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This volume draws a map of British film culture in the 1970s and provides a wide-ranging history of the period. It examines the cross-cultural relationship between British cinema and other media, including popular music and television. The analysis covers mainstream and experimental film cultures, identifying their production contexts and the economic, legislative and censorship constraints on British cinema throughout the decade.The essays in Part I contextualise the study and illustrate the diversity of 1970s moving image culture. In Part II, Sue Harper and Justin Smith examine how gender relations and social space were addressed in film. They show how a shared visual manner and performance style characterises this fragmented cinema, and how irony and anxiety suffuse the whole film culture. This volume charts the shifting boundaries of permission in 1970s film culture and changes in audience taste.This book is the culmination of an AHRC-funded project at the University of Portsmouth, For more information about '1970s British Cinema, Film and Video: Mainstream and Counter-Culture' (2006-2009) please visit the project website at www.1970sproject.co.uk.

The character and range of Arab folk literature are investigated by Pierre Cachia in this collection of his essays in the field he has pioneered. These are arranged into three sections. The first traces the changing relationship between Arab folk and elite literatures, the gradual elaboration of certain genres, and the career of a folk poet. The author then devotes a substantial section to the consideration of single or related texts. Finally he comments on social and cultural implications and on differences of attitudes of folk and elite towards sensitive issues. This book represents an insightful contribution to our understanding of Arab folk literature and will be of relevance to anyone with an interest in Arab literary creativity. Key FeaturesCollects in one volume Pierre Cachia's observations on material acquired after his seminal 'Popular Narrative Ballads of Modern Egypt' (1989)Includes two previously unpublished essaysExamines the history, texts, and social and cultural implications of the traditionPresents a revised and updated transcription system based on pronunciation of the language - far more suited to oral forms of literature

What did the Church ever do for us?Johnston McKay unearths a practical social theology of the church in Scotland in the century from 1820. It has been widely believed that the church was largely mute on the widespread poverty and deprivation which accompanied the rapid expanse of urban life. This study, newly available in paperback, asserts that the church was not lacking in commitment to improving such conditions, through the example of theologians Robert Flint and the parish minister Frederick Lockhart Robertson. Flint's publication of Christ's Kingdom upon Earth led the Church of Scotland in Glasgow to investigate slum housing conditions and led to the idea that religion could not be complacent about the need for social action.Key FeaturesShines new light on the history of the Church of ScotlandShows how religion was a reforming movement in an age of deprivationHighlights the importance of social reformist writers within the Church

This volume, newly available in paperback, brings together the best of T. C. Smout's recent articles and contributions to books and journals on the topic of environmental history and offers them as a collection of 'explorations'. The author's interests are multi-faceted and, though often focussed on post-1600 Scotland, by no means restricted to that area.

'Reading Veering generates the intense joy of veering. An exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "e;veering"e; is salient. On this basis he creates new theories of literature and of creative writing's place in criticism. Royle's best book yet.'J. Hillis Miller, Distinguished Research Professor of Comparative Literature and English, University of California, Irvine'Nicholas Royle is one of the most interesting, inventive, and provocative thinkers of literary language currently writing in English, and he has done something truly extraordinary here. By allowing a theory of literature to emerge right from the traces of the veering movements of fiction and poetry, he has thoroughly renewed the possibility of thinking in the wake of our literary encounters. Veering issues a general license to read, once again, with all the wonder, generosity, and freedom it calls forth on every page.'Professor Peggy Kamuf, University of Southern California'Every genre, every great work has its way of veering. This fascinating, richly compendious, necessary book shows the way forward for literary studies. Nicholas Royle's twisty key opens and magically re-opens the wonders of the canon and beyond. The spiralling pleasure he takes in doing so lightens, refreshes, instructs and inspires. Royle is a wonderful communicator about literature and theory and a uniquely powerful, original critical voice. This is his most exciting and widely relevant work so far.'Sarah Wood, University of KentReflections on the figure of veering form the basis for a new theory of literatureExploring images of swerving, loss of control, digressing and deviating, Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as creative writing Royle works with insights from Lewis Carroll, Freud, Adorno, Raymond Williams, Edward Said, Deleuze, Cixous and Derrida. With wit and irony he investigates veering in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others. Contrary to a widespread sense that literature has become increasingly irrelevant to our culture and everyday life, Royle brilliantly traces a strange but compelling literary turn

