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At its heart, David Radavich's Here's Plenty evokes the AmericanSouth-in all its messy, charming, baffling glory.

In Becoming Mirsky, we traverse the full range of Beckman's talents-the ironic, the asinine, and the wonderfully ridiculous, yes, but also the difficult, the poignant, and the downright tragic.

Venezuelan poet, scholar and translator born in Italy. PhD inComparative Literature, University of São Paulo. Professor of theUniversidad Central de Venezuela where she founded the Women¿sStudies.

""When thunder becomes symbolic again, / then and only then we'll discover / the true nature of existence." Not true. We know it right here in this book-this prism-this kaleidoscope of the soul bursting with imagination. And the poet's everyday world is never lost, even while tethered to high-flying multi-imaged phrases and clauses. Alan Britt's literary personality is here, precise in every note. The poetic will of each line, urgency and flair, teaches us the game. -Grace Cavalieri, Producer/Host of Public Radio's "The Poet and the Poem from the Library of Congress" and Maryland Poet Laureate"--

Irina Mashinski's poems in Giornata inhabit the landscape of elegy and exile, as well as the actual landscape of rural America.

"True Heresies is a cocktail of rage, anti-poems, and dissonant songs; this collection takes a swing or two at several revered institutions and dogmata. Some of the topics addressed here are exhumed from contemporary headlines, historical events often obscured by our collective distractions; at the unconscious fringe of philosophical meddling, some of these poems voice the suppressed terrors of today's imminent dystopia. True Heresies calls out from necessity that shout in the street that is divine while remaining profoundly human. In an age when taking anything on faith is a challenge, these poems like bells peal forth their questions"--

""Defiant, deft, bound to the imagination and the practice of the poet's craft, Anis Shivani's Confessions has given us much to appreciate. This startling work resists the easy spectacle poetry, and even confessions themselves, often offer the heart. Instead, Shivani's lucid perceptions expose, darkly, and incandescently, too, the aches and auguries of that which is spoken and unspoken through language. These inseparable collisions of ecstatic and ordinary life, the world and the word, intellect and instinct, are visceral in discovery and intimacy. We, too, become fortunate travelers hurtling inside the prowess of Shivani's polyphonic acts. Confessions is the voice of an expansive mind, deeply conscious and deservedly celebratory of its own free textures and countries." - Rachel Eliza Griffiths, author of Mule & Pear and Lighting the Shadow"--