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"The discovery that the universe has been expanding from its fiery beginning fourteen billion years ago and has developed into stars, galaxies, life, and human consciousness is one of the most significant of human history. It is taught throughout the world and has become our common creation story for every culture with modern educational processes. It holds the promise of a new human unity. In terms of this story of the universe's development, we humans are not primarily French or Chinese, Democrat or Republican. We are primarily cosmological beings. Though An Unveiling of the Expanding Universe narrates the same cosmological events as thousands of other books, it has one unique feature. It tells the story of the universe while simultaneously telling the story of the storyteller. If indeed cosmogenesis is one of the greatest discoveries of human history, it will necessarily have an immense impact on humanity, at least as profound as the Copernican revolution. And yet, to my knowledge, none of the science books published in English explores the effects cosmogenesis has on human consciousness. An Unveiling of the Expanding Universe tells the story of how my mind was deconstructed by the impact of this new story and then reassembled. In shorthand: I began with the mind of a cartesian scientist and ended with a mind aligned with the creativity of the universe"--

"The powerful story of how an immigrant from the Philippines overcame childhood trauma and an emotionally abusive marriage to find her voice and thrive"--

"The body cannot tell any lies. From birth to death, and through all the transitions in between, the body stores our knowledge and history, our feelings and experiences. Our betrayals. These ... stories shine new light on our physical vessels set against our physical world, two landscapes irretrievably connected and altered over time. These eleven stories take us into the lives and experiences of others to scrutinize the physical self: birth, childhood, transition, mental health, trauma, aging, illness, love, sex, and death"--

"When Sylvia Brownrigg received a package addressed to her father that had been lost for over fifty years, she wanted to deliver it to him before it was too late. She did not expect that her father, Nick, would choose not to open it, so she and her brother finally did. Nick, an absent father, was a hippie and would-be Beat writer who lived off the grid in Northern California. Nick's own father, Gawen-also absent-had been a well-born Englishman who wrote a Bloomsbury-like novel about lesbian lovers, before moving to Kenya and ultimately dying a mysterious death at age twenty-seven. Brownrigg was told he had likely died by suicide. Reconstructing Gawen's short, colorful life from revelations in the package takes her through glamorous 1930s London and Pasadena, toward the last gasp of the British Empire in Kenya, and from there, deep into the California redwoods, where Nick later carved out a rugged path in the wilderness, keeping his English past at bay. Vividly weaving together the lives of her father and grandfather, through memory and imagination, Brownrigg explores issues of sexuality and silences, and childhoods fractured by divorce. In her uncovering of this lost family, she finally makes her own story whole"--

"After narrowly avoiding death in London at the hands of the king's secret agents, Duncan McCallum returns to colonial America only to discover that his troubles have followed him across the Atlantic"--

"Nowatari Rui has long been the subject of her husband's novels, depicted as a pure woman who takes great pleasure in sex. With her privacy and identity continually stripped away, she has come to be seen by society first and foremost as the inspiration for her husband's art. When a decade's worth of frustrations reaches its boiling point, Rui consumes a bowl of seeds, and buds and roots begin to sprout all over her body. Instead of taking her to a hospital, her husband keeps her in an aquaterrarium, set to compose a new novel based on this unsettling experience. But Rui grows at a rapid pace and soon breaks away from her husband by turning into a forest-and in time, she takes over the entire city"--

An urgent look at the U.S. Border Patrol from its xenophobic founding to its assault on the Fourth Amendment in its quest to become a national police forceLate one July night in 2020, armed men, identified only by the word POLICE written across their uniforms, began snatching supporters of Black Lives Matter off the street in Portland, Oregon, and placing them in unmarked vans. These mysterious actions were not carried out by local law enforcement or even right-wing terrorists, but by the U.S. Border Patrol. Why was the Border Patrol operating so far from the boundaries of the United States? What were they doing at a protest that had nothing to do with immigration or the border?Nobody Is Protected: How the Border Patrol Became the Most Dangerous Police Force in the United States is the untold story of how, through a series of landmark but largely unknown decisions, the Supreme Court has dramatically curtailed the Fourth Amendment of the Constitution in service of policing borders. The Border Patrol exercises exceptional powers to conduct warrantless stops and interrogations within one hundred miles of land borders or coastlines, an area that includes nine of the ten largest cities and two thirds of the American population.Mapping the Border Patrol’s history from its bigoted and violent Wild West beginnings through the legal precedents that have unleashed today’s militarized force, Guggenheim Fellow Reece Jones reveals the shocking true stories and characters behind its most dangerous policies. With the Border Patrol intent on exploiting current laws to transform itself into a national police force, the truth behind their influence and history has never been more important.

A master of the short form, Gina Berriault stands somewhere between Chekhov and Isaac Babel in style and psychological acuity—and in this beautiful new edition of one of her most beloved novellas, she traces the changing relationships between one woman and two fellow novelists.When it was first published, Andre Dubus said of The Lights of Earth, "Like her stories, it's masterly. Its central character is a woman, Ilona Lewis, who confronts loss of earthly love. But Ilona's experience is far more complex than losing a man because he has become a celebrity. It involves the hearts of all of us seeking the lights of earth, the soul's blessing in its long, dark night." Forsaken by her lover as he gains fame as a novelist, Ilona is stirred by the need to remember the brother she left behind long ago. Revealing the precious worth of life that emerges from the depths of loss, The Lights of Earth is a deeply moving exploration of the soul and a masterwork of style and psychological acuity from one of the most celebrated voices in contemporary fiction. Gina Berriault’s work as a storywriter of great psychological empathy and extraordinary elegance and subtlety was widely praised at the end of her life and, with this reissue of one of her more celebrated short novels, her work can be discovered by a new generation of readers.

For the full course of his remarkable career, Gary Snyder has continued his study of Eastern culture and philosophies. From the Ainu to the Mongols, from Hokkaido to Kyoto, from the landscapes of China to the backcountry of contemporary Japan, from the temples of Daitokoji to the Yellow River Valley, it is now clear how this work has influenced his poetry, his stance as an environmental and political activist, and his long practice of Zen. Growing up in the Pacific Northwest, Asia became a vocation for Snyder. While most American writers looked to the capitals of Europe for their inspiration, Sndyer looked East. American letters is profoundly indebted to this geographical choice.Long rumored to exist, The Great Clod collects more than a dozen chapters, several published in The Coevolution Quarterly almost forty years ago when Snyder briefly described this work as "The China Book," and several others, the majority, never before published in any form. "Summer in Hokkaido," "Wild in China," "Ink and Charcoal, " "Stories to Save the World," "Walking the Great Ridge," these essays turn from being memoirs of travel to prolonged considerations of art, culture, natural history and religion. Filled with Snyder's remarkable insights and briskly beautiful descriptions, this collection adds enormously to the major corpus of his work, certain to delight and instruct his readers now and forever.

"The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all else a difference of imagination.The imagination is like the drunk man who has lost his watch, and must get drunk again to find it. It is as intimate as speech and custom, and to trace its ways we need to re-educate our eyes."--Guy Davenport Modernism spawned the greatest explosion of art, architecture, literature, painting, music, and dance of any era since the Renaissance. In its long unfolding, from Yeats, Pound and Eliot to Picasso and Matisse, from Diaghilev and Balanchine to Cunningham and Stravinsky and Cage, the work of Modernism has provided the cultural vocabulary of our time. One of the last pure Modernists, Guy Davenport was perhaps the finest stylist and most protean craftsman of his generation. Publishing more than two dozen books of fiction, essays, poetry and translations over a career of more than forty years, he was awarded a MacArthur Fellowship in 1990. In poetry and prose, Davenport drew upon the most archaic and the most modern of influences to create what he called "assemblages"--lush experiments that often defy classification. Woven throughout is a radical and coherent philosophy of desire, design and human happiness. But never before has Davenport's fiction, nonfiction, poetry and translations been collected together in one compendium. Eight years after his death, "The Guy Davenport Reader" offers the first true introduction to the far-ranging work of this neglected genius.

“McGraw is wise and occasionally laugh–out–loud funny, with a seventh sense for the perfect turn of phrase . . . This quintessential collection of stories serves as an homage to the form while showcasing McGraw’s stunning talent and deep empathy for the idiosyncrasies, small joys, and despairs of human nature." —Publishers Weekly (starred and boxed review)In Joy, narrators step out of themselves to explain their lives to us, sometimes defensively, sometimes regretfully, other times deceitfully. Voices include those of the impulsive first–time murderer, the depressed pet sitter, the assistant of Patsy Cline, the anxiety–riddled new mother, the aged rock–and–roller, the girlfriend of your husband—human beings often (incredibly) unaware of the turning points staring them in the face."How can stories this brief be so satisfying? . . . [McGraw] deals with the profound, the dire, the mundane, and the ridiculous, paying particular attention to relationships between parents and children, siblings, spouses, criminals, and their victims. While some stories are meant purely to amuse, many are intense and beautiful . . . Fifty–three gems that demonstrate all the things a short story can do. Wow." —Kirkus Reviews (starred review)

In "Life Is a Miracle", the devotion of science to the quantitative and reductionist world is measured against the mysterious, qualitative suggestions of religion and art. Berry sees life as the collision of these separate forces, but without all three in the mix people are left at sea in the world.