A major interpretation of recent South Asian diasporic writing and cinema in specifically transatlantic terms Ruth Maxey provides readings of canonical and less well-known South Asian American and British Asian texts and key cinematic works. She explores the formal and thematic tendencies of the works, relating them to gender politics, the marketplace, and issues of literary value and historical change. While engaging with established debates, Maxey also intervenes in new ways in transatlantic, postcolonial literary, and Asian American cultural studies. Key features * Looks at writers including Jhumpa Lahiri, Bharati Mukherjee, Mohsin Hamid, Hanif Kureishi, Monica Ali, and Nadeem Aslam * Explores films such as Mischief Night, Mississippi Masala, A Love Supreme, and Praying with Anger * Sources used include articles from mainstream American, Asian and British newspapers such as The New York Times, The Washington Post, The Hindu, New Statesman, The Daily Telegraph, and The Guardian * Engages with critics including Susan Koshy, Sukhdev Sandhu, Rajini Srikanth, and James Procter * The book is organised around the four key themes of: home & nation, travel & return, racial mixing, and food & eating.

A polemical attack on the ways recent Shakespeare biographers have disguised their lack of informationHow is it that biographies of Shakespeare can continue to appear when so little is known about him, and what is known has been in the public domain for so long? Why is it that a majority of the biographies published in the last decade have been written by distinguished Shakespeareans who ought to know better? This book attempts to solve this puzzle by examining the methods the biographers have used to hide their lack of knowledge. At the same time, by exploring efforts to write a life of Shakespeare along traditional lines, it asks what kind of animal biography really is and how it should be written.Key Features:From this book, the reader can learn all that is directly known about ShakespeareAn expos of the Shakespeare biography industry showing that books which are marketed as biographies of Shakespeare are nothing of the kindAsks the reader to think about how we acquire our knowledge of other people and what we ought therefore to expect of biographies

What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics. Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writing of Emmanuel Levinas, Roland Barthes, and J. Hillis Miller. Also included is a discussion of the recent reading of Derrida's philosophy as 'radical atheism', and the book ends with a conversation on deconstruction and place with the theorist and critic Jean-Michel Rabate. Running throughout is a concern with the question of responsibility, as exemplified in Derrida's own readings of literary and philosophical texts: responsibility to the work being read, responsibility to the protocols of rational argument, and responsibility to the reader.

By developing his own conception of the 'figure' Andrew Benjamin has written an innovative and provocative study of the complex relationship between philosophy, the history of painting and their presentation of both Jews and animals.As Benjamin makes clear the 'Other' is never abstract. He underscores the means by which the ethical imperative, arising from the way the history of philosophy and the history of art are constructed, shows us how to respond to an already identified, even if unacknowledged, determinant other.

Examines literatures and histories of the Cape in relation to postcolonial debates about nationalismHow the Cape Colony was imagined as a political community is examined by considering a variety of writers, from major European literati and intellectuals (Cames, Southey, Rousseau, Adam Smith), to well-known travel writers like Franois Levaillant and Lady Anne Barnard, to figures on the margins of colonial histories, like settler rebels, slaves, and early African nationalists. Complementing the analyses of these primary texts are discussions of the many subsequent literary works and histories of the Cape Colony. These diverse writings are discussed first in relation to current debates in postcolonial studies about settler nationalism, anti-colonial resistance, and the imprint of eighteenth-century colonial histories on contemporary neo-colonial politics. Secondly, the project of imagining the post-apartheid South African nation functions as a critical lens for reading the eighteenth-century history of the Cape Colony, with the extensive commentaries on literature and history associated with the Thabo Mbeki presidencies given particular attention.Key Features:Major European literary figures and philosophers read in the context of colonial historyMaterialist/historicist approach to postcolonial literatureCritical engagement with dominant theories of colonial nationalism

Explores the lasting cultural and political impact of the events of this remarkable yearOscar Wilde's libel suit against the Marquess of Queensberry and its disastrous repercussions dominated British newspapers during the spring of 1895, but as this innovative study reveals, the Wilde scandal was by no means the only event to capture the public's imagination that year. Freak weather, a flu epidemic, a General Election, industrial unrest, 'sex novels' and New Women, trials of murderers and fraudsters, accidents, anarchists, bombers, balloonists and bicyclists were all topics of interest and alarm. Had Jack the Ripper returned? Did the Prime Minister have a dreadful secret? Were Aubrey Beardsley's drawings corrupting the nation's morals? Were overpaid foreign players corrupting English football? Could cricket save a degenerate nation from moral ruin?Drawing on strikingly diverse primary sources, Nicholas Freeman examines the recurrent preoccupations of a turbulent year, showing how 1890s' Britain is at once far removed from our own day and yet strangely familiar.

Rome's stunning rise to mastery of the ancient MediterraneanNathan Rosenstein charts Rome's incredible journey and command of the Mediterranean over the course of the third and second centuries BC. He describes the Republic's great wars - against Pyrrhus, Carthage and Hannibal, and the kings of Macedon and Syria - as well as its subjugation of Gallic northern Italy and Spain.This book reveals why and shows how Rome engaged in war so frequently; it highlights the secret of Rome's extraordinary military success and the significant impact on both Italy and Rome.Key features:Explains the political dynamics of the Republican aristocracy and the economic and demographic foundations of Roman powerDemonstrates how it integrated many thousands of citizens across the whole of central Italy into a single body politicAnalyses the operation of the Roman army on campaign and in combatKeywords:Rome, Pyrrhus, Middle Republic, Heraclea, Asculum, Beneventum, Maleventum, First Punic War, Second Punic War, Hannibalic War, Trasimene

Unlike countries like France, the Czech Republic or Brazil, Italy did not have a new wave properly understood as a movement. However, while new artistic schools were emerging in many other countries, Italy was undergoing its most dramatic social and economic transformations. Those violent changes, together with the perceived necessity of renewing the aesthetic heritage of Neorealism, sparked a drastic regeneration of the cinematic language and marked the most memorable period of Italian film history.Italian Post-Neorealist Cinema explores the ferments of Italian cinema from the mid-50s to the end of the 60s, situating its wealth in the context of other national cinemas emerging at the same time. Olmi, Pasolini, Antonioni, Fellini, Visconti, the Taviani Brothers, Cavani, Rosi, Ferreri and many others all made their debut or directed their most representative works during the period. The book brings to the surface the lines of experimentation and artistic renewal appearing after the exhaustion of Neorealism, mapping complex areas of interest such as the emergence of ethical concerns, the relationship between ideology and representation, and the role of Italian counter-culture.

A history of the Scottish diaspora from c.1700 to 1945Did you know that Scotland was one of Europe's main population exporters in the age of mass migration? Or that the Scottish Honours System was introduced as far afield as New Zealand? This comprehensive introductory history of the Scottish diaspora examines these and related issues, exploring the migration of Scots overseas, their experiences in the new worlds in which they settled and the impact of the diaspora on Scotland. Global in scope, the book's distinctive feature is its focus on both the geographies of the Scottish diaspora and key theories, concepts and themes, including associationalism and return migration. By revisiting these themes throughout the chapters, the multifaceted characteristics of 'Scottishness' abroad are unravelled, transcending narrow interpretations that define the Scottish diaspora primarily in terms of the movement of people. Readers will gain an understanding of migration flows and destination countries, but also the imprints and legacies of migr Scots overseas and at home.Key FeaturesComprehensive overview of Scottish diaspora historySections explaining themes and geographiesInternational in scopeConceptual case studies: England & Ireland; United States; Canada; Africa; Asia; Australia & New Zealand (the Antipodes)

