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An elderly woman is found dead in a nursing home. Bjarne Brogeland, who heads up the investigation, soon realises that they are on the trail of a meticulous killer who has developed a keen taste for revenge. A killer who has only just begun...Trine Juul-Osmundsen, Norway's Secretary of State and Henning Juul's sister, is accused of sexually harassing a young male politician. As the allegations cause a media frenzy, Trine receives an anonymous threat telling her to resign. If she doesn't, the truth about what she really did that night will be revealed.Scarred reporter Henning Juul, finds himself torn between the two high profile cases. He wants to help his estranged sister, but as he digs into their past, he discovers memories that haunt them both. Memories of a broken home. Memories of a dead father.As the two cases collide, both their worlds threaten to fall apart.Scarred is the third novel in the acclaimed Henning Juul series, following Burned and Pierced, which was shortlisted for the 2013 Petrona Award.

A Convicted Killer: Despite always maintaining his innocence, Tori Pulli, once a powerful player on Oslo's underground crime scene, has been found guilty of murder. A Loose End: Scarred reporter, Henning Juul, is contacted by Pulli, who claims that if Henning can help clear his name he can give him details of who was responsible for the fire which killed his six-year-old son, Jonas. A Double Threat: Desperate to continue his own search for justice, Henning realises that the information Pulli promises is life threatening, to both of them and to others. As events take a deadly turn, Henning finds himself on the trail of two killers for whom the stakes have never been higher...

Cedilla continues the history of John Cromer begun by Pilcrow, described by the London Review of Books as "e;peculiar, original, utterly idiosyncratic"e; and by the Sunday Times as "e;truly exhilarating"e;. These huge and sparkling books are particularly surprising coming from a writer of previously (let's be tactful) modest productivity, who had seemed stubbornly attached to small forms. Now the alleged miniaturist has rumbled into the literary traffic in his monster truck, and seems determined to overtake Proust's cork-lined limousine while it's stopped at the lights.John Cromer is the weakest hero in literature -- unless he's one of the strongest. In Cedilla he launches himself into the wider world of mainstream education, and comes upon deeper joys, subtler setbacks. The tone and texture of the two books is similar, but their emotional worlds are very different. The slow unfolding of themes is perhaps closer to Indian classical music than the Western tradition -- raga/saga, anyone? This isn't an epic novel as such things are normally understood, to be sure. It contains no physical battles and the bare minimum of travel, yet surely it qualifies. None of the reviews of Pilcrow explicitly compared it to a coral reef made of a billion tiny Crunchie bars, but that was the drift of opinion. Page by page, Cedilla too provides unfailing pleasure. It's the book you can read between meals without ruining your appetite.

Shortlisted for CrimeFest's eDunnit AwardA BRUTALISED VICTIM IN THE WILDSA solitary tent is found to contain the body of a half-buried woman. She's been stoned to death. There are lash marks across her back. One of her hands has been cut off.A LONE VOICE Two years earlier internet reporter Henning Juul lost his son, Jonas, in a domestic fire. As he returns to work, physically and emotionally scarred, Henning struggles to escape this past and to be taken seriously again as a reporter - by his colleagues, his ex-wife and the police.A MYSTERY IGNITEDTold to cover the story of the woman in the tent, he finds an increasingly dangerous trail and, despite an early arrest, he is convinced that the story is more complex than the police think...

As she sits in her Bloomsbury home, with her two birds for company, elderly Harriet Baxter sets out to relate the story of her acquaintance, nearly four decades previously, with Ned Gillespie, a talented artist who never achieved the fame she maintains he deserved.Back in 1888, the young, art-loving, Harriet arrives in Glasgow at the time of the International Exhibition. After a chance encounter she befriends the Gillespie family and soon becomes a fixture in all of their lives. But when tragedy strikes - leading to a notorious criminal trial - the promise and certainties of this world all too rapidly disorientate into mystery and deception.Featuring a memorable cast of characters, infused with atmosphere and period detail, and shot through with wicked humour, Gillespie and I is a tour de force from one of the emerging names of British fiction.

