces that had been splintering the sport for decades: owners' greed, players' rowdyism, fans' unrest. Yet baseball prevailed, and Masur tells the equally dramatic story of how it did so, in a country preoccupied with labor strife and big-business ruthlessness, and anxious about the welfare of those crowding into cities such as Pittsburgh and Boston (which in themselves offered competing versions of the American dream). His colorful history of how the first World Series consolidated baseball's hold on the American imagination makes us see what one sportswriter meant when he wrote at the time, Baseball is the melting pot at a boil, the most democratic sport in the world. All in all, Masur believes, it still is.

In this incisive examination of our national security policy, Michael Klare suggests that the Pentagon in effect established a new class of enemies when the Cold War came to an -unpredictable and hostile states in Asia, Africa, and Latin America. Klare argues that the containment of these rising Third World powers-Iraq, Iran, Libya, and North Korea, especially-became the centerpiece of American military policy and the justification for near-Cold War levels of military sping.

When President Monroe issued his 1823 doctrine on U.S. policy in the Western Hemisphere, it quickly became as sacred to Americans as the Declaration of Independence and the Constitution. But in the years after World War II - notably in Guatemala in 1954, in Brazil in 1963, in Chile in 1973, and in El Salvador in the 1980s - our government's policy of supporting repressive regimes in Central and South America hastened the death of the very doctrine that had been invoked to protect us in the Cold War, by associating its application with torture squads, murder, and the denial of the very democratic ideals the Monroe Doctrine was intended to protect. Gaddis Smith's measured but devastating account is essential reading for all those who care how the United States behaves in the world arena."This epilogue to well-known history of Monroe Doctrine is a provocative interpretation of how US presidents resolved policy contradiction of accepting Soviet presence in the Caribbean while reaffirming tenets of Monroe Doctrine"--Handbook of Latin American Studies, v. 57.

In examining the economic and cultural trs that expressed America's expansionist impulse during the first half of the twentieth century, Emily S. Rosenberg shows how U.S. foreign relations evolved from a largely private system to an increasingly public one and how, soon, the American dream became global.

Composer John Kander and lyricist Fred Ebb are the longest-running song-writing partnership in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago, Cabaret, and Kiss of the Spider Woman, Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction).Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, the Red Menace (starring a then-unknown Liza) to The Visit, their newest show, which is set to star another Kander and Ebb favorite, Chita Rivera. The pages and musicals in between reveal what has made theirs such an important and long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret, reflecting on the superstar mentality of such artists as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their thoughts on the Oscar-winning film version), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century.