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The Laws of the Skies, by the same author and translator, was highlighted in the New York Times Summer Reading feature and given a starred review in Publishers Weekly.For fans of Kafkaesque, dystopian literature.

One of the World's Favorite Foods: Many culinary cultures from around the world have a version of dumplings.Cook What You Read: Readers can try cooking the dumplings featured in the book with easy-to-follow recipes.A Diverse Collection of Food Writing: For fans of food writers with an interest in history, like Michael W. Twitty, Samin Nosrat, and Tamar Adler.

What if we could love the planet as much as we love one another? "e;Warm, wise, and overflowing with generosity, this is a love story so epic it embraces all of creation. Yet another reminder of how blessed we are to be in the struggle with elders like David and Tara."e; - Naomi Klein and Avi Lewis What You Won't Do for Love is an inspiring conversation about love and the environment. When artist Miriam Fernandes approached the legendary eco-pioneer David Suzuki to create a theatre piece about climate change, she expected to write about David's perspective as a scientist. Instead, she discovered the boundless vision and efforts of Tara Cullis, a literature scholar, climate organizer, and David's life partner. Miriam realized that David and Tara's decades-long love for each other, and for family and friends, has only clarified and strengthened their resolve to fight for the planet.What You Won't Do for Love transforms real-life conversations between David, Tara, Miriam, and her husband Sturla into a charmingly novel and poetic work. Over one idyllic day in British Columbia, Miriam and Sturla take in a lifetime of David and Tara's adventures, inspiration, and love, and in turn reflect on their own relationships to each other and the planet. Revealing David Suzuki and Tara Cullis in an affable, conversational, and often comedic light, What You Won't Do For Love asks if we can love our planet the same way we love one another.

Typography meets poetry at a Pink Floyd laser-light showIn Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror reflecting the language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are soaking in it!Surface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages.Not words, letters; not letters, shapes; not shapes, figures; not figures, ciphers; not ciphers, ornaments; not ornaments, decoration; not decoration, semiotics; not semiotics, communicative possibilities; not vagrant potential, slowly forming inflection; not melting deflection, language as dance: in, out, upside down, flapping, flipping, all ways round. Charles Bernstein, recipient 2019 Bollingen Prize for American PoetryThe striking compositions youll find inSurface Tensionare being presented sequentially in book form, yet that they wouldnt be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable...' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti- advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos. Mnica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor ofWomen in Concrete Poetry 19591979With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century tech- nology as a vehicle for bring concrete poetry into the twenty-first century. WithSurface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process. Craig Dworkin, author ofRadium of the Word: A Poetics of MaterialityWhen most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic? The answer to Derek Beaulieus question, put forward in his beautiful essay, is surely yes: the ten bril- liantly adventurous visual poems in hisSurface Tensionmake a startling case for his fascinating Letraset /photocopier inventions. Beaulieus compositions originate in a place of clean design and logical narrative; soon, as in a dream, they open up, ushering in what he calls 'a poetry of difference, chance, eruption.' Marcel Duchamp would have called it the poetry of the infrathin: watch 'Simple Symmetry' or 'Dendrochronology' open up and come alive in their minutely evolving new spaces. This is quite simply an enchanting book a book producing new pleasures with each turn of the page. Marjorie Perloff, Sadie Dernham Patek Professor of Humanities, Emerita, Stanford University

Chinese-Mauritian Diaspora Poetry: Asian American representation in poetry spans a wide range of generations, regions, and cultures but only recently has begun to take a place on the mainstage with award-winning poets such as Ocean Vuong and Yi Sang.A New Talent in Poetry: Pulses was selected by Griffin Poetry Prize winner Liz Howard for the prestigious Writers' Trust of Canada Mentorship program. Howard wrote, "In reading Rhiannon Ng Cheng Hin's poetry, I became immersed within a deep sense memory of why I came to love poetry in the first place."

