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Examines the way in which the British transformed the Pacific islands during the nineteenth centuryThe discovery of the Pacific islands amplified the qualities of mystery and exoticism already associated with 'foreign' islands. Their 'savage' peoples, their isolation, and their sheer beauty fascinated British visitors across the long nineteenth century. Dark Paradise argues that while the British originally believed the islands to be commercial paradises or perfect sites for missionary endeavours, as the century progressed, their optimistic vision transformed to portray darker realities. As a result, these islands act as a 'breaking point' for British theories of imperialism, colonialism, and identity. The book traces the changing British attitudes towards imperial settlement as the early view of 'island as paradise' gives way to a fear of the hostile islanders and examines how this revelation undermined a key tenant of British imperialism - that they were the 'superior' or 'civilized' islanders.Key FeaturesThe first monograph to trace the Pacific islands as represented through the lens of British fiction and non-fiction across the long nineteenth centuryExamines texts written by Pacific islanders and published in the British pressSignificantly broadens our understanding of the British Pacific by analysing understudied Pacific texts and authors alongside more canonical works

In the American psyche, the "e;Wild West"e; is a mythic-historical place where our nation's values and ideologies were formed. In this violent and uncertain world, the cowboy is the ultimate hero, fighting the bad guys, forging notions of manhood, and delineating what constitutes honor as he works to build civilization out of wilderness. Tales from this mythical place are best known from that most American of media: film. In the Greco-Roman societies that form the foundation of Western civilization, similar narratives were presented in what for them was the most characteristic, and indeed most filmic, genre: epic. Like Western film, the epics of Homer and Virgil focus on the mythic-historical past and its warriors who worked to establish the ideological framework of their respective civilizations. Through a close reading of films like High Noon and Shane, this book examines the surprising connections between these seemingly disparate yet closely related genres, shedding light on both in the process.

Sex for Sale in Scotland examines the various formal and informal methods that were used to police female prostitution in Edinburgh and Glasgow between 1900 and 1939 and explores how these policies influenced women's lives. The book uses a rich combination of police, probation, magistrates', poor law and voluntary organisations' records to demonstrate how these organisations combined to establish a 'penal-welfare' approach towards regulating prostitution in Scotland. By mapping the geography of prostitution, the book argues that prostitution was not forced into the outskirts of society, either physically or socially.The book examines both indoor and outdoor prostitution and the relationships that developed among the wide range of people who profited from commercial sex. Particular emphasis is placed on the experiences of the women involved in prostitution, highlighting the poverty, exploitation and abuse they faced, but also the ways in which they negotiated these dangers. This social history of prostitution maps how the organisation, policing and experiences of prostitution developed in an ever-changing urban landscape during a period of extraordinary developments in technology and entertainment, alongside the wider socio-economic changes brought about by the First World War.

This clear and practical book gives a thorough exposition of the law governing dilapidations in Scotland. It covers the underlying common law; interpretation of the lease; remedies for breach of repairing obligation; common parts and service charge; and dispute resolution.

Hostile relations between Iran and Saudi Arabia are a major contributing factor to political instability in the Middle East. This book argues that rapprochement between Tehran and Riyadh is possible and delves into the complexities of managing their long-standing conflict. By interviewing scholars and former policy makers from the Gulf region and abroad, the author draws out the core themes, strategies, and dynamics of the conflict since the American invasion of Iraq in 2003 to form a basis of an agenda for achieving peace. The result is a fresh perspective on a dangerous and unpredictable rift that affects not only its primary parties - Iran and Saudi Arabia - but also the geopolitics, economic stability and civil wars of the wider Middle Eastern region.

Introduces the figure of contamination as alternative to dialectics Whereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory.Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's , H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis. Key featuresCritically engages with some aspects of contemporary theory that keep propounding a Cartesian notion of the mind's control over the bodyAnalyses how key thinkers such as Spinoza, Benjamin, Pasolini and Freud attempt to re-evaluate what Agamben calls 'bare life'Offers original readings of Pasolini's notion of scandalo in terms of contaminationAlerts us to the ways in which some aspects of contemporary posthumanism may merely reproduce the dialects of inclusion and exclusion which is still premised on traditional notions of purity and immunity

Bayana in Rajasthan, and its monuments, challenge the perceived but established view of the development of Muslim architecture and urban form in India. At the end of the twelfth century, early conquerors took the mighty Hindu fort, building the first Muslim city below on virgin ground. They later reconfigured the fort and constructed another town within it. These two towns were the centre of an autonomous region during the fifteenth and sixteenth centuries. Going beyond a simple study of the historic, architectural and archaeological remains, this book takes on the wider issues of how far the artistic traditions of Bayana, which developed independently from those of Delhi, later influenced north Indian architecture. It shows how these traditions were the forerunners of the Mughal architectural style, which drew many of its features from innovations developed first in Bayana.

This book systematically introduces the idea of an improper politics. Introducing a conceptual vocabulary, it engages with the politics of the proper, propriety and property from a post-foundational perspective. Mark Devenney argues that this triad is central to understanding the maintenance of global inequality, both economic and political. He characterises democratic politics as improper, challenging the proper bounds of reason, accepted behaviours, and the policing of proper order. The conceptualisation of democracy as an improper practice of equality accords a dignity to forms of politics often deemed marginal.

What gives us the right to speak of a Deleuzian philosophy, a philosophy at first sight concerned solely with interpreting other philosophers and writers? Koichiro Kokubun focuses on Deleuze's method of 'free indirect discourse' to locate and explicate Deleuze's philosophy of transcendental empiricism and its constitutive limits. Working through Deleuze's confrontations with Hume, Kant, Bergson, Freud, Lacan, Foucault and Guattari, Kokubun uncovers a philosophy strongly influenced by structuralism and psychoanalysis, which had to overtake these movements because of its practical ambitions. Kokubun concludes with a radical revitalisation of the political potential of this philosophy.

Moving between ancient and modern sources, philosophy and theology, and science and popular culture, Sean McGrath offers a genuinely new reflection on what it means to be human in an era of climate change, mass extinction and geoengineering. Engaging with contemporary thinkers in eco-criticism, including Timothy Morton, Bruno Latour and Slavoj Zizek, McGrath argues for a distinctive role for the human being in the universe: the human being is nature come to full consciousness. McGrath's compelling case for a new Anthropocenic humanism is founded on a reverence for nature, a humanism that is not at the expense of nature, and a naturalism that is not at the expense of the human.

By accessing penal history through the mediator of individual memory authors can be seen to depict the cumulative dialogue between the English common law and its cultural representations across historical time. Offering legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bronte, Robert Browning, Henry Fielding and Sir Walter Scott; this book explores this literary phenomenon and its legal significance during the eighteenth and nineteenth centuries. In doing so it argues that the importance of precedent in Anglo-American common law creates a unique discourse of historical legitimacy that shapes both the cultural and official conceptions of criminality itself during this period. Within a Foucauldian framework, the book illustrates how the cultural memory of crime and punishment contribute to the development of formal and informal penal institutions. Key Features:*Generates a new framework for analysing the relationship between individual and cultural narratives, literary texts, and the cumulative "e;truth"e; created by the common law*Provides three case studies of adultery, child criminality, and rape testimony that demonstrate the impact of cultural narrative on legal development in the eighteenth and nineteenth centuries.*Legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bront Robert Browning, Henry Fielding, Sir Walter Scott *Transformative readings of widely read works including Charles Brockden Brown's Wieland and Ormond, Thomas Hardy's Tess of the d'Urbervilles, Charles Kingsley's The Water-Babies, Alfred Tennyson's Idylls of the King, Charlotte Bronts Jayne Eyre, Henry Fielding's The Modern Husband and Sir Walter Scott 's Heart of Midlothian

In the 21st century, more than any other time, US agencies have relied on contractors to conduct core intelligence functions. This book charts the swell of intelligence outsourcing in the context of American political culture and considers what this means for the relationship between the state, its national security apparatus and accountability within a liberal democracy. Through analysis of a series of case studies, recently declassified documents and exclusive interviews with national security experts in the public and private sectors, the book provides an in-depth and illuminating appraisal of the evolving accountability regime for intelligence contractors.

This collection of essays charts the intellectual trajectory of Barbara Glowczewski, an anthropologist who has worked with the Warlpiri people of Australia since 1979. She shows that the ways Aboriginal people actualise virtualities of their Dreaming space-time into collective networks of ritualised places resonate with Guattarian and Deleuzian concepts. Inspired by the art and struggles of different Indigenous people and other discriminated groups, especially women, Glowczewski draws on her own conversations with Guattari, and her debates with various scholars to deliver an innovative agenda for radical anthropology.

Kosher haggis, tartan kippot, and Jewish Burns' Suppers: Jews acculturated to Scotland within one generation and quickly inflected Jewish culture in a Scottish idiom. This book analyses the religious aspects of this transition through a transnational perspective on migration in the first three decades of the twentieth century. As immigrants began to outnumber the established Jewish community, and Eastern European rabbis challenged the British Jewish leadership in London, Scottish Jewry underwent momentous changes. The book examines this tumultuous period through a thematic biography of Salis Daiches, Scotland's most significant rabbi. Drawing on previously unseen archival material, including Rabbi Daiches' personal correspondence, the book provides a window into the dynamics of Jewish religious life and power relations.

From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship.

Daniel A. Dombrowski brings together the thought of the 20th-century philosophy's greatest political liberal, John Rawls, with the thought of the great process philosophers, Alfred North Whitehead and Charles Hartshorne. He shows that political liberalism is intimately linked with process philosophy, renaming it 'process liberalism'. He justifies this process liberalism in contrast to four potentially troublesome sources or influences: metaphysics, religion, right-wing politics and left-wing politics. Dombrowski engages a series of interlocutors and alternative positions including Franklin I. Gamwell, Timothy D. Snyder, Martin Heidegger and Karl Marx. In conclusion, he offers a compelling, intricate and resourceful argument for nonhuman animal rights based on Rawlsian principles, which in turn forms the basis of a future environmental ethics.

Making a sharp break with dominant contemporary readings of David Hume's scepticism Peter S. Fosl offers an original and radical interpretation of Hume as a thoroughgoing sceptic on epistemological, metaphysical and doxastic grounds. He does this by first situating Hume's thought historically in the sceptical tradition and goes on to interpret the conceptual apparatus of his work - including the Treatise, Enquiries, Essays, History, Dialogues and letters.

Focusing on the Deccan Sultanates of 16th- and 17th-century central India, Local States in an Imperial World promotes the idea that some polities of the time were not aspiring to be empires. Instead of the universalist and hierarchical vision typical of the language of empire, the sultanates presented another brand of state - one that prefers negotiation, flexibility and plurality of languages, religions and cultures. Building on theories of early modernity, empire, cosmopolitanism and vernaculars, Roy Fischel considers the components that shaped state and society: people, identities and idioms. He presents a frame for understanding the Deccan Sultanates as a rare case of the early modern non-imperial state, shedding light both on the region and on the imperial world surrounding it.

Based on new archival evidence and interviews, and setting out a new theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966-2016, identifying not only their distinctive British traits, but their parallels with British film genres and styles. By analysing the genre, craft and authorial voice of music video within the context of film and popular music, the book sheds new light on existing theoretical and historical questions about audiences, authorship, art and the creative industries. Far from being an American cultural form, the book reveals music video's roots in British and European film traditions, and suggests significant ways in which British video has impacted popular film and music culture.

During the first decade of the 19th century, F. W. J. Schelling was involved in 3 distinct controversies with one of his most perceptive and provocative critics, A. C. A. Eschenmayer. The first of these controversies took place in 1801 and focused on the philosophy of nature. Now, Berger and Whistler provide a ground-breaking account of this moment in the history of philosophy. They argue that key Schellingian concepts, such as identity, potency and abstraction, were first forged in his early debate with Eschenmayer. Through a series of translations and commentaries, they show that the 1801 controversy is an essential resource for understanding Schelling's thought, the philosophy of nature and the origins of absolute idealism.

This is the first English-language study of internationally acclaimed Portuguese filmmaker Pedro Costa, examining the cultural, production and exhibition contexts of his feature films, shorts and video installations. It situates Costa's filmmaking within the contexts of Portuguese, European and global art film, looking into his working practices alongside the impact of digital video, forms of collaborative authorship, and the intricate dialogue between modes of production and aesthetics. Considering the exhibition, circulation and reception of Costa's creative output in settings such as film festivals, the art gallery circuit and the home video market, ReFocus: The Films of Pedro Costa provides an essential critical analysis of this major filmmaker - as well as of the multifaceted production and consumption practices that surround contemporary art cinema.

Known as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors. Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image.

In the late 1950s, Iraqi Jews were either forced or chose to leave Iraq for Israel. Finding it impossible to continue writing in Arabic in Israel, many Iraqi Jewish novelists faced the literary challenge of switching to Hebrew. Focusing on the literary works of the writers Shimon Ballas, Sami Michael and Eli Amir, this book examines their use of their native Iraqi Arabic in their Hebrew works. It examines the influence of Arabic language and culture and explores questions of language, place and belonging from the perspective of sociolinguistics and multilingualism.In addition Ahmed applies stylistics as a framework to investigate the range of linguistic phenomena that can be found in these exophonic texts, such as code-switching, borrowing, language and translation strategies. This new stylistic framework for analysing exophonic texts offers a future model for the study of other languages.The social and political implications of this dilemma, as it finds expression in creative writing, are also manifold. In an age of mass migration and population displacement, the conflicted loyalties explored in this book through the prism of Arabic and Hebrew are relevant in a range of linguistic contexts.

Emmanuel Levinas's ethical philosophy has had a significant influence on film theory in recent years. Proposing a relationship between Levinasian ethics and film style, and bringing it into a productive dialogue with theories of performativity, this book explores this influence through three directorial bodies of work: those of the Dardenne Brothers, Barbet Schroeder and Paul Schrader. Discussing a range of films - including the Dardennes' Le Fils and The Kid with a Bike, Schroeder's Matresse and Reversal of Fortune and Schrader's American Gigolo and The Comfort of Strangers - Edward Lamberti demonstrates how film styles can perform a Levinasian ethics.

James Bahoh proposes a new methodology for explaining Heidegger's philosophy: diagenic analysis. This approach solves a set of interpretive problems that have stymied previous approaches to his difficult later work and led to substantial inconsistencies in the available scholarship. Using it, Bahoh reconstructs Heidegger's concept of event in relation to his theories of history, truth, difference, ground and time-space. In these contexts, Bahoh argues that Heidegger's logic of events entails a logic of difference that is prior to and constitutive for the logic of identity essential to traditional metaphysics. The logic of events explains the generation of ontological structures grounding individuated finite domains - that is, it explains the generation of the logic of worlds of beings.

First scholarly edition of a bestselling historical novelExplores the socio-political themes of the novel and deemed as relevant today as they were over 200 years agoSituates work in the genealogy of the historical novel and examines its literary and cultural influenceScholarly annotations clarify the historical context: the French Revolution, the related war in Poland, and Britain's response to Polish refugees in the 1790sPublished in 1803, Thaddeus of Warsaw is a beguiling romance that also exposes the hardships faced by migrants in Britain two hundred years ago. Jane Porter tells the story of a dashing Polish refugee, Thaddeus Sobieski, who must escape hostilities in his homeland. In London he faces poverty and prejudice, but his courage and goodness bring him to the attention of a circle of women who, in a surprising role reversal, either aid or woo him. He must also solve the mystery of his birth by discovering and confronting the British father who abandoned him.A carefully contextualised introduction to the novel and its author situates the work in the genealogy of the historical novel, examining its literary and cultural influence. Supporting materials include contemporary reviews, poems on Poland and correspondence regarding the novel's early success.

The animality of human beings is completely unknown. Being human means to be something other than an animal, to not be an animal. Felice Cimatti, with reference to the work of Gilles Deleuze, explores what human animality looks like. He shows that becoming animal means to stop thinking of humanity as the reference point of nature and the world. It means that our value as humans has the very same value as a cloud, a rock or a spider. Drawing on a wide range of texts - from philosophical ethology, to classical texts, to continental philosophy and literature - Cimatti creates a dialogue with Flaubert, Derrida, Temple Grandin, Heidegger as well as Malaparte and Landolfi - as part of this intriguing discussion about our humanity - and our unknown animality.

Examines Zoroastrian exegesis by investigating a late antique translation of an ancient Iranian textChallenges the view that considers the study of the Zand an auxiliary science to Avestan studiesViews the Zand of the YH as a text in its own right and investigates it within the wider Pahlavi leiteratureConsiders the so-called glosses in the Zand for the first time as an integral part of the textOffers a variorum edition of the Middle Persian text, refusing to establish an UrtextIn late antiquity, Zoroastrian exegetes set out to translate their ancient canonical texts into Middle Persian, the vernacular of their time. Although undated, these translations, commonly known as the Zand, are often associated with the Sasanian era (224-651 ce). Despite the many challenges the Zand offers to us today, it is indispensable for investigations of late antique exegesis of the Avesta, a collection of religious and ritual texts commonly regarded as the Zoroastrians' scripture.Arash Zeini also offers a fresh edition of the Middle Persian version of the Avestan Yasna HaptaA hA iti, a ritual text composed in the Old Iranian language of Avestan, commonly dated to the middle of the second millennium bce. Zeini challenges the view that considers the Zand's study an auxiliary science to Avestan studies, framing the text instead within the exegetical context from which it emerged.

This is a highly original, interdisciplinary study of the archaic Greek word nomos and its family of words. More recently used to mean simply 'law' or 'law-making', Thanos Zartaloudis draws out the richness of this fundamental term by exploring its many roots and uses over the centuries. The Birth of Nomos includes extracts from ancient sources, in both the original and English translation, including material from legal history, philosophy, philology, linguistics, ancient history, poetry, archaeology, ancient musicology and anthropology. Through a thorough analysis of these extracts, we gain a new and complete understanding of nomos and its foundational place in the Western legal tradition.

Explores the nature of Scottish Romanticism through its relationship to improvementProvides new insight into the concept of 'improvement'Advances current thinking on Scottish RomanticismIdentifies how improvement was involved in key aesthetic innovations in the periodIncludes case studies across poetry, short fiction, drama and the novelThis book develops new insight into the idea of progress as improvement as the basis for an approach to literary Romanticism in the Scottish context. With chapter case studies covering poetry, short fiction, drama and the novel, it examines a range of key writers: Robert Burns, James Hogg, Walter Scott, Joanna Baillie and John Galt. Improvement, as the book explores, provided a dominant theme for literary texts in this period, just as it saturated the wider culture. It was also of real consequence to questions about what literature is and what it can do: a medium of secular belonging, a vehicle of indefinite exchange, an educational tool or a theoretical guide to history.