Should contemporary citizens provide material redress to right past wrongs? There is a widespread belief that contemporary citizens should take responsibility for rectifying past wrongs. Nahshon Perez challenges this view, questioning attempts to aggregate dead wrongdoers with living people, and examining ideas of intergenerational collective responsibility with great suspicion. He distinguishes sharply between those who are indeed unjustly enriched by past wrongs, and those who are not. Looking at issues such as the distinction between compensation and restitution, counterfactuals and the non-identity problem, Perez concludes that individuals have the right to a clean slate, and that almost all of the pro-intergenerational redress arguments are unconvincing. Key Features *Unique in claiming past wrongs should not be rectified *Analyses pro-intergenerational material redress arguments *Case studies include court cases from Australia, Northern Cyprus, the United States and Austria, and political and social movements from the US, Palestine and Arab countries

How did the Scottish government respond to sexual attitudes and behaviour in the period 1950 to 1980?In exploring the role of the state in the regulation of modern sexuality, historians have largely overlooked the policy-making process in Scotland. Davidson and Davis lead us through the Scottish sexual landscape leading up to the global crisis of HIV/AIDS, analysing post-war state policy towards issues such as abortion, family planning, homosexuality, pornography, prostitution, sex education and sexual heath. How progressive were Scottish policy makers during this period of rapid social change? The book charts the ongoing struggle between progressive and moralistic agendas within sexual politics at both a national and local level. How far did the puritanical elements of Scottish Presbyterianism continue to inhibit policy and to what degree did policy makers empower a broader range of sexual behaviours and moderate the traditional surveillance and censure of female sexuality? Finally, in what respects did Scotland's national identity affect the engagement of the Scottish state with sexual issues? Key WordsAbortion, censorship, contraception, family planning, government, homosexuality, homosexual law reform, morality, obscenity, policy-making, pornography, prostitution, Scottish, sex, sexuality, sex education, sexual health, sexual offences, sexual reproduction, sexually transmitted diseases, stateKey features* Adds an important Scottish perspective to the study of sexuality and policy-making in modern society. There are few resources for the student of Scotland's sexual history and its political and social context. * Provides a significant addition to the history of sexuality in 20th-century Britain* Makes a significant contribution to our understanding of the later 20th-century Scottish state, and especially the local state* Adds to our knowledge of the shaping of policy on key issues relating to sexual morality in modern society including abortion, censor

A Gedenkschrift to one of Scotland's most prominent jurists and legal thinkers.

Introduces Tennyson's famous elegy to first-time readers, students and teachers of the poem.In Memoriam is one of the most famous and influential poems of the 19th century. Composed over nearly three decades and spanning over 100 sections, it is one of the longest elegies in the English language. It is at once a deeply personal description of grief and a wide-ranging discussion of its age.This guide provides:* The full text of the poem;* Information about its cultural, historical and literary contexts;* Four different reading strategies for approaching the text;* Suggested seminar activities, assessments and module outlines for teachers and lecturers

Headline: An exploration of the figuring of absence in film.PitchHow can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh engagement with continental philosophy, Post-Structuralist Film Theory and Contemporary Western Cinema, makes a unique and valuable contribution to the field.Key features: * Case studies are taken from the work of major directors, including Cronenberg and von Trier* Key concepts explored are filmic space (air and the elemental in film), corporeality (bodies on screen and the film itself as a breathing body) and inter-subjectivity (community and sociality).* Makes a notable contribution to the study of film sound and haptic perception. Keywords: breathing, embodiment, phenomenology, immateriality, haptic visuality, spatiality, inter-subjectivity, breath, Luce Irigaray, David Cronenberg, Atom Egoyan, Lars von Trier, Breathing Body, trauma