The Irish Revolution - the war between the British authorities and the newly-formed IRA - was the first successful revolt anywhere against the British Empire. This is a vividly-written, compelling narrative placing events in Ireland in the wider context of a world in turmoil after the ending of a global war: one that saw the collapse of empires and the rise of fascist Italy and communist Russia. Walsh shows how developments in Europe and America had a profound effect on Ireland, influencing the attitudes and expectations of combatants and civilians. Walsh also brings to life what Irish people who were not fully involved in the fighting were doing - the plays they went to, the exciting films they watched in the new cinemas, the books they read and the work they did. The freedom from Britain that most of them wanted was, when it came, a bitter disappointment to a generation aware of the promise of modernity.

W - Sweeney called me and said that Johnny Cash just recorded ' I See A Darkness.' We had a Bowery Ballroom show a week or two later, and he invited Rick Rubin to come to the show; he came to the show . . . and asked if I wanted to play piano on the song.A - Which you agreed to do despite not knowing how to play piano.W - Yes . . .A man who acts under the name Will Oldham and a singer-songwriter who performs under the name Bonnie Prince Billy has, over the past quarter of a century, made an idiosyncratic journey through, and an indelible mark on, the worlds of indie rock and independent cinema, intersecting with such disparate figures as Johnny Cash, Bj,rk, James Earl Jones, and R. Kelly along the way. These conversations with longtime friend and associate Alan Licht probe his highly individualistic approach to music making and the music industry, one that cherishes notions of intimacy, community, mystery, and spontaneity.

On the first day of the Somme enlisted railwayman Jim Stringer lies trapped in a shell hole, smoking cigarette after cigarette under the bullets and the blazing sun. He calculates his chances of survival - even before they departed for France, a member of Jim's unit had been found dead. During the stand-off that follows, Jim and his comrades must operate by night the vitally important trains carrying munitions to the Front, through a ghostly landscape of shattered trees where high explosive and shrapnel shells rain down. Close co-operation and trust are vital. Yet proof piles up of an enemy within, and as a ferocious military policeman pursues his investigation into the original killing, the finger of accusation begins to point towards Jim himself . . .

In her introduction Tania Alexander writes, 'The Baltic philosopher Count Hermann Keyserling . . . once remarked: ''I am not a Dane, not a German, not a Swede, not a Russian nor an Estonian, so what am I - a little of all these.'' Tania Alexander felt the same, 'I share his sense of confused identity.' She was born in St Petersburg, but as a young child was taken to Estonia, at that time a province of Russia which was later to become the northernmost of the three independent Baltic States created in the aftermath of the First World War. The tone of her memoir, mainly set in Kallij,rv, is almost idyllic, surprisingly so given the political upheaval of the period. In her own words 'my early life was influenced by three women, all of them complex characters and strong personalities, who had to find their own way of adapting to very different from those they might have expected to enjoy. My Irish governess, Micky, sacrificed her family and suffered exile - a mother ostracised by the pressure of Victorian values. My Aunt Zoria lost everyone who was dear to her, as well as her homeland and her position in society. Anr my mother, who stayed behind in Russia throughout the terrifying events of the revolution and civil war, lost her home, her husband and, perhaps most important to her, her great love - a loss which profoundly affected the rest of her life.' Her mother was Baroness Moura Budberg and 'her great love' was the famous diplomat and spy, Robert Bruce Lockhart, expelled from Russia in 1918. Among her other lovers were Maxim Gorky and H. G. Wells who both feature in this memoir.In his review, Harrison Salisbury refers to 'a world which now seems almost beyond our belief . . .' That is true, and yet there an unexpected link with today's UK political scene: Moura Budberg was Nick Clegg's great, great aunt. The lineage is like this: Moura Budberg's sister, Alexandra, was the mother of Clegg's grandmother, Baroness Kira von Engelhardt, who was born in Russia in 1909.'Reminiscent of a story by Turgenev. Delightful.' Sunday Telegraph 'History, biography, an exploration of the relationship between mother and daughter: Tania Alexander's book is a little of all these.' Times Literary Supplement 'An engaging memoir full of vivid portraits. There is Gorky, a compassionate giant among the Bolsheviks; there is H. G. Wells, and there are the comforting figures who surrounded Tania at Kall?,rv, her Irish governess, Micky, Uncle Sahsa, inconsolable over the defeat of the Tsarist regime, and a host of cousins and friends.' Financial Times 'Tania Alexander has written an unforgettable memoir of a world which now seems almost beyond our belief - the pre-revolutionary Russian era and that followed, it a tale that inevitably centres around the the figure of her remarkable mother, the Baroness Moura Budberg - her life in Tsarist society, in the Bolshevik society of Lenin and Gorky, and later that of H. G. Wells and England. There is nothing else quite like it.' Harrison Salisbury

