Bøker utgitt av Dover Publications Inc.

What is the difference between art anatomy and Bridgman's concept of the human machine? The human machine is the body as not only a fixed framework but also as a complex work of art which moves and was designed to move. In over 400 drawings, George B. Bridgman demonstrates the machine through the presentations which made him a gifted lecturer and teacher in his nearly fifty years at the Art Students League in New York and which gave life to drawings by his many students during those years. All skeletal and muscular systems are fully identified, and all are shown in front, back, and side views.The Human Machine begins with the framework of bones. In each section (head, neck, hand, arm, forearm, elbow, trunk, shoulder, back, scapular region, pelvis, hip, thigh, leg, knee, foot, and toe as well as the combinations of the major sections working together), George Bridgman starts with the skeletal components of the system; then he adds the muscles, shows the changes in the muscles as the body moves and, finally, shows the appearance of the bodily section in action. At the title implies, Bridgman, throughout, supplements his anatomical work with comparative drawings of simple machines. The anatomical approach to figure drawing is the foundation for the study of human form, and as in his other books on figure drawing, Bridgman's Life Drawing and The Book of a Hundred Hands, Bridgman's approach to the subject is important and unique. The Human Machine will give students and serious artists the conception of the human structure as the complex of beautiful machines it is, and will show how bone and muscle structures are solely responsible for our movements and for the shapes which we, at various times, display. Unabridged republication of the 1939 edition.

Measure and integration, metric spaces, the elements of functional analysis in Banach spaces, and spectral theory in Hilbert spaces - all in a single study. Detailed analyses. Problems. Bibliography. Index.

The definitive edition of one of the very greatest classics of all time--the full Euclid, encompassing almost 2500 years of mathematical and historical study. This unabridged republication of the original enlarged edition contains the complete English text of all 13 books of the ELEMENTS, plus analyses of each definition, postulate, and proposition.

Self-contained treatment of nonrelativistic many-particle systems discusses both formalism and applications in terms of ground-state (zero-temperature) formalism, finite-temperature formalism, canonical transformations, and applications to physical systems. 1971 edition.

This volume contains a rich selection of poems by England's six great Romantic poets: William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, and John Keats. Encompassing a broad range of subjects, styles, and moods, the emphasis of these late 18th and early 19th century poets is imagination and individual experience, as well as a preoccupation with such themes as nature, death, and the supernatural.

Gustave Doré's Romantic style of illustration, supremely imaginative and richly detailed, was ideally suited to literary subjects. His wood-engraved illustrations for John Milton's monumental epic poem Paradise Lost, recounting mankind's fall from the grace of God through the work of Satan, were among his finest and most dramatic works. This volume presents superb reproductions of all 50 plates drawn by Doré and engraved in his studios for the original edition of Paradise Lost.Artists and art lovers will find in these pages supreme examples of the illustrator's art. Among the events depicted: the expulsion of Satan from heaven, Adam and Eve in Paradise, the nine-day fall of Lucifer's legions to Hell, the Creation, the temptation of Eve, the Flood, Moses holding up the Ten Commandments, and the fearsome creatures Milton referred to as "Gorgons, and Hydras, and Chimeras dire."The dreamlike, otherworldly quality Doré often brought to his work seems especially appropriate for Paradise Lost with its lofty spirit and epic events. Indeed, Doré's grand conception seems to realize perfectly Milton's own poetic version. Appropriate quotes from the text of Paradise Lost are printed alongside each illustration. A plot summary of the entire poem is also included.Dover (1992) unabridged republication of all 50 plates from Milton's Paradise Lost, originally published by Cassell, Petter, and Galpin, London, ca. 1866.

Clear diagrams and step-by-step instructions for performing 18 simple feats of prestidigitation: Strength Test, Untangled, Elastic Lock, Mystic Spinner, Rollaway, Heavyset, The Great Escape and many more, using such ordinary objects as coins, rubber bands and string.

This splendid book describes and illustrates in detail how the Shakers designed, built, and finished their furniture and household articles. With its detailed text as well as over 250 photographs and measured drawings for over 80 classic pieces, it offers woodworkers and furniture enthusiasts a practical guide to the essentials of replicating a broad range of designs long admired for their sturdy practicality and their spare, elegant beauty.The book first chronicles and describes the Shaker movement and the Shaker way of living, worshiping, and working. It then explores the Shaker approach to furniture design (from chests and chairs to boxes and baskets), construction (including all joinery techniques), and finishing (including recipes for finishes).Three important sections of the book depict dozens of classic Shaker designs, complete with measured drawings. The designs include Shaker smallcraft such as a cutting board, scoop, candle sconce, peg-leg footstool and towel rack; more substantial utility designs such as a dough bin, cradle, dry sink, butcher block, and bonnet box; and furniture classics such as a Harvard trestle table, maple chair, lap desk, sewing chest, rocking chair, bed, settee and chest of drawers--each in its own distinctive way defining the simple, practical grace of Shaker design.