Ways of Seeing meets Mary Ruefle in these visual-art-inflected poemsThough they started from Sheryda Warreners impulse to see herself more clearly, the poems in Test Piece ended up becoming more expansive meditations on seeing and vision. They engage with the process and practice of art-making, and specifically with abstract minimalist works like those by Eva Hesse, Anne Truitt, Ruth Asawa, and Agnes Martin.Not-seeing/not-knowing is a motif, as is weave, grid, pattern, rhythm of interiors, domestic life. These poems are informed by collage, by the act of bringing images and lines together. With their echoes and reverberations (hand, mirror, body, clear, form, face), a greater complexity is revealed.In conversation with visual art, mirrors, and the traces of self we assemble through encounter, Sheryda Warreners Test Piece holds an expansive place to dwell with the phenomenological. Interacting with event and object, reflection and parataxis, the writing asks us to consider contingent spaces and the matter of matter and meaning making. The poems adhere as arrangement, as a consideration of relationality. 'What does she whimper in the dogs ear? / How earthly we behave, believing were alone.' Hoa Nguyen, author of A Thousand Times You Lose Your TreasureSheryda Warrener's newest poetry collection unspools as a complex weave of repeated motifs, ritualistic gestures, and deeply embodied observations. Im especially struck by the influence of twentieth-century women artists within the collection: meditations on Eva Hesse, Agnes Martin, and Sherrie Levines works structure much of Test Piece. Palimpsests of photographed interiors, where living and writing collide lyrically and randomly, combine with floating textual cut-ups of variegating transparency. This concretizes, perhaps, how the poems bloom forth from experimental assemblage: 'her body holds/the long blue sentence of it' Marina Roy, artist and author of Queuejumping

LAMBDA LITERARY OCTOBER'S MOST ANTICIPATED LGBTQIA+ LITERATUREIs love real if the beloved isnt? Girl, Interrupted meets Rebecca in this taut tale of love and madnessWhen Tia meets Pacifique, its a once-in-a-lifetime love. They spend five wild days and nights together, and then Tia wakes up in an ambulancewith a collarbone broken in a bike accident and no trace of Pacifique. Unable to convince anyone that Pacifique exists, Tia winds up in a psychiatric ward, forced to face the possibility that this perfect lover may be a figment of her imagination. While there, Tia meets Andrew, a contemplative man with schizophrenia, who falls in love with Tia. He, too, tells her to forget Pacifique. Who to believe? The medical establishment and her fellow patients? Or her frail human memory? And if Pacifique truly is a figment, is life in the real world with Andrew enough?In concise and vibrant prose, Sarah L. Taggart illuminates the dark corners of delusion (or is it delusion?) and a mental-health system that consigns people to endless limbo. Lucid and destabilizing, graceful and raw, this novel asks: is losing ones sanity so different from falling in love? Deborah Willis, author of The Dark and Other Love StoriesPacifique turns the psychological thriller on its head, allowing madness to be a meaningful lens through which to see the world instead of a cheap plot twist. Taggart has created a stunning, smart and revolutionary novel here - one that forces its readers to see clearly what so often remains hidden. This book means so much to me. One of the best I've read in years. Alicia Elliott, author of A Mind Spread Out On The Ground

Literary Fantasy: This joins recent books such as Black Leopard, Red Wolf by Marlon James that are rooted in current issues (challenging male power, denunciation of sexual violence), but take place in a place and time more like a fairy tale.French-Canadian Critical Darling: Marie-Hélène Poitras is already highly praised in French Canada, with outstanding reviews from Le Devoir, La Presse, Journal de Montreal, and many more. A Rhonda Mullins Translation: Rhonda Mullins has translated many popular Coach House titles from French including Suzanne, And the Birds Rained Down, and The Laws of the Skies.Weird shit going on in the woods: describes many Coach House translations; Sing, Nightingale may be the ne plus ultra of this list.

All talk, no action: The Mezzanine meets Ducks, Newburyport in this meandering and captivating debut Its a hot summer night, and Hugh Dalgarno, a 31-year-old clerical worker, thinks his brain is broken. Over the course of a day and night in an uncannily depopulated public park, he will sift through the pieces and traverse the baroque landscape of his own thoughts: the theology of nosiness, the beauty of the arbutus tree, the pathos of Gene Hackman, the theory of quantum immortality, Louis Riels letter to an Irish newspaper, the baleful influence of Calvinism on the Scottish working class, the sea, the CIA, and, ultimately, thinking itself and how it may be represented in writing. The result is a strange, meandering sojourn, as if the history-haunted landscapes of W. G. Sebalds The Rings of Saturn were shrunk down to a mere 85 acres. These digressions are anchored by remarks from the letters of Keats, by snatches of lyrics from Irish rebel songs and Scottish folk ballads, and, above all else, by the world-shattering call of the red-winged blackbird.From the first page to the last I felt wholly captivated byFalling Hourand Hughs sensitive and far-ranging digressions. Morrison has captured the magic of Sebald and made it entirely his own, a curiously anti-capitalist exploration of what it means to live in a fake country. Andr Babyn, author ofEvie of the DeepthornFalling Houris a profound incantatory exhalation a quiet triumph; to read it is to engage in a smart, humane and at times very funny conversation that you will never want to end.Simon Okotie, author ofAfter AbsalonA stellar debut novel by a stellar new talent. Falling Hour is written in a prose style that enlivens every page. Mauro Javier Crdenas, author of Aphasia: A Novel

Night Became Years is poetry in the sauntering tradition of the flaneur. Stefanik loafers his way over sacred geography and explores his own mixed heritage through the lexicon of Elizabethan canting language. Comparing the terminology of fifteenth--century English beggar vernacular with a contemporary Canadian inner--city worldview, the poems in Night Became Years unfold as separate entities while at the same time forming a larger narrative on the possibilities of poetry today and the nature of mixed--blood identity.

Notes on desire, reproduction, and grief, and how feminism doesn't support women struggling to have children.

The story of how Toronto became a music mecca. From Yonge Street to Yorkville to Queen West to College, the neighbourhoods that housed Toronto's music scenes. Featuring Syrinx, Rough Trade, Martha and the Muffins, Fifth Column, Shadowy Men on a Shadowy Planet, Rheostatics, Ghetto Concept, LAL, Broken Social Scene, and more! 'Jonny Dovercourt, a tireless force in Toronto's music scene, offers the widest-ranging view out there on how an Anglo-Saxon backwater terrified of people going to bars on Sundays transforms itself into a multicultural metropolis that raises up more than its share of beloved artists, from indie to hip-hop to the unclassifiable. His unique approach is to zoom in on the rooms where it's happened - the live venues that come and too frequently go - as well as on the people who've devoted their lives and labours to collective creativity in a city that sometimes seems like it'd rather stick to banking. For locals, fans, and urban arts denizens anywhere, the essential Any Night of the Week is full of inspiration, discoveries, and cautionary tales.' - Carl Wilson, Slate music critic and author of Let's Talk About Love: A Journey to the End of Taste, one of Billboard's '100 Greatest Music Books of All Time' 'Toronto has long been one of North America's great music cities, but hasn't got the same credit as L.A., Memphis, Nashville, and others. This book will go a long way towards proving Toronto's place in the music universe.' - Alan Cross, host, the Ongoing History of New Music 'The sweaty, thunderous exhilaration of being in a packed club, in collective thrall to a killer band, extends across generations, platforms, and genre preferences. With this essential book, Jonny has created something that's not just a time capsule, but a time machine.' - Sarah Liss, author of Army of Lovers

