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An exquisitely somber portrait of Brooklyn's Green-Wood cemetery across the seasonsIn March 2020, after suffering from a severe bout of Covid, Eugene Richards sought out a safe place to walk and recuperate, and became entranced with Brooklyn's much-loved Green-Wood Cemetery. Founded in 1837 and proclaimed a National Historic Landmark in 2006, the 487-acre burial ground and arboretum is the final resting place of more than 550,000 people. Over the subsequent years, Richards made nearly 100 visits to Green-Wood, photographing both poetical details and grand vistas in rich color, across the seasons and in all weather, creating lyrical images of snowbound headstones, grand mausoleums, intimate epitaphs, the encroachments of moss on stone and the wear of time on all things. The photographs in Remembrance Garden were taken between April 2020 and September 2023. Richards intersperses his images with names and dates inscribed on grave markers and deeply personal memories, creating a grand and moving portrait of the legendary cemetery.Photographer, writer and filmmaker Eugene Richards was born in Dorchester, Massachusetts, in 1944. Following college and studies with photographer Minor White, Richards joined Volunteers in Service to America (VISTA) and was sent to Arkansas, where he helped found a social service organization and a community newspaper, Many Voices. After publishing his first books--Few Comforts or Surprises: The Arkansas Delta and Dorchester Days--Richards began a 40-year career as a freelance editorial photographer and artist, producing a wide range of stories about the human condition in America and abroad. He has authored 17 photographic and textual books, including Exploding into Life, The Knife and Gun Club, War Is Personal, The Blue Room and, most recently, In This Brief Life. He directed and shot seven short films, including The Rain Will Follow and Thy Kingdom Come. Richards has been the recipient of a Guggenheim Fellowship, the Robert F. Kennedy Lifetime Achievement Journalism Award and the Kraszna-Krausz Book Award for Photographic Innovation.

How photographers from Nan Goldin to Leigh Ledare have portrayed intimacy and eros between themselves and their subjects A New York Times Book Review 2023 holiday gift guide pickLove Songs brings together series dating from 1952 to 2022 by established and emerging contemporary photographers that explore love, desire and intimacy in all their complex and contradictory ways. Among the major series reproduced here are Nan Goldin's seminal 1986 photobook The Ballad of Sexual Dependency; Nobuyoshi Araki's Sentimental Journey (1969) and Winter Journey (1989-90), which present the beginning and end of the relationship with his wife Yoko, from their honeymoon to her death; RongRong&inri's tender and poetical Polaroid series Personal Letters (2000); and Leigh Ledare's Double Bind (2010), a complex account of a love triangle between himself, his ex-wife and her new husband. These and the other series in Love Songs together make a portrait of love in all its risk, complexity, sensuality and tenderness.Photographers include: Nobuyoshi Araki, Motoyuki Daifu, Nan Goldin, Emmet Gowin, René Groebli, Hervé Guibert, Sheree Hovsepian, Clifford Prince King, Leigh Ledare, Lin Zhipeng, Sally Mann, RongRong&inri, Collier Schorr, Hideka Tonomura and Karla Hiraldo Voleau.