Bøker utgitt av Duke University Press

Rachel Zolf activates the last three lines of a poem by Jewish Nazi Holocaust survivor Paul Celan-"No one / bears witness for the / witness"-to theorize the poetics and im/possibility of witnessing.

The contributors to Healing at the Periphery examine Sowa Rigpa, or Tibetan medicine, and the central part practitioners of Tibetan healing known as amchis play in Indian Himalayan communities and the exile Tibetan community.

The contributors to Viapolitics center the vehicle, its infrastructures, and the environments it navigates in the study of migration and borders across a range of sites, from ships crossing the Pacific and deportation train cars in the United States to treacherous Alpine mountain passes.

The contributors to Viapolitics center the vehicle, its infrastructures, and the environments it navigates in the study of migration and borders across a range of sites, from ships crossing the Pacific and deportation train cars in the United States to treacherous Alpine mountain passes.

Michael K. Bourdaghs presents a radical reframing of the works of Natsume Soseki-widely considered to be Japan's greatest modern novelist-as critical and creative responses to the emergence of new forms of property ownership in nineteenth-century Japan.

Marcus Bell presents a revealing portrait of white teachers in a majority Black schools to outline how white racial identity is constructed based on localized interactions and the ways whiteness takes a different form in predominantly Black spaces.

Eric A. Stanley examines the forms of violence levied against trans/queer and gender nonconforming people in the United States and shows how, despite the advances in LGBTQ rights in the recent past, forms of anti-trans/queer violence is central to liberal democracy and state power.

Tanalis Padilla traces the history of the normales rurales-rural schools in Mexico that trained campesino teachers-and outlines how despite being intended to foster a modern, patriotic citizenry, they became sites of radical politics.

Jorell A. Melendez-Badillo tells the story of how a cluster of self-educated workers burst into Puerto Rico's world of letters in the aftermath of the 1898 US occupation, showing how they produced, negotiated, and deployed powerful discourses that eventually shaped Puerto Rico's national mythology.

Amy Holdsworth recounts her life with television to trace how the medium shapes everyday activities, our relationships with others, and our sense of time.

Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation.

Through readings of works of film, literature, and philosophy, Eugenie Brinkema shifts understandings of the horror genre away from bodily gore and the spectator's shudder and toward how the genre's sequencing, order, diagrams, and treatment of bodies forces readers to confront ethical questions of the limits of thinking and being.

Tania Murray Li and Pujo Semedi examine the structure and governance of contemporary palm oil plantations in Indonesia, showing how massive forms of capitalist production and control over the palm oil industry replicate colonial-style relations that undermine citizenship.

Kaushik Sunder Rajan proposes a reconceptualization of ethnography as a multisituated practice that speaks to the myriad communities of accountability and the demands of doing and teaching anthropology in the twenty-first century.

Analyzing a longitudinal study of HPV occurrence in men in Cuernavaca, Mexico, Emily A. Wentzell explores how people can use individual health behaviors like participating in medical research to enhance group well-being amid crisis and change.

In The Nature of Space, pioneering Afro-Brazilian geographer Milton Santos attends to globalization writ large and how local and global orders intersect in the construction of space.

Drawing on close readings of 1960s American art, Jason A. Hoelscher offers an information theory of art and an aesthetic theory of information in which he shows how art operates as information wherein art's meaning cannot be determined.

Carolyn Hardin offers a new way of understanding arbitrage-the trading practice that involves buying assets in one market at a cheap price and immediately selling them in another market for a profit-as a means of showing how its reliance upon taking on risk is fundamental to financial markets.

Paul A. Passavant explores how the policing of protest in the United States has become increasingly hostile since the late 1990s, moving away from strategies that protect protestors toward militaristic practices designed to suppress legal protests.

Views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models.

Jean-Luc Nancy and Irving Goh discuss how a deconstructive approach to sex helps us negotiate discourses about sex and reconsider our relations to ourselves and others through sex.

David Boarder Giles traces the work of Food Not Bombs-a global movement of grassroots soup kitchens that recover wasted grocery surpluses and redistribute them to those in need-to examine the relationship between waste and scarcity in global cities under late capitalism and the fight for food justice.

The contributors to Words and Worlds examine the state of politics and the political imaginary within contemporary societies by taking up the everyday words such as democracy, revolution, and populism that we use to understand the political present.

Jennifer L. Morgan draws on the lived experiences of enslaved African women in the sixteenth- and seventeenth-centuries to reveal the contours of early modern notions of trade, race, and commodification in the Black Atlantic.

Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state.

The contributors to Beyond Man reckon with the colonial and racial implications of the philosophy of religion's history by staging a conversation between it and Black, Indigenous, and decolonial studies.

Lynn Stephen examines the writing of Elena Poniatowska, showing how it shaped Mexican political discourse and provides a unique way of understanding contemporary Mexican history, politics, and culture.

Xine Yao explores the racial and sexual politics of unfeeling-affects such as coldness, insensitivity and sexual frigidity that are not recognized as feeling-as a means of survival and refusal for people of color and queer people in nineteenth-century America.

Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to the United States' nuclear weapons testing on their homeland, showing how Marshallese singing practices make heard the harmful effects of US nuclear violence.

Laura A. Ogden considers a wide range of people, animal, and objects together as a way to catalog the ways environmental change and colonial history are entangled in the Fuegian Archipelago of southernmost Chile and Argentina.