This major new collection of texts by Helene Cixous brings together a range of important untranslated as well as four previously unpublished essays. These essays deal with literature, politics, history, Algeria, and the university and include works from Cixous' most significant contributions to literary criticism (Joyce, Kleist, Stendhal, Kafka, Shakespeare) as well as her contemporary writing on human rights and geo-politics. They are all informed by Cixous' unique gift for combining a writer's love of idiom and life with a scholar's acute deconstructive reading. These texts present an extended account of what Cixous calls here 'autobibliography' in which writing, theory, politics and life combine to open up the world through critical reading and self-reflection. 'I am on the side of life', says Cixous. These essays affirm Cixous' reputation as one of our greatest readers and sources of critical light in the world today. Key Features*Author is a leading French theorist and writer*Essays cover a wide range of topics and contemporary issues

This book examines a wide range of financial institutions in Britain which fall broadly within the ethical sector, considering the nature of their principles and practices, and how they relate to Islamic models and to Muslim communities. Islamic finance is routinely described as ethical: a beneficial association given that 'ethical' finance is one of the few financial sectors with a positive image and is a large and growing sector of the market. Yet the claim that 'Islamic' and 'ethical' are synonymous is only now being seriously examined, as is the claim that there exists a consistent and generally understood definition of 'ethical' practice. This guide includes case studies from retail banking, mutual associations such as building societies and credit unions, investment funds, high interest lenders and debt counselling, social enterprise, charities and the wider phenomenon of ethical consumerism.

Why, in the years around 1920, did the concept of 'minority' suddenly become prominent in public affairs worldwide? Within a decade after World War One, the term became fundamental to public understandings of national and international politics, law, and society: minorities (and majorities too) were taken to be an objective reality, both in the present and the past. This book uses a study of Syria under the French mandate to show what historical developments led people to start describing themselves and others as 'minorities'. Despite French attempts to create territorial, political, and legal divisions, the mandate period saw the consolidation of the nation-state form in Syria. There was a trend towards a coherent national territory with fixed borders and uniform state authority within them, while the struggle to control the state was played out in the language of nationalism - developments in the post-Ottoman Levant that closely paralleled events in Europe at the same time, following the demise of the Austro-Hungarian and Tsarist empires. Through close attention to what changed in French mandate Syria, and what those changes meant, the book argues for a careful reappraisal of a term too often used as an objective description of reality.

A complete history of Islamic political thought from early Islam (c.622-661) to the present. This comprehensive overview describes and interprets all schools of Islamic political thought, their origins, inter-connections and meaning. It examines the Qur'an, the early Caliphate, classical Islamic philosophy, and the political culture of the Ottoman and other empires. Major thinkers such as Averroes (Ibn Rushd) and Ibn Taymiyya are covered as well as numerous lesser authors, and Ibn Khaldun is presented as one of the most original political theorists ever. It draws on a wide range of sources including writings on religion, law, philosophy and statecraft expressed in treatises, handbooks and political rhetoric. The new edition discusses and analyses the connections between religion and politics. It incorporates recent developments in Islamic political thought before and after 9/11 and ends with a critical survey of reformism (or modernism) and Islamism (or fundamentalism) from the late nineteenth century up to the present day. Key Features of the Second EditionRevised and updated throughoutA new final section on Islam and the WestNew bibliographies of primary and secondary sourcesOnly book to cover the whole of Islamic political thought, past and present