In Greater America, with sleep under siege, this lucid and prophetic novel of ideas depicts the end of human reverie.An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future Greater America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people’s nightmares and dreams. As Comprehensive Illusion – a social media-like entity that hijacks creativity – overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet's dictum that "daydreaming is directly subversive” and forge ahead on his own.In slippery, exhilarating, and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream."S. D. Chrostowska's The Eyelid is a brilliant, visionary satire on the digital mindscape of twenty-first-century late capitalism embodied in the new global state of Greater America. Insomnia is in; dreams are seditious; sleep is outlawed. Lulled by false fantasies projected by Artificial Intelligence (CI in the book), video games, and media collaborators, humans drug themselves to stay awake so they can slave through the now standard twenty-hour work days. Witty, oracular, Surreal, trenchant, politically astute, and often hilarious, The Eyelid is a throwback to the classics of the genre, Jonathan Swift's Gulliver's Travels and Samuel Butler's Erewhon. We are turning into a race of sleep-deprived automatons, Chrostowska warns, increasingly unable to mount political opposition or even dream a different future." —Douglas Glover

WINNER OF THE 2022 WRITERS' TRUST BALSILLIE PRIZE FOR PUBLIC POLICYIs the smart city the utopia weve been waiting for?The promise of the so-called smart city has been at the forefront of urban planning and development since the early 2010s, and the tech industry that supplies smart city software and hardware is now worth hundreds of billions a year.But the ideas and approaches underpinning smart city tech raise tough and important questions about the future of urban communities, surveillance, automation, and public participation. The smart city era, moreover, belongs firmly in a longer historical narrative about cities one defined by utopian ideologies, architectural visions, and technological fantasies.Smart streetlights, water and air quality tracking, autonomous vehicles: with examples from all over the world, including New York, Los Angeles, Boston, Portland, and Chicago, Dream States unpacks the world of smart city tech, but also situates this important shift in city-building into a broader story about why we still dream about perfect places.John Lorincs incisive analysis in Dream States reminds us that the search for urban utopia is not new. Throughout the book, Lorinc underscores the fact that a gamut of urban innovations from smart city megaprojects to e-government to pandemic preparedness tools only provide promise when scrutinized together with the political, economic, social, and physical complexities of urban life. Shauna Brail, University of TorontoDream States: Smart Cities, Technology, and the Pursuit of Urban Utopias takes us on a fascinating journey across world cities to show how technology has shaped them in the past and how smart city technology will reshape them in the future. This book is essential reading for policy makers, researchers, and practitioners interested in understanding the opportunities and challenges of smart city technology and what it means for city building. Enid Slack, University of Toronto School of CitiesUtopia may be the oldest grift in the city-building business, but Dream States shows that technology is a timeless tool for turning the most ordinary of urban dreams clean air and water, safe streets, and decent homes into reality. As digital dilettantes try to sell us on a software overhaul, John Lorinc provides us an indispensable and flawless guide to the must-haves and never-agains of the smart city. Anthony Townsend, Urbanist in Residence, Cornell Tech, author of Smart Cities

LAMBDA LITERARY OCTOBER'S MOST ANTICIPATED LGBTQIA+ LITERATURETHE GLOBE AND MAIL TOP 30 CANADIAN BOOKS TO READ IN 2023A novel about Berlin: a city for artists and libertines, a perfect place to find love and madness. When he tired of Toronto's insular scene, art critic Martin Heather fled to Berlin, where he tried to sleep his way through the entire population of gay men. And then he met Alexandar, who began to tutor Martin in increasingly violent sex - and in love. Pervatory is a series of journal entries about Martin and Alexandar's relationship. But interjections from the present, where Martin has been institutionalized, suggest that the hints we get of his increasing instability and obsession with the idea that his apartment is haunted by an evil spirit may have led to something dire ...RM Vaughan was an astute art critic, a dazzling poet, and an important queer activist. His untimely death in October 2020 was a tremendous loss to the queer and literary communities. This novel is what he left for us. "Pervatory is RM Vaughan's perverse Valentine to Berlin. It is sexy, funny, often elegant, and a fitting elegiac punctuation mark to his incredible body of work. Given the way he left us, it is as devastating as it is exhilarating." - journalist and Lambda Award-winning author Matthew Hays"RM Vaughan was a promiscuous pansy, a louche moralist, a lonely heart, but most importantly, he was a writer, an irritating, idiosyncratic, incisive writer. This country, with its mawkish, mediocre literary culture, didn't know what to do with him. Pervatory is his final affront." - Derek McCormack, author of Castle Faggot"Brilliant, funny, propulsive." - Zoe Whittall, author of The Best Kind of People

