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Explores the origins of Chinese reportage (journalism) in the 1930s, 40s and 50s, and develops an understanding of the aesthetics that governed the creation of this literature.

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou revolutionized Chinese cinema with Red Sorghum, Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. This title tells the story of this class of 1982, China's famous "Fifth Generation" of filmmakers.

Explores the relation between the pre-colonial and colonial past to the postcolonial present in the Democratic Republic of Vietnam.

Looking at a hundred-year history of film and capitalism, this title theorizes a cultural history that illuminates the spaces where film and the nation transcend their customary borders, where culture and capital crisscross - and in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.

Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak

Analyses differences between men's and women's participation in Chile's Agrarian Reform movement, examining how conflicts over gender shape the contours of working-class struggles and national politics.

Examines drumming and beating as musical practice (musicological meaning), as the channelling of violence or shock (sociological meaning), and as a subjective, embodied agent (psychoanalytic meaning). This title contributes to the cultural studies, popular and critical musicology, the theorisation of the body, and the sociology of music.

What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? This book responds to these questions by arguing that post-World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well. It is suitable for students of cinema, and queer studies.

Argues that the multicultural legacy of colonialism perpetuates unequal systems of power, not by demanding that colonized subjects identify with their colonizers but by demanding that they identify with an impossible standard of authentic traditional culture.

Discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawaii as a centre of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa.

The story, based on extensive individual interviews, of the women's swing bands that toured extensively during World War II and after -- a kind of "League of their Own" for jazz.

Shows how female cosmopolitanism re-contextualises the well-known Western male romance with the Orient: Japanese women are now the agents, narrating their own desires for the "modern" West in ways that seem to defy Japanese nationalism as well as long-standing relations of power not only between men and women but between Japan and the West.

Romanticism is a worldview that finds expression over a whole range of cultural fields - not only in literature and art but in philosophy, theology, political theory, and social movements. This book formulates a theory that defines romanticism as a cultural protest against modern bourgeois industrial civilization.

Japan's jazz community - both musicians and audience - has been begrudgingly recognised for its talent, knowledge, and level of appreciation. Underpinning this tentative admiration, however, has been a tacit agreement that, for cultural reasons, Japanese jazz 'can't swing'. This title explores the true and legitimate nature of Japanese jazz.

In contrast with scholarship on women and gender in the modern period, the author asserts that the rise of the absolute state, with its centralising and unifying tendencies, could actually increase women's economic, social, and legal opportunities and allow them to thrive in corporate organisations such as the guild.

Employing literary, historical, and anthropological techniques, this title attempts to generate a new understanding of issues that permeate discussions of Africa by disrupting the centrality of postcolonial texts and focusing instead on the cultural and intellectual production of colonial Africans.

In 1892, in the broad daylight of downtown Memphis, Tennessee, a middle class woman named Alice Mitchell slashed the throat of her lover, Freda Ward, killing her instantly. Local, national, and international newspapers, medical and scientific publications, and popular fiction writers all clamoured to cover the ensuing "girl lovers" murder trial.

Analyses how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrialising England's relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, the author explores the industrial logic of disease.

Revises American film history by recuperating the extensive and all-but-forgotten participation of black film critics during the early twentieth century. This work excavates a wealth of early critical writing on the cinema by black cultural critics, academics, journalists, poets, writers, and film fans.

Addresses Western officials' responses to post-Cold War conflicts and analyses the reactions of the Left to their governments' positions.

An autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, it is suitable for those interested in the birth and growth of gay and lesbian studies.

A collection of essays which use critical theory to reflect on issues pertaining to modern Chinese literature and culture. It addresses topics such as 20th-century literature produced in Taiwan, Hong Kong, and mainland China; film, art, history, popular culture, and literary and cultural criticism and the geographies of migration and diaspora.

An English translation of 1992 best-selling fiction novel that explores the nature of totalitarian regimes and life in the aftermath of a long dictatorship.

Tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of the Scientific Revolution. Explaining that the word 'monster' is derived from the Latin for 'omen' or 'warning', the author begins with an exploration of the monster's early identity as a portent or messenger from God.

Writing involves risks - the risk of being persecuted, the risks of being made a champion for causes in which one does not believe, and the risk of inadvertently supporting a reader's prejudices. This title illuminates the process by which writers negotiate difficult path to free themselves from the ideological and contextual traps.

The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. This title analyses Kurosawa's entire body of work, from 1943's Sanshiro Sugata to 1993's Madadayo.

Examines constructions of racial identity through the exploration of passing narratives including forties jazz musician Mezz Mezzrow's memoir Really the Blues

Examines the mutually influential interactions of gender and the state in Latin America from the late colonial period to the end of the twentieth century. This book locates watershed moments in the processes of gender construction by the organised power of the ruling classes and in the processes by which gender has conditioned state-making.

Suitable for the students of jazz, American music, African American studies, American culture, and cultural studies, this title studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton.

The term 'subalternity' refers to a condition of subordination brought about by colonisation or other forms of economic, linguistic, and/or cultural dominance. This title examines the relationship between subalternity and representation by analysing the ways in which that relationship has been played out in the domain of Latin American studies.