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Exercise without effortBe physically fit in secondsIn this book Colonel Rankin adapts the famous principles that have developed thousands of raw recruits into fighting Marines, and he makes those principles available to every reader. The exercises can all be performed without the tedious stress and strain usually associated with physical fitness. They can be made a part of the normal day's activity, and incorporated into the reader's own particular routines or schedules without loss of time. None of them require special equipment. Based on the idea of isometric contractions - a series of exercises which utilize all the muscles of the body - anyone who is willing to spend ten minutes a day can be assured of noticeable improvement in his physical well-being within one month.

Not what you'd expect. Written and published in 1960 this is not a book about etiquette or charm as would lead from conventional thought. This is a book stuffed with wonderful advice on how to live your best life!A friend once summed up Arlene Francis' wonderful magnetic quality by saying, "Arlene is the only person I know who acts as though life were the best party she ever attended." Like the Pied Piper, she attracts droves of people who flock around, hoping that some of the sparkle will rub off on them. Now in this witty and helpful book Arlene reveals the secrets of genuine charm-a charm that emanates from a person because he is fully himself. She says, "Counterfeit charm is worse than none at all," and tells you how to avoid the sandpaper personality, the infectious yawn, the phony glamour of superciliousness and how to develop true, warmhearted charm. "It isn't easy to be your best self," Arlene Francis admits, "but if you dare to be yourself-completely-you might be in for a pleasant surprise." Life for you, too, may become "the best party you ever attended."Excerpts from "The Magic of Charm":"Charm and hate are mutually exclusive. They cannot coexist. Like a healthy-looking plank, which suddenly crumbles when you touch it, you might be able to maintain appearances for quite a while with a strenuous hate under your belt, but sooner or later it will get you before you get it. The ironic part is that hate is bound to hurt you more than the person or object hated." "Our trust should be an affectionate one. One which helps us belong with whatever community we exist in and yet still retain our own individuality. This is not as difficult as it sounds. We remain individual by becoming our best selves; we remain organized in our communities by maintaining a warm and vital interest in others." "Charm is really the best part of yourself. It's the throwing off of the bad part, and the highest and most loquacious expression of the good part. It's not some-thing that is assumed or dragged into the picture. It's not a new Easter outfit you put on for a parade up Fifth Avenue."

Step right up, ladies and gentlemen, and prepare to be dazzled by the extraordinary tale that unfolds within the pages of "Greatest Show on Earth" by M. Willson Disher. Written with exquisite prose and a meticulous attention to detail, "Greatest Show on Earth" is an enchanting tale that transports the readers to a realm where the extraordinary becomes possible and the mundane fades into the shadows.ln 1768, a uniquely British invention created from the entertainment popular in late Georgian London, amalgamated and shaped from different traditions, was born. This innovator was Philip Astley who with his wife Patty, a gifted equestrian rider, and his horse Gibraltar, set up riding displays at Glover's 'Halfpenny Hatch'. On this site, Mr. and Mrs. Astley developed scenes of horsemanship and later incorporated older forms of entertainment such as trick riding, learned horses, acrobatics as well as clowns and performers drawn from the street to attract the crowds. It was this combination of specialty skills taken from the theatres and the streets, horsemanship and clowning from pantomime that developed into the circus entertainment we recognise today.

Romance, intrigue, business rivalry, and the history of settling the Northwest frontier is all combined in this unique historical fiction novel. Wolves Against the Moon is the story of an adventurous Frenchman on the old Northwest frontier, Joseph Bailly, (based in part on the brief family chronicle by Joseph Bailly's granddaughter, Frances R. Howe, The Story of a French Homestead) as well as references in early documents. Julia Cooley Altrocchi took this scant biographical material and expanded and cast it in the form of a novel. The period spans those treacherous years between 1794 and 1812, when the borderland between Canada and the new territories of the United States shifted from French to English to American dominance, with the Indians still struggling to maintain possession.This story starts with a New Year's Eve Ball in Quebec, where we meet Joseph Bailly, yearning for the adventures and freedom of the wilds, and the French temptress who got into his blood and poisoned it for years, and the ambitious, unscrupulous trader who became Joseph's bitterest enemy. It is a dramatic story that unfolds, shifting from Quebec to Mackinac Island to the Indiana and Michigan territories to New Orleans and Baton Rouge. There is tragedy-there is romance-and one can feel themselves transported back in time by this fast-paced novel.

It Took Nine Tailors is a story told in Adolphe Menjou's own voice that recounts life from his 1890 birth in Pittsburgh through days spent working in his father's restaurants and early travails breaking into the acting business right into detailed stories of breaking into movies and climbing the ladder to become a leading man.It was Menjou's mustache and a top hat rented for fifty cents that brought him his first part in the movies. Working with Douglas Fairbanks, Rudolph Valentino, Pola Negri, the immortals of early Hollywood, he made his special spot in that difficult town. The hilarity of silent pictures, the birth of the Hays office and the beginnings of the talkies provide a colorful background for the fantastic progress of the actor Adolphe Menjou. Woven throughout the book are accounts of his excursions into the realms of tailoring, as well as his own witty version of the peccadillos of Hollywood greatness. In his foreword, Clark Gable says of Menjou: 'In Hollywood, nothing less than sensational or colossal is considered worthy of recording. . . . Adolphe's nonstop career as an actor speaks for itself. He started in the business when any pictures over two reels in length was considered a super-special and he is still a leading film personality.' " From the book's original description:It took nine tailors and thirty-five years as Hollywood's beloved man-about-town to make Adolphe Menjou. Famous for his wardrobe and his wit, he has probably been associated with more popular moving pictures than any other actor in Hollywood. But the man and how he made his unique place in the picture world has never before been revealed. Here is his own story and the phenomenon of Hollywood, written with great humor and gusto in collaboration with M. M. Musselman, author of Wheels in His Head.

Originally published in 1961 Fencing with the Electric Foil covers in detail the transition from the traditional foil in fencing to the 'new' method of electric foil."Fencing with the Electric Foil" is a definitive guide to the art and sport of fencing, written by the renowned fencer and coach, Roger Crosnier. With his extensive knowledge and expertise, Crosnier unveils the intricacies of fencing with the electric foil, offering readers a comprehensive understanding of this elegant and dynamic sport.Within the pages of this book, Crosnier delves into the rich history of fencing, tracing its roots to its noble origins in European swordsmanship. He skillfully combines historical context with practical instruction, providing a holistic approach to mastering the techniques and tactics of the electric foil.Crosnier's meticulous attention to detail is evident as he navigates readers through the essentials of footwork, blade work, and timing, all essential components for success in foil fencing. Through clear and concise explanations, accompanied by illustrations and diagrams, he demystifies the complex rules and scoring system of the sport, empowering both beginners and experienced fencers alike.Throughout the book, Crosnier shares his invaluable insights garnered from years of experience as a fencer and a coach. He addresses common challenges faced by fencers and offers practical advice on training regimens, conditioning exercises, and competition preparation. His expertise shines through as he dispenses wisdom on proper form, strategic positioning, and effective training drills to enhance both technical proficiency and overall performance.Whether you are an aspiring fencer, a seasoned competitor, or simply an enthusiast of the sport, "Fencing with the Electric Foil" is an indispensable resource. Roger Crosnier's passion for fencing and his dedication to sharing his knowledge make this book an authoritative guide, offering readers a pathway to excellence in the art and sport of fencing with the electric foil.

