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Robert Lowell, with Elizabeth Bishop, stands apart as the greatest American poet of the latter half of the twentieth century-and Life Studies and For the Union Dead stand as among his most important volumes. In Life Studies, which was first published in 1959, Lowell moved away from the formality of his earlier poems and started writing in a more confessional vein. The title poem of For the Union Dead concerns the death of the Civil War hero (and Lowell ancestor) Robert Gould Shaw, but it also largely centers on the contrast between Boston's idealistic past and its debased present at the time of its writing, in the early 1960's. Throughout, Lowell addresses contemporaneous subjects in a voice and style that themselves push beyond the accepted forms and constraints of the time.
In Joseph Campana's debut collection, starring Audrey Hepburn, icons of public consumption speak in the language of private devotion. Encourage emulation. Inspire idolatry. Be a muse, be a nymph, be a sprite, bewitch me. Rise from obscurity. Set trends. Break habits. Make statements. Count blessings. Distribute kindnesses. Arouse devotion. Devote yourself to nobility. Ascend, ascend, ascend.-from "How to Be a Star"
His wasn't a world war. It was one of the smaller wars, but just as deadly as any other. "Wars are like snakes," his first commanding officer said to him. "Some of the little ones can be even worse than the monsters." --from "Veterans"Franklin fears his family is in danger from a fellow veteran he saved during the war. A young boy entranced by opera despite being born into the rock-and-roll generation finds himself playing the lead role in a present-day tragedy. Travel agents happily lost in the paperwork of other people's adventures break away for an impromptu trip without -- to their horror -- a destination. Pitch-perfect and unpredictable, these stories cover a wide terrain of voices, plot, and imagery. Rachel Ingalls's richly drawn characters slip from the ordinary into the surreal with an elegance that can only come from a master of the form. Mostly set in the United States, the stories in Times Like These are available for the first time to American readers.
Prisoners Without Trail is part of Hill and Wang's Critical Issues Series and well established on college reading lists.This book presents a concise introduction to a shameful chapter in American history: the incarceration of nearly 120,000 Japanese Americans during World War II. With a revised final chapter and expanded recommended readings, Roger Daniels's updated edition examines a tragic event in our nation's past and thoughtfully asks if it could happen again.
How partisan politics lead to the Civil War What brought about the Civil War? Leading historian Michael F. Holt convincingly offers a disturbingly contemporary answer: partisan politics. In this brilliant and succinct book, Holt distills a lifetime of scholarship to demonstrate that secession and war did not arise from two irreconcilable economies any more than from moral objections to slavery. Short-sighted politicians were to blame. Rarely looking beyond the next election, the two dominant political parties used the emotionally charged and largely chimerical issue of slavery's extension westward to pursue reelection and settle political scores, all the while inexorably dragging the nation towards disunion.Despite the majority opinion (held in both the North and South) that slavery could never flourish in the areas that sparked the most contention from 1845 to 1861-the Mexican Cession, Oregon, and Kansas-politicians in Washington, especially members of Congress, realized the partisan value of the issue and acted on short-term political calculations with minimal regard for sectional comity. War was the result.Including select speeches by Lincoln and others, The Fate of Their Country openly challenges us to rethink a seminal moment in America's history.
Set in Chicago during the late 1970s, Record Palace is an eccentric debut novel about jazz, art, race, and identity. In hazed heat, mid-September, walking north from Chicago's Loop, telling myself I was exploring the new life, I dogged as much for tonic, gin. A sign swung beside a basement door, in, out, mirage: Record Palace: J ZZ. Inside I found Acie.Cindy, a lean, lonely white girl, has come to Chicago to study art history, to be anywhere but where she came from-tract housing in Thousand Oaks, California; mock-stucco buildings; "incessant sun and incessant sunniness of every blonde girl."Record Palace, littered with cans of malt liquor and remnants of past meals, also has boxes upon boxes of records-all jazz. And it has Acie, "big on all sides, top included. A hairnet, the hair below the net long and limp with oil. Green stretch pants, flip-flops, a thin black U-tank taut across Sumo folds." Cindy knows she doesn't belong, and this is why she stays.Cindy's determination leads to a tentative friendship with Acie, and she becomes a familiar, if not fully understood, presence in the store. But it is through her chance meeting with Acie's son that she becomes embroiled in an unusual crime.With prose that resembles the syncopated rhythms of jazz, Susan Wheeler offers a stunning portrait of a woman searching for an identity.
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