Bøker utgitt av Farrar, Straus and Giroux

"This book is brutal and brutally honest, but still perversely addictive because Brontez Purnell is a performer in the truest sense. Reading Ten Bridges I've Burnt, I felt tucked-in with him, along for the intimate ride, and paused only once to write down a part I'd been looking for my whole life." -Miranda JulyFrom the beloved author of 100 Boyfriends, a wrenching, sexy, and exhilaratingly energetic memoir in verse.In Ten Bridges I've Burnt, Brontez Purnell-the bard of the underloved and overlooked-turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. "The most high-risk homosexual behavior I engage in," Purnell writes, "is simply existing."The thirty-eight autobiographical pieces pulsing in Ten Bridges I've Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers' rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement. With the same balance of wit and wisdom that made 100 Boyfriends a sensation, Purnell unleashes another collection of boundary-pushing writing with Ten Bridges I've Burnt, a book as original and thrilling as the author himself.

A novel that celebrates radical queer survival and gleefully takes a hammer to false notions of successThis is the story of Corey Fah, a writer who has hit the literary jackpot: their novel has just won the prize for the Fictionalization of Social Evils. But the actual trophy, and with it the funds, hovers peskily out of reach.Neon-beige, with UFO-like qualities, the elusive trophy leads Corey, with their partner Drew and eight-legged companion Bambi Pavok, on a spectacular quest through their childhood in the Forest and an unlikely stint on reality TV. Navigating those twin horrors, along with wormholes and time loops, Corey learns-the hard way-the difference between a prize and a gift.Following the Goldsmiths Prize-winning Sterling Karat Gold, Isabel Waidner's bold and buoyant new novel is about coming into one's own, the labor of love, the tendency of history to repeat itself, and what ensues when a large amount of cultural capital is suddenly deposited in a place it has never been before.

Disarmingly witty and poignant, Sloane Crosley's memoir explores multiple kinds of loss following the death of her closest friend.Grief Is for People is a deeply moving and surprisingly suspenseful portrait of friendship, and a book about loss packed with verve for life. Sloane Crosley is one of our most renowned observers of contemporary behavior, and now the pathos that has been ever present in her trademark wit is on full display. After the pain and confusion of losing her closest friend to suicide, Crosley looks for answers in friends, philosophy, and art, hoping for a framework more useful than the unavoidable stages of grief. For most of her adult life, Sloane and Russell worked together and played together as they navigated the corridors of office life, the literary world, and the dramatic cultural shifts in New York City. One day, while Russell is still alive, Sloane's apartment is broken into. Along with her most prized possessions, the thief makes off with her sense of security, leaving a mystery in its place. When Russell dies exactly one month later, his suicide propels her on a wild quest to right the unrightable, to explore what constitutes family and possession as the city itself faces the staggering toll brought on by the pandemic.Crosley's search for truth is frank, darkly funny, and gilded with a resounding empathy. Upending the "grief memoir," Grief Is for People is the category-defying story of the struggle to hold on to the past without being consumed by it. A modern elegy, it rises precisely to console and challenge our notions of mourning during these grief-stricken times.

"This book rewired my brain; it's a bonafide knockout." -Kristen Arnett, author of With Teeth "You can try bracing yourself for the ride this story takes you on, but it's best to just surrender. Your wig is going to fall off no matter what you do." -Saeed Jones, author of How We Fight for Our LivesA gut-busting and heartbreaking descent into one woman's fraying connection to reality, from a soon-to-be superstar.Coral is the first person to discover her brother Jay's dead body in the wake of his suicide. There's no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles -and triples-down on posing as her brother, risking not only her own sanity but her relationship with her precocious niece, Khadijah. As Coral's swirl of lies slowly closes in on her, the quirky and mysterious alien world of Wildfire becomes enmeshed in her own reality, in the process pushing long-buried memories, traumas, and secrets dangerously into the present.A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn's debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind's capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.