Three murders were too many for Ed Hunter. Not even a dazzling redhead from the carnival's girl show could keep Ed altogether happy--not with a murderer running loose. Then Ed found it was up to him and his Uncle Am to find the killer among the freaks and strippers of the carnival--a killer who chose his victims according to size! Ed and his Uncle Am are back, working in a travelling carnival through the Midwest. Bodies, though smallish in stature, keep piling up, and Ed finds himself head over heels in love. Fascinating for the insights into carnival life that this book provides. Never financially secure, Brown - like many other pulp writers - often wrote at a furious pace in order to pay bills. This accounts, at least in part, for the uneven quality of his work. A newspaperman by profession, Brown was only able to devote 14 years of his life as a full-time fiction writer. Brown was also a heavy drinker, and this at times doubtless affected his productivity. A cultured man and omnivorous reader whose interests ranged far beyond those of most pulp writers, Brown had a lifelong interest in the flute, chess, poker, and the works of Lewis Carroll. Brown married twice and was the father of two sons. "Fredric Brown is a reasonably new name in the literary limelight, but already he has made his weight felt in no uncertain terms. His recent non-formula first novel, The Fabulous Clipjoint, is a remarkable tour de force sparkling with realism and suspense that many far more experienced writers of the genre have never been able to achieve. And his short stories, tightly packed with characterization and atmosphere, are far from the run-of-the-mill whodunit types which pervade detective-story magazines . . . One mystery editor has prophesied that one day soon Fredric Brown will be generally acknowledged as the best in the field, and from a hard-boiled, critical editor, that is indeed high praise."-David C. Cookein Best Detective Stories of the Year-1947

Originally published in 1955 Ojibway Drums is a wonderful story about an Ojibway boy-Half Sky. The coming-of-age story serves as a vehicle to describe Native American life in the region that the author, Marian Magoon, spent many summers in a log cabin on her island in Georgian Bay, surrounded on three sides by Indian Reservation mainland. "I have many friends who have told me Indian lore not often told to white men. I feel honored," Mrs. Magoon writes.Approaching manhood, Half Sky's life is centered around the pilgrimage he must make to Dreamer's Rock, there to stay and fast until the vision of his animal spirit comes to him, and, further to qualify himself for the event, he is able to warn his tribe of an impending Iroquois attack. Though a capture occurs, the Ojibway warriors return unharmed. All this against the backdrop of seasonal and daily customs, makes this a wonderful story of family, history, and tradition.

Written by the widow of one of America's most beloved screen idols, Clark Gable: A Personal Portrait presents a warm, tender portrait of Clark Gable-the man, the husband, the star-as only she could tell it.Here in fascinating text and a rich array of photographs-many never before published-are scenes and stories of Clark and Kay at home, on location, on hunting trips . . . ¿ashbacks to Clark's boyhood, early career and rise to fame . . . along with pictures of the Gable ranch and candid photos of John Clark Gable, born too late to see his famous father.Kay Gable tells of her ¿rst meeting with Clark; their merry, memorable ¿rst date; their courtship and elopement, and their happy years of marriage. She shares with you, little-known facts about her husband: though he loved the challenge of the outdoors and was an outstanding sportsman, he was an avid reader of Shakespeare and enjoyed a wide variety of books. He was a friend to the friendless, and always had time to lend a helping hand to novice actors on the movie set. He formed his friendships on each person's individual merits.More than a personal portrait of a great screen star, or the life of Kay and Clark Gable as husband and wife, here is the tender revelation of a woman and her wise philosophy for all women who have been, or hope to be, in love.

"Strikeout Story" is an enthralling memoir penned by the legendary baseball player Bob Feller, offering a captivating account of his remarkable career and the unforgettable moments that defined him as one of the greatest pitchers in the history of the sport. Feller takes readers on an extraordinary journey, from his humble beginnings in rural Iowa to becoming a star athlete and ultimately an iconic figure in the world of baseball.In this inspiring and deeply personal narrative, Feller recounts the challenges he faced, both on and off the field, and how he overcame adversity with unwavering determination. From his early years playing sandlot ball to joining the Cleveland Indians at the tender age of 17, Feller's story is a testament to the power of perseverance and the pursuit of excellence.Through vivid anecdotes, Feller shares the thrill of his record-breaking moments, including his famous 18-strikeout game and his astounding speed on the mound, earning him the nickname "Rapid Robert." He also offers an insider's perspective on the golden age of baseball, sharing anecdotes about his teammates, rivals, and the larger-than-life characters he encountered during his career.Beyond the game, Feller opens up about the impact of war, as he interrupted his baseball career to serve in the Navy during World War II, showcasing his unwavering patriotism and selflessness. With heartfelt reflections and candid storytelling, "Strikeout Story" unveils the man behind the legend, revealing the triumphs and tribulations that shaped Bob Feller's incredible journey, making this book a must-read for sports enthusiasts and fans of inspiring tales of determination and resilience.

