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These short scripts include teen topics and the honest feelings of teenagers--their joys and problems. The topics include the environment, dieting, babysitting, self-image, drunk driving, teenage sex, and more--all treated with humor, warmth, and realism. Many roles may be played by either male or female performers and may be staged without unique sets, props, or costumes. This material is ideal for speech and drama classrooms, variety shows, and forensic competitions.(240 pages, 5¿ x 8¿, paperback)

Tom Isbell wants you to know that this is definitely not a 'how-to' book on acting. In fact, he abhors how-to books for the arts. Still, this book is meant to improve your acting skills by developing your awareness as an actor-awareness both of yourself and those around you. By understanding what is worth pursuing, what is worth remembering, and what is worth letting go of, you can acquire knowledge about acting which will increase your skill level. This book is a series of 100 plain-speaking, highly readable lessons that convey the big and little truths of acting. Divided into 5 sections-Approach, Fundamentals, Classes and Rehearsals, Performance, and Final Lessons-Isbell presents this as a true acting book that focuses on allowing the natural artist to evolve, grow and mature, finding his or her own voice. If you're new to acting, these 100 lessons should provide a foundation on which you can build your acting life. If you've been acting for a while, these lessons should confirm what you already know deep within you but perhaps haven't yet voiced.

Everything you need to know about making costumes for plays, pageants, musicals... at minimum expense.

This latest volume in a series of short play anthologies compiled by Deb and Norman Bert provides roles for almost any mix of students in an acting class. The plays in this drama book range in mood from serious and heavy to satiric comedy and farce. The heart of the book includes 15 scripts for two actors and five scripts for three actors. All the plays are eight to 15 minutes long and offer balanced roles with no walk-on parts. The playwrights are icons of the American avant-garde, writers who have contributed much to regional theatre over recent years. An excellent resource for classrooms and festival competition use, five monologues plus an extensive chapter about rehearsing add value to this book. A bibliography and guidelines on securing the rights to these scripts are also included.

Directing plays in schools is far different than directing for community or professional theatre. This invaluable text effectively details and explains the world of producing plays in the school environment. In ten comprehensive chapters, we are provided with ideas for consistently successful shows... while avoiding the pitfalls and the problems that often block the way. From the selecting of the script to casting to rehearsals to building your theatre program, Grote supplies the key to opening the curtain to successful productions. Whether it's budgeting, scheduling, or the motivating and management of students, this is a must for anyone directing in an educational institution.

This book is a complete improvisational curriculum program divided into twenty class-length workshops. Each workshop contains carefully selected exercises designed to help students focus on one aspect of a character's personality. Students learn how to create characters from their own imaginations using solo and ensemble pantomime, physicalizing, vocal technique, props, and more. Gestures, facial expressions, voice, and body language are studied in isolation. Many ensemble sketches are included, along with a final improv sketch with enough roles for all members of a large class. The book also includes a class syllabus and guidelines, a character outline sheet, character examples, and a reading list. This is a must for any drama program wanting to teach improvisation, but not knowing where to start.

Everyone in theatre associates Stanislavsky's name with character preparation, but few realize that he never wrote down the final formulation of his 'system.' In a final effort to pass on his ideas in the last years of his life, Stanislavsky gathered a small group of students and put them through an intensive training course. He thereby created a living tradition which has been handed down, generation by generation, from master to student. Igor and Irina Levin are among the inheritors of that tradition. This theatre book summarizes these last concepts in an orderly fashion for teachers and serious theatre students. In six comprehensive chapters the authors reveal Stanislavsky's method to help actors transform themselves into believable and fascinating stage characters: The Development of the Stanislavsky System, Stage Action, Elements of Acting Technique, Structuring the Play, Work on a Monologue, and The Actor's Training. Each chapter is embellished with details and examples. Recommended for high school and college. Recommended for high school and college.

Now students are able to easily study a variety of Shakespeare's works and come to a more complete understanding of the world's most famous playwright. Only scenes with small casts are included in this drama book. Each scene is preceded by character descriptions and a plot synopsis so that actors will understand the setting and motivation of the characters. All scenes are between fifteen and twenty-five minutes in length. Ideal for classroom performance or for auditions and acting workshops. Features scenes from Romeo and Juliet, The Merchant of Venice, Othello, Julius Caesar, and Hamlet.

