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The contributors to Blue Legalities attend to the seas as a legally and politically conflicted space to analyze the conflicts that emerge where systems of governance interact with complex geophysical, ecological, economic, biological, and technological processes.

In this brilliant reinvention of the travel guide, artists, activists, and scholars redirect readers from the fantasy of Hawai'i as a tropical paradise and tourist destination toward a multilayered and holistic engagement with Hawai'i's culture, complex history, and the effects of colonialism.

The contributors to Reading Sedgwick reflect on the long and influential career of Eve Kosofsky Sedgwick, whose pioneering work in queer theory has transformed understandings of affect, intimacy, politics, and identity.

The contributors to Affective Trajectories examine the mutual and highly complex entwinements between religion and affect in urban Africa in the early twenty-first century, tracing the myriad ways religious ideas, practices, and materialities interact with affect to configure life in urban African spaces.

Militarization: A Reader offers an anthropological perspective on militarization's origin and sustained presence as a cultural process in its full social, economic, political, cultural, environmental, and symbolic contexts throughout the world.

The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, church films, and other forms of noncommercial filmmaking throughout the twentieth century.

With topics that span the sixteenth century to the present in Latin America, the United States, Australia, the Middle East, and West Africa, the contributors show how ethnopornography-the eroticized observation of the Other for supposedly scientific or academic purposes-is fundamental to the creation of race, colonialism, and archival and ethnographic knowledge.

Examining abjection in a range of visual and material culture, the contributors to Abjection Incorporated move beyond critiques of abjection as a punitive form of social death to theorizing how it has become a means to acquire political and cultural capital in the twenty-first century.

Contributors of this volume offer interdisciplinary analyses of non-normative sexuality and gender nonconformity in Korea, extending individualized notions of queer neoliberalism beyond those set in Western queer theory.

Laura Winkiel is Associate Professor of¿English at the University of Colorado-Boulder, author of Modernism, Race, and Manifestos and Modernism: The Basics, and the senior editor of English Language Notes.

Jocelyne Guilbault is Professor of Music at the University of California, Berkeley, and coauthor of Roy Cape: A Life on the Calypso and Soca Bandstand, also published by Duke University Press. Timothy Rommen is Davidson Kennedy Professor in the College of Arts and Sciences¿and Professor of Music and Africana Studies at the University of Pennsylvania. He is the¿author of Funky Nassau: Roots, Routes, and Representation in Bahamian Popular Music.

The contributors to Racism Postrace theorize and examine the persistent concept of post-race in examples ranging from Pharrell Williams's "Happy" to public policy debates, showing how proclamations of a post-racial society can normalize modes of racism and obscure structural antiblackness.

Gavin Butt is Attenborough Chair of Drama, Theatre and Performance at University of Sussex. Nadja Millner-Larsen is Lecturer in Visual Cultures at Goldsmiths, University of London.

Through global case studies that explore biometric identification, border control, forensics, militarized policing, and counterterrorism, the contributors show how bodies have become critical sources of evidence that is organized and deployed to classify, recognize, and manage human life.

Stuart Hall (1932–2014) was one of the most prominent and influential scholars and public intellectuals of his generation. Hall appeared widely on British media, taught at the University of Birmingham and the Open University, was the founding editor of New Left Review, and served as the director of Birmingham's Centre for Contemporary Cultural Studies. He is the author of Cultural Studies 1983: A Theoretical History; Familiar Stranger: A Life Between Two Islands; and other books also published by Duke University Press. David Morley is Professor of Communications, Goldsmiths, University of London, and coeditor of Stuart Hall: Conversations, Projects, and Legacies.

The contributors chart the shifting conceptions of environment, infrastructure, and both human and nonhuman life in the face of widespread uncertainty about the planet's future.

The contributors to this ambitious and wide-ranging collection explore sound as an object, sound studies as a discipline, and the limits of sonic objectivity.

The contributors to The Apartment Complex offer global perspectives on films from a diverse set of genres-from film noir and comedy to horror and musicals-that use apartment living to explore modern urbanism's various forms and possibilities.

The contributors chart the shifting conceptions of environment, infrastructure, and both human and nonhuman life in the face of widespread uncertainty about the planet's future.

Domestication Gone Wild offers a revisionary exploration of domestication as a narrative, ideal, and practice that reveals how our relations with animals and plants are intertwined with the politics of human difference.

Containing over one hundred selections-many of which appear in English for the first time-this extensively revised and expanded second edition of the bestselling Brazil Reader presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half-millennia.

This volume's contributors explore the transformative potential of digital sound studies to create rich, multisensory experiences within scholarship, building on the work of digital humanists to evaluate and historicize new technologies and forms of knowledge.

Prompting a reevaluation of canonical understandings of twentieth century art history, Mapping Modernisms provides an analysis of how indigenous artists and art from Africa, Oceania, and the Americas became recognized as modern.

A new approach to writing culture has arrived: multispecies ethnography. Plants, animals, fungi, and microbes appear alongside humans in this singular book about natural and cultural history.

Interdisciplinary in design and concept, Speculation, Now illuminates unexpected convergences between images, concepts, and language. Artwork is interspersed among essays that approach speculation and progressive change from surprising perspectives. A radical cartographer asks whether "the speculative" can be represented on a map. An ethnographer investigates religious possession in Islam to contemplate states between the divine and the seemingly human. A financial technologist queries understandings of speculation in financial markets. A multimedia artist and activist considers the relation between social change and assumptions about the conditions to be changed, and an architect posits purposeful neglect as political strategy. The book includes an extensive glossary with more than twenty short entries in which scholars contemplate such speculation-related notions as insurance, hallucination, prophecy, the paradox of beginnings, and states of half-knowledge. The book''s artful, nonlinear design mirrors and reinforces the notion of contingency that animates it. By embracing speculation substantively, stylistically, seriously, and playfully, Speculation, Now reveals its subversive and critical potential.Artists and essayists include William Darity Jr., Filip De Boeck, Boris Groys, Hans Haacke, Darrick Hamilton, Laura Kurgan, Lin + Lam, Gary Lincoff, Lize Mogel, Christina Moon, Stefania Pandolfo, Satya Pemmaraju, Mary Poovey, Walid Raad, Sherene Schostak, Robert Sember, and Srdjan Jovanović Weiss.Published by Duke University Press and the Vera List Center for Art and Politics at The New School 

This lively compilation of testimonies, journalism, scholarship, political tracts, literature, and illustrations conveys Paraguay's rich history and cultural heritage, as well as its struggles against underdevelopment, foreign intervention, poverty, inequality, and authoritarianism.

This collection categorizes aesthetic avant-garde art as art that seeks to politically transform society and argues that such art is essential for political revolution. It provides seven in-depth analyses of twentieth-century aesthetic avant-garde art movements and examines them in relation to revolutionary politics.

"The first and only comprehensive study of the West Indian people. Ortiz ushered the Caribbean into the thought of the twentieth century and kept it there." --C. L. R. James

A compilation of the primary texts-by Foucault, Arendt, Agamben, Badiou, and other theorists-that laid the ground for contemporary thinking about biopolitics, or the relations between life and politics.

""Shame and Its Sisters" will have a major impact on the study of culture in the coming years, and on several fronts. It is a significant contribution to the current rethinking of emotion and affect that promises to explore the limits of Freudian and dialectical models of the self, its pleasures, desires, and projects."--W. J. T. Mitchell, Editor, "Critical Inquiry"