Bøker utgitt av Duke University Press

Monica Popescu traces the development of African literature during the second half of the twentieth century, showing how the United States and the Soviet Union's efforts to further their geopolitical and ideological goals influenced literary practices and knowledge production on the African continent.

Matthew C. Watson considers the life and work of artist and Mayanist scholar Linda Schele (1942-1998) as an entry point to discuss the nature of cultural inquiry, decipherment in anthropology, and the social conditions of knowledge production.

Ian Baucom puts black studies into conversation with climate change, outlining how the ongoing concerns of critical race, diaspora, and postcolonial studies are crucial to understanding the Anthropocene and vice versa.

Samantha Pinto explores how histories of and the ongoing fame of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta generate new ways of imagining black feminist futures.

Cait McKinney traces how lesbian feminist activists in the United States and Canada between the 1970s and the present developed communication networks, databases, and digital archives to use as a foundation for their feminist, antiracist, and trans-inclusive work.

Melissa Brough explores how youth-centered forms of civic and cultural engagement in Medellin, Colombia, create networks of change that have the possibility to transform and democratize cities around the world.

Abigail A. Dumes offers an ethnographic exploration of the Lyme disease controversy to shed light on the relationship between contested illness and evidence-based medicine in the United States.

Diana Taylor offers the theory of presente as a model of standing by and with victims of structural and endemic violence by being physically and politically present in situations where it seems that nothing can be done.

Allison Moore examines the tensions between the local and the global in the art photography movement that blossomed in Bamako, Mali, in the 1990s, showing contemporary Malian photography to be a rich example of Western notions of art meeting traditional cultural precepts to forge new artistic forms, practices, and communities.

Lily Woodruff examines the development of artistic strategies of political resistance in France in the decades following World War II, showing how artists countered establishment ideology, challenged traditional art institutions, appealed to direct political engagement, and grappled with French intellectuals' modeling of society.

Sa'ed Atshan and Katharina Galor draw on ethnographic fieldwork and interviews to explore the asymmetric relationships between Germans and Israeli and Palestinian immigrants in the context of official German policies, public discourse, and the impact of coming to terms with the past.

Hester Blum examines the rich, offbeat collection of printed ephemera created by nineteenth- and early twentieth-century polar explorers, showing how ship newspapers and other writing shows how explores wrestled with questions of time, space, and community while providing them with habits to survive the extreme polar climate.

Neda Atanasoski and Kalindi Vora trace the ways in which robots, artificial intelligence, and other technologies serve as surrogates for human workers within a labor system that is entrenched in and reinforces racial capitalism and patriarchy.

Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary capitalism, showing how black feminist thought offers the best means through which to understand the myriad ways slavery continues to haunt the present.

Max Ward explores the Japanese state's efforts to suppress political radicalism in the 1920s and 1930s through the enforcement of what it called thought crime, providing a window into understanding how modern states develop ideological apparatuses to subject their respective populations.

Goekce Gunel examines the development and construction of Masdar City, a zero-carbon city built by Abu Dhabi that houses a research institute for renewable energy which implemented a series of green technologies and infrastructures as a way to deal with climate change and prepare for a post-oil future.

Examining the work of writers and artists including Carrie Mae Weems, Langston Hughes, Toni Morrison, and Allan deSouza, Kandice Chuh advocates for what she calls "illiberal humanism" as a way to counter the Eurocentric liberal humanism that perpetuates structures of social inequality.

Isaac A. Komola examines how the relationships between universities, the American state, philanthropic organizations, and international financial institutions inform the academic understanding of the world as global in ways that frame higher education as a commodity, private good, and source of human capital.

Justin Izzo examines how twentieth-century writers, artists, and anthropologists from France, West Africa, and the Caribbean experimented with ethnography and fiction in order to explore new ways of making sense of the complicated legacy of imperialism and to imagine new democratic futures.

In this authoritative history of cannabis in Africa, Chris S. Duvall challenges what readers thought they knew about cannabis by correcting widespread myths, outlining its relationship to slavery and colonialism, and highlighting Africa's centrality to knowledge about and the consumption of one of the world's most ubiquitous plants.

Florence Bernault retells the colonial and postcolonial history of present-day Gabon from the late nineteenth century to the present, showing how colonialism shaped French and Gabonese obsessions about fetish, witchcraft, and organ trafficking for ritual murders.

Offers a clear and concise framework for understanding the structure of modern life in the West and the different forms modernity has taken around the world

John Cage's disdain for records was legendary. It was shared by other experimental and avant-garde musicians in the 1960s. Scholar and longtime musician David Grubbs explores the present-day musical landscape, as listeners encounter experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings.

Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.

A rich ethnography of ecopolitics in Hong Kong in the late 1990s

By foregrounding bodily pleasure in the experience of time and its representation in queer literature, film, video, and art, Elizabeth Freeman challenges queer theorys recent emphasis on loss and trauma.

An ethnography of Wall Street, investment bankers and the cultural logics of finance.

Analysing a range of sources, including sexology texts, early cinema, and African American literature, the author argues that the emerging understanding of homosexuality depended on the context of the black/white "colour line," the dominant system of racial distinction during the late nineteenth century.

Explores contemporary America's preoccupation with stories about the sexual abuse of children. Claiming that our culture has yet to come to terms with the bungled legacy of Victorian sexuality, this title examines how children and images of youth are idealised, fetishised, and eroticised in everyday culture.

Illustrates how the study and practice of dance can reanimate arrested prospects for progressive politics and social change. This book engages a range of performances and demonstrates how a critical reflection on dance helps promote fluency in the language of mobilisation that political theory alludes to yet rarely speaks.