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New York Living Rooms is the first instalment in Dominique Nabokov's holy trinity of interior photography works, re-issued by Apartamento Publishing more than two decades after it was first published in 1998. Originally commissioned as a photo essay for the New Yorker in 1995, it offers a frank and intimate study of the interior living spaces of some of the city's most fabled cultural figures, including Susan Sontag, Norman Mailer, Louise Bourgeois, Francesco Clemente, Allen Ginsberg, and Joan Didion. With nothing added and nothing altered, Nabokov calls these images her interior 'portraits'. Some spaces are indulgent and ostentatious, others shelter the bare necessities, but Nabokov simply records them all for her fellow voyeurs and leaves us to decipher the rest. Long out of print, this updated edition brings back to life an era of New York City history, seen through Nabokov's original Polaroid photos and the original introduction by English poet James Fenton. It also sets the stage for the following editions in Paris and Berlin, which Apartamento will be re-issuing later in 2021.

This book compiles more than 150 Francis Wolff photos of jazz stars, most of which are published here for the very first time. Text in English, with both Introduction and back cover texts in English, French and Spanish.

This book gives ample proof of Jean-Pierre Leloir's (1931-2010) amazing ability to immortalize performers and to capture candid moments at the airport, backstage, and in the dressing rooms of the most legendary Paris jazz and concert venues. Text in English, with both Introduction and back cover texts in English, French and Spanish.

William Claxton revolutionised jazz photography capitalising on the sun and surf of Southern California, posing artists in unorthodox outdoor settings to represent an new era in the portrait or jazz artists. Texts in English, with both Introduction and back cover texts in English, French and Spanish.

Puedes adquirir la segunda edición de este libro buscando "13 almas" de Belén Martín López (nombre real de la autora). Muchas gracias y feliz vida.

Vivir desde el Ser es conectar contigo mismo, con tu centro, y desde allí relacionarte con el mundo y con los demás. Cuando se vive desde el Ser, la vida fluye y entras en contacto con todo lo afín a ti, incluyendo tu misión de vida.Hemos empezado la Era del Ser. Durante los próximos 5 mil años, toda la Humanidad aprenderá a Vivir desde el Ser y dejará atrás la organización social jerárquica, patriarcal. Este libro plantea primero una teoría que explica cómo cada 5 mil años la Humanidad cambia de organización social, así como qué implican estos cambios de Era. La última, la del Comercio, sirvió para crear el Ego y sus Miedos, un proceso de individuación doloroso, pero necesario para poder Vivir desde el Ser.En segundo lugar, se explora la mente y las emociones y cómo nos condicionan. Los Miedos del Ego nos separan de nuestra percepción y aíslan en nuestra mente. El Techo del Ego está creado por la culpa que no podemos reconciliar dentro de nosotros. Integrar los trocitos de nosotros, proyectados sobre el mundo, a través del amor es la clave para sanar esta escisión interna que nos separa de nuestro Ser.Este libro incluye herramientas prácticas y sencillas para conectar con tu Ser, fundamentalmente, las Proyecciones, que nos ayudan a descubrir nuestros talentos, y la Estructura del Ego, y nos enseña una nueva manera de relacionarnos, más auténtica y libre. En el Manual para Vivir desde el Ser se detallan los pasos sencillos y claros para realizar el trabajo de desarrollo personal desde esta perspectiva.

Este libro muestra la mirada que se dirige a los eventos más importantes de la Reforma Protestante, para buscar en este movimiento reformador, sus vigencias y principios, los cuales hoy han de seguir siendo aplicados, de forma personal y social.

'It was only after the Mexican War of Independence that the Indian fountain sprang forth. Only after the Spanish crown was expelled did the zeitgeist of Mexican art look to its ancient past with overdue awe. Ever since, painters, writers, and architects have drawn inspiration from this bloodline. Mexican modernism and muralism both took the pre-Hispanic undercurrent and blended it with the sensibility of their time, in the pursuit of national identity. From a vein out of this river emerged Agustín Hernández'. -Tezontle Studio & Luis Orozco MaderoPraxis, Agustín Hernández is the fourth book in a series devoted to some of our favourite architects, the houses they build, and the stories behind them. Born in 1924, Agusti?n Herna?ndez came of age as an architect in Mexico as modernist ideas coalesced with a renewed pride in the country's past. He was a frontrunner in combining the symbols, myths, and urban planning principles of pre-Columbian civilisations to create imposing architectural monuments that even today retain their avant-garde nature-from the military academy he built as a modern-day Mayan ceremonial ground to the remote meditation centre commissioned by his sister, based on the symbolism of the snake, and the studio-home that he built for himself in 1975: Praxis, a geometric treehouse that still towers over the Bosques de las Lomas neighbourhood of Mexico City. Original photography by Ryan Lowry. Texts by Tezontle Studio & Luis Orozco Madero, Carlota Pérez-Jofre, and Enrique Giner de los Ríos.