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This collection focuses both on the films Elaine May has directed, and also emphasises her work with other high profile collaborators such as John Cassavetes, Warren Beatty and Otto Preminger.

A definitive collection of Matheron's essays on Spinoza available in English for the first time Alexandre Matheron has worked and written substantially on Spinoza since the publication of his influential 1969 masterpiece Individu et communauté chez Spinoza (Éditions de Minuit) and he is considered one of the most important interpreters of Spinoza's philosophy in the twentieth century. The 20 essays gathered here focus on the themes of ontology, knowledge, politics and ethics in Spinoza, his predecessors and his contemporaries. This is a crucial collection for anyone seeking to understand 20th-century continental Spinozism. Alexandre Matheron was Professor of Philosophy at the École normale supérieure at Fontentay/Saint Cloud. He remains one of the foremost authorities on Spinoza. Filippo Del Lucchese is Senior Lecturer in History of Political Thought at Brunel University, London. David Maruzzella received his MA in philosophie contemporaine from the École normale supérieure (Rue d'Ulm) and is currently a PhD candidate in Philosophy at DePaul University. Gil Morejón received his PhD in Philosophy from DePaul University. His research focuses on early modern metaphysics and contemporary political theory.

These comparative essays explore the shared terrain of these modernist women writers and shed new light on their 'curious & thrilling' literary relationship.

This collection of 13 essays addresses and explores Deleuze and Guattari's relationship to the notion of anarchism: in the diverse ways that they conceived of and referred to it throughout their work, and also expands it in terms of the spirit of their philosophy and in their critique of capitalism and the State.

This collection of 13 essays addresses and explores Deleuze and Guattari's relationship to the notion of anarchism: in the diverse ways that they conceived of and referred to it throughout their work, and also expands it in terms of the spirit of their philosophy and in their critique of capitalism and the State.

Navigates varied approaches to the representation of the nonhumanIs it possible to read, write and think non-anthropocentrically? To compare what literature and philosophy can teach us about the nonhuman?By pursuing underexplored areas of Animal Studies within five interdisciplinary chapters, Danielle Sands proposes a thinking of and with animals that draws on a range of affects from empathy to disgust. Examining the benefits of empathy in facilitating cross-species understanding and kinship, Sands also reveals its limits.Danielle Sands is Lecturer in Comparative Literature and Culture at Royal Holloway, University of London and Fellow at the Forum for Philosophy, LSE.

Provides nine detailed case studies of translation between and among European and Middle-Eastern languages and between genres.

Explores translation in the context of the late Ottoman Mediterranean worldFénelon, Offenbach and the Iliad in Arabic, Robinson Crusoe in Turkish, the Bible in Greek-alphabet Turkish, excoriated French novels circulating through the Ottoman Empire in Greek, Arabic and Turkish - literary translation at the eastern end of the Mediterranean offered worldly vistas and new, hybrid genres to emerging literate audiences in the nineteenth and early twentieth centuries.Whether to propagate 'national' language reform, circulate the Bible, help audiences understand European opera, argue for girls' education, institute pan-Islamic conversations, introduce political concepts, share the Persian Gulistan with Anglophone readers in Bengal, or provide racy fiction to schooled adolescents in Cairo and Istanbul, translation was an essential tool. But as these essays show, translators were inventors. And their efforts might yield surprising results.Key features¿ A substantial introduction provides in-depth context to the essays that follow¿ Nine detailed case studies of translation between and among European and Middle-Eastern languages and between genres¿Examines translation movement from Europe to the Ottoman region, and within the latter¿ Looks at how concepts of 'translation', 'adaptation', 'arabisation', 'authorship' and 'untranslatability' were understood by writers (including translators) and audiences¿ Challenges views of translation and text dissemination that centre 'the West' as privileged source of knowledgeMarilyn Booth is Khalid bin Abdullah Al Saud Professor in the Study of the Contemporary Arab World at the University of Oxford. She is author and editor of several books including Classes of Ladies of Cloistered Spaces: Writing Feminist History through Biography in Fin-de-siècle Egypt (Edinburgh University Press, 2015).