In the tradition of Holmes and Poirot comes another erstwhile professor turned detective create by Clyde B. Clason. Here is a long, full-bodied, and modern mystery story, cleverly plotted, with excellent characters and genuine suspense. The final curtain will come as a surprise to all.All about the murder of the porcine Mr. Swink and the mystifying events that followed-and introducing Theocritus Lucius Westborough, genial and mild-mannered little history professor, with the instincts of a ferret and the brain of a Holmes. Swink's murder, in his room at the Hotel Equable, involved a varied group of people: a night clerk, an evil-tongued gossip, two traveling salesmen, a "hotel widow," a man who was anything but what he said he was, a commercial artist and his wife, and a hotel dick with a penchant for ripping up mattresses. With the police completely baffled, Theocritus gets together this cast of characters and stages a play whose main "props" consist of a hairpin, a cigarette lighter, a drunk's visit to the wrong room, a child's chemical set, a moving picture-Three Men and a Cobra-Detective Lieutenant Mack's aunt Harriet from Niles, Michigan, and a girl who married at noon and was killed at three o'clock in an automobile accident with another man.

In the inspiring biography "Milton S. Hershey," author Katherine B. Shippen delves into the life and legacy of one of America's most iconic entrepreneurs. With meticulous research and captivating storytelling, Shippen presents a comprehensive portrait of Milton S. Hershey, the visionary behind the famous Hershey's chocolate empire.From his humble beginnings in rural Pennsylvania to his rise as a titan of industry, Shippen explores the formative years that shaped Hershey's character and ambition. Readers are transported to the late 19th century, a time of great innovation and industrialization, where they witness the trials and triumphs that marked Hershey's entrepreneurial journey.As the narrative unfolds, Shippen uncovers the untold stories behind Hershey's groundbreaking accomplishments. From his creation of the revolutionary milk chocolate bar to the establishment of the Hershey Industrial School for orphan boys, Hershey's philanthropic ventures are highlighted as an integral part of his legacy. Shippen's nuanced portrayal reveals the complex nature of Hershey's character, exploring both his business acumen and his deep compassion for others."Milton S. Hershey" is a captivating biography that celebrates the life of an extraordinary man who transformed the world of chocolate and left an indelible mark on American history. Shippen's insightful narrative not only sheds light on the man behind the brand but also offers invaluable lessons in perseverance, innovation, and the power of giving back. This book is a must-read for anyone seeking to understand the life and enduring legacy of Milton S. Hershey.

In the 1950s, a new word 'brainwashing' entered the English language. Although its meaning was ambiguous and continued to evolve, it captured both concerns about the uses of psychology in warfare and the imagination of the general public through popular cinema (popular example would be The Manchurian Candidate in 1962) through the years as to how possible it really was to "brainwash" an individual. For many experts, the Cold War brainwashing scare offered an opportunity to engage the public with contemporary psychological theory and research. Originally published in 1963, Inside the Black Room covers a series of experiments specifically dealing with sensory deprivation and its effect on the human subjects involved in the studies. The goal of these studies was to provide practical information on the effects of long-term sensory deprivation on the human condition. At that time at the beginning of the 'space race' it was unknown what impact space travel and long period of solitary confinement would have on the human psyche. A fascinating study that shows through unique experiments how malleable the human psyche is and effect methods like sensory deprivation can have on manipulating that psyche.

Circus Parade originally published in 1927, presents the sordid but albeit fascinating side of life traveling with a small-time circus life during the 1920s in America. From "The Moss-Haired Girl" to "Whiteface" the clown, Tully paints a vivid picture of each of these troubled characters that make up his daily experience in the circus. Circus Parade was one of Tully's most successful books, both commercially and critically. This is by no means a romantic story about a boy joining the circus. Tully knows too well its seamier side. Instead, he paints a picture of life at the edges-earthy, wolfish, and brutal. Fans of Jack London, Jack Kerouac, John Steinbeck, Charles Bukowski, and hard-boiled writers of the 1930s will find a kindred spirit in Jim Tully.

"Dear Mr. G.-" The Biography of Clark Gable is a detailed and intimate look at the life and career of one of Hollywood's most iconic leading men. Written by Jean Garceau, the book delves into the complex and often private world of Clark Gable, exploring his childhood, his rise to fame, his personal relationships, and his enduring legacy.The book begins with Gable's early years in Ohio, where he grew up in poverty and struggled to make a name for himself in the film industry. It follows his journey to Hollywood, where he quickly became a sensation thanks to his rugged good looks, natural charisma, and undeniable talent. Along the way, Garceau paints a vivid portrait of the Hollywood studio system and the many challenges that Gable faced as he worked to establish himself as a leading man.Throughout the book, Garceau draws on a wealth of primary sources, including personal letters, diaries, and interviews with Gable's friends and colleagues. She also explores Gable's relationships with some of the most iconic actresses of his time, including Joan Crawford, Vivien Leigh, and Carole Lombard, his beloved wife who tragically died in a plane crash. Dear Mr. G. is a must-read for anyone interested in the golden age of Hollywood and the life of one of its most legendary stars.

My 21 Years in the White House, first published in 1961, is a fascinating account of White House life through the eyes of Alonzo Fields. Serving as head butler and having a career that spanned four administrations from 1931 up until his retirement in 1960, Alonzo Fields weaves together a unique narrative from his private papers and cryptic journals, written while serving 4 presidents; Hoover, Roosevelt, Truman, and Eisenhower.This memoir provides a uniquely intimate primary source account of the U.S. presidents he served, several who came to trust Fields as a close personal friend.Fields writes his very memorable events like meeting important people like Winston Churchill, Princess Elizabeth of England, Thomas Edison, John D. Rockefeller, presidential cabinet members, senators, representatives, and Supreme Court Justices. He was also witness to presidential decision-making at critical times in American history-the attack on Pearl Harbor, the death of Franklin Roosevelt, the desegregation of the military, and the outbreak of hostilities in Korea.

This is the story of the most powerful of Hollywood's famed tycoons-the stalwart, rambunctious, dynamic Louis B. Mayer who became the highest-salaried man in the United States only to see his self-made monument tumbled and crumbled to dust around his feet. It is a glamorous story studded with big names from the Golden Age of motion pictures: Thalberg and Schenck, Selznick and Goldwyn, and the great films from Ben-Hur and The Big Parade to The Good Earth and Battleground.It is also the revealing story of an immensely complex personality-the emotional upheavals, incessant feuds, and tapeworm ego that had to be fed by driving activity, ruthless use of power, and adventures with beautiful women.Starting out as a nickelodeon operator in Haverhill, Massachusetts, Louis B. Mayer rose to become the lordly head of the biggest, most glittering film factory of them all-Metro-Goldwyn-Mayer. At the peak of his power he commanded armies of producers, directors, and stars-many of the screen's most famous and idolized personalities.He was the shrewd perpetrator of a fabulous star system, molding and manipulating the careers of such people as Greta Garbo, Clark Gable, Greer Garson, and Judy Garland-making each of their films an event and each of their names a household word. His interests and influences extended beyond the realm of the cinema to the world of politicians, horse breeders, bankers, and newspaper magnates such as William Randolph Hearst.The last chapters of this fantastic success story tell of Mayer's ultimate fall from power as head of the studio and of his final battle to seize control of Loew's, Inc., through a corporate finagle that "just missed." Two months after his coup failed, Mayer died.Laced with colossal ironies, carrying its driving hero to a tragic end, this is the first objective full-scale biography of a Hollywood producer. Appropriately, it is the biography of the most significant and commanding of them all; it is the first candid illumination of this American phenomenon.

Candy is a vivid and moving story of post-slavery life in the early part of the 20th century. The story takes place on a plantation along the Savannah River in South Carolina. Into the simple lives of the colorful and varied personalities on the plantation comes a visitor from Harlem, sowing the seeds of discontent by holding out glimmering promises of joy and plenty in the North. The leading character of this story is Candy, so forceful and vibrant we cannot forget her. Around her personal loves and hates, her trials and triumphs, the story is woven. The characters are genuine and real and sharply differentiated. Uncle Levi, the eloquent shepherd of the little flock; Sally and Jim, who dance like children in spite of their marital responsibilities. Rose, the gentle housemaid whose man has gone North; Dick Clay, the intruder from Harlem, Coon, the itinerant lover; and Candy herself, whose life binds the story together like a scarlet thread, are living people whose days are filled with work and love and play and bickerings with each other. Candy is strikingly illustrated with six full-page portraits, drawn especially for the book by Rockwell Kent.

Great Negro Baseball Stars and how they made the Major Leagues is the story of how many of the early players of the Negro League made the transition to Major League baseball and how they shaped the game then, and for years to come. Most people are now familiar with the heroic story of Jackie Robinson and how he broke the color barrier in Major League baseball. There were many other players taking that journey as well and this is their story coupled with his journey. Talented players like Sam "The Jet" Jethro, Roy Campanella, Larry Doby, and others all had to make their make their own journeys through hardship and prejudice for a game that they loved.Written in 1953 by A. S. "Doc" Young, the leading African-American sports writer of his time. He was sports editor of Jet Magazine, the Cleveland Call-Post, Los Angeles Sentinel, and Chicago Defender. He was also the author of Sonny Liston: The Champ Nobody Wanted and Negro Firsts in Sports both published in 1963.

He was born Alfredo Cocozza in Philadelphia's "Little Italy" on January 31, 1921. He died Mario Lanza in Rome on October 7, 1959. For most of his adult life his face and voice were known by millions the world over, but at his death only a few knew of his long and agonizing struggle against fear, insecurity, and distrust-a struggle that led him through nightmarish excesses to eventual self-destruction.Now Constantine Callinicos, for twelve years Mario's friend and musical director, tells the whole heartbreaking story of "that great talent consumed by cruel appetites." He tells of the orgies of eating that almost doubled Mario's weight in few months; of the terrible dieting by which Mario reduced as much as fifty pounds in a few weeks; of the marathon drinking bouts that canceled concerts and delayed film production; of the fits of violence, rage, and depression that kept friends and family fearing the worst; of Mario's desperate efforts to rehabilitate himself and realize the dream he had as a boy sitting beside the Victrola, listening for hours on end to the records of Enrico Caruso. It was to no avail, and "the American Caruso" came crashing down in ruin.Anecdotes of Mario's youth-warning episodes that at the time seemed no more than high-spirited pranks; his frustrating voice lessons; his kindness to "little people"; his hectic life on the concert trail; his courtship of Betty Hicks, and the depths to which their marriage descended; his discovery by Louis B. Mayer and the battle royal he made of his movie career; his difficult relationships with Edmond O'Brien, George London, Joe Pasternak, Kathryn Grayson, and Peter Lind Hayes-all these are here. Pulling no punches yet offering no service to sensationalism, THE MARIO LANZA STORY is a friend's last tribute to a great voice and a simple, generous man who could not live with himself.

Rogers Hornsby, nicknamed "The Rajah", is regarded as one of the best hitters of all time. Known as someone who was difficult to get along with, not well-liked by his fellow players, and reviled or adulated as a manger, through it all he had an enduring love of the game.This is his story, his outlook, his vision for the game. Originally published in 1962 many of the issues Roger had with the game still exist today. His outlooks and opinions may be shared by many fans regarding salaries, managers, and the game itself. He never smoked, drank, or went to the movies, but frequently gambled on horse races during his career. Hornsby was a great baseball player, but he never learned much about human relations. "I have never been a yes man," he boasted a few years before his death. Baseball was his life; he cared for little else-except which horse looked good that day. Asked what he had gotten out of life, he said simply, "I wore a big-league uniform, and I had the best equipment, and I traveled in style, and I could play baseball every day. What else is there?"His Baseball CareerRoger Hornsby had 2,930 hits and 301 home runs in his career; his career batting average of .358 is third only to Ty Cobb, at .366 and Oscar Charleston, at .364, in MLB history. His batting average for the 1924 season was .424, a mark that no player has matched since. He was elected to the National Baseball Hall of Fame in 1942.