From the author of The Baudelaire Fractal, a poetry classic, with new workIn 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau's Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R's Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson's ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself."e;Robertson has quietly but surely emerged as one of our most exciting and prolific philosophers-I mean poets. Interested in architecture, weather systems, fashion, autobiography, gender, the classics, and just about everything else, she manages to irradiate her subjects with calm, wit, and astonishing beauty. Robertson's style is both on splendid display and under fierce interrogation in her latest book, R's Boat."e; Kenyon Review"e;In R's Boat, Robertson has penned a post-conceptual, post-lyric, relentlessly self-examining performance of memory and sincerity that manages, remarkably, to be both theoretically concerned and deeply emotive."e; Harvard Review"e;R's Boat grapples with form, the constraint of language and tradition, and the challenge to avoid anything that might exist as template. The poems examine feminism, discourse, the body, and poetry itself through sumptuous, seductive language."e; American Poets

Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents' friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold Indigenous Parades; it is a land of house burnings, werewolves, and witches.Complete with Alfred's drawings of plants both real and implausible, Days by Moonlight is a Dantesque journey taken during the "e;hour of the wolf,"e; that time of day when the sun is setting and the traveller can't tell the difference between dog and wolf. And it asks that perpetual question: how do we know the things we know are real, and what is real anyway?

Gunnars work is as though designed for handselling: These novellas, previously published only in Canada, were the underground books of their time, smuggled over borders, beloved by booksellers-indeed, they were the tomes booksellers didn't want to pass on to just any random customer: can a bookseller just keep a book for themselves? We hope you don't…Autofiction before such a term existed: These works by writer, poet and painter Kristjana Gunnars presaged the work of writers like Rachel Cusk, Karl Ove Knausgaard, Ben Lerner, and Sheila Heti. For readers of Duras' The Lover, Michael Ontaatje's Coming Through Slaughter, anything by Roland Barthes, and Lisa Robertson's The Baudelaire Fractal.Kazim Ali wrote the introductionThere's a pleasant 80s/90s vibe to these books, like the film An Unbearable Lightness of Being or long letters sent by mail, coin telephones, train rides unfettered by noise….Gunnars has written in dialogue with thoughts and poems and works of Italo Calvino; Hélène Cixous; Annie Dillard; Hermann Hesse; Clarise Lispector; Toni Morrison; Alain Robbe-Grillet; Christa Wolf; W.B Yeats; Antonin Artaud; Jean Cocteau; Northrop Frye; Martin Heidegger; Susan Howe; Fredric Jameson; Søren Kierkegaard; Julia Kristeva; Anaïs Nin; Marcel Proust; Virginia Woolf, and others.

A bold and absurd new take on the dystopian plague novel, where people are treated like IKEA furniture Distraught and hopeless, an eighteen-year-old distance runner, Regan, decides to end her life. And she''ll do it through an unusual new method available only on the dark web. Enter Ülle, a woman with amnesia, who will, inadvertently, make Regan''s wish come true. But Ülle begins to remember her past and the outrageous steps her government took to combat a deadly pandemic of parasitic infections, which have brought her to this new country and to Regan''s house. Meanwhile, Regan might be changing her mind, and she finds herself more and more concerned about keeping both Ülle and herself alive. But the shadowy organization that brought them together wants to keep them both quiet - permanently. A Suitable Companion for the End of Your Life is a darkly comic dystopian tale that probes our anxieties around boundaries, whether territorial or bodily, and our fraught desire not to die alone."Gripping from the first page, Robert McGill''s A Suitable Companion for the End of Your Life is a dark, speculative novel with echoes of The Handmaid''s Tale, set against the backdrop of a plague. Some of us would do anything to survive, down to flatpacking ourselves like IKEA furniture, while others would do anything to make our miserable lives end. This is timely, provocative, ethically challenging fiction that asks whether the drive to survive is stronger than the inevitability of death." -Ian Williams, author of Reproduction"Terrifying and tender, A Suitable Companion''s sci-fi angle serves to frame a fascinating parable about the post-post-modern family. Unpredictable and completely original, this is a propulsive, rewarding, and thought-provoking read." -Michael Redhill, author of Bellevue Square ​​"The guy knows what he''s doing, from missing children to silk parachutes, you are never lost and he will catch you." - Zadie Smith, author of NW "A storyteller who refuses to keep things straight, and for this produces freshly captivating effects." - Andrew Pyper, author of The Demonologist "A writer of striking talent and originality." - Daily Mail on The Mysteries "McGill is a talented writer, adept at expressing the nuanced, unspoken truths that beg the lies by which we live." - Observer on The Mysteries

