Bøker utgitt av Continuum Publishing Corporation

In 1910 Robert Falcon Scott and Roald Amundsen set sail for Antarctica, each from his own starting point, and the epic race for the South Pole was on. December 2011 marks the centenary of the conclusion to the last great race of terrestrial discovery. This title presents each man's full account of the race to the South Pole in their own words.

An album which distilled a genre from the musical, cultural, and social ether, Portishead's "Dummy" was such a complete artistic achievement that its ubiquitous successes threatened to exhaust its own potential. The author offers an impressionistic investigation of "Dummy" that imitates the cumulative structure of the album itself.

Deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, M R James and Edgar Allen Poe, Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, and the writing of many modernist authors including Virginia Woolf, Samuel Beckett, and James Joyce.

A study of the origins of the New York City punk scene, focusing on Television and their extraordinary debut record.

A study of a pivotal moment in Ween's development, as they became one of the world's most endearing, and enduring, cult bands.

For ten years "Calvin and Hobbes" was one of the world's most beloved comic strips. And then, on the last day of 1995, the strip ended. Its mercurial and reclusive creator, Bill Watterson, not only finished the strip but withdrew entirely from public life. This title traces the life and career of the intensely private man behind Calvin and Hobbes.

This ''close reading'' of Exodus 19-40 focuses on the repetition of the ''encounter on the mountain''. This double encounter is expressed in a narrative structure of preparatory episodes climaxed by the theophany. The tension of the narrative is linked to ''the people'' as the unlikely heroes of encounter and solved by the divine descent from the divine mountain to the man-made tent. The new situation of permanent encounter is foregrounded by the juxtaposed stories of pre- and post- Sinai journey, and the theme of the ''substitution of Moses'' underlines a radical reinterpretation of traditional concepts, inviting the reader to embark on a process of identification.

There is an unresolved tension in Dostoevsky's novels - a tension between believing and not believing in the existence of God. This book enables us to consider the nature of God in the 21st Century through the lens of Dostoevsky's novels.

Offers an exploration of case-focused methods as a means of bridging the quantitative-qualitative divide and the key methodological issues. Rather than suggesting the 'mixing' of methods, this book provides an interrogation of the arguments and practices characteristic of both sides of the divide.

Blanchot's literary criticism has imposed itself within the canon and syllabi of modern poetics and literary theory, and yet it has maintained a somewhat mysterious presence. This guide to Blanchot's thought offers an overview of Blanchot's importance to contemporary literary theory.

A comprehensive analysis of Britain's changing position in the world during the twentieth century. It places British policy making in the appropriate domestic and international contexts, offers an alternative to the more negative, 'decline'-obsessed assessments of Britain's role and influence in global affairs.

Discusses emerging modes of film adaptation, focusing on the computer-generated reconstructions of popular narratives and characters with other forms of convergence such as the Internet.

The So-called Local Color Literature emerged in the mid nineteenth century, both in the US and Europe. This book, on the European tradition covers the German ("Dorfgeschichten" - more or less "village histories"), French ("Contes" or "stories"), Irish, and Scottish traditions in detail, with a chapter devoted to each.

"I Henry IV" has always been one of Shakespeare's most popular plays and this critical guide offers a comprehensive guide to the wide range of criticism on the play and its central figures, including Falstaff. This book introduces the play's critical and performance history, including stage productions alongside TV, film and radio versions.

The history of Continental philosophy is often conceived as being represented by two major schools: German idealism and phenomenology/existentialism. This work aims to undermine this popular view of the radical break between idealism and existentialism by means of a series of detailed studies in specific episodes of European thought.

Presents an examination of the early Stoic theory of virtue. This book emphasizes in particular the theological underpinning of Stoic ethics, which Jedan contends has been underestimated in various accounts of Stoic ethics. It argues that the theological motifs in Stoic ethics are in fact pivotal to a complete understanding of Stoic ethics.

A comprehensive study of the relationship between Machiavelli and Spinoza's political philosophy. It explores Spinoza's political philosophy by confronting it with that of Niccolo Machiavelli. It shows how closely tied the two thinkers are in relation to realism.

Presents a critique of the increasing potential of science and technology to destroy the roots of culture and the value of the individual human being, from the perspective of Michel Henry's philosophy of life. This book develops a critique of capitalism, technology and education and provides insight into the political implications of Henry's work.

Using case studies and analytical overviews, this title explores the relationship between broadcasting and the intimate domestic sphere into which it is broadcast. It focuses on the period from the 1920s, when broadcasting was established in the UK, when both domesticity and broadcasting have become areas of anxiety and contestation.

Born in Turkey, noted philosopher Ilham Dilman spent the majority of his working life teaching philosophy in the United States and Great Britain and published widely in moral philosophy and psychology, most notably on Wittgenstein and Freud. This title offers critiques of Ilham Dilman's major contemporaries.

"The Duchess of Malfi" was first performed in 1614 and published in 1623. This guide offers students and scholars an introduction to its critical and performance history, including recent versions on stage and screen. It includes an annotated bibliography that provide a basis for further individual research.