Can a theatre class textbook be both inspirational and informative? Yes! This holistic book on directing and acting does it all. Students will keep it as a lifelong career reference on how to make things work. Written subjectively, it's based on nearly a half-century of teaching and directing. A theatre text that compels involvement in all layers of creating memorable theatre. Thirty-five chapters in seven sections with assignments and convenient section summaries make a complete semester course. This drama text is far more than "how-to"; it's a narrative about artistic discovery. Experientially it reveals how to jolt lagging imaginations into an ensemble of lively and involved performers. Adaptable for use by student directors and actors from secondary to graduate level. Recommended by leading theatre educators as the text they've been waiting for.

Improvisation is a valuable skill for any performer, even if you plan to use only fully scripted material. There is always a possibility of something going wrong, and improvisation can dig you out of the hole. Likewise, comedy is a great training ground for performers because a good comedy scene has everything a good dramatic scene has, PLUS humor. This book, therefore, presents fun comic improvisation exercises and structures, ranging from the very simple and essential to the very sophisticated, which require considerable skill to pull off. Many of the improv exercises in this book are well suited to a classroom setting and could be a handy tool in training actors. In contrast, many of the scene structures are designed specifically for use in actual performance situations on stage. This comprehensive book has it all: the basics of improv, improvisation in the classroom, simple and advanced improv structures, character improv structures, advanced acting exercises, forming a comedy improv troupe, and putting on an improv show.

Any classroom teacher or group leader who wants to incorporate drama into an educational program will find this book concise and comprehensive. It tells the how, when, what, and why of theatre games for young performers. Not a textbook for performers, this book serves as a resource for drama teachers and coaches. All the basics of pantomime, improvisations, voice control, monologues, and dialogues are presented in game formats with exercises and worksheets for easy organization. Whether new to teaching drama or a seasoned professional, this book is for you!

This theatre text is not a typical shake-and-bake manual of quickie tips on how to have a good audition. No other book puts auditioning in the context of acting training. The nuts and bolts are all here, but this book will do much more. It will systematically develop audition and acting skills throughout the actor's study and career. This book is, first and foremost, an acting text. It shows auditioning as another acting performance, not a technical exercise or a desperate attempt to highlight every actor's skill or talent. It is a step-by-step guide for training young actors to audition well by developing acting skills. Includes more than sixty relevant acting exercises or "explorations," fourteen sample audition pieces from contemporary playwrights, and a wealth of other resource material-an all-encompassing audition text.

With an emphasis on believable characterizations, you'll love these short duet scenes for winning auditions and competitions. This theatre book is designed for serious actors seeking roles in professional stage productions, TV shows, and commercials. Performed in theatres, classes, and showcases, they include some of the most used original audition scenes for all the major networks. Divided fairly evenly between comedy and drama, these scenes for two people are fun to perform, even if sad, funny, poignant, and sometimes very dramatic. Most scenes are generic and non-specific, so any combination of actors can perform them.

A rare collection of comedy sketches suitable for stage, television or film. Think: ants, fish and other unlikely creatures satirizing everything we consider normal and acceptable. Other spoofs in the collection parody many of the sacred icons of our everyday life. These super-funny sketches are short, incisive and certain to challenge any audience. Actors have the chance to perform as wildly different character-types in off-the-wall situations. A supernova of fun for classroom actors or for a repertory group of performers.

The success of Fifty Professional Scenes for Student Actors prompted us to offer a new theatre book of winning audition material - this time including monologs! The emphasis of these monologs and scenes is on believable characters, not caricatures. Designed for professional actors seeking roles in TV shows, commercials, and stage productions, it may also be used by student performers who wish to work at a professional level. Actors have been using these same scenes to win roles at New York, L.A., and Chicago TV and film studios. Students in acting classes have been using them to advance their acting experience. This book is divided into two categories of scenes: Comedy and Drama. Most scenes are generic, easily adaptable for use by male or female actors.

So great were the reviews and the response to Winning Monologs for Young Actors that we had to develop this sequel! This monolog book includes 63 more monologs written expressly for teenagers to use for classroom exercises, speech contests, auditions, or simply as discussion starters. The book is divided into three sections: monologs for girls, for boys, and for girls or boys. These are all "real talk" monologs portraying both life's funny situations and its pathos, written as teens are thinking today.

Includes new scenes and monologs from William Borden, Claire Braz Valentine, Neil Duffield, Lindsay Price, Gustavo Ott, Philip Goulding, Susan Battye, Ric Averill and many more.