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"The book examines the discourse on attention emerging in the European Enlightenment (1650-1780) with a focus on German philosophy and literature. It argues that this discourse influenced the formation of aesthetic philosophy in the eighteenth century. Notable figures discussed include Renâe Descartes, G.W.F. Leibniz, Christian Wolff, and Alexander Baumgarten."--

"Account of James H. Billington's influence on US policy toward Russia in 1987 to 2015 and of Library of Congress programs in Russia aimed at promoting reform based on the revival of traditional Russian culture combined with democratic reforms based on Western models. Draws lessons for future US policy in Eurasia"--

The Equality of Flesh traces a new genealogy of equality before its formalization under liberalism. While modern ideas of equality are defined through an inner human nature, Brent Dawson argues that the sixteenth and seventeenth centuries conceptualized equality as an ambivalent and profoundly bodily condition. Everyone was made from the same lowly matter and, as a result, shared the same set of vulnerabilities, needs, and passions. Responding to the political upheavals of colonialism and the intellectual turmoil of new natural philosophies, leading figures of the English Renaissance, including Spenser and Shakespeare, anxiously imagined that bodily commonality might undermine differences of religion, race, and class. As the period progressed, later authors developed the revolutionary possibilities of bodily equality even as new ideas of fixed racial inequality emerged. SomeâEUR"like the utopian radical Gerrard Winstanley and the republican poet John MiltonâEUR" challenged political absolutism through the idea of humans as base, embodied creatures. OthersâEUR"like the heterodox philosopher Margaret Cavendish, the French theologian Isaac La Peyrÿre, and the libertine Cyrano de BergeracâEUR"offered limited yet important interrogations of racial paradigms. This moment, Dawson shows, would pass, as bodily equality was marginalized in the liberal theories of John Locke and Thomas Hobbes. In its place, pseudoscientific racism would come to anchor inequality in the body during the Enlightenment. Contending with the lasting implications of material equality for modernity, The Equality of Flesh shows how increasingly vehement notions of racial difference eclipsed a nascent sense of human commonality rooted in the basic stuff of life.

"Beginning with Anglo-Egyptian colonialism and ending with Barack Obama's presidency, Bounds of Blackness explores the history of Black America's engagements with modern Sudan."--

"This book brings together twelve essays by senior historians who, after decades of study, reflect on the 'hows' and 'whys' of Stalinism as an authoritarian dictatorship determined to build a version of socialism in the Soviet Union at all costs"--

"Drawing on the evocative stories of unemployed Americans from a wide range of occupations, from day laborers to corporate managers, both immigrant and native-born, Strauss shows that the standard cultural description of workaholics driven by a Puritan work ethic homogenizes diverse work motivations"--

"An innovative approach to the history of Byzantine art that applies media theory to Byzantines' relationship to representations of their culture, faith, and history"-

"This book is about Presbyterian missionaries, other Americans with ideals, and their Iranian partners during the twentieth century. It analyzes the various ways in which their respective missions became manifest in Iran, particularly the national capital of Tehran, during the reign of the last Pahlavi shah"--

"This edited volume brings together contributions across multiple disciplines, weaving broad theoretical and empirical insights from Mozambique to India, Indonesia, Ecuador, Tanzania, Liberia, Cambodia, Scotland, Canada, Transylvania, Brazil, and the colonial United States. The authors draw on original research to analyze the lived experiences of land dispossession and repossession"--

"This book examines the institutional evolution of central banks from the 1970s to the crises of the past decade. In examining central banks' deviation from monetary orthodoxy, the book recasts central banks as political actors whose actions are bound to the political environment in which they operate."--

"Italian Forgers takes an unorthodox approach to a popular topic: art forgery. Based on original published sources as well as current and past scholarship, Italian Forgers focuses not on art forgery per se, but on the major forgery scandals in the context of a shifting art market operated by a number of Italians who fashioned a very sophisticated and self-conscious response to the constant and often intense demand for Italian objects."--

"This book contains summaries of interviews with Lithuanians who were forcefully conscripted into the Soviet army to fight in Afghanistan between 1979-1989. The text is supported by portraits of the veterans and photographs from their personal collections."--

"An account of the skills that are necessary both for individuals to flourish in the twenty-first century and for societies to approach sustainability"--Provided by publisher"--

"A Hudson Valley Reckoning tells the story of northern slavery from the perspectives of two intertwined families. Debra Bruno's Dutch ancestors were enslavers, while Eleanor C. Mire's ancestors descended from those enslaved by Bruno's family. Despite their dark history, the two found a way to honor those whose stories had been lost"--

"A reflective history of feminism, religion, and place in the intentional Spiritualist community of Lily Dale, New York, from the late-nineteenth century through the early twenty-first century"--

"This book is a history of a piece of land in central New York, the ancestral homeland of the Oneida Indians. It traces the stories over four centuries of the two families, a Mohawk/Oneida family and the author's family of early settlers, who called it home"--

"This book includes a series of studies and reflections on Protestant and Mormon missionary encounters throughout the nineteenth and twentieth centuries"--

How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things-technologies such as literary doppelgangers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.