The Blue-Nosed Witch was written by Margaret Embry, with pictures by Carl Rose, and originally published in 1956. It is a sweet little story that young children will enjoy. Blanche and her little cat Brocket are the cutest touch to this warm and fuzzy Halloween tale from the past. Blanche, a real witch, though a young one had a nose that glowed a marvelous blue in the dark. One Halloween, cruising on her broom with her black cat, Brockett, she found a band of children and joined them on their trick-or-treat forage. This is a very short and fun children's book about a young witch named Blanche who is compulsively late but has a special feature about herself. Her nose can light up (like Rudolph) to a blue-colored glow. One Halloween night, Blanche sets her alarm clock ahead so she won't be late for the big Halloween flight with the other witches of Scurry 13. While flying over the town she notices some children dressed up and going trick-or-treating. The children take to her when they see her nose light up and they all go on some simple Halloween night adventures.

Buwei Yang Chao (1889-1981) was a Chinese-American physician and writer. She was one of the first women to practice Western medicine in China. Assisted by her husband (linguist Yuenren Chao), she wrote this autobiography in 1947. A truly unique individual, especially considering the time/place of her birth and her subsequent life events, this is an uplifting story of accomplishment and progress in the early part of the 20th century.Buwei Yang Chao challenged the traditions and limits of Chinese society by pursuing higher education and becoming a physician, opening a Western medicine hospital in China. She (and her family) survived the Chinese revolution and as refugees helped many others escape persecution.Challenging tradition even more so by removing herself from an arranged marriage and marrying her husband Yuenren, she managed to raise a family, travel extensively, and become a successful writer.Buwei with the help of her daughter Rulan published the book, How to Cook and Eat in Chinese in 1945 with subsequent editions up till 1968.Autobiography of a Chinese Woman is an exciting and thoughtful memoir that covers an historically significant time period from the view of a unique individual.

Johnny Clay's plan to rob the Long Island race track was daring and highly original. Johnny, an ex-convict, had spent his prison years thinking through every possible hitch to his scheme until he was sure it could go off like clockwork. His four confederates were not known to the police for they were not professional criminals. They had been picked because they were ordinary nondescript men, all with money problems and a touch of larceny in their hearts. Mike Henty was a bartender at the track and George Peatty a cashier, both essential inside men. Martin Unger, a court stenographer, had put up the initial cash and Randy Kennan, a cop, was to get the money away from the track after Johnny had done the actual robbing. There were in addition three others who were to do a specific jobs for a cash payment. To one of these men fell the assignment of shooting the favorite in the famous Canarsie Stakes. Once this was accomplished, the robbery was set into motion. The crime in this story is a grand coup, fantastic yet completely possible if everything clicked. So too has Lionel White achieved a grand coup in the telling of the story as he concentrates first on one character then on another, picking up the individual threads and building them into a brilliantly integrated climax. Clean Break is a masterpiece of originality, a highly plotted and ingeniously executed story of suspense.

This significant study is certain to be the standard work on the subject for many years to come. It demonstrates once and for all that motion pictures differ radically from the traditional arts, and that good plays or novels rarely make good films. Dr. Kracauer is concerned with film as a photographic medium uniquely equipped to capture and reveal the everyday world as it exists before our eyes. "If film is an art," he writes, "it is an art with a difference. It fulfills itself in rendering 'the ripple of leaves,' . . . street crowds, involuntary gestures, and other fleeting impressions."Dr. Kracauer covers every aspect of black-and-white film. He discusses its background in still photography, the problems inherent in historical and fantasy films, the novel as a cinematic form, experimental films, documentaries, the role of the actor, the uses of dialogue and sound, the contribution of music, and the part played by the spectator.The final chapter focuses on the wider implications of the medium. There Dr. Kracauer sets the cinema "in the perspective of something more general-an approach to the world, a mode of human existence," and thus shows how it reflects the condition of modern man, the moral temper of our society. Theory of Film is an intellectual experience which reaches far beyond film into the realm of general aesthetics and philosophy.