A buddy-cop dramedy starring a bottle of Advil and a headache that wont quitImagine youre standing in a room, and someone on the other side of the door wont stop knocking ever. Welcome to Andrew Faulkners world of the never-ending, low-grade headache, a medical issue resolved only by striking up a committed relationship with the slippery miracle that is Advil. Through direct address, sideways glances, lyrical interludes and deep consideration of what it means to overcome a condition when living is a part of the condition itself, these poems observe the speakers world as it crowds around him, coming into sharper and specific focus, from the hard wisdom of saints on suffering and a slightly unhinged Caravaggio on the metaphysics of painting, through to the deep meaning of a hot dog and a thoroughly botched retelling of a Norm Macdonald joke. Throughout it all, Advil whirls around like an unruly tornado of a sidekick, snapping Polaroids and searching for a cloud that resembles a plausible end-of-life scenario.Think of this collection as a meditation on how to deal with pain and uncertainty when life itself is an uncertain, painful mess. These are poems that acknowledge the shakiness of the ground we stand on. The opening poem wonders: If you stay with the shakiness through its conjugations? Who knows. But dont worry. Advils on the case and aims to find out.These wry poems cajole the reader into feverish attentiveness. Andrew Faulkner'sHeady Bloomis that unusual collection of poems whose aim is generous and profound, but whose means are often comic and provocative, all jagged edges and elbows. Chaplinesque, perhaps, but Chaplin at an all-ages hardcore show, or having been to one and reflecting on it later, in tranquility. Ed Skoog, author ofTravelers Leaving for the City and Run the Red LightsAmong other issues, this book explores how the seizures, hallucinations, and excruciating pain caused by neurological conditions that are now treated clinically were once thought of as visions granted to and endured by saints. Faulkner does this in poems that are filled with seriousness but also humor, unlikely allusions, and exhilarating wordplay. A running conceit is the speakers ambivalent relationshipa kind of bromancewith Advil, modern medicine personified as his nemesis and doppelgnger, a taunting comedian but also a vital helpmate, a debased version of the saints archangelic protectors. Faulkners imagery and conceits surprise and delight. A strange and beautiful book. Geoffrey Nutter

For fans of the creative translations of Mary Jo Bang and Kathy AckerFor readers of classic literature who enjoy playful, loose retellings of classic books in the tradition of Jack Spicer's After Lorca and James Joyce's UlyssesThis version of Beowulf fits in well with the trend of modern, feminist translations such as Emily Wilson's The Odyssey and Maria Dahvana Headley's Beowulf: A New Feminist Translation of the Epic PoemMarkotic offers a contemporary take on Beowulf's language and, more unusually, the culture and character of the hero of this foundational text.Classic poetry continues to find new readers with the help of modernized translations, such as Mary Jo Bang's recent translations of Dante's Divine Comedy. Blurbs forthcoming

An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in peoples lives, including the dispossession and extinguishment of Indigenous title to land.Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design.Whitemud Walkingis so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment. Billy-Ray Belcourt, author ofA History of My Brief BodyWhitemud Walkingis a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho. Richard Van Camp, Tlicho Dene author ofThe Lesser BlessedandMoccasin Square GardensWhitemud Walkingis a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift. Liz Howard, author ofInfinite Citizen of the Shaking TentEchoing the caw and grackle of magpies, Matthew James WeigelsWhitemud Walkinglives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; theres a buzz in your ear, a catch in your throat listen. Derek Beaulieu, Banff Poet Laureate

From LAMBDA Literary Award winner Sina Queyras, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mindThirty years ago, a professor threw a chair at Sina Queyras after theyd turned in an essay on Virginia Woolf.Queyras returns to that contentious first encounter with Virignia Woolf to recover the body and thinking of that time. Using Woolfs A Room of Ones Own as a touchstone, this book is both an homage to and provocation of the idea of a room of ones own at the centre of our idea of a literary life.How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us? Blending memoir, prose, tweets, poetry, and criticism, Rooms offers a peek into the defining spaces a young queer writer moved through as they found their way from a life of chaos to a life of the mind, and from a very private life of the mind to a public life of the page, and from a life of the page into a life in the Academy, the Internet, and on social media.With Virginia Woolf alongside them, Queyras journeys through rooms literal and figurative, complicating and deepening our understanding of what it means to create space for oneself as a writer. Their hard-won language challenges us to resist any glib associations of Woolfs famous room with an easy freedom. Inspiring and moving, Queyrass memoir testifies to Woolfs continuing generative power.Mark Hussey, editor ofVirginia Woolf's Between the Acts(2011) and author ofClive Bell and the Making of Modernism(2021)In this beautiful, perceptive book, Sina Queyras moves deftly between the words and wake of Virginia Woolf and their own formation as writer, lover, teacher, friend, and person.Roomsis expert in its depiction of personal and literary histories, and firmly aware of its moment of composition. Reading these pages, I was enticed by Queyrass curiosity and openness, thrilled by the sharp edges of their anger. Tight prose, electric thinking, self-discovery its all here, all abuzz.Roomsis alive. Heather Christle, author ofThe Crying BookIt is impossible not to question the world as we thought we knew it by the end of this book. Sina Queyras painstakingly aims their extraordinary nerve and talent at Virginia Woolfs idea of a room of ones own: 'Its a mistake to consider the room without all of its entanglements.' Taking Woolfs cue, Queyras explores writing that is not world-building but something far more generous and transformative; as Woolf wrote, 'Literature is open to everybody.' CAConrad, author ofAMANDA PARADISE: Resurrect Extinct Vibration

From basketball hoops to cricket bats, the role community sports play in our cities and how crucial they are to diversity and inclusion.';The virus exposed how we live and work. It also revealed how we play, and what we lose when we have to stop.' For every kid who makes it to the NBA, thousands more seek out the pleasure and camaraderie of pick-up basketball in their local community centre or neighbourhood park. It's a story that plays out in sport after sport team and individual, youth and adult, men's and women's. While the dazzle of pro athletes may command our attention, grassroots sports build the bridges that link city-dwellers together in ways that go well beyond the physical benefits. The pandemic and heightened awareness of racial exclusion reminded us of the importance of these pastimes and the public spaces where we play. In this closely reported exploration of the role of community sports in diverse cities, Toronto journalist Perry King makes an impassioned case for re-imagining neighbourhoods whose residents can be active, healthy, and connected."e;I couldn't stop reading Perry King's Rebound. An evocative essay about the transformative and uniting power of local sports in a city with residents from every country in the world, the book is well researched, entertaining, and informative. It spoke to my own experiences as a young athlete fitting into a new city when I first came to Toronto and to the importance our city government must place on local recreation and sports if our city is to help all residents reach their potential. A fantastic contribution to understanding Toronto and to the power of local recreation in any major city."e; David Miller, former mayor of Toronto

Shortlisted for the ReLit 2022 Poetry Awardink earl takes the popular subgenre of erasure poetry to its illogical conclusion.Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of 100 essays and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families. The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths assiduously erased by normative forces. ink earls variations are testament in micro to the act of poiesis as not so much a building as an intrepid series of effacements; we rub away at the walls of language weve lived within in order to release both whats been written over, and what we want to say now.