Bøker utgitt av FARRAR STRAUSS & GIROUX

From Christie Matheson and Anuska Allepuz comes a radiant picture book with a powerful message: you're never too small to make a difference. Featuring dreamy artwork, this makes for a beautiful gift for kids or graduates! Mouse feels all alone one dark and dreary night. She wonders if anybody else feels lonely, too. She's not sure if a single person can make a difference, but she decides to try. Mouse lit one light... And the result is magical. One by one, others in the neighborhood follow Mouse's lead. With each new spark, the stormy night becomes less gloomy. This luminous story is a brilliant and tender call to action, encouraging readers to spread kindness and create change in the world - one light at a time.

Stranger Things meets A Monster Calls in this spine-tingling, emotionally rich middle grade novel about a boy who must protect his neighborhood from a malevolent monster tree while dealing with the recent loss of his father.

With lyrical writing by Maggie C. Rudd and bright illustrations by Elisa Chavarri, The Days After Christmas is a joyful picture book that reminds us that magic and cheer can still be found even after the decorations are put away. Also features instructions for a post-holiday craft! In the days after ChristmasWhen you wake up in your bedAnd holiday memoriesFloat through your head... After the bustle of the holiday season, grandparents wave goodbye and it's time to pack up the sparkly ornaments. The house feels too quiet. What do you do when the excitement and festivities are over? The fireplace may be a perfect place to read new books with a cup of hot cocoa and some snuggles with Mom and Dad. And leftovers might still be pretty tasty. Upon reflection, the memories of the Christmas season can bring smiles, not sadness - and a hopefulness that there's still so much to look forward to.

In this encouraging, reassuring picture book, National Book Award nominee Mitali Perkins invokes the Indian custom of namaste, meaning "I bow to you," to show how little hands are capable of great love. What's between your handswhen you namaste the world?Maya is only three days into summer vacation and already bored. Outside her window, the street is full of neighbors. Coming and going. Earning and spending. Fixing and mending. Everyone has something to do-everyone's hands are busy.Except Maya's. When she opens her palms, they are empty. They are small.What in the world can her hands do?As Maya longs to do something useful alongside her neighbors-proclaim truth, stand for justice, or show mercy-she discovers that children like her can give the greatest gift of all: love.

Don't miss the other books in this adorable series: If Animals Kissed Good Night, If Animals Said I Love You, If Animals Celebrated Christmas, If Animals Went to School, and If Animals Gave Thanks!What if animals did what YOU do? This adorable story by Ann Whitford Paul and David Walker imagines how animals would show kindness!If animals tried to be kind. . .what would they do? Porcupine would knit Giraffe a long scarf. Squirrel would help Dog diggity-dig for a bone. And Bear would surprise Snake with a honey cake. Across the animal kingdom, every creature would be kind in their own special way.

"A novel in twenty-six alphabetical chapters set in the dark side of early twentieth-century Vienna"--

"A group portrait of young Afghans who came of age during the two decades following 9/11"--

"A history of the right-wing political figures who defined the early 1990s"--

An empowering message inspired by a beloved quote from Madeleine L'Engle's enduring classic A Wrinkle in Time. "Stay angry, little Meg," Mrs. Whatsit whispered. "You will need all your anger now."This picture book encourages girls everywhere to proudly share their ideas and emotions, even if those traits will be met with resistance. Because being brave, sensitive, stubborn, curious, loud, kind, and playful helps them build strength and stay true to themselves.Michelle Jing Chan's bright artwork welcomes girls of all backgrounds to use these important affirmations.

Blending memoir with social history, Clair Wills movingly explores the gaping holes in the fabric of modern Ireland, and in her own family story.In 2015, the Irish government commissioned an investigation into the state's network of Mother and Baby Homes after the discovery of a mass grave containing the remains of up to eight hundred children prompted international outrage. The homes, which operated from the 1920s to the 1990s, were responsible for nearly nine thousand child deaths and countless other abuses.Yet in the face of overwhelming evidence, everyone seemed to forget what had actually occurred. No one remembered who the babies were, how they died, or where they were buried. A whole society had learned not to look, or not to look too closely, and certainly not to ask too many questions.Clair Wills's investigation leads her back to the discovery that nearly thirty years ago a cousin of hers had been born in one of the Homes and her existence had been covered up. As Wills finds out more about her own family's secret chronicle of loss, her investigation expands into an exploration of the secrets and silences that make up our family stories, the limits of record-keeping, and the fragility of memory itself. Wills unravels a history of illegitimacy that stretches back into her grandmother's life in Ireland a hundred years ago and forward to her own generation today. Missing Persons reveals the truth that seeps through the gaps in our stories about the past and that is encrypted in things left unsaid-if you learn how to read what is missing.

