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In Reclaiming the Discarded Kathleen Millar offers a comprehensive ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, Brazil, where self-employed workers, known as catadores, collect recyclable materials and ultimately generate new modes of living within the precarious conditions of urban poverty.

Omise'eke Natasha Tinsley traces how contemporary queer Caribbean and African American writers, filmmakers, musicians, and performers evoke the divinity Ezili-a pantheon of lwa feminine spirits in Vodou-in ways that offer a new model of queer black feminist theory.

Caren Kaplan traces the cultural history of aerial imagery-from the first vistas provided by balloons in the eighteenth century to the sensing operations of military drones-to show how aerial imagery is key to modern visual culture and can both enforce military power and foster positive political connections.

Attending to diverse practices of everyday living and doing-of form, style, and scenography-in Jacques Ranciere's writings, Davide Panagia explores Ranciere's aesthetics of politics as it informs his radical democratic theory of participation.

Ramah McKay follows two medical projects in Mozambique through the day-to-day lives of patients and health care providers, showing how transnational medical resources and infrastructures give rise to diverse possibilities for work and care amid constraint.

In Landscapes of Power Dana E. Powell takes an historical and ethnographic approach to understanding how a controversial coal power plant slated for development in the Navajo (Dine) Nation was defeated and, in the process of its destruction, generated the conditions for new understandings of indigenous environmentalism to emerge.

Examining the cultural and gender politics of Chinese contemporary art at the turn of the twenty-first century, Sasha Su-Ling Welland shows how artists, curators, officials, and urban planners negotiated the meanings of the avant-garde, built new cultural institutions, wrote new histories of Chinese art, and imagined new, more gender-inclusive worlds.

Sara Ann Wylie traces the history of fracking in the United States and how scientists, nonprofits, landowners, and everyday people are coming together to hold the fossil fuel industry accountable through the creation of digital platforms and databases that document fracking's devastating environmental and human health impacts.

Charlotte Brunsdon traces television's representations of Paris, London, and Baltimore to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban and showing how television shapes our perception of urban spaces, both familiar and unknown.

The Revolution Will Not Be Funded gathers essays by radical activists, educators, and non-profit staff from around the globe who critically rethink the long-term consequences of what they call the "non-profit industrial complex," which works against the efforts of social justice organizations.

Antoinette Burton challenges nostalgic narratives of the Afro-Asian solidarity that emerged from the 1955 Bandung conference by showing how postcolonial Indian identity was based on the subordination of Africans and blackness.

In this first book-length study of contemporary Native American artist Edgar Heap of Birds, Bill Anthes analyzes Heap of Bird's art and politics in relation to Native American history, spirituality, and culture, the international art scene, and how his art critiques the subjugation of Native Americans.

Setting forth a politic that goes beyond the quest for the legal inclusion of trans populations, this revised and expanded edition of Normal Life is an urgent call for justice and trans liberation, and the radical transformations it will require.

Elizabeth A. Wilson shakes feminist theory from its resistance to biological and pharmaceutical data and urges that now is the time for feminism to critically engage with biology. Doing so will reanimate feminist theory, strengthening its ability to address depression, affect, gender, and feminist politics.

In this original theory of power, Brian Massumi explains how the logic of preemption governs U.S. military policy in the War on Terror and how that logic spills over from the war front to the home front. Threats are now felt into reality and power refocuses on what may emerge. The mode of power embodying the logic of preemption is ontopower.

In this ethnography of the Fresh Start homeless shelter in Detroit, Aimee Meredith Cox shows how the shelter's residents-young black women whose average age is twenty-critique their social marginalization and find creative ways to exercise their agency.

Vladimir Jankelevitch's Henri Bergson is a great commentary written on philosopher Henri Bergson. Jankelevitch's analysis covers all aspects of Bergson's thought, from metaphysics, emotion and temporality, to psychology and biology. This edition also includes supplementary essays on Bergson by Jankelevitch, Bergson's letters to Jankelevitch, and an editor's introduction.

Marcia C. Inhorn's ethnography of international travelers seeking in vitro fertilization treatment in the global IVF hub of Dubai shows that infertile couples, or "reprotravelers," leave their countries because IVF treatment is not safe, affordable, legal or effective. Inhorn opens a window into the painful, frustrating, and expensive world of infertility.

James Ferguson examines the rise of social welfare programs in southern Africa in which states give cash payments to their low income citizens. These programs, Ferguson argues, offer new opportunities for political mobilization and inspire new ways to think about issues of production, distribution, markets, labor and unemployment.

Gil Z. Hochberg examines films, photography, painting and literature by Israeli and Palestinian artists. Israel's greater ability to control what can be seen, how, and from what position drives the Palestinian-Israeli conflict. The artists Hochberg studies challenge Israel's visual and social dominance by creating new ways to see the conflict.

Natasha Myers shows in this ethnography how scientists who build three-dimensional models of proteins use their senses and bodies to create, represent, and evaluate otherwise imperceptible molecules. These modelers often consider matter to be made up of living, moving, and sometimes breathing entities, and Myers' study of them rethinks the objectivity of science.

In Nature in Translation Shiho Satsuka studies Japanese tour guides who lead Japanese tourists on trips through the Canadian Rockies. By presenting nature in ways attuned to Japanese culture, these guides translate nature, a process that makes visible the cultural construction of nature and subjectivities.

Anthropologist Shalini Shankar explores how racial and ethnic differences are created and commodified through advertisements and marketing. Focusing on Asian American ad firms, she describes the day-to-day process of creating ads and argues that advertising has framed Asian Americans as "model consumers," thereby legitimizing their presence in American popular culture.

Reading across archives, canons, and continents, Lisa Lowe examines the relationships between Europe, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries. She argues that Western liberal ideology, African slavery, Asian indentured labor, colonialism and trade must be understood as being mutually constitutive.

When Rains Became Floods is the stunning autobiography of Lurgio Gavilan Sanchez, who as a child soldier fought for both the Peruvian guerilla insurgency Shining Path and the Peruvian military during the Peruvian Civil War. After escaping the war, he became a Franciscan priest.

Examines the roles of mobility and immobility in the history of political thought and the structuring of political spaces.

Nicholas Sammond argues that early cartoons are a key components to blackface minstrelsy and that cartoon characters such as Mickey Mouse and Felix the Cat are not like minstrels, but are minstrels. Cartoons have played on racial anxieties, naturalized racial formations, committed symbolic racial violence, and help perpetuate blackface minstrelsy.

Providing a reading of Aime Cesaire and Leopold Senghor as political thinkers, Gary Wilder explains how these eminent anti-colonial thinkers, poets and political leaders sought to remake France by advocating for colonial self-determination and fuller racial and cultural integration within the French empire.

In his latest book, the influential critic Brian Massumi offers a new theory of political economy that demonstrates how emotional, affective and nonconscious decisions work together with rational self-interest in the shaping of neoliberalism. Massumi's analysis shows the potential for a new anti-capitalist politics.

Kristen Ghodsee tells the stories of fighters and activists who worked for Communist ideals in Bulgaria and shows how the dreams of the Communist past hold enduring appeal for those currently disappointed by the promises of democracy.