This dark psychological drama depicts the evil machinations of a ruthless, nihilistic heroine. Readers will discover an exploration of the nature of evil and the tragedy that lies in human frailty.

With this book by an expert in magic and card conjuring, youngsters can master a host of tricks especially designed for them. Card-trick newcomers need no special skills--just a willingness to practice--to accomplish such astonishing stunts as finding a card under seemingly impossible conditions. Illustrations.

Sometimes referred to as "the work of angels" because of their elaborate spirals, interlacings, and knotwork, Celtic designs have long been used to create fine art. Their distinctive patterns have appeared on stone- and metalwork, in jewelry, and on magnificent illuminated manuscripts. Now the enduring beauty of this ancient are form is available in a collection specially designed for those who love to do embroidery and needlepoint. Dutch artist and designer Co Spinhoven has adapted over 300 unique designs--with all their compelling strength, drama, and simplicity--from the Book of Kells, the Tara Brooch, the Petrie Crown, and many other authentic Celtic sources. Divided into four basic sections, Celtic Charted Designs contains step, fret, and key patterns; spiral work, knotwork, and biomorphic patterns (designs with images resembling forms of living organisms). Patterns range from simple step motifs to ornate, highly stylized elements modeled after animal and plant life. Most designs are suitable for creating lovely needlepoint pillows, cross-stitch pictures, latch-hook rugs, knitted or crocheted garments, woven fabrics, and much more. An easy-to-follow text includes explanatory notes on designs, many of which are presented here for the first time in charted form. Here are patterns that will not only inspire needleworkers but will be welcomed by artists, craftspeople, and students of Celtic history and culture everywhere. Original Dover (1987) publication.

A gallery of superb portraits in pencil, pastels and charcoal. Virtuoso display of technical skill and intuitive eye of noted American portrait painter.

When party guests request a few tricks, be prepared. Ask for a coin, and perform some of the tricks in this book. Because you will not have been aided by special stage apparatus, the results will be all the more astonishing. As tricks with coins are so readily improvised, they are among the most impressive forms of legerdemain.This book is the most complete treatise ever written on sleight-of-hand coin conjuring. Celebrated magician J. B. Bobo has gathered here the best and most useful of all coin tricks--not only his own, but those of some four dozen notable prestidigitators, including such greats as Robert-Houdin, Professer Hoffman, and--the greatest of all coin conjurers--T. Nelson Downs.All the tested, traditional methods of coin magic are here. Bobo has added to these the best of the modern innovations, while eliminating all of the out-of-date and impractical sleights of his sources. You will learn all about palms, holds, flips, switches, change-over, steals, cuffing, sleeving, and other sleight-of-hand techniques; coin tricks requiring special devices are also included. The author guides how systematically from basic techniques, concealments, and vanishes, through integrated tricks, to complete routine acts (18 in all). His clear explanations are splendidly complemented by 510 of Nelson C. Hahne's crisp illustrations.Sleight-of-hand magic has consistently earned the respect of professional magicians. If you are yet an amateur, this easy-to-follow manual--together with regular practice--is the surest route to professional-level competence. For professionals, this volume is a convenient encyclopedic reference that gathers in one place all the best coin magic from antiquity to modern times.

These 60 complete games, annotated throughout, emphasize Cuban master's elegant, classic, accurate, lethal endgame play against Alekhine, Lasker, Marshall, Nimzowitsch, Reti, the best. Here are real games from match and tournament play, but endings that seem like long-contemplated works of art.

Drawing on centuries of history, this work is an encyclopedic collection--undoubtedly the largest royalty-free collection of its kind--of devils, dragons, mythical creatures, fanciful beasts, animal-gods, totemic figures, and other supernatural beasts from the darker regions of man's imagination. Spanning many cultures and eras, the collection ranges from prehistoric rock paintings to the drawings of Max Ernst, from the masks of black Africa to the gargoyles of Notre Dame.This volume incudes over 1,000 renderings of designs from ancient Egypt, Greece, and the Middle East: winged lions, harpies, griffins, satyrs, dragons, and more. Medieval centuries are represented by a wealth of monsters, demons, centaurs, and other creatures from The Book of Kells, anonymous Viking artists, and the works of Hieronymus Bosch, Dürer, and others. Global in scope, this vast trove also includes hundreds of non-European imagery: papier-mache masks from Latin America, Oriental deities and demons, feathered serpents from pre-Columbian Aztec and Mayan sources, Navajo sand paintings, and more.