Scotland's Foreshore' tells the story of the battle that took place during the nineteenth century and into the early twentieth century between the Crown and private proprietors over the ownership of the foreshore.

Starting from Deleuze's brief but influential work on control, the 11 essays in this book questions how contemporary control mechanisms influence, and are influenced by, cultural expression. They also collectively revaluate Foucault and Deleuze's theories of discipline and control in light of the continued development of biopolitics

Starting from Deleuze's brief but influential work on control, the 11 essays in this book questions how contemporary control mechanisms influence, and are influenced by, cultural expression. They also collectively revaluate Foucault and Deleuze's theories of discipline and control in light of the continued development of biopolitics

A radical reinterpretation of Willa Cather's oeuvre Deploying the concepts and techniques of Body Studies, Guy J. Reynolds remaps Cather's vast and diverse range of writing from the 1890s through to 1940. His study of embodiment and narrative focuses on the senses and reads Cather as a writer at the transition from late Victorian to Modernist modes of representation. The book presents suggestive new ways of understanding her depictions of disability, male bodies and Native American culture, not to mention her narratives of whiteness and of the black body. Guy J. Reynolds is Professor of English at the University of Nebraska-Lincoln.

This volume of 18 essays shows how leading philosophers address the problems of ancient metaphysics: one and the many, the potential and the actual, the material and immaterial, the divine and the world itself. Includes three original and previously unpublished translations of texts by Gilles Deleuze, Pierre Aubenque and Barbara Cassin.

Assesses and analyses medieval Anatolia from the perspectives of architecture, landscape and urban space.

Written by a group of prominent shari'ah scholars, academics and practitioners in the field of Islamic finance, this book contains 17 in-depth case studies of shari'ah governance practices and experiences as well as critical analysis of these practices.

This collection brings together 14 essays by international specialists in Medieval and Renaissance culture to bring recent insights from cognitive science and philosophy of mind to bear on how cognition was seen as distributed across brain, body and world between the 9th and 17th centuries.

Looking at a range of films that have provoked debate, from award-winning features like' Zero Dark Thirty' and 'American Sniper', to documentaries like 'Kill List' and 'Dirty Wars',this book examines the practices of erasure in the cinematic representation of recent military interventions.

This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.

This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.

This collection brings together a selection of original, research-led essays on more than a dozen avant-garde British writers of the 1960s, revealing this to be a crucial and crucially overlooked period of British literary history.

A collection of research-led essays on seminal British avant-garde writing of the 1960s

'In this extraordinarily rich study, Erin Hogan helps us to understand the distinction of the child in Spanish cinema as well as its resilience. Using dialogism as theoretical frame of reference, this intelligent book shows how the child has been variously ventriloquised and how it has learned to talk back. Through exhilarating close readings of films which speak to one another through time or across geographical boundaries, the child transforms from biopolitical tool into a flexible icon with which to interrogate some of the most deeply held precepts of Spanish culture.' Sarah Wright, Royal Holloway, University of London This is the first genre study of child-starred cinemas from Spain. It illuminates continuities in the political use of the child protagonist in over fifty years of Spanish cinema and how the child-starred genres deploy the concept of childhood to retrospectively define the nation and its future. From Francoist popular to oppositional auteur films, and including Spanish and Latin American cinema, this monograph examines commonalities in aesthetics, narratives and genre functions. It demonstrates the impact of these narratives within Spanish film history and Francoist biopolitics, as well as providing a broader transatlantic perspective on the genre in select productions from Chile and Argentina. Erin K. Hogan teaches courses in Spanish literature and film and Latin American cinema at the University of Maryland, Baltimore County. Cover image: Pa negre, 2010, Agustí Villaronga (c) Massa d'or Produccions Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-3611-3 Barcode

This is the first genre study of child-starred cinemas from Spain. It illuminates continuities in the political use of the child protagonist in over fifty years of Spanish cinema and how the child-starred genres deploy the concept of childhood to retrospectively define the nation and its future.

This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This second volume focuses on international cinema, and includes case studies of key performances from actors like Ingrid Bergman,Nikolai Cherkassov, Alec Guinness and Isabelle Huppert.

This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history. This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson and Al Pacino.