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Contributors to this special issue use a pluriversal lens to trace the colonial continuities, the imperial geographies, and the forms of difference through which people become subjects of, resist, and shore up security regimes across the world. Using a transnational feminist approach, the authors contest the boundedness of the category Global South, instead emphasizing the fluidity between supposedly separate scales, such as North/South and intimate/global. Essay topics include imperial warfare in East Africa, national security and the politics of protest at India's borderlands, the diasporic politics of race and class in Jamaica's security dynamics, the use of religion to designate state-sanctioned violence as legitimate, and securitizing patriarchies in postcolonial India. Contributors. Samar Al-Bulushi, Sahana Ghosh, Inderpal Grewal, Dipin Kaur, Negar Razavi, Sasha Sabherwal, Deborah A. Thomas

Freud's earliest hysterical analysands reported a shared grievance about psychoanalysis: while their individual suffering was conditioned by social circumstances, Freud could not "alter these in any way." If psychic illness is tied to repressive external conditions that the psychoanalyst cannot change, how can a method circumscribed to the individual's inner life offer liberation, even cure? Motivated by the hysteric's desire for a better life and Freud's commitment to our intersubjectivity in common, contributors to this special issue consider psychoanalysis as a political project that holds open the space of collective action--from the analyst's couch to the picket line, from guerrilla psychoanalysis in revolutionary Algeria and Argentina to clinical treatment for the symptomatology of exile and homelessness. The contributors construct, critique, historicize, and reimagine psychoanalysis as grounds for universal solidarity. Contributors. Gila Ashtor, Ronjaunee Chatterjee, Alex Colston, Rachel Greenspan, Anna Kornbluh, Todd McGowan, Tracy McNulty, Ankhi Mukherjee, Fernanda Negrete, Michelle Rada, Samo Tomsič, Hannah Zeavin

Contributors to this special issue examine a wide-ranging body of literature produced by ethnically Chinese populations of Southeast Asia. While much previous work on Chinese literature from that region has tended to focus on literature from Malaysia and former British Malaya, and particularly Chinese-language literature, the authors also consider literature from regions that are now Singapore, Indonesia, and the Philippines. The issue features analyses of works written in various Sinitic languages and creoles by authors with links to diasporic or post-diasporic Chinese communities. The contributors to the issue propose a set of interpretive methodologies for analyzing this post-national cultural formation, including inter-imperiality, posthumanism, and mesology--the study of the mutual relationships between living creatures and their biosocial environments. To this end, the authors examine not only canonical works but also genres that have often received less critical attention such as popular literature, flash fiction, genre fiction, and Sino-Malay poetry. Contributors. Brian Bernards, Cheow Thia Chan, Ng Kim Chew, Ko Chia-cian, Khor Boon Eng, Tom Hoogervorst, Shirley O. Lua, Carlos Rojas, Shuang Shen, Josh Stenberg, Nicolai Volland, David Der-wei Wang, Nicholas Y. H. Wong

For three decades, award-winning independent filmmaker Todd Haynes, who emerged in the early 1990s as a foundational figure in New Queer Cinema, has gained critical recognition for his outsider perspective. Today, Haynes is widely known for bringing women's stories to the screen. Analyzing Haynes's films including Safe (1995), Velvet Goldmine (1998), Far from Heaven (2002), and Carol (2015), as well as his unauthorized Karen Carpenter biopic, Superstar (1987), and the television miniseries Mildred Pierce (2011), the contributors to Reframing Todd Haynes reassess his work in light of his long-standing feminist commitments and his exceptional career as a director of women's films. They present multiple perspectives on Haynes's film and television work and on his role as an artist-activist who draws on academic theorizations of gender and cinema. The volume illustrates the influence of feminist theory on Haynes's aesthetic vision, most evident in his persistent interest in the political and formal possibilities afforded by the genre of the woman's film. The contributors contend that no consideration of Haynes's work can afford to ignore the crucial place of feminism within it.Contributors. Danielle Bouchard, Nick Davis, Jigna Desai, Mary R. Desjardins, Patrick Flanery, Theresa L. Geller, Rebecca M. Gordon, Jess Issacharoff, Lynne Joyrich, Bridget Kies, Julia Leyda, David E. Maynard, Noah A. Tsika, Patricia White, Sharon Willis

The contributors to this volume examine the artistic practice of Consuelo Jimenez Underwood, whose innovative art and urgent engagement with a range of pressing contemporary issues mark her as one of the most vital artists of our time.

The contributors to Grammars of the Urban Ground develop a new conceptual framework and vocabulary for capturing the complex, ever-shifting, and interactive processes that shape contemporary cities.

The contributors to Grammars of the Urban Ground develop a new conceptual framework and vocabulary for capturing the complex, ever-shifting, and interactive processes that shape contemporary cities.

Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century, showing how these films record the fear, anxiety, and vulnerability many queer Africans experience while at the same time imagining new hopes and possibilities.

Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chinese-ness.

Charlie Yi Zhang examines how the Chinese state deploys affective notions of love to regulate the population in order to secure China's place in the global economy.

Mary Pat Brady traces the figure of the captive and cast-off child over 150 years of Latinx/Chicanx literature as a critique of colonial modernity and the forms of confinement that underpin racialized citizenship.

Alexandra T. Vazquez listens to the music and history of Miami to explore the city's sonic cultures and its material and social realities.

Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.

Ban Wang traces the shifting concept of the Chinese state from the late nineteenth century to the present, showing how the Confucian notion of tianxia-"all under heaven"-influences China's dedication to contributing to and exchanging with a common world.

Writing at a cultural moment in which data has never been more ubiquitous or less convincing, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of computation, wearable technologies, and digital artwork.

Eldritch Priest questions the nature of sound, music, thought, and affect by analyzing the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads.

In this literary memoir and autoethnography, poet and anthropologist Nathaniel Tarn reflects on a life lived in an array of times, cultures, and environments, from the Battle of Britain and postwar Paris to conducting fieldwork in Guatemala and the halls of academe and beyond.

Todd Meyers offers an intimate ethnographic portrait of a woman he met during his fieldwork as a way to explore the complexity of the anthropologist's personal relationships with their subjects and how to speak of and to someone who is gone.

Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa.