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"Cuando leí a Fiorella Terrazas por primera vez sentí que estaba leyendo a la voz de mi generación. En sus poemas encuentro los dolores y esperanzas de quienes nacimos entre 1989 y 1996. Nosotras, infames millennials. Se nos acusa de estar hechos de cristal porque todo nos ofende, y ofendemos. La hiperconectividad no es lo unico que nos caracteriza, también lo hace la hipersensibilidad y ambas estan muy relacionadas. La poesía de FioLoba es hipersensible en el sentido mas crudo de la palabra. Ella no aborda lo millenial de la manera cliche que se acostumbra porque ella no necesita explorarlo, simplemente lo descarga en sus versos." - Lucia Carvalho Fiorella Terrazas aka FioLoba (Lima, Peru. 1990) es una artista queer neurodivergente, poeta y gestora cultural. Fioloba es una criatura del Internet. Sus trabajos han sido publicados en websites, revistas y blogs de poesía en varios países de Latinoamérica. Los poemas de FioLoba se encuentran en la licuadora interseccional del cuerpo, la imagen personal, la política y el género, donde la ética queer y la estética glitch se vuelven a su vez posiciones para una voz poética navegando a través del declive de nuestro futuro tecnológico. Compilando lo mejor de su producción poética en un nuevo artefacto funcional, Cam Girl & Other Poems (2017-2021) es una amplia selección de la obra de una de las mas notorias poetas de Internet en Latinoamérica.

"Magda is essentially lyrical and human. . . . In her early poems she is almost always the poet of tenderness. And her lyricism is precisely recognized in her humanity. In her poetry we find all the accents of a woman who lives passionately and vehemently, ignited by love and longing, and tormented by truth and hope". - José Carlos MariáteguiOriginally published in Lima in 1927, Magda Portal's Hope and the Sea immediately stood out as one of the most remarkable books to come out of the Peruvian literary avant-garde. Already an acclaimed poet by the age of twenty-three, Magda Portal became a key participant in the political and intellectual milieu surrounding Amauta magazine, eagerly absorbing the winds of change sweeping across the continent, embodying them within her own intensely personal experience. Hope and the Sea speaks from an intimate yet transcendental voice, which bravely faces the immensity of the sea, earthly forces and the depths of the human heart, ever with immense feeling for the suffering of the poor. Like her contemporaries Blanca Luz Brum, Alfonsina Storni and Juana de Ibarbourou, Magda Portal-feminist leader, avant-garde poet, political organizer-represents one of the crucial personalities at the turning point for feminist movements in Latin America.

"Magda is essentially lyrical and human. . . . In her early poems she is almost always the poet of tenderness. And her lyricism is precisely recognized in her humanity. In her poetry we find all the accents of a woman who lives passionately and vehemently, ignited by love and longing, and tormented by truth and hope". - José Carlos MariáteguiOriginally published in Lima in 1927, Magda Portal's Hope and the Sea immediately stood out as one of the most remarkable books to come out of the Peruvian literary avant-garde. Already an acclaimed poet by the age of twenty-three, Magda Portal became a key participant in the political and intellectual milieu surrounding Amauta magazine, eagerly absorbing the winds of change sweeping across the continent, embodying them within her own intensely personal experience. Hope and the Sea speaks from an intimate yet transcendental voice, which bravely faces the immensity of the sea, earthly forces and the depths of the human heart, ever with immense feeling for the suffering of the poor. Like her contemporaries Blanca Luz Brum, Alfonsina Storni and Juana de Ibarbourou, Magda Portal-feminist leader, avant-garde poet, political organizer-represents one of the crucial personalities at the turning point for feminist movements in Latin America.