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From the opening poem of Lisa Hase-Jackson's impactful collection, Insomnia in Another Town, we learn that "There is no small grief...all are interconnected." These poems, cloaked in memory and the unmaking and re-making of family, travel us through the harvest of a poet's life. Like the farms she made grow, this book tills the soil of a human soul and all the many experiences that make it. In pantoums, free verse, and prose poems, Hase-Jackson demonstrates the way that every lived experience weaves into a root system that bears unique fruit, singular as our heartbeats, our winding fingerprints.-Ashley M. Jones, poet laureate of Alabama

The alliterative poem St Erkenwald, long associated with the Gawain-Poet, is here presented in a new critical edition designed to offer maximum support for the general reader, as well as to provide fresh insights for the specialist. The text is accompanied by a close translation and an extensive commentary and glossary.

Diverse and distinctive voices in the wake of the murder of George Floyd and the toppling of the Colston statue in Bristol. Timely commentaries, insights and experiences in the memoryscape enriching and transforming an uncomfortable heritage through empathy and creativity. Multiple perspectives from academics, artists, activists and heritage professionals, contribute ideas and strategies towards re-telling obscured stories and getting unheard voices heard.

Taking inspiration from a police informer's comment that his workmates had gone "Spain mad?" in response to the Spanish Civil War, this book uses biographical studies to explore the nature of British engagement with the conflict.

How to escape this world, this body? How can one invent a world parallel to this one? How do language and literature strive for a heterotopia that empties out the world and replaces it with words? From the mass graves of the First World War to transhumanist utopias, from Louis-Ferdinand Céline to Michel Houellebecq, Out of This World focuses on the modern and postmodern vexed relation to the world, body, and Creation, a major theme in gnostic metaphysical rebellion.

The first annotated, critical edition and English translation of three key texts in the history of women's writing: Sor Juana's Crisis sobre un sermón (or Carta atenagórica, 1690), Respuesta (1691), and Fernández de Santa Cruz's Carta de sor Filotea (1690). Includes a comprehensive introduction, commented textual variants and extensive notes.

Animate(d) Architecture is an edited volume that examines animation from a spatial lens. It offers an interdisciplinary approach to survey the role of space animation, including in creating humorous moments in early cartoon shorts, generating action and suspense in Japanese anime, and even stimulating erotic pleasure in pornographic Hentai.

A lyrical biography of a bird and a fragmented study of a flawed and mutable creature bearing its name, Hannah Copley's Lapwing migrates across voices and blurs the divide between bird and human, self and other to explore restlessness, addiction, and ecological and personal grief.

This book plays with love and longing; showing us what fire can destroy, and what fire can illuminate, as love, like fire, is an energy that can never really be extinguished only transformed allowing our hearts to ignite on repeat with more chances to burn wherever we chose to land.

Feeling all the kills is a dazzling and ruthless series of poems where the physicality and rawness of the moment lives and breathes. Here is a collection of burning defiance - self-enquiring and brilliant, Calcutt reveals herself as a unique and critical voice on issues of sexual identity and womanhood.

The Robert Frost Review is a peer-reviewed annual publication of the Robert Frost Society, which was founded in 1978 to promote scholarlydiscussion of the poet's life and work. The Review is committed to publishing high quality scholarship in all areas of study related to Frost,including pedagogical approaches for all educational settings. It is also interested in international perspectives on Frost and articles related totranslations of his work. In addition to scholarly articles, the Review also features short notes, book reviews, descriptions of encounterswith the poet, historical and biographical features, and commissioned work on special topics. Each issue includes a bibliography of recentFrost-related publications and dissertations.

