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  • av Bill Thunder
    156,-

    Bill Thunder is your average disaffected, world-weary misanthropic PI. He's been there, done that, seen it all and got it remembered in the minutest, most obsessive detail. But this is a case that sees him tested to his limits.There's nothing unusual about a missing man... but things are a little more complicated when the missing person happens to share a name with the world's most famous recently-deceased celebrity. While on the hunt for Michael Jackson - a wealthy businessman - Thunder risks life and limb as he trawls the violent underworld of shady dealings and Internet pornography.'The Bastardizer' is a truly unique novel. Combining ultraviolence more brutal than 'A Clockwork Orange' with the surgical detail of 'Grey's Anatomy,' the misanthropic narrative of 'The Bastardizer' carves a new groove against the well-worn furrows of genre fiction.

  • av Christopher Nosnibor
    166,-

    Was it something in the air - or the air-conditioning? Something strange is going on at the office of multinational pharmaceutical company, Medico, and the adjacent new retail park. Robert Ashton is hired to work on the mysterious Project Mushroom and finds himself in the middle of a strange and dangerous situation involving mind control, riots, bad science, and sexual deviance.A taut dystopian thriller in the tradition of JG Ballard, 'Retail Island' is dark and perverse, a commentary on consumerism, and an unsettling tale of modern times.

  • av Christopher Nosnibor
    130,-

    Tim and Anthony are very different people, leading very different lives, following different careers in different cities. Tim is a conformist: office job, moderately successful, and teetering on the brink of a premature midlife crisis. Anthony is a rebellious non-conformist: a writer who sneers at the humdrum and derides 'corporate sell-outs.' But are they really so very different? The two narratives of From Destinations Set trace these characters' activities as they occur in parallel - not only in terms of time, but also literally, with the page divided into two columns with one story in the left, the other in the right. As events and personalities unravel in each of the two separate stories, the similarities, rather than the differences, become apparent. But more than this, as the two plots develop, questions are raised as to precisely who's writing the script: is Tim's dislocation symptomatic of his breakdown, or is there some connection between him and Anthony?

  • av Editor Christopher Nosnibor
    180,-

    An anthology of poetry and prose that encapsulates the ethos of Clinicality Press and the essence of Clinical Brutality as a mode of writing. Featuring some of the most exciting up and coming writers, as well as a number of more established cult figures, this collection is a short, sharp shock: clinical, brutal, cutting edge. It's all about those small, everyday random acts of violence, not all of which are physical or even necessarily entirely tangible, that are common to us all, written in blood using direct, precise and powerful language. This is writing for the post-CSI generation. It's not for the faint-hearted. Features: Pablo Vision / Kestra Faye / Jim Lopez / Radcliff Gregory / Díre McCain / Stewart Home / A.D. Hitchin / Christopher Nosnibor / Richard Kovitch / Lee Kwo / S. F. Grimm / David Mark Dannov / D M Mitchell / Jock Drummond / Lucius Rofocale / Stuart Bateman / Karl van Cleave / Vincent Clasper / Constance Stadler / Bill Thunder / Christopher Bateman / Simon Phillips / Maria Gornell

  • av Christopher Nosnibor
    156,-

    Ben is struggling to find his way in postmodern society; lost in a blizzard of information, his very identity is fading. As he struggles to find his way THE PLAGIARIST - a mysterious, soluble character, half-real, half-imaginary, ever constant but never the same - acts as a guide who shows Ben to the edge of the precipice. But can he be trusted? This curious anti-novel may have all the answers... A riot of experimentation, THE PLAGIARIST is an example of contemporary theory in practice, melding Bloom's theories on influence to a series of unreliable or schizophrenic narrators against a backdrop created by Frederic Jameson. With a narrative fabricated from the effluvia of the now, which continues the work started by Burroughs and developed by contemporaries like Kenji Siratori, this book demonstrates how postmodern society can cause the individual to lose themselves and the plot.

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