A riveting account of the decades-long effort by reactionary white conservatives to undermine democracy and entrench their power-and the movement to stop them.The mob that stormed the Capitol on January 6, 2021, represented an extreme form of the central danger facing American democracy today: a blatant disregard for the will of the majority. But this crisis didn't begin or end with Donald Trump's attempt to overturn the 2020 election. Through voter suppression, election subversion, gerrymandering, dark money, the takeover of the courts, and the whitewashing of history, reactionary white conservatives have strategically entrenched power in the face of a massive demographic and political shift. Ari Berman charts these efforts with sweeping historical research and incisive on-the-ground reporting, chronicling how a wide range of antidemocratic tactics interact with profound structural inequalities in institutions like the Electoral College, the Senate, and the Supreme Court to threaten the survival of representative government in America."The will of the people," wrote Thomas Jefferson in 1801, "is the only legitimate foundation of any government." But that foundation is crumbling. Some counter-majoritarian measures were deliberately built into the Constitution, which was designed in part to benefit a small propertied upper class, but they have metastasized to a degree that the Founding Fathers could never have anticipated, undermining the very notion of "a government of the people, by the people, and for the people." Chilling and revelatory, Minority Rule exposes the long history of the conflict between white supremacy and multiracial democracy that has reached a fever pitch today-while also telling the inspiring story of resistance to these regressive efforts.

One of our greatest novelists and thinkers presents a radiant, thrilling interpretation of the book of Genesis.For generations, the book of Genesis has been treated by scholars as a collection of documents, by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true. Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Marilynne Robinson's Reading Genesis, which includes the original text, is a powerful consideration of the profound meanings and promise of God's enduring covenant with man. This magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

Omaha, 1930. When ex-cop-turned-PI Jim Beely murders the man who assaulted his fourteen-year-old daughter, the last person he wants to see is local crooked cop Frank Tvrdik. Luckily, Frank isn't interested in the lifeless body in Jim's car. Frank has a proposition: he'll make the dead man disappear if Jim helps take down Elmer Kobb, who is vying for city commissioner and willing to backstab anyone who gets in his way.Soon, Jim and Frank are sucked into a seedy world of crime and corruption, where no one is safe and nothing is what it seems. Then Jim is violently attacked and one of his operatives turns up dead within the span of twelve hours, and his search for the truth yields a web of lies and a mounting death toll. As he and Frank are pulled deeper into the city's dark underbelly and its absurd political machinations, Jim begins to question everything he knows about Omaha and his place in it.In her moody, ferocious, and darkly funny follow-up to PIckard County Atlas, a novel Tana French called a "slow-burning beauty of a book," the native Nebraskan Chris Harding Thornton mines Omaha's sordid past, melding fact and fiction into an unforgettable tale of danger and deceit. Little Underworld asks: What does it mean to be good, and what is left for those of us who aren't?

One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and '70s, from "Everyday People" to "Family Affair." As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance.Yet his life has also been a cautionary tale, known as much for how he dropped out of the spotlight as for what put him there in the first place. People know the music, but the man remains a mystery. In Thank You (Falettinme Be Mice Elf Agin), his much-anticipated memoir, he's finally ready to share his story-a story that many thought he'd never have the chance to tell.Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson, among others, and created in collaboration with Sly Stone's manager, Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) includes a foreword by Questlove.

The eagerly anticipated final volume in Jonathan Sumption'sprize-winning history of the Hundred Years War, "one of the great historicalundertakings of our age." ― Dan Jones, Sunday Times Triumph and Illusion is thefinal volume of Jonathan Sumption's epic history of the Hundred Years War. Ittells the story of the collapse of the English dream of conquest from theopening years of the reign of Henry VI, when the battles of Cravant andVerneuil consolidated their control of most of northern France, until the loss>Thissudden reversal of fortune was a seminal event in the history of the twoprincipal nation-states of western Europe. It brought an end to four centuriesof the English dynasty's presence in France, separating two countries whosefortunes had once been closely intertwined. It created a new sense of nationalidentity in both countries. The legacy of these events would influence their>Behind the clash of arms stood someof the most remarkable personalities of the age: the Duke of Bedford, theEnglish Regent who ruled much of France from Paris and Rouen; Charles VII ofFrance, underrated in both countries, who patiently rebuilt his kingdom afterthe disasters of his early years; the captains who populate the pages ofShakespeare - Fastolf, Montagu, Talbot, Dunois and, above all, theextraordinary figure of Joan of Arc who changed the course of the war in a fewweeks at the age of seventeen.

