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A collection of philosophical essays on art, each introduced with an overview.

Designed to accompany the comprehensive and exceptional Community Practice Skills: Local to Global Perspectives, this workbook enhances the discussion of skills and competencies for community practice. Featuring direct exercises, project ideas, and role plays, this workbook contains a range of activities that focus on a host of practice and theory issues designed for use in class groups, field settings, and career practice. Crafted by leading social work practitioners and informed by the student perspective, the Community Practice Skills Workbook shows how to analyze and synthesize new knowledge and effectively incorporate new skills into ongoing practice. The workbook is intended for a variety of MSW/DSW graduate courses and higher level undergraduate (BSW) courses, especially those that focus on community practice and development. It also applies to programs specializing in more general methods of macro social work.

Written by a leading scholar in the field, Classical Japanese: A Grammar is an elegant, comprehensive, and practical guide to classical Japanese. Extensive notes and historical explanations make this volume useful as both a reference for advanced students and a textbook for beginning students.

Chikamatsu Monzaemon (1653-1725) wrote some 130 plays, chiefly for the puppet theater, many of which are still performed today, and he is thought to have written the first major tragedies about the common man. This edition contains four of his most important plays including three popular domestic dramas and one history play.

Aiming to provide a corrective to the rhetoric of suspicion and fear surrounding discussions of Muslims in the United States, this book emphasizes Muslims' continuing impact on American society and culture. It also includes records from the large-scale migrations of the 1880s; and racial, ethnic, and religious trends of the 1960s.

A world-renowned historian presents a series of four brilliant forays into English literature, from Sir Thomas More to Robert Louis Stevenson.

Over the past few decades, a wave of immigration has turned New York into a microcosm of the Americas and enhanced its role as the crossroads of the English- and Spanish-speaking worlds. Yet far from being an alien group within a "mainstream" and supposedly pure "Anglo" America, people referred to as Hispanics or Latinos have been part and parcel of New York since the beginning of the city's history. They represent what Walt Whitman once celebrated as "the Spanish element of our nationality."Hispanic New York is the first anthology to offer a comprehensive view of this multifaceted heritage. Combining familiar materials with other selections that are either out of print or not easily accessible, Claudio Iván Remeseira makes a compelling case for New York as a paradigm of the country's Latinoization. His anthology mixes primary sources with scholarly and journalistic essays on history, demography, racial and ethnic studies, music, art history, literature, linguistics, and religion, and the authors range from historical figures, such as José Martí, Bernardo Vega, or Whitman himself, to contemporary writers, such as Paul Berman, Ed Morales, Virginia Sánchez Korrol, Roberto Suro, and Ana Celia Zentella. This unique volume treats the reader to both the New York and the American experience, as reflected and transformed by its Hispanic and Latino components.

Gayatri Chakravorty Spivak's 1988 essay "Can the Subaltern Speak?" introduced questions of gender and sexual difference into analyses of representation and offering a profound critique of both subaltern history and radical Western philosophy. Since the publication of Spivak's essay, the work has been revered, reviled, misread, and misappropriated. It has been cited, invoked, imitated, and critiqued. In these phenomenal essays, eight scholars take stock of this response. They begin by contextualizing the piece within the development of subaltern and postcolonial studies and the quest for human rights, and then they think with Spivak's essay about historical problems of subalternity, voicing, and death.

In Domestic Violence: Intersectionality and Culturally Competent Practice, experts working with twelve unique groups of domestic abuse survivors provide the latest research on their populations and use a case study approach to demonstrate culturally sensitive intervention strategies. Chapters focus on African Americans, Native Americans, Latinas, Asian and Pacific Island communities, persons with disabilities, immigrants and refugees, women in later life, LGBT survivors, and military families. They address domestic violence in rural environments and among teens, as well as the role of religion in shaping attitudes and behavior. Lettie L. Lockhart and Fran S. Danis are editors of the Council of Social Work Education's popular teaching modules on domestic violence and founding co-chairs of the CSWE symposium on violence against women and children. In their introduction, they provide a thorough overview of intersectionality, culturally competent practice, and domestic violence and basic practice strategies, such as universal screening, risk assessment, and safety planning. They follow with collaborative chapters on specific populations demonstrating the value of generalist social work practice, including developing respectful relationships that define issues from the survivor's perspective; collecting and assessing data; setting goals and contracting; identifying culturally specific interventions; implementing culturally appropriate courses of action; participating in community-level strategies; and advocating for improved policies and funding at local, state, and federal levels. Featuring resources applicable to both practitioners and clients, Domestic Violence forms an effective tool for analysis and action.

Focusing on the crossover between the sacred and the secular, this volume gathers the work of media experts, religious historians, sociologists of religion, and authorities on American studies and art history. Topics range from Islam on the Internet to the quasi-religious practices of Elvis fans.

Presents a portrait of "The Tale of Genji's" reception and reproduction, taking into consideration a wide variety of genres from no plays to Genji paintings to the modern novel. This volume explores the popularization of the Genji, considering parody, pastiche, and re-creation in various popular and mass media.