A new collection of poetry inspired by the work of Agnes Martin, exploring topics of feminism, art, depression, and grief, by the author of the prizewinning collection Obit. Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

Peterson unfurls the quotidian fabric of our lives, patterned with the difficulties of language and this moment.Confusion frames the human predicament. In Katie Peterson's Fog and Smoke, confusion is, literally, our climate. Writing to, and from, the California landscape, Peterson sees fog and smoke as literal-one a natural weather event, the other an aftereffect of the West's drought-caused fires-but they are also metaphysical. Fog and smoke subsume the poet and reflect the true conditions (and frustrations) of our ability to perceive and to connect. She writes, "I've been speaking about it at a distance. / Now I want to talk about its thickness. / A person could get killed in here."The collection moves through three sections: First, the poet follows her local fog's cyclical journey of descent and dispersion; second, in a sort of pastoral interlude, she travels widely, almost erratically, to the California desert, the greater world, and ancient history; finally, she descends into the enclosed space of the household, and the increased confinement and intimacy of raising a child during the pandemic. Peterson unfolds the small moments that make up our lives and reveals the truths contained within them, and her poems capture the lyricism of our daily rhythms-the interruptions, dialogues, and epiphanies.

The Way That Leads Among the Lost reveals a hidden place where care and violence are impossible to separate: the anexos of Mexico City. The prizewinning anthropologist Angela Garcia takes us deep into the world of these small rooms, informal treatment centers for alcoholism, addiction, and mental illness, spread across Mexico City's tenements and reaching into the United States. Run and inhabited by Mexico's most marginalized populations, they are controversial for their illegality and their use of coercion. Yet for many Mexican families desperate to keep their loved ones safe, these rooms offer something of a refuge from what lies beyond them-the intensifying violence surrounding the drug war.This is the first book ever written on the anexos. Garcia, who spent a decade conducting anthropological fieldwork in Mexico City, draws readers into their many dimensions, casting light on the mothers and their children who are entangled in this hidden world. Following the stories of its denizens, she asks what these places are, why they exist, and what they reflect about Mexico and the wider world. With extraordinary empathy and a sharp eye for detail, Garcia attends to the lives that the anexos both sustain and erode, wrestling with the question of why mothers turn to them as a site of refuge even as they reproduce violence. Woven into these portraits is Garcia's own powerful story of family, childhood, homelessness, and drugs-a blend of ethnography and memoir converging on a set of fundamental questions about the many forms and meanings that violence, love, care, family, and hope may take.Infused with profound ethnographic richness and moral urgency, The Way That Leads Among the Lost is a stunning work of narrative nonfiction, a book that will leave a deep mark on readers.

The culmination of Christopher Tilghman's great Chesapeake saga, a story spanning four centuries of an American family.It is the Fourth of July 2019, and the Mason family is gathering for its annual celebration at the family's historic Chesapeake farm, Mason's Retreat. It isn't everyone's favorite tradition, but Harry Mason has once again goaded his wife, Kate, and their children into participating. Their oldest, Rosalie, is having trouble with her marriage; the youngest, Ethan, is in the throes of a fitful first relationship. In between, Eleanor despairs over her stalled novel, a fictionalized memoir of the wife of the first Mason immigrant who landed in 1659. Kate, recovering from a second round of chemotherapy, is at the center of this ritual of remembrance. Tart and candid, she asks her husband, "What crimes against humanity did your family not commit on this farm?" And so it happens that when the family, joined by a cast of neighbors and cousins from France, sits down for dinner, the question of how they should regard their past comes to the fore.Told with warmth and humor, On the Tobacco Coast is Christopher Tilghman's concluding meditation on the themes of his novels about Mason's Retreat: place and history, the persistence of family stories, race and white privilege, the enigmas and customs of regions. It is a reflection on the state of America today, its battles with its own history, and efforts to reckon with the wrongs of the past while looking forward to a more just future.

A personal exploration of the American West and the work of one of America's greatest photographers.Timothy O'Sullivan is America's most famous war photographer. You know his work even if you don't know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work "surrealistic and disturbing."At the same time, we know very little about O'Sullivan himself. Nor do we know-really know-much more about the landscapes he captured. Robert Sullivan's Double Exposure sets off in pursuit of these two enigmas. This book documents the author's own road trip across the West in search of the places, many long forgotten or paved over, that O'Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and '70s, and how these changes were a continuation of the Civil War by other means. Sullivan, known for his probing investigations of place in the pages of The New Yorker and books like Rats and My American Revolution, has produced a work that, like O'Sullivan's magisterial photos of geysers and hot springs, exposes a fissure in the American landscape itself.

Magical realism meets Southern Gothic in this commanding young adult debut from Ciera Burch about true love, the meaning of home, and the choices that haunt us.Welcome to Coldwater. Come for the ghosts, stay for the drama.Jericka Walker had planned to spend the summer before senior year soaking up the sun with her best friend on the Jersey Shore. Instead she finds herself in Coldwater, Maryland, a small town with a dark and complicated past where her estranged grandmother lives-someone she knows only two things about: her name and the fact that she left Jericka's mother and uncle when they were children. But now Jericka's grandmother is dying, and her mother has dragged Jericka along to say goodbye.As Jericka attempts to form a connection with a woman she's never known, and adjusts to life in a town where everything closes before dinner, she meets "ghost girl" Kat, a girl eager to leave Coldwater and more exciting than a person has any right to be. But Coldwater has a few unsettling secrets of its own. The more you try to leave, the stronger the town's hold. As Jericka feels the chilling pull of her family's past, she begins to question everything she thought she knew about her mother, her childhood, and the lines between the living and the dead.