Prompted by the occasion of a gala poetry reading atthe University of Salamanca, Spain, in July 2019, this anthology is the firstof its kind to comprise Anglophone and Spanish speaking poets breathing lifeinto the multifarious poetic legacy of the poet Ezra Pound. Although Pound'sinfluence on diverse Anglo-American poets is well-known, this collectionfurther reveals his lesser known, yet equally vital impact on the Spanishspeaking world, which has been immense. A bilingual anthology, it includes 29poets, 13 of whom write in Spanish and 16 of whom are Anglophone. In recentdecades, the Ezra Pound International Conferences taking place worldwide havefeatured poetry readings in what has become by a well-known tradition. InSalamanca, poets of older and younger generations from five continents paidtribute to Pound, with selections from their work now available in this volume.The anthology includes poems by the Spanish Novisimos poets (?The NewestOnes?), considered in Spain Pound's direct poetic heirs, such as AntonioColinas, Jaime Siles, Luis Alberto de Cuenca, and José María Álvarez, but also includedhere are poems by Jorge Guillén from the Generation of '27, as well as SpanishAmerican poets such as Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert,and Jeannette Lozano Clariond; also represented are poets of a youngergeneration: Jordi Doce, Juan Antonio González-Iglesias, MªÁngeles PérezLópez, and Natalia Carbajosa.At the reading in Salamanca, the Anglophone poets, includingmany devoted Poundians among them, also offered a robust contribution. Still,in concert with their Spanish-speaking counterparts, these poets have alsorecreated the Spanish world in unusual ways, each reflecting a different,illuminating dimension of Pound's sensibility. Celebrated Anglophone poets presenthere include David Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, RonSmith, Clive Wilmer, Paul Scott Derrick, Jeff Grieneisen and Silvia Falsaperla,together with distinguished scholars such as David Moody, Alec Marsh, and JohnBeall, as well as promising voices of a new generation: Rhett Forman, Justin Kishbaugh, Chengru He,and Sean Mark.______Esta antología, la primera que reúne a poetas anglófonose hispanohablantes, nació a raíz de un recital de poesía celebrado en laUniversidad de Salamanca en julio de 2019, con el propósito de infundir nuevavida al valioso legado poético del poeta Ezra Pound. Si bien su influencia enla tradición angloamericana es indiscutible, esta antología revela la inmensahuella, menos conocida, aunque igualmente vital de Pound en los poetas delmundo hispano. Se trata por tanto de una colección bilingüe que incluye29 poetas, de los cuales 13 escriben en español y 16 en inglés. En las últimasdécadas, los congresos internacionales dedicados a la obra de Ezra Pound,&am

In Mozambique and Guinea, the Portuguese colonial administration had to deal with Muslimcommunities of significant population expression and whose internal cultural differentiationspresented a complexity to which the administrative power was often unprepared.

A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular domestic magazine. Reading Woman's Weekly alongside titles including Good Housekeeping, My Weekly, Peg's Paper and Woman's Own, and works by authors including Dot Allan, E.M. Delafield, George Orwell and J.B. Priestley, it positions the publication within both the contemporary magazine market and the field of literature more broadly, redrawing the parameters of that field as it approaches the domestic magazine as a literary genre in its own right. Between 1918 and 1958, Woman's Weekly targeted a lower middle-class readership: broadly, housewives and unmarried clerical workers on low incomes, who viewed or aspired to view themselves as middle-class. Examining the magazine's distinctively lower middle-class treatment of issues including the First World War's impact on gender, the status of housewives and working women, women's contribution to the Second World War effort, and Britain's post-war economic and social recovery, this book supplies fresh and challenging insights into lower middle-class culture, during a period in which Britain's lower middle classes were gaining prominence, and middle-class lifestyles were undergoing rapid and radical change.

Poetry & Strikes examines shifting representations of strike action in the work of six British poets from the 1970s to the present day. It considers how these poets have come to contend with, and contribute to, narratives surrounding industrial disputes. Through these conversations, the book attempts to question the way in which union narratives and legacies are constructed, and to investigate the power dynamics that underpin the presentation of labour histories. The work of these poets helps us to understand how cultural memories have been formed, and makes it possible to see how these legacies may still be rewritten and reframed.

This book examines the children of the Irish poor law in late nineteenth- and early twentieth-century Belfast, an economically powerful yet deeply divided city, self-consciously British but geographically Irish. Through a close examination of the spaces of engagement between welfare authorities and the city's poorest families, it explores the increasing intervention of the State in family welfare and the care of the child.

Two of Henry Newbolt's poems, 'Vitai Lampada' and 'Drake's Drum', became staples of poetry anthologies and were able to be recited by every school-boy.