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"Bereft after the death of his ailing wife, a retired professor has resumed his life's work -- a book that will stand as a towering cathedral to Michel de Montaigne, reframing the inventor of the essay for the modern age. The challenge is the litany of intrusions that bar his way -- from memories of his past to the nattering of smartphones to his son's relentless desire to make an electronic dance album. As he sifts through the contents of his desk, his thoughts pulsing and receding in a haze of caffeine and grief, ghosts and grievances spill out across the page. From the community college where he toiled in vain to an artists' colony in the Berkshires, from the endless pleasures of coffee to the finer points of Holocaust art, the professor's memories churn with sculptors, poets, painters, and inventors, all obsessed with escaping both mediocrity and themselves. Laced with humor as acrid as it is absurd, Lesser Ruins is a spiraling, raging meditation on ambition, grief, and humanity's ecstatic, agonizing search for meaning through art"--

""These are stories about attempting to outrun time; about trying to remember transfemme pasts; about magic touching everything except the possibility of lasting love." From the beaches of Cyprus to forbidden gardens of discovery to a small town in West Texas, Aurora Mattia weaves dreams of paradises shot through with rot. Her ecstatic, sensuous prose crystallizes into moments of longing and loss, magic and multiplicity-bringing together a cast of spiders, sibyls, angels, and goddesses in vain pursuit of their unnameable selves. Whether traveling ancient shores or struggling to leave her home, each protagonist within this collection is confronted by perils as dense with symbolism as they are laden with joy and despair. Compiled from almost a decade's worth of writing (and rewriting), Unsex Me Here is a dazzling showcase of other worlds near and distant, and the transfemmes who've found-and lost-their way through them"--

“We waited for Word to arrive/ like a messiah in a stagecoach/ or a sheriff riding a thundercloud.”From acclaimed poet Elaine Equi comes her latest provocatively playful collection. “Thoughtful, witty, curious” (The New York Times), Equi’s subversive voice delicately refracts human experiences from the colors of weather to the strange ways we make sense of our bodies, from the emptiness of family homes to the flow of time itself.

"Eight authors' works of personal nonfiction join with ten new stories by Karen Tei Yamashita to illuminate the hidden histories of places large and small. Faced with a scant historical record in her urge to reconstruct the layered past of Santa Cruz, Karen Tei Yamashita turns to fiction set amidst its architecture. Ten stories explore the California city to animate what might have been, to build the fullness of lives forgotten, and to honor their living with story and possibility. Following this impulse into the realm of nonfiction, eight other writers chart their own counternarratives of place through the greater United States. Diverging and converging in their scale and scope, from an unnamed lot on the bank of the Ohio River to the territory of Guam, these works use language as an instrument of excavation, uncovering layers of hurt and desire concealed in the land"--

"In 2019, Justin Phillip Reed's romantic maiden voyage through the waters of American poetry and its communities ran aground in the barrens of Pittsburgh, Pennsylvania, when he found himself with two years of writing time on the horizon and no social context to keep him afloat. In anxiety and estrangement soon deepened by global pandemic, popular fascism, virtual being, intestinal distress, and the obscenity of his own privilege as a university pet, he retreated to the comforts of horror films with no intent but diversion. What happened instead was this reckless, unprecious, in-process reckoning. Backdropped by sprawling cemeteries, soundtracked by too much Type O Negative, and totally hung up on cameras, With Bloom Upon Them and Also with Blood is a chase and a trip where lyric essays, ekphrastic poetry, and lectures grapple with alienation, professional disillusionment, perversion, and internal contradiction under racial capitalism through playful and critical encounters with horror cinema and cultural iconography"--

An elegant novel with a strong sense of storytelling and delightful eccentricities of form, such as the use of emails, poems, letters, diary entries, and descriptions of artworks embedded within the traditional prose. The writing throughout is fluid and engrossing, making it a very entertaining read.The Spanish edition of Bilbao–New York–Bilbao has sold over 100,000 copies and won Spain’s National Literature Award.Spiritual cousin to Noemi Lefebvre’s Blue Self-Portrait. Perfect for readers of autofiction like Ocean Vuong’s On Earth We’re Briefly Gorgeous, and for fans of Rachel Cusk and Olga Tokarczuk.Second volume in Coffee House’s Spatial Species series, with series branding and elegant french flaps. Includes introduction by series editor Youmna Chlala.

"Part butch memoir, part ekphrastic travel diary, part queer family tree, Raquel Gutiâerrez's debut essay collection ... gleans insight from the sediment of land and relationships. For Gutiâerrez, terrain is essential to understanding that no story, no matter how personal, is separate from the space where it unfolds. Whether contemplating the value of adobe as both vernacular architecture and commodified art object, highlighting areas of transphobia among lesbians and feminists, or recalling how one of their own romances unraveled, Gutiâerrez traverses complex questions of gender, class, identity, and citizenship with curiosity and nuance"--