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New expanded 248pp 2019 Edition. The single best collection of photography of BanksyΓÇÖs street work that has ever been assembled for print. If that isnΓÇÖt enough there are some words too. You Are An Acceptable Level of Threat covers his entire street art career, spanning the late ''90s right up to the ΓÇÿSeasons GreetingsΓÇÖ Christmas 2018 piece in Port Talbot, Wales. This new edition includes his self-destructing ΓÇÿLove is in the BinΓÇÖ intervention, which according to Sotheby''s is "the first artwork in history to have been created live during an auction." The groundbreaking ΓÇÿDismalandΓÇÖ show, his Paris ΓÇÖ68 revisited works, The Walled Off Hotel, Brexit, Cans Festival, Brookyln and Basquiat, as well as new works from Gaza and New York. Also featuring the controversial ΓÇÿCheltenham SpiesΓÇÖ as well as ΓÇÿGirl with a Pearl EarringΓÇÖ, ΓÇÿArt BuffΓÇÖ and the spectacular ΓÇÿMobile LoversΓÇÖ which appeared outside Bristol Boys Boxing Club. 248 pages featuring his greatest works of art in context.

New Colour Edition. Contains even more fun and fascinating questions all on your favourite subject: you!Burn After Writing is an interactive journal that invites you to face life''s big questions: Who are you now? How did you get here? Where are you going?Some questions are fun, some are deep and some are just plain random.Approach them with courage and creativity. There are no wrong answers. You can take it deadly seriously, or just have fun with it, or both. It''s up to you. This is the practice session for the big interview exclusive you will doubtless face when the world finally discovers how amazing you actually are. This book will be a unique picture of you as you are right now as you will never be again.

Welcome to the book of you the sequel to the bestselling book The Burn After Writing. This is What My Soul Looks Like is an irresistible opportunity to continue your own personal journey of self-reflection. Hundreds of questions gently pry open the secrets of your psyche. Recognize your biases, tune in to your feelings and increase your self-awareness. Think of it as self-therapy.

For the first time ever, an incredible visual archive of Ultras worldwide is curated in this book. Beneath the surface of modern life, the ancient urge for fanatacism and tribal warfare lives on. Their exploits are legendary, their tales are tall, hated and feared by millions, yet idolised by a hardcore minority. In a world in which we are told place no longer means anything - loyalty to a team, loyalty to an area, loyalty to a social class, are all out of time. And yet here they are, continuing to exist in this highly structured and obsessive world. From its roots in the UK the worldwide scene is explored from Turkey to Russia, Asia, Ukraine, Poland, Italy, France and all of Europe. Whether you are disgusted or fascinated - this is human behaviour. For some, this has always been and will always be, a way of life.

Photographer Rebecca Litchfield captures many abandoned locations, which were either part of the Soviet Union or occupied satellite states during this period of history, including forgotten towns, factories, prisons, schools, monuments, hospitals, theatres, military complexes, asylums & death camps across the former communist states. These photographs deliver a compelling narrative of both moral bankruptcy and flawed ideology. Featuring stunning imagery throughout, this compelling road-trip through the old USSR, breathes new life into these forgotten places, finding both beauty and meaning in their post-apocalyptic decay. Extended essays by Tristi Brownett, Neill Cockwill and Professor Owen Evans, offer considerable contextual depth to the locations imbuing them with a wealth of connection and wonder. By virtue of its holistic approach, the book also explores how and why these once thriving communities became abandoned, whether by natural disaster, man-made catastrophe or simply through the march of time.

Eric Haze: Nobody has captured the nuances of New York City better than Matt Weber, with an unerringly honest eye for the human experience and the spaces that frame it. Always living in the moment, Matt's focus ranges from the empty, lonely streets of a sleeping city to tender, intimate moments caught in the air, as well as private and public rage exposed in the myriad of ways that such close proximity to each can breed.1985 is classic Weber. Capturing New York without pretense, and with love and attention to the small yet extremely significant moments in a city that never sleeps.Matt Weber has been shooting the streets of New York for the past 40 years, many of his images taken while running fares in his New York City taxi cab. His camera captures New York without pretense and with the love and attention that only a native could afford. Each image documenting the small yet extremely significant moments in the life of a city that never sleeps. 1985 is a compellingly curated collection of colour images from a decade of incomparable change, both gritty and intimidating. An authentic look at daily life from someone who has consistently been 'in the right place, at the right time'. His images are both timely and timeless and tell the stories of real life in the Big Apple in unfiltered and honest detail.

The animals found within Hey Human, See What You Do!? are crying, they're suffering awful physical pain, and they're talking to us. Their gaze makes us feel our responsibility towards them. We shouldn't have to think of animals as being human in order to feel any responsibility towards them.This is not just an illustrated book about extinction. It's also a book about the routine cruelties that we inflict on animals, both domestic and 'wild'. Cruelty to animals is a hard problem, so we put it at the bottom of the things we want to change and consequently it's never addressed. The solution? Why not think of this book as your to-do list. With razor sharp satire Milk DoNg's work pierces through the mental gymnastics we do to justify our exploitation and gets to the bit where it just doesn't feel right. It's a childlike insistence on the bare facts. It's just plain cruel.Milk DoNg is doing something as old fashioned as political art, he's using drawing to make a protest. And the drawings are compelling enough to make us want to look at them, in spite of how disturