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'Binge-watching' has become an umbrella term for a number of analytical questions in contemporary television studies, serving to describe the structure, marketing and publication model of Netflix and other streaming platforms. Because the term describes a range of different ideas linked to streaming television programming, research on binge-watching can bring together a number of different and related questions. This edited collection explores binge-watching and its role in contemporary television from the perspectives of fan studies, audience research, transnational television studies and narratology. This breadth of scope makes it possible to explore a broad variety of meanings and functions of the term and concept in contemporary television studies. Mareike Jenner is a Senior Lecturer in Media Studies at Anglia Ruskin University

This book investigates the interrelations between aesthetics, ethics and politics in a variety of visual media forms, ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established authors, with interdisciplinary expertise, explores how different ethical questions, political implications and aesthetic pleasures arise and shape one another in distinct visual media. Investigating themes such as the use of cinema as a medium for ethical and political thought, how documentary subjects both conceal and reveal truth, the new ethical challenges arising from interactive media and the role of images in responding to political events and trauma, this is a groundbreaking work about the interrelations of aesthetic, ethical and political values in visual media. Marguerite La Caze is Associate Professor in philosophy at the University of Queensland. Ted Nannicelli is Senior Lecturer in the School of Communication and Arts at the University of Queensland.

The first English-language book to cover Danish cinema from the 1890s to the present day, this wide-ranging collection places well-known auteurs such as Carl Th. Dreyer, Lars von Trier and Susanne Bier in their cultural context, and introduces a number of genres and themes that are less familiar to international audiences, including film stars of the silent era, children's film, folk comedies, porn film, trends in documentary and Greenlandic cinema. With twenty-two chapters, all of them specially commissioned for this volume, A History of Danish Cinema explores the role of screen representations and film policy in shaping Denmark's cultural identity, but also emphasises just how internationally mobile Danish films and filmmakers have always been -- showcasing this small nation's extraordinary contribution to world cinema. C. Claire Thomson is Associate Professor of Scandinavian Film at UCL and the author of Short Films from a Small Nation: Danish Informational Cinema 1935-1965 (EUP, 2018) Isak Thorsen is the author of Nordisk Films Kompagni 1906-1924: The Rise and Fall of the Polar Bear (John Libbey, 2017) Pei-Sze Chow is Assistant Professor of Media and Culture at the University of Amsterdam and the author of Transnational Screen Culture in Scandinavia: Mediating Regional Space and Identity in the Øresund Region (Palgrave, forthcoming)

China's haunted screens boast a rich legacy of uncanny, bizarre, grotesque, horrific, mystical and paranormal tales dating back to the silent era. Emerging from a period in which the supernatural ran afoul of censors in the Peoples' Republic of China, the resurgence of films rooted in "superstition" merits serious critical attention. This anthology provides penetrating insight into this re-enchantment seen in films by auteurs such as Zhang Yimou (PRC), Hou Hsiao-hsien (Taiwan), and Tsui Hark (Hong Kong) as well as in reimagined classics such as Journey to the West in its multiple manifestations on screen. Gina Marchetti, University of Hong Kong Although Chinese film audiences have always maintained a foundational cultural interest in the fantastic, this trend has dramatically increased over the last decade. Sino-Enchantment is the first work in English to approach this recent explosion of fantastic film in Chinese cinemas, where each re-envisioning of the form is determined by cultural, economic, political and technological factors to produce fresh inventions and creative reinventions of familiar narratives, characters and tropes. With case studies of films such as The Assassin (2015), Monster Hunt (2015) and The Great Wall (2016), this novel approach uses the framework of 'Sino-enchantment' as a new theoretical lens through which readers can engage with elements of the fantastic in Chinese cinema. Kenneth Chan is Professor of English at the University of Northern Colorado. Andrew Stuckey has taught at Kalamazoo College, the Ohio State University, the University of California at Irvine, and the University of Colorado at Boulder.

Jocelyne Saab was one of the most important female filmmakers pioneering a sense of international emancipatory world cinema from the early 1970s to her death in 2019. This book is the first English-language study dedicated to her entire oeuvre which consisted of journalism, documentaries, experimental and feature films, as well as photography, art exhibitions and curation, and film festival organisation. In this book, a range of international scholars integrates her work into a cohesive study of all aspects of her oeuvre - filmic, activist and artistic - representing the global significance of Saab's work and the ongoing resonance of her ideals and activism in a worldwide perspective. Mathilde Rouxel is a researcher and independent curator, specialising in Arab cinema. Stefanie Van de Peer is Lecturer in Film and Media at Queen Margaret University, Edinburgh.

This short, accessible vocabulary of business Arabic provides learners with strictly relevant key terms for translating both from and into Arabic.

Presenting the depiction of migration through a variety of cinematic outlets, this volume explores film's depiction of human displacement in different geographic circumstances and probes the reasons why cinema so frequently evokes a stereotype of in-transit people. Techniques of affect and distance are revealed in the contributors' close film studies of wide-ranging matter which include works by the Dardenne brothers, transnational video artists Ghazel and Bouchra Khalili, and studies of Syrian films at Western festivals. Migrants' Perspective, Migrants in Perspective: World Cinema deciphers the semiotics of migration and its representation in cinema, exploring both the complications of shooting a migrant subject, and the challenges of including the migrants' point of view. Nicole Beth Wallenbrock is Assistant Professor of French and Francophone Studies at the City University of New York, Hostos Community College. Frank Jacob is Professor of Global History at Nord Universitet, Norway. Cover image: dyslexia 3, acrylic and ball point pen on paper, size 140 x 100cm, 2015 (c) ghazel Cover design: www.paulsmithdesign.com

Following a period of rapid political change, both globally and in relation to the Middle East and South Asia, this collection sets new terms of reference for an analysis of the intersections between global, state, non-state and popular actors and their contradictory effects on the politics of gender.

This collection of essays, by acknowledged experts in the field, provides valuable insight into one of the most exciting developments in Beckett Studies in recent years. Samuel Beckett and Translation explores the idea that at the core of Beckett's work there is no fixed centre but a constant movement between variants of French and English. This collection of newly commissioned edited essays opens up original lines of enquiry into this restless impulse and how it finds a resonance in Beckett's writing. Topics, including Beckett's self-translations, translations of other authors and poetics of translation, are discussed in an Introduction and thirteen chapters followed by a section of commentary from seasoned translators who have worked on Beckett's texts. In examining the full range of Beckett's literary genres, this book presents how the high voltage released by Beckett's bilingualism informs the intricacies of his literary production. José Francisco Fernández is Senior Lecturer in English Literature at the University of Almería, Spain Mar Garre García is a PhD researcher (Gerty Cori Fellow) at the University of Almería, Spain

Collected Essays on Deleuze and Guattari.

Theses on Intellectual Cultural and Political Inheritance.

Maps the ongoing changes in Salafi intellectual thought, dawa and jihad Starting in late 2017, Saudi Arabia embarked on a series of reforms reversing many socially restrictive policies long associated with Salafism. These developments have triggered critical questions about the future of Salafism, crucially: is this the end for the most influential puritanical Islamic reform movement of the 20th century? This book introduces the history of the rise and spread of Salafism during the 20th century as a global Islamic reform movement. It also explains Salafi tools of methodological reasoning: traditionally used to justify highly conservative positions, they now appear equally effective in defending more liberal life choices. The collection will help readers to appreciate the diversity of Salafi movements, as well as the significance of the ongoing socio-economic and political changes within Saudi Arabia and the wider Muslim world that are enabling shifts to this conservative Islamic scholarly tradition. Key Features - Examines the impact of reforms within Saudi Arabia on Salafi intellectual thought as well as on Salafi dawa movements and Jihadi groups - Explores the factors shaping social liberalisation within Saudi Arabia - Presents examples of reforms within Salafi intellectual thought - Shows dynamism and adaptability within Salafi dawa movements in different country contexts - Addresses the critical question of growing infighting within Salafi jihadi groups Masooda Bano is Professor of Development Studies in the Oxford Department of International Development and Senior Golding Fellow at Brasenose College, University of Oxford.

'Consistently challenging, informative, and enlightening, the essays in this volume make a major contribution in situating Agamben's thought in relation to existentialist thinkers and themes. They provide a bright new lens through which to view Agamben's work.' Kevin Attell, Cornell University Explores the philosophical relationship between Giorgio Agamben and the existentialist tradition While Giorgio Agamben's work has not previously been categorised as existentialist, his work creatively repackages important existentialist themes in a politico-theological context. This collection of essays offers creative new ways of considering Agamben's critique of the sovereign exception, as well as other existentialist themes, including feminism and postcolonialism. The international range of contributors each challenge, complicate or reimagine Agamben's reading of the sovereign exception, which appears among the writings of Kierkegaard, Nietzsche, Sartre, Heidegger, Beauvoir, Fanon, Kafka, Dostoevsky and others in both theistic and atheistic forms. Divided into three sections - Agamben and the Sovereign Exception, Agamben and the Death of God and Existentialist Themes in Agamben - this collection re-introduces Agamben as an unacknowledged existentialist philosopher who takes the major themes and concepts of existentialism in a startling new direction. Marcos Antonio Norris is a doctoral candidate and Crown Fellow at Loyola University Chicago. Colby Dickinson is Associate Professor of Theology at Loyola University Chicago. Cover image: (c) iStockphoto.com Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-7877-9 Barcode

Explores Beckett's engagement with various technologies throughout his artistic career. This collection of essays is the first comprehensive discussion of the role technology plays in shaping Beckett's trademark aesthetics. Samuel Beckett and Technology assembles an innovative and diverse range of scholarly approaches to the topic, which collectively renegotiate our understanding of his work in prose, theatre, film, radio and television. What emerges from these discussions is the centrality of technology for Beckett's creative imagination, a factor that is equally enabling as it is limiting. At the same time, the book reveals how theories of technology can yield new readings of the way Beckett responds to the conditions of technological modernity. As such, Beckett's work is examined in its relation to historical and contemporary technologies, discourses of technicity and technē, post-humanism and the digital age. Galina Kiryushina is a Doctoral Candidate and Researcher at the Centre for Irish Studies, Faculty of Arts, Charles University Prague. Einat Adar is Lecturer in English Literature at the University of South Bohemia. Mark Nixon is Associate Professor in Modern Literature at the University of Reading, where he is also the Co-Director of the Beckett International Foundation.

'This book offers a unique and wonderfully broad collection of essays that introduce the reader to an important and little-known trend in Shakespeare and theatre studies. The editors have included essays by leading theatre artists, playwrights, directors, actors and scholars who celebrate Shakespeare as seen through the multiple perspectives of Latinx Shakespeares as performance, as literature and as community-building through professional and community-based theatre companies from coast to coast.' Jorge Huerta, University of California San Diego A timely and exciting intervention at the intersection of Latinx and Shakespeare Studies Shakespeare and Latinidad is a collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on Latinx productions and appropriations of Shakespeare's plays. It is the first truly comprehensive treatment of this style of adaptation, bringing together the diverse voices working in this field today including leading academics, playwrights and theatre practitioners. This blend of essays and interviews reflects the transdisciplinary synthesis of scholarship, dramaturgy and pedagogy that shapes Latinx engagement with Shakespeare. Trevor Boffone is Lecturer in the Women's, Gender & Sexuality Studies Program at the University of Houston. Carla Della Gatta is Assistant Professor of English at Florida State University. Cover image: Calaveraspeare (c) Jose Pulido Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-8848-8 Barcode

'Offering a comprehensive and highly original perspective, Cinema and Soft Power is a significant contribution to the field. Anyone seeking to understand the value of cinema as a soft power instrument in case studies beyond the "usual suspects" will appreciate both the breadth and depth of this collection of essays.' Gary Rawnsley, University of Nottingham Ningbo China 'The relationship between soft power and popular culture, especially cinema, has largely been overlooked in academic literature. Dennison and Dwyer's innovative collection admirably fills this gap: a very useful resource for students and researchers.' Daya Thussu, Professor of International Communication, Hong Kong Baptist University The apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of 'soft power' in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a 'soft power' resource. The contributors explore the wider implications for world cinema of its members' differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit. Stephanie Dennison is Professor of Brazilian Studies at the University of Leeds. Rachel Dwyer is Professor Emerita of Indian Cultures and Cinema at SOAS University of London. Cover image: Film Dangal, Beijing, China, 2017 (c) AP/Shutterstock ISBN: 978-1-4744-5627-2

Making Lebanon their Own. 19 B/W illustrations

This book examines Turkey's ethno-religious activism and power-related political strategies in the Balkans between 2002 and 2020, the period under the rule of the Justice and Development Party (AKP), to determine the scopes of its activities in the region.

Examines how the making, marketing and performance of new Islamic music genres relate to Islamic discourse and thought, through a case study of Awakening, an Islamic media company formed in London.