For years, Teresa has passed from one job to the next, settling into long stretches of time, struggling to build her career in any field or unstick herself from an endless cycle of labor. The dreaded move from one gig to another is starting to feel unbearable. When a recruiter connects her with a contract position at AllOver, it appears to check all her prerequisites for a "good" job. It's a fintech corporation with progressive hiring policies and a social justice-minded mission statement. Their new service for premium members: a functional fleet of driverless cars. The future of transportation. As her new-hire orientation reveals, the distance between AllOver's claims and its actions is wide, but the lure of financial stability and a flexible schedule is enough to keep Teresa driving forward.Joanne McNeil, who often reports on how the human experience intersects with labor and technology brings blazing compassion and criticism to Wrong Way, examining the treacherous gaps between the working and middle classes wrought by the age of AI. Within these divides, McNeil turns the unsaid into the unignorable, and captures the existential perils imposed by a nonstop, full-service gig economy.

A brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine's Don't Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars-doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.First published in 2004, Don't Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new introduction by the author, and matches the composition of Rankine's best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy.Don't Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness-a book of rare and vital honesty, complexity, and presence.

Nicolson crafts a geography of the ancient world and a brilliant exploration of our connections to the past.What is the nature of things?What is justice? How can I be myself?How should we treat each other?Before the Greeks, the idea of the world was dominated by god-kings and their priests. Twenty-five hundred years ago, in a succession of small eastern Mediterranean harbor cities, a few heroic men and women decided to cast off mental subservience and apply their own thinking minds to the conundrums of life.These great innovators shaped the beginnings of western philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus, in Ephesus, was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. On the Aegean island of Lesbos, the early lyric poets Sappho and Alcaeus asked themselves, "How can I be true to myself?" On Samos, Pythagoras imagined an everlasting soul and took his ideas to Italy, where they flowered again in surprising and radical forms.The award-winning writer Adam Nicolson travels with us through this transforming world and asks what light these ancient thinkers can throw on our deepest preconceptions. Enhanced with maps, photographs, and artwork, How to Be is an expedition into early ideas. Nicolson takes us to the dawn of investigative thought and makes the fundamental questions of the ancient philosophers new again. What are the principles of the physical world? How can we be good in it? And why do we continue to ask these questions? It is an enthralling, exhilarating journey.

A bold, provocative reckoning with our current political delusions and dysfunctions.Ever since its publication in 1651, Thomas Hobbes's Leviathan has unsettled and challenged how we understand the world. Condemned and vilified by each new generation, his cold political vision continues to see through any number of human political and ethical vanities.In his wonderfully stimulating book The New Leviathans, John Gray allows us to understand the world of the 2020s with all its contradictions, moral horrors, and disappointments. The collapse of the USSR ushered in an era of near apoplectic triumphalism in the West: a genuine belief that a rational, liberal, well-managed future now awaited humankind and that tyranny, nationalism, and unreason lay in the past. Since then, so many terrible events have occurred and so many poisonous ideas have flourished, and yet our liberal certainties treat them as aberrations that will somehow dissolve. Hobbes would not be so confident.Filled with fascinating and challenging observations, The New Leviathans is a powerful meditation on historical and current folly. As a species we always seem to be struggling to face the reality of base and delusive human instincts. Might a more self-aware, realistic, and disabused ethics help us?