A paradigm-shattering biography of Phillis Wheatley, whose extraordinary poetry set African American literature at the heart of the American Revolution.Admired by George Washington, ridiculed by Thomas Jefferson, published in London, and read far and wide, Phillis Wheatley led one of the most extraordinary American lives. Seized in West Africa and forced into slavery as a child, she was sold to a merchant family in Boston, where she became a noted poet at a young age. Mastering the Bible, Greek and Latin translations, and the works of Pope and Milton, she composed elegies for local elites, celebrated political events, praised warriors, and used her verse to variously lampoon, question, and assert the injustice of her enslaved condition. "Can I then but pray / Others may never feel tyrannic sway?" By doing so, she added her voice to a vibrant, multisided conversation about race, slavery, and discontent with British rule; before and after her emancipation, her verses shook up racial etiquette and used familiar forms to create bold new meanings. Her life demonstrated that the American Revolution both strengthened and limited Black slavery. Indeed, she helped make it so.In this new biography, the historian David Waldstreicher offers the deepest account to date of Wheatley's life and works, correcting myths, reconstructing intimate friendships, and deepening our understanding of the revolutionary era. Throughout The Odyssey of Phillis Wheatley, he demonstrates the continued vitality and resonance of a woman who wrote, in a founding gesture of American literature, "Thy Power, O Liberty, makes strong the weak / And (wond'rous instinct) Ethiopians speak."

Born from her curated exhibition of Pablo Picasso's work in Paris, biographer Annie-Cohen Solal's prizewinning Picasso the Foreigner presents a bold new understanding of the artist's tempestuous relationship with his adopted homeland: France.Before Picasso became Picasso-the iconic artist now celebrated as one of France's leading figures-he was constantly surveilled by the police. Amidst political tensions in the spring of 1901, he was flagged as an anarchist by the security services-the first of many entries in what would become an extensive case file. Though he soon became the leader of the cubist avant-garde, and became increasingly wealthy as his reputation grew worldwide, Picasso's art was largely excluded from public collections in France for the next four decades. The genius who conceived Guernica as a visceral statement against fascism in 1937 was even denied French citizenship three years later, on the eve of the Nazi occupation. In a country where the police and the conservative Académie des Beaux-Arts represented two major pillars of the establishment at the time, Picasso faced a triple stigma-as a foreigner, a political radical, and an avant-garde artist.Picasso the Foreigner approaches the artist's career and art from an entirely new angle, making extensive use of fascinating and long-understudied archival sources. In this groundbreaking narrative, Picasso emerges as an artist ahead of his time not only aesthetically but politically, one who ignored national modes in favor of contemporary cosmopolitan forms. Cohen-Solal reveals how, in a period encompassing the brutality of World War I, the Nazi occupation, and Cold War rivalries, Picasso strategized and fought to preserve his agency, eventually leaving Paris for good in 1955. He chose the south over the north, the provinces over the capital, and craftspeople over academicians, while simultaneously achieving widespread fame. The artist never became a citizen of France, yet he enriched and dynamized its culture like few other figures in the country's history. This book, for the first time, explains how.Includes color images

A stunning memorial work that excavates the forgotten experience of West Indian soldiers during World War I.Deep-dyed in language both sensuous and biblical, Ishion Hutchinson's School of Instructions memorializes the experience of West Indian soldiers volunteering in British regiments in the Middle East during World War I. The poem narrates the psychic and physical terrors of these young Black fighters in as they struggle against the colonial power they served; their story overlaps with that of Godspeed, a schoolboy living in rural Jamaica of the 1990s. This visionary collision, in which the horizontal, documentary shape of the narrative is interrupted by sudden lyric effusions, unsettles both time and event, mapping great moments of heroism onto the trials of everyday existence It reshapes grand gestures of heroism in a music of supple, vigilant intensity. Elegiac, epochal and lyrical, School of Instructions confronts the legacy of imperial silencing and weaves shards of remembrance-"your word mass / your mix match / your jamming of elements"-into a unique form of survival. It is a masterpiece of imaginative recuperation by a poet of prodigious gifts.

In Claudia Dey's Daughter, a woman long caught in her father's web strives to make a life-and art-of her own.To be loved by your father is to be loved by God.So says Mona Dean-playwright, actress, and daughter of a man famous for one great novel, a man whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and a fledgling artist, her father begins a new affair and takes her into his confidence. Mona delights-painfully, parasitically-in this attention. When he inevitably confesses to his wife, Mona is cast as the agent of disruption, punished for her father's crimes and ejected from the family.Mona's tenuous stability is thrown into chaos. Only when she suffers an incalculable loss-one far deeper and more defining than family entanglements-can she begin supplanting absent love with real love. Pushed to the precipice, she must decide how she wants to live, what she most needs to say, and the risks she will take to say it.Claudia Dey chronicles our most intimate lives with penetrating insight and devilish humor. Daughter is an obsessive, blazing examination of the forces that drive us to become, to create, and to break free.