Bøker utgitt av Duke University Press

Rinaldo Walcott posits that Black people globally live in the time of emancipation and that emancipation is definitely not freedom, showing that wherever Black people have been emancipated from slavery and colonization, a potential freedom became thwarted.

Operation Valhalla collects eighteen texts by German media theorist Friedrich Kittler on the close connections between war and media technology.

Selected Writings on Race and Difference gathers more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora.

Rafico Ruiz uses the Grenfell Mission in Newfoundland and Labrador, Canada, to theorize how settler colonialism establishes itself through the building, maintenance, and mediation of site-specific infrastructure.

This collection of Stuart Hall's key writings on Marxism surveys the formative questions central to his interpretations of and investments in Marxist theory and practice.

This special issue is dedicated to the memory of Okwui Enwezor (1963–2019), the first African and Black curator and director of documenta11 (2002) and the 56th Venice Biennale (2015). The articles and personal tributes collected here recognize the profound impact left by the Nigerian art historian, curator, poet, and educator who transformed the curatorial present of global exhibitions and anticipated their decolonizing futures. Enwezor created political platforms and artistic manifestos that not only changed the form and function of global exhibitions, but also opened up new ways to align activism with aesthetic practices, performative displays, and curatorial initiatives. Contributors—art historians and critics, curators, and artists—address how Enwezor’s approach to the exhibition as a “space of public discourse” intersects with theories of affect, indigeneity, race, queer studies, and feminism.  Contributors: David Adjaye, Hoor Al Qasimi, Natasha Becker, Naomi Beckwith, María Magdalena Campos-Pons, Jody B. Cutler-Bittner, Jane Chin Davidson, Shane Doyle, Tamar Garb, Kendell Geers, Salah M. Hassan, Amelia G. Jones, Abdellah Karroum, Monique Kerman, Mohammed Ibrahim Mahama, Julie Mehretu, Susette S. Min, Wangechi Mutu, Sabine Dahl Nielsen, Chika Okeke-Agulu, Alpesh Kantilal Patel, Anne Ring Petersen, Yinka Shonibare, Penny Siopis, Mary Ellen Strom, Przemyslaw Strozek, Mikhael Subotzky

This special issue recognizes the work and legacy of Agnès Varda (1928–2019), a Belgian-born film director, screenwriter, photographer, and artist whose work was part of the French New Wave film movement of the 1950s and 1960s. In the wake of Varda’s passing in March 2019, contributors offer reflections on the continued relevance of her work. Until the end of her life, Varda was engaged with feminism, ethics, politics, and the representation of women in the film industry. Rather than focusing on Varda's most famous films, the contributors to this issue consider aspects of her oeuvre that have contemporary relevance and those that point to the future: films, art installations, and photographs that have received less scholarly attention; her political activism; her role as manager of her own production company; and her Instagram presence. By emphasizing these often-overlooked elements of Varda’s creative output, the contributors reveal the depth of her artistic legacy and demonstrate how vastly important and interconnected her entire body of work is.  Contributors Dominique Bluher, Nadine Boljkovac, Kelley Conway, Rebecca J. DeRoo, Sandy Flitterman-Lewis, Colleen Kennedy-Karpat, Homay King, Matt St. John, Emma Wilson

Right Here, Right Now collects the powerful first-person stories of dozens of men who are living on death row in the United States, offering a glimpse into the lives of some of the most marginalized people in America.

Right Here, Right Now collects the powerful first-person stories of dozens of men who are living on death row in the United States, offering a glimpse into the lives of some of the most marginalized people in America.

Drawing on Black feminism, Afro-pessimism, and critical race theory, the contributors to Antiblackness trace the forms of antiblackness across time and space, showing how the dehumanization of Black people has been foundational to the establishment of modernity.

A concise, easy-to-understand reference book, the revised and updated second edition of the bestselling All about Your Eyes tells you what you need to know to care for your eyes, various eye diseases and treatments, and what to expect from your eye doctor.

The contributors to Religion, Secularism, and Political Belonging examine how the new political worlds that are emerging-from Trump's America to the post-Arab-Spring Middle East-intersect with locally specific articulations of religion and secularism.

Drawing on Black feminism, Afro-pessimism, and critical race theory, the contributors to Antiblackness trace the forms of antiblackness across time and space, showing how the dehumanization of Black people has been foundational to the establishment of modernity.

The contributors to Media Crossroads examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability.

The contributors to Media Crossroads examine space and place in media as they intersect with sexuality, race, ethnicity, age, class, and ability.

The contributors to Meat! examine the transnational politics of various manifestations and understandings of meat as well as meat's entanglement with power, politics, culture, race, gender, sexuality.

Lauren Steimer examines how Hong Kong-influenced action movie aesthetics and stunt techniques have been taken up, imitated, and reinvented in other locations and production contexts around the globe.

Candace Fujikane draws upon Hawaiian legends about the land and water and their impact upon Native Hawai'ian struggles to argue that Native economies of abundance provide a foundation for collective work against climate change.

In Coed Revolution Chelsea Szendi Schieder examines the campus-based New Left in Japan by exploring the significance of women's participation in the protest movements of the 1960s.

Theodore D. Segal narrates the fraught and contested fight for racial justice at Duke University-which accepted its first black undergraduates in 1963-to tell both a local and national story about the challenges that historically white colleges and universities throughout the country continue to face.

Ma Vang examines the experiences of Hmong refugees who migrated to the United States following the secret war in Laos (1961-1975) to theorize "history on the run" as a framework for understanding refugee histories, in particular those of the Hmong.

Nick Bromell examines how Frederick Douglass forged a distinctively black political philosophy out of his experiences as an enslaved and later nominally free man in ways that challenge Anglo-Continental traditions of political thought.

Jazz critic and historian Cisco Bradley tells the story of the life and music of bassist and composer William Parker, who for fifty years has been a monumental figure in free jazz.

Jonathan Beller traces the history of the commodification of information and the financialization of everyday life, showing how contemporary capitalism is based in algorithms and the quantification of value that intensify social inequality.

Erica Rand uses multiple meanings of hip check-an athlete using their hip to throw an opponent off balance and the inspection of racialized gender-to consider the workings of queer gender, race, and writing.

Marc Becker draws on recently released US government surveillance documents on the Ecuadorian left to chart social movement organizing efforts during the 1950s, showing how the local patterns and dynamics that shaped the development of the Ecuadorian left could be found throughout Latin American during the cold war.

Drawing from ethnographic work with queer activist groups in contemporary Turkey, Evren Savci explores how Western LGBT politics are translated and reworked there in ways that generate new spaces for resistance and solidarity.

Drawing on interviews with industry workers from MTV programs such as The Real World and Teen Mom, Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s.

This Reader assembles over two dozen selection of writing by leading scholar of Islam Bruce B. Lawrence which range from analyses of premodern and modern Islamic discourses, practices, and institutions to methodological and theoretical reflections on the study of religion.