From the bestselling author of We the Animals, Blackouts mines lost histories-personal and collective.Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly, but who has haunted the edges of his life. Juan Gay-playful raconteur, child lost and found and lost, guardian of the institutionalized-has a project to pass along to this new narrator. It is inspired by a true artifact of a book, Sex Variants: A Study in Homosexual Patterns, which contains stories collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. As Juan waits for his end, he and the narrator trade stories-moments of joy and oblivion-and resurrect lost loves, lives, mothers, fathers, minor heroes. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?Inspired by Kiss of the Spider Woman, Pedro Páramo, Voodoo Macbeth, the book at its own center and the woman who created it, oral histories, and many more texts, images, and influences, Justin Torres's Blackouts is a work of fiction that sees through the inventions of history and narrative. An extraordinary work of creative imagination, it insists that we look long and steady at the world we have inherited and the world we have made-a world full of ghostly shadows and flashing moments of truth.

An epic history of the people and institutions that have built the global economy since the Great Depression.In this vivid landmark history, the distinguished economic historian Martin Daunton pulls back the curtain on the institutions and individuals who have created and managed the global economy over the last ninety years, revealing how and why one economic order breaks down and another is built. During the Great Depression, trade and currency warfare led to the rise of economic nationalism-a retreat from globalization that culminated in war. From the Second World War came a new, liberal economic order. Squarely reflecting the interests of the West in the Cold War, liberalism faced collapse in the 1970s and was succeeded by neoliberalism, financialization, and hyper-globalization.Now, as leading nations are tackling the fallout from COVID-19 and threats of inflation, food insecurity, and climate change, Daunton calls for a return to a more just and equitable form of globalization. Western imperial powers have overwhelmingly determined the structures of world economic government, often advancing their own self-interests and leading to ruinous resource extraction, debt, poverty, and political and social instability in the Global South. He argues that while our current economic system is built upon the politics of and between the world's biggest economies, a future of global recovery-and the reduction of economic inequality-requires the development of multilateral institutions.Dramatic and revelatory, The Economic Government of the World offers a powerful analysis of the origins of our current global crises and a path toward a fairer international order.

The first complete collection of the poetry of Delmore Schwartz, "the most underrated poet of the twentieth century" (John Berryman).When Delmore Schwartz published his first short story, "In Dreams Begin Responsibilities," in Partisan Review in 1937, he became an instant literary celebrity. After the appearance of his first book (by the same name), he was inundated with praise. The famed poet Allen Tate wrote to him, "Your poetic style is beyond any doubt the first real innovation that we've had since Eliot and Pound," and T. S. Eliot himself wrote Schwartz a letter asking him to compose more poetry. The brilliant start of his career is matched perhaps only by its tragic end, a lonely death after an extended period of alcoholism, depression, and derangement. Today, more than fifty years after his death in 1966, Schwartz is often remembered for the tragedy of his life rather than for the innovation and sad brilliance of his greatest work.This book brings together all of Schwartz's poetry for the very first time, from his groundbreaking debut collection to his unpublished late work, which he kept writing until his death. Accompanied by Ben Mazer's illustrative notes and introduction, The Collected Poems of Delmore Schwartz offers readers the long-awaited opportunity to rediscover one of the most influential and original poets of the twentieth century. As Mazer writes in his introduction, "It is the poems that count now. And it is the glory of the poems that survives here, awaiting new life."

AN INSTANT NEW YORK TIMES BESTSELLER | A Washington Post and National Indie Bestseller | An Obama Summer Reading List Pick"Supple, penetrating, heartstring-pulling and compulsively readable . . . Eig's book is worthy of its subject." -Dwight Garner, The New York Times (Editors' Choice)"[King is] infused with the narrative energy of a thriller . . . The most compelling account of King's life in a generation." -Mark Whitaker, The Washington Post"No book could be more timely than Jonathan Eig's sweeping and majestic new King . . . Eig has created 2023's most vital tome." -Will Bunch, The Philadelphia InquirerHailed by The New York Times as "the new definitive biography," King mixes revelatory new research with accessible storytelling to offer an MLK for our times.Vividly written and exhaustively researched, Jonathan Eig's King: A Life is the first major biography in decades of the civil rights icon Martin Luther King Jr.-and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father-as well as the nation's most mourned martyr.In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.Includes 8 pages of black-and-white photographs

From the New York Times bestselling author of Annihilation, Jeff VanderMeer's first novel, Veniss Underground, takes readers on a journey to a labyrinthine city of tunnels, and the dangers lurking behind each turn. This special hardcover edition features five bonus stories from the Veniss universe, including the novella "Balzac's War."In a dark and decadent far future, the city of Veniss persists beside a dead ocean. Earth has become a desert wasteland ravaged by climate change. Veniss endures on the strength of its innovative tech of almost Boschian intensity, but at what cost? Where does the line between "made creature" and "person" lie?Against this backdrop, Veniss Underground spins the tale of Nicholas, an aspiring, struggling Artist; his twin sister, Nicola; and Shadrach, Nicola's former lover. A fateful trip by Nicholas to the maverick biotech Quin will have far-reaching consequences for all three-and for the fate of Veniss itself, as insurrection stirs and the oppressed begin to revolt.Veniss Underground is Jeff VanderMeer's first novel, a spectacular surreal foray into a world as influenced by Alejandro Jodorowsky as by Ursula K. Le Guin. Readers of VanderMeer's later work will be enchanted and horrified by the marvels within, including the author's signature fascination with the nonhuman and the environment. By turns beautiful and powerful, Veniss Underground explores the limits of love, memory, and obsession against a backdrop of betrayal and biological mutation.This reissue includes a new introduction by the National Book Award-winning author Charles Yu and five bonus stories from Jeff VanderMeer.

A celebrated Danish writer explores the unsung histories and geographies of her beloved slice of the world. Me, my notebook and my love of the wild and desolate. I wanted to do the opposite of what was expected of me. It's a recurring pattern in my life. An instinct. Dorthe Nors's first nonfiction book chronicles a year she spent traveling along the North Sea coast-from Skagen at the northern tip of Denmark to the Frisian Islands in the Wadden Sea. In fourteen expansive essays, Nors traces the history, geography, and culture of the places she visits while reflecting on her childhood and her family and ancestors' ties to the region as well as her decision to move there from Copenhagen. She writes about the ritual burning of witch effigies on Midsummer's Eve; the environmental activist who opposed a chemical factory in the 1950s; the quiet fishing villages that surfers transformed into an area known as Cold Hawaii starting in the 1970s. She connects wind turbines to Viking ships, thirteenth-century church frescoes to her mother's unrealized dreams. She describes strong waves, sand drifts, storm surges, shipwrecks, and other instances of nature asserting its power over human attempts to ignore or control it. Through a deep, personal engagement with this singular landscape, A Line in the World accesses the universal. Its ultimate subjects are civilization, belonging, and change: changes within one person's life, changes occurring in various communities today, and change as the only constant of life on Earth.

WINNER OF THE SWEDISH ACADEMY'S NORDIC PRIZE 2023A timely and provocative novel about a mysterious Icelandic neo-Nazi and the enduring global allure of fascism.In England in 1962, an Icelandic man is found dead on a train bound for Cheltenham Spa. In his possession, policemen find a map on which a swastika has been drawn with a red pen. Who was he, and where was he going?In a novel that reads as both biography and mystery, the internationally celebrated novelist Sjón tells the story of Gunnar Kampen, the founder of Iceland's antisemitic nationalist party, with ties to a burgeoning network of neo-Nazi groups across the globe. Told in a series of scenes and letters spanning Kampen's lifetime-from his childhood in Reykjavík during the Second World War, in a household strongly opposed to Hitler and his views, through his education, political radicalization, and final clandestine mission to England-Red Milk urges readers to confront the international legacy of twentieth-century fascism and the often unknowable forces that drive some people to extremism.Based on one of the ringleaders of a little-known neo-Nazi group that operated in Reykjavík in the late 1950s and early 1960s, this taut and potent novel explores what shapes a young man and the enduring, disturbing allure of Nazi ideology.

"Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large." -Annie Clark, St. VincentAn acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new materialThroughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic-published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby-is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.