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The contributors to this volume examine the artistic practice of Consuelo Jimenez Underwood, whose innovative art and urgent engagement with a range of pressing contemporary issues mark her as one of the most vital artists of our time.

The contributors to Grammars of the Urban Ground develop a new conceptual framework and vocabulary for capturing the complex, ever-shifting, and interactive processes that shape contemporary cities.

The contributors to Grammars of the Urban Ground develop a new conceptual framework and vocabulary for capturing the complex, ever-shifting, and interactive processes that shape contemporary cities.

Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century, showing how these films record the fear, anxiety, and vulnerability many queer Africans experience while at the same time imagining new hopes and possibilities.

Mila Zuo offers a new theorization of cinematic feminine beauty by showing how mediated encounters with Chinese film and popular culture stars produce feelings of Chinese-ness.

Charlie Yi Zhang examines how the Chinese state deploys affective notions of love to regulate the population in order to secure China's place in the global economy.

Alexandra T. Vazquez listens to the music and history of Miami to explore the city's sonic cultures and its material and social realities.

Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.

Yuriko Furuhata traces climate engineering from the early twentieth century to the present, showing how a range of Japanese scientists, technicians, architects, and artists developed technologies to monitor, condition, and modify climate.

Ban Wang traces the shifting concept of the Chinese state from the late nineteenth century to the present, showing how the Confucian notion of tianxia-"all under heaven"-influences China's dedication to contributing to and exchanging with a common world.

Writing at a cultural moment in which data has never been more ubiquitous or less convincing, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of computation, wearable technologies, and digital artwork.

Eldritch Priest questions the nature of sound, music, thought, and affect by analyzing the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads.

In this literary memoir and autoethnography, poet and anthropologist Nathaniel Tarn reflects on a life lived in an array of times, cultures, and environments, from the Battle of Britain and postwar Paris to conducting fieldwork in Guatemala and the halls of academe and beyond.

Todd Meyers offers an intimate ethnographic portrait of a woman he met during his fieldwork as a way to explore the complexity of the anthropologist's personal relationships with their subjects and how to speak of and to someone who is gone.

Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa.

Anita Mannur examines how cooking, eating, and distributing food can create new forms of kinship, intimacy, and social and political belonging for people of color, queer people, and other marginalized subjects.

Shani Orgad and Rosalind Gill examine how imperatives directed at women to "love your body" and "believe in yourself" imply that psychological blocks hold women back rather than entrenched social injustices.

Omar Kasmani theorizes the construction of queer social relations at Pakistan's most important Sufi site by examining the affective and intimate relationship between the site's pilgrims and its patron saint.

Shannen Dee Williams provides a comprehensive history of Black Catholic nuns in the United States, tracing how Black sisters' struggles were central to the long African American freedom movement.

Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.

Franck Gaudichaud, Massimo Modonesi, and Jeffery R. Webber explore the Latin American Pink Tide as a political, economic, and cultural phenomenon, showing how it failed to transform the underlying class structures of their societies or challenge the imperial strategies of the United States and China.

A Primer for Teaching Digital History is a practical guide for college and high school teachers who are teaching digital history for the first time or for experienced teachers who want to reinvigorate their pedagogy.

Guillaume Lachenal tells the extraordinary story of Dr. Jean Joseph David-a French colonial army doctor who governed an entire region of French Cameroon during World War II-whose failed attempt to create a medical utopia continues to be felt in Cameroon.