"Tells the story of a radical educational experiment. Built on a decade of research and the creation of several eco-schools, this book offers readers theoretical understandings and practical curricular and pedagogical implications and a map for those curious about shifting educational practices by aligning with the natural world to support mutual flourishing for all"--

"This book includes a series of studies and reflections on Protestant and Mormon missionary encounters throughout the nineteenth and twentieth centuries"--

"When doctoral student Melody Hollings's father shows signs of dementia, she realizes she needs to win a post-graduate fellowship to stay local. Her friend, Ben, offers to edit her submission. Instead he trashes her book and wins the fellowship. Mel has a nemesis. Her only course of action is revenge!"--

"A literary and political biography of the Gilded Age Minnesota congressman Ignatius Donnelly, bestselling populist author of nonfiction and fiction on topics ranging from Atlantis to Shakespearean ciphers to world-ending comets and popular revolutions"--

"A study of the stalled/non-existent process of legally reckoning with the 1965 state-sponsored genocide in Indonesia"--

A new afterword to this edition, "The Duty to Remember--But What?" tackles difficult issues of guilt and innocence on the individual and societal levels. Zygmunt Bauman explores the silences found in debates about the Holocaust, and asks what the historical facts of the Holocaust tell us about the hidden capacities of present-day life. He finds great danger in such phenomena as the seductiveness of martyrdom; going to extremes in the name of safety; the insidious effects of tragic memory; and efficient, "scientific" implementation of the death penalty. Bauman writes, "Once the problem of the guilt of the Holocaust perpetrators has been by and large settled... the one big remaining question is the innocence of all the rest--not the least the innocence of ourselves."Among the conditions that made the mass extermination of the Holocaust possible, according to Bauman, the most decisive factor was modernity itself. Bauman's provocative interpretation counters the tendency to reduce the Holocaust to an episode in Jewish history, or to one that cannot be repeated in the West precisely because of the progressive triumph of modern civilization. He demonstrates, rather, that we must understand the events of the Holocaust as deeply rooted in the very nature of modern society and in the central categories of modern social thought.

A particularly vicious and bloody civil war has racked Algeria for a decade. Amnesty International notes that since 1992, in a population of 28 million, 80,000 people have been reported killed, and the actual total is almost certainly higher. This terrible war overshadows Algeria's long and complex history and its prominence on the world economic stage--second in size among African nations, Algeria has the longest Mediterranean coastline and contains the world's fifth-largest natural gas reserves. Algeria, 1830-2000 is a comprehensive narrative history of the country. Benjamin Stora, widely recognized as the leading expert on Algeria, presents the story of this turbulent area from the start of formal French colonialism in the early nineteenth century, through the prolonged war for independence in the latter 1950s, to the internal strife of the present day. This book adapts and updates three short volumes published originally in French by La Découverte. For this English edition, Stora has written a new introductory chapter on Algeria's colonial period (1830-1954) and has revised the final section to bring the volume up to date.

"Includes all 150 species of venomous elapid snakes in Australia. Species accounts are illustrated with photos, distribution maps, and anatomical drawings and include natural history, range, and habitat information, identification guidelines, rate of lethality, and conservation status. Also in the book are instructions for first aid treatment of snake bites and a description of antivenoms"--

In The Last Ta'ifa, Anthony H. Minnema shows how the Banu Hud, an Arab dynasty from Zaragoza, created and recreated their vision of an autonomous city-state (ta'ifa) in ways that reveal changes to legitimating strategies in al-Andalus and across the Mediterranean. In 1110, the Banu Hud lost control of their emirate in the north of Iberia and entered exile, ending their century-long rule. But far from accepting their fate, the dynasty adapted by serving Christian kings, nurturing rebellions, and carving out a new state in Murcia to recover, maintain, and grow their power. By tracing the Banu Hud across chronicles, charters, and coinage, Minnema shows how dynastic leaders borrowed their rivals' claims and symbols and engaged in similar types of military campaigns and complex alliances in an effort to cultivate authority. Drawing on Arabic, Latin, and vernacular sources, The Last Ta'ifa uses the history of the Banu Hud to connect the pursuit of legitimacy in al-Andalus to the politics of other emerging kingdoms and emirates. The actions of Hudid leaders, Minnema shows, echoed across the region as other kings, rebels, and adventurers employed parallel methods to gain power and resist the forces of centralization, highlighting the constructed nature of legitimacy in al-Andalus and the Mediterranean.

Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future--both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us--the "posterity" for whom they were built.