Julius Caesar combines in one volume two of Rex Warner's most acclaimed historical novels: The Young Caesar and Imperial Caesar. The latter won the 1960 James Tait Black Memorial Prize for Fiction. Together these two novels create one of the most compelling and substantial portraits in modern fiction of Caesar's remarkable life and times. 'A very brilliant analysis of the emotional disciplines, the political subtlety and the moral realism required to secure absolute power. It is a remarkable historical reconstruction.' Angus Wilson, Observer'As a feat of sustained historical imagination Rex Warner's autobiography of Julius Caesar is an astonishing achievement . . . A very wonderful book which grows in the memory.' C. V. Wedgwood'This splendid books ranks with Graves's I, Claudius and with Marguerite Yourcenar's Memoirs of Hadrian as a near-masterpiece of the re-creation of the ancient world. It will banish forever the boredom that often still lingers round one's memories of having to translate Caesar.' Elizabeth Jennings, The Listener

It is 1939. The world stands on the brink of Armageddon. In the Soviet Union, years of revolution, fear and persecution have left the country unprepared to face the onslaught of Nazi Germany. For the coming battles, Stalin has placed his hopes on a 30-ton steel monster, known to its inventors as the T-34 tank, and, the 'Red Coffin' to those men who will soon be using it. But the design is not yet complete. And when Colonel Nagorski, the weapon's secretive and eccentric architect, is found murdered, Stalin sends for Pekkala, his most trusted investigator. Stalin is convinced that a sinister group calling itself the White Guild, made up of former soldiers of the Tsar, intend to bring about a German invasion before the Red Coffin is ready. While Soviet engineers struggle to complete the design of the tank, Pekkala must track down the White Guild and expose their plans to propel Germany and Russia into conflict.

In the sixteenth century, the vast and sophisticated empire of China lay almost entirely unknown to Western travellers. As global trade expanded, this land of reputedly boundless wealth, pale-faced women, and indecipherable tongues began to feed the fantasies of European merchants and adventurers. The Catholic Church, meanwhile, saw in this great people millions of souls who would be damned unless the Christian message could be brought to them. In this book, Mary Laven tells the extraordinary story of the first Jesuit mission to China. Confronting enormous challenges, the Italian priest Matteo Ricci and a tiny handful of learned companions travelled thousands of miles from southern Europe to the very heart of the empire. In 1601, they gained permission from the notoriously xenophobic Wanli emperor to settle in the fabled Forbidden City. Living among eunuchs and mandarins, wearing the clothes and reading the books of Confucian scholars, Ricci and his associates strove to master the language and culture of their hosts. At the same time, they energetically preached the virtues of Western art and science. What were the motives of the carpenters and boatmen, the mothers, fathers and children who burned their idols and were cleansed with the waters of baptism? Mary Laven tries to answer these questions, as she brings this remote world vividly to life.

For the first time, Faber publish a selection from the poetry of Philip Larkin. Drawing on Larkin's four collections and on his uncollected poems. Chosen by Martin Amis.'Many poets make us smile; how many poets make us laugh - or, in that curious phrase, "e;laugh out loud"e; (as if there's another way of doing it)? Who else uses an essentially conversational idiom to achieve such a variety of emotional effects? Who else takes us, and takes us so often, from sunlit levity to mellifluous gloom?... Larkin, often, is more than memorable: he is instantly unforgettable.' - Martin Amis

