Bøker utgitt av Duke University Press

Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television also known as hallyu-from a transnational and transcultural perspective.

Drawing on literature along with the visual and performing arts, Anthony B. Pinn theorizes religion as a technology for interrogating human experiences understanding the ways in which things are always involved in processes of exchange and interplay.

Tani Barlow outlines the stakes of what she calls "the event of women" in China-the discovery of the truth that women are the reproductive equivalent of men, revealing how historical universals are effected in places where truth claims are not usually sought.

In African Motors, Joshua Grace examines how everyday Tanzanian drivers, mechanics, and passengers reconstituted the automobile into a uniquely African form between the late 1800s to the early 2000s.

Matthew H. Brown explores the connections between Nigeria's booming film industry, state television, and colonial legacies that together involve spectators in global capitalism while denying them its privileges.

Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future.

Nahum Dimitri Chandler examines W. E. B. Du Bois's early thought and its continued relevance, demonstrating that Dub Bois must be re-read, appreciated, and studied anew as a philosophical writer and thinker contemporary to our time.

Cajetan Iheka examines the ecological footprint of media in Africa alongside the representation of environmental issues in visual culture, showing how African visual media such as film, photography, and sculpture deliver a unique perspective on the socio-ecological costs of media production.

Melinda Hinkson follows the experiences of Nungarrayi, a Warlpiri woman from the central Australian desert, as she struggles to establish a new life for herself in the city of Adelaide.

Drawing on historical and ethnographic research on tuberculosis in India, Bharat Jayram Venkat explores what it means to be cured and what it means for a cure to be partial, temporary, or selectively effective.

Writings on Media collects Stuart Hall's most important work on the media, reaffirming reaffirms his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.

In Toward Camden, Mercy Romero writes a complex and vibrant story about the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up.

Celeste Day Moore traces the popularity of African American music in postwar France to outline how it came to signify both state power and liberation for Francophone audiences throughout the world.

Shaoling Ma examines late Qing China's political upheavals and modernizing energies through the problem of the dynamics between new media technologies such as the telegraph the discursive representations of them.

Nicole M. Guidotti-Hernandez challenges the stereotypes of machismo with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border.

Contributors to this special issue investigate the current state of People's Republic of China (PRC) history, positing that the methods Anglophone, non-Chinese scholars have developed and deployed over the last several decades led to important misreadings of the historical record. The contributors argue that Chinese people have, from the rise and fall of Maoist ideology to the subsequent post-disillusionment era, produced political subjectivities and revolutionary upheavals that challenged traditional societal and pedagogical systems. Therefore, producing better scholarship requires taking seriously the way PRC history is necessarily and profoundly political. Essay topics include the unattainable and unfilled aspirations that Maoism engendered, the problems that mark the practice of PRC history to this day, and the ideological approach that frames both how we read Mao-era sources and understand Maoist politics in general. Other topics include how US academia writes the history of the PRC—especially with the problematic dominance of social scientific methods—and the differences between labor in Maoist China and labor under capitalism. Contributors. Jeremy Brown, Alexander Day, Matthew D. Johnson, Fabio Lanza, Covell Meyskens, Sigrid Schmalzer, Aminda Smith, Jake Werner

As an acclaimed poet, editor, critic, translator, and educator, Charles Bernstein, in his decades-long commitment to poetry and poetics, criticism, and literary scholarship, reflects a profound understanding of the importance of language to every level of culture-making. Throughout his life, Bernstein has facilitated a vibrant dialogue between discrepant tendencies in poetic traditions and practices, shaping and questioning received ideas to reveal poetry's widest capabilities. This issue includes Bernstein's most informative and significant international interviews, many published here in English for the first time. Through prefaces and essays responding to translations of his work, including translations appearing for the first time in this issue, contributors place Bernstein's work in both global and local contexts. This issue offers a comprehensive representation of Charles Bernstein as a poet of the American tradition whose work has had a profound impact throughout the world. Contributors. Luigi Ballerini, Runa Bandyopadhyay, Charles Bernstein, Paul A. Bové, Dennis Büscher-Ulbrich, Natalia Fedorova, Feng Yi, Jean-Marie Gleize, Susan Howe, Yunte Huang, Pierre Joris, Abigail Lang, Leevi Lehto, Marjorie Perloff, Ian Probstein, Ariel Resnikoff, Brian Stefans, Enrique Winter

The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.

The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout Latin America and the illicit economy's entanglement with local communities.

The contributors to Anthropology, Film Industries, Modularity take an anthropological and comparative approach to capturing the diversity and growth of global film industries, bringing into relief common film production practices as well as the local contingencies and deeper cultural realities at work in every film industry.

In thirteen sharp essays, the contributors to Decay attend to the processes and experiences of symbolic and material forms of decay in a variety of sociopolitical contexts across the globe.

The contributors to Cocaine analyze the contemporary production, transit, and consumption of cocaine throughout Latin America and the illicit economy's entanglement with local communities.

In thirteen sharp essays, the contributors to Decay attend to the processes and experiences of symbolic and material forms of decay in a variety of sociopolitical contexts across the globe.

Monica Huerta draws on her experiences growing up in her family's Mexican restaurants and her life as an academic to sketch out habits of living that allow us to consider what it means to live with history as we are caught up in it and how those histories bear on our capacities to make sense of our lives.

Hatim El-Hibri explores how the creation and circulation of images has shaped the urban spaces and cultural imaginaries of Beirut, showing how images can be used to consolidate or destabilize regimes of power.

Transnational Feminist Itineraries demonstrates the key contributions of transnational feminist theory and practice to analyzing and contesting authoritarian nationalism and the extension of global corporate power.

Cultural theorist and poet Joshua Clover examines Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner," charting its place in rock & roll history and American culture.

In three long-form poems and a lyrical essay, fahima ife speculates on the afterlives of Black fugitivity, unsettling the historic knowledge of it while moving inside the ongoing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery.

The contributors to Embodying Black Religions in Africa and Its Diasporas investigate the complex intersections between the body, religious expression, and the construction and negotiation of social relationships and collective identities throughout the Black diaspora.