Selected for its visual impact and ease of use, this outstanding collection of wood engravings presents over 1,000 species of animals in extremely lifelike poses. Includes mammals, birds, reptiles, amphibians, fish, insects, and other invertebrates.

91 designs for workable projects: abstract patterns; men and women in characteristic 1920s garb; much more. Intermediate to advanced level.

"Knight, Death and Devil;""Melencolia I;""St. Jerome in His Study, " and more -- all Durer's known works in all three media, including 6 works formerly attributed to him. 120 plates.

"Throughout history, artists have grappled with the problem of depicting clearly and forcefully the principles of evil and suffering in human existence." With this view, the Lehners have collected 244 representations, symbols, and manuscript pages of devils and death from Egyptian times to 1931. Reproductions from Dürer, Holbein, Cranach, Rembrandt, and many other lesser-known or unknown artists illustrate the fascinating history. The fifteenth, sixteenth, and seventeenth centuries are stressed.The book is divided into 12 chapters, each with a separate introduction. Most of the illustrations are collected in five of these chapters: Devils and Demons, including Belial, Beelzebub, and the Anti-Christ; Witches and Warlocks, their animals, forms, and rituals; The Danse Macabre, with the Dance of Death Alphabet by Holbein and representations of all classes leveled by the common force of death; Memento Mori, including a skull clock, a macabre representation of the Tree of Knowledge and Death, and the winged hourglass and scythe; and Religio-Political Devilry, the fight between the Papists and the Reformers, and symbols of devils in other political disputes. There are also chapters on the Fall of Lucifer, Faust and Mephistopheles, Hell and Damnation, The Apocalyptic Horsemen, Witch-Hunting, The Art of Dying, and Resurrection and Reckoning.Anyone curious about witchcraft, death, and devils will be interested in this book. It is particularly useful to teachers, artists, and illustrators who need clear reproductions for the classroom, for models, or for commercial uses. Death, devils, and their history are very much with us today.

Full reprint of 1762 style book with 200 plates plus 24 photos.

To the magician and to most audiences, card manipulations are the most fascinating type of card trick. Since the manipulator's skill is the only determining factor, once a degree of card dexterity is acquired the performer can go on to learn tricks sure to entertain, at any time, with no further preparation, using any available deck of cards for the performance. In this five-book series, Jean Hugard, master performer on stage and with small groups, teaches the passes, palming methods, shuffles, arm spreads, color reverses, sleights, flourishes, set-ups, and tricks in the best professional versions. After showing the basic manipulations, he develops a number of exceptional tricks where the manipulations are used. A number of illustrations and step-by-step explanations teach each detail as the trick would be given in a performance. By working through these tricks, from the simple to the complex, the magician learns his skills in a professional manner and also gains a wide repertoire of specific tricks. Throughout the book a great number of manipulations and over a hundred tricks are explained. The keys to these tricks are not well known outside professional magicians' groups. But to the advanced beginner or semiprofessional who has some degree of card skill, the manipulations and tricks developed in this book will add to the dexterity of the performance, give hours of rigorous skill-developing practice, and help build a professional, well-rounded repertoire with cards. Unabridged, slightly altered, republication of the original (1934-36) series.

After kicking open the doors to twentieth-century philosophy in Thus Spake Zarathustra, Friedrich Nietzsche refined his ideal of the superman with the 1886 publication of Beyond Good and Evil. Conventional morality is a sign of slavery, Nietzsche maintains, and the superman goes beyond good and evil in action, thought, and creation. Nietzsche especially targets what he calls a slave morality that fosters herdlike quiescence and stigmatizes the highest human types.In this pathbreaking work, Nietzsche's philosophical and literary powers are at their height: with devastating irony and flashing wit he gleefully dynamites centuries of accumulated conventional wisdom in metaphysics, morals, and psychology, clearing a path for such twentieth-century innovators as Thomas Mann, André Gide, Sigmund Freud, George Bernard Shaw, André Malraux, and Jean-Paul Sartre, all of whom openly acknowledged their debt to him.

This fascinating, newly revised edition offers an overview of game theory, plus lucid coverage of two-person zero-sum game with equilibrium points; general, two-person zero-sum game; utility theory; and other topics.

In one of the most perceptive and influential works of criticism in Western literary history, third century B.C. Greek philosopher Aristotle examines the literature of his time, describing the origins of poetry as an imitative art and drawing attention to the distinctions between comedy and tragedy. Aristotle helped establish the foundations of Western philosophy, and his influence is evident in philosophical thought today.