In 1945 Britain was the world's leading designer and builder of aircraft - a world-class achievement that was not mere rhetoric. And what aircraft they were. The sleek Comet, the first jet airliner. The awesome delta-winged Vulcan, an intercontinental bomber that could be thrown about the sky like a fighter. The Hawker Hunter, the most beautiful fighter-jet ever built and the Lightning, which could zoom ten miles above the clouds in a couple of minutes and whose pilots rated flying it as better than sex.How did Britain so lose the plot that today there is not a single aircraft manufacturer of any significance in the country? What became of the great industry of de Havilland or Handley Page? And what was it like to be alive in that marvellous post-war moment when innovative new British aircraft made their debut, and pilots were the rock stars of the age?James Hamilton-Paterson captures that season of glory in a compelling book that fuses his own memories of being a schoolboy plane spotter with a ruefully realistic history of British decline - its loss of self confidence and power. It is the story of great and charismatic machines and the men who flew them: heroes such as Bill Waterton, Neville Duke, John Derry and Bill Beaumont who took inconceivable risks, so that we could fly without a second thought.

In medieval England, man was the ruler of woman, and the King was the ruler of all. How, then, could royal power lie in female hands?In She-Wolves, celebrated historian, Helen Castor, tells the dramatic and fascinating stories of four exceptional women who, while never reigning queens, held great power: Matilda, Eleanor of Aquitaine, Isabella of France and Margaret of Anjou. These were women who paved the way for Jane Grey, Mary Tudor and Elizabeth I - the Tudor queens who finally confronted what it meant to be a female monarch.

Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destination is Wonderland. The nature and style of the journey is all that's to be decided. Taking in London, Tokyo, Berlin and the Galapagos Islands, Lights Out In Wonderland documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursuit of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a sexual encounter with an octopus, and finally an orgiastic feast in the bowels of Berlin's majestic Tempelhof Airport. Along the way we see a character disintegrate and re-shape before our eyes.Lights Out In Wonderland carries you through its many corridors of delight and horror on the back of Gabriel's voice, which is at once skeptical, idealistic, broken and optimistic. An allegorical banquet and a sly commentary on these End Times and the march towards insensate banality, DBC Pierre's third novel completes a loose trilogy of fictions, each of which stands alone as a joyful expression of the human spirit.

The book brings together subtle and moving meditations on exile and belonging, travel and home, and honours many friends and loved ones along the way. In a series of poems that frequently recall the south-west Ireland of the author's childhood, Farmers Cross shows the author writing at his visionary and lyrical best.

THE SPOT is an old blacksmith shed in which a gang of men tweeze apart the intricacies of a botched bank robbery. THE SPOT is a place deep in Riverside Park, along the Hudson River, where two lovers walk with a keen sense that their adultery is about to come to an end. THE SPOT is at the bottom of Niagara Falls, where the body of a young girl floats as if caught in the tangled currents of her own tragic story. THE SPOT is a place in a young father's mind where love, fear and responsibility merge in the struggle with his son's potentially devastating diagnosis. THE SPOT lies in the eardrum of a madman plagued by a noisy upstairs neighbour on the Upper East Side of Manhattan. This highly anticipated collection by internationally acclaimed short story master David Means is exceptional not only in it's language but also in the diversity of the narratives, as he searches out with delicate precision the intricate relationship between immortality and grace.

See? All we need is... a map and...some kind of plan.This overcoat is neutral darling, neither Bolshevik nor Menshevik. Just essence of Prole. In Kiev during the Russian Civil War, the Turbin household is sanctuary to a ragtag, close-knit crowd presided over by the beautiful Lena. As her brothers prepare to fight for the White Guard, friends charge in from the riotous streets amidst an atmosphere of heady chaos, quaffing vodka, keeling over, declaiming, taking baths, playing guitar, falling in love. But the new regime is poised and in its brutal triumph lies destruction for the Turbins and their world. And those are the real enemies we face, deep in the shadows. This modern man with no name, no past, no love. This desperate hate-filled man born of loneliness and frustration. This man with nothing to be proud of, nothing he is part of. . .

The Time of the Hero has been acclaimed by critics around the world as one of the outstanding Spanish novels of recent decades. In the author's native Peru, this powerful social satire so outraged the authorities that a thousand copies were publicly burned.The novel is set in Leoncio Prado Military Academy in Lima, where a group of cadets attempt to break out of the vicious round of sadistic ragging, military discipline, confinement and boredom. But their pranks set off a cycle of betrayal, murder and revenge which jeopardizes the entire military hierarchy.'A work of undeniable power and skill.' Sunday Telegraph

A decade after the French Revolutionary and Napoleonic Wars had given way to an era of retrenchment and repression, 1824 became a watershed year. The premiere of the Ninth Symphony, the death of Lord Byron - who had been aiding the Greeks in their struggle for independence, Delacroix's painting of the Turkish massacre of Greeks at Chios and Pushkin's anti-tyrannical play Boris Godunov all signalled that the desire for freedom was not dead. And all of these works and events were part of the flowering of the High Romantic period. In The Ninth, eminent music historian and biographer Harvey Sachs employs memoir, anecdote and his vast knowledge of history to explain how the premiere of Beethoven's staggering last symphony was emblematic of its time - a work of art unlike any other - and a magisterial, humanistic statement that remains a challenge down to our own day and for future generations.

The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.I thought of life's many bounties, to have known the extremities of joy and sorrow, love, crossed love and unrequited love, success and failure, fame and slaughter ...Born in Ireland in 1930 and driven into exile after publication of her controversial first novel, The Country Girls, Edna O'Brien is now hailed as one of the most majestic writers of her era - and Country Girl is her fabulous memoir.Born in rural Ireland, O'Brien weaves the tale of her life from convent school to elopement, divorce, single-motherhood, moving on to the wild parties of 1960s bohemian in London, encounters with Hollywood giants, pop stars, and literary titans, love and unrequited love, and glamorous trips to America as a celebrity writer. Country Girl is a rich and heady accounting of the events, people, emotions, and landscape that have forged a legendary author. O'Brien recasts her life with the imaginative alchemy of a poet, and the result is a memoir of sparkling wisdom and honesty.This ebook features the first chapter of Edna O'Brien's stunning new novel, Girl, published by Faber in September 2019 and available to pre-order now.

The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.'Edna O'Brien writes the most beautiful, aching stories of any writer, anywhere.' Alice MunroA woman walks the streets of Manhattan and contemplates with exquisite longing the precarious affair she has embarked on, amidst the grandeur and cacophony of the cityscape; a young Irish girl and her mother are thrilled to be invited to visit the glamorous Coughlan's but find - for all the promise of their green gorgette, silver shoes and fancy dinner parties - they leave disappointed; an Irishman in north London retraces his life as a young lad with his mates digging the streets and dreaming of the apocryphal gold, an outsider both in Ireland and England, yet he carries the lodestar of his native land ...This classic collection glows with Edna O'Brien's trademark lyricism, powerful evocations of place, and heart-breaking insight into the desires and contradictions of humanity.This ebook features the first chapter of Edna O'Brien's stunning new novel, Girl, published by Faber in September 2019 and available to pre-order now.

'An unknown place.' This was what Michael Frayn's children called the shadowy landscape of the past from which their family had emerged. Shortlisted for the Costa Book Awards, My Father's Fortune sets out to rediscover that lost land before all trace of it finally disappears beyond recall. As Frayn tries to see it through the eyes of his parents and the others who shaped his life, he comes to realise how little he ever knew or understood about them.This is above all the story of his father, the quick-witted boy from a poor and struggling family, who overcame disadvantages and shouldered many burdens to make a go of his life; who found happiness, had it snatched away from him, and in the end, after many difficulties, perhaps found it again.Father and son were in some ways incredibly alike, in others ridiculously different; and the journey back down the corridors of time is sometimes comic, sometimes painful, as Michael Frayn comes to see how much he has inherited from his father and makes one or two surprising discoveries along the way. Michael Frayn is the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His bestselling novels include Headlong, which was shortlisted for the Man Booker Prize, Spies, which won the Whitbread Best Novel Award and Skios, which was longlisted for the Man Booker Prize.

When Euan and Ruth set off with their young daughter to live in Bahrain, it is meant to be an experience and adventure they will cherish. But on the night they arrive, Ruth discovers the truth behind the missionary work Euan has planned and feels her world start to crumble. Far from home, and with events spiralling towards war in nearby Iraq, she starts to question her faith - in Euan, in their marriage and in all she has held dear.With Euan so often away, she is confined to their guarded compound with her neighbours and, in particular, Noor, a troubled teenager recently returned to Bahrain to live with her father. Confronted by temptations and doubt, each must make choices that could change all of their lives for ever.Compelling, passionate and deeply resonant, The Meeting Point is a novel about idealism and innocence, about the unexpected turns life can take and the dangers and chances that await us.

Every day I buckle on my guns and go out to patrol this dingy city.Out on the far northern border of a failed state, Makepeace patrols the ruins of a dying city and tries to keep its unruly inhabitants in check. Into this cold, isolated world comes evidence that life is flourishing elsewhere - a refugee from the vast emptiness of forest, whose existence inspires Makepeace to take to the road to reconnect with human society. What Makepeace finds is a world unravelling, stockaded villages enforcing a rough and uncertain justice, mysterious slave camps labouring to harness the little understood technologies of a vanished civilization. But Makepeace's journey also leads to unexpected human contact, tenderness, and the dark secrets behind this frozen world.FAR NORTH leads the reader on a quest through an unforgettable arctic landscape, from humanity's origins to its likely end. Bleak, haunting, spare - and yet ultimately hopeful, the novel is suffused with an ecstatic awareness of the world's fragility and beauty, and its unexpected ability to recover from our worst trespasses.

Driving home from a party with his girlfriend and brother, all of them drunk and high on stolen pills, Billy Blackmore accidentally hits someone in the night. In a panic, they all decide to drive off.But the next day Billy wakes to find he has to cover the story for the local paper. It turns out the dead man was Edinburgh's biggest crime lord and, as Billy struggles with what he's done, he is sucked into a nightmare of guilt, retribution and violence.From the author of the acclaimed Smokeheads, Hit & Run is another pitch-black psychological thriller.

Four friends, one weekend, gallons of whisky. What could go wrong?Driven by amateur whisky-nut Adam, four late-thirties ex-university mates are heading to Islay - the remote Scottish island world famous for its single malts - with a wallet full of cash, a stash of coke and a serious thirst.Over a weekend soaked in the finest cask strength spirit, they meet young divorcee Molly, who Adam has a soft spot for, her little sister Ash who has all sorts of problems and Molly's ex-husband Joe, a control freak who also happens to be the local police. As events spiral out of control, they are all thrown into a nightmare that gets worse at every turn.A wild trip to the Scottish Highlands, Doug Johnstone's debut on the Faber crime list is a classic violent thriller, doused with black humour.

"e;Welcome to Sardinia: my hell, my home, my prison, my meditation these past sixteen years. What a place to die. But that's precisely why I was back."e;When drugged-up Time Traveller and '80s musical burnout Rock Section and his fellow English hooligans get kidnapped during Italia '90, there are ruinous implications. But now Rock has returned to Sardinia one final time to settle some scores and uncover the truth. He believes only Dutch cult leader Judge Barry Hertzog, still incarcerated on the island for the crime, can provide the answers. But through prescription drugs, the persistence of his driver Anna and a quest for the hidden ancient doorways strewn around Sardinia's only highway, the 131, Rock will discover that a greater truth awaits him. Judgement, consequences, hoodwinking on a grand scale, Gnosticism versus agnosticism...131 is a Gnostic whodunit that pursues readers' memories of all previous fiction into a peat bog and impales them with seven-foot-long pikes.

Among the poems that open Night, David Harsent's follow-up to his Forward Prize-winning collection Legion, is a startling sequence about a garden - but a garden unlike any other. It sets the tone for a book in which the sureties of daylight become uncertain: dark, unsettling narratives about what wakes in us when we escape our day-lit selves to visit a place where the dream-like and the nightmarish are never far apart. The book culminates in the seductive and brilliantly sustained 'Elsewhere', a noirish, labyrinthine quest-poem in which the protagonist is drawn ever onward through a series of encounters and reflections like an after-hours Orpheus, hard-bitten and harried by memory.