Essential Middle Eastern VocabulariesSeries Editor Elisabeth KendallEssential Middle Eastern Vocabularies give you up-to-date expressions, jargon and new coinages to express modern concepts across broad areas of interest such as the media, the internet, law and business. Key Features:* Terms grouped in thematic sections* Easy-to-learn lists to test translation* CD with audio files to help you check your pronunciation* Interactive online audio-visual e-Flashcards* IndexMedia PersianDominic Parviz BrookshawWhat is the Persian term for 'climate change'? How would you say 'detention centre'? Could you recognise the phrase 'The World Cup'? Or 'information technology'?This short, accessible vocabulary gives you ready-made lists of key terms in media Persian for translating both from and into Persian. It is divided into 13 key areas:GeneralPolitics and GovernmentElectionsConflict and SecurityLaw and OrderHuman RightsEconomicsTrade and IndustryScience and TechnologyEnergyEnvironmentAid and DevelopmentCulture and Sport

Reads Beckett's comic timing as part of a post-war ethics of representationSamuel Beckett is a funny writer. He is also an author whose work is taken to respond ethically to the unspeakable seriousness of the post-Holocaust situation. How can these two statements sit together?Ranging widely over Beckett's fiction, drama, and critical writings, and including readings of Murphy, the Trilogy, Waiting for Godot, Endgame, the late prose, and the late plays, the book demonstrates that it is through Beckett's comic timing that we can understand the double gesture of his art: the ethical obligation to represent the world how it is while, at the same time, opening up a space for how it ought to be.Key Features:* Presents innovative readings of the comedy found in Beckett's fiction, drama and critical writings* Spans Beckett's entire oeuvre, using published and unpublished sources* Engages with recent and contemporary philosophical approaches to literature, including work by Derrida, Badiou, Levinas, and Adorno* Makes a unique contribution to theoretical work on comedy and laughter* Provides a rigorous introduction to the theoretical debates surrounding the relationship between modernist literature and a post-war ethics of representation

Focusing on the upsurge of interest in the Second World War in recent British novels, this monograph explores the ways in which secrecy and secret work - including code-breaking, espionage and special operations - have been approached in representations of the war. It considers established writers, including Muriel Spark, Sarah Waters and Kazuo Ishiguro, as well as newer voices, such as Liz Jensen and Peter Ho Davies. The examination of the after-effects of involvement in secret work, inter-generational secrets in a domestic context, political allegiance and sexuality shows how issues of loyalty, deception and betrayal are brought into focus in these novels. Key Features* Breaks new ground in considering the Second World War in contemporary culture* Contributes to debate on established novelists such as Muriel Spark* Intervenes in ongoing debates about historical fiction

New edition of bestselling introductory text outlining the history and ways of reading Gothic literature.This revised edition includes: A new chapter on Contemporary Gothic which explores the Gothic of the early twentieth century and looks at new critical developments An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.

Kant's 'Groundwork of the Metaphysics of Morals' is considered a standard text in the history of moral philosophy as well as a classic work of moral philosophy in its own right. This guide provides a paragraph-by-paragraph account of the main themes of Kant's moral philosophy and a clear statement of his overall philosophical aims and arguments. Complete with a study aids section with a glossary and advice for essay writing, it is an essential toolkit for anyone approaching Kant for the first time.

Explores the fin de siecle mission to open up the 'Dark Continent'This study maps the effects of a cartographic blankness in literature and its impact upon early Modernist culture, through the nascent discipline of psychoanalysis and the debt that Freud owed to African exploration. It demonstrates that tales of intrepid exploration and of dramatic cultural encounters between indigenous populations - often serialised in missionary magazines - had a profound influence on every facet of late Victorian and early Modernist culture. As Robbie McLaughlan shows, this influence manifested itself most clearly in the late Victorian 'best-seller' which blended this arcane Central African imagery with an interest in psychic phenomena. The chapters examine: representations of unexplored regions in missionary writing and Rider Haggard's narratives on Africa; the cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby.Key Features:* Opens up the 'dark continent' and its literary, historical and theoretical manifestations* Argues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de sicle sensation literature, in particular mesmeric fiction, and psychoanalysis* Diverges from established colonial histories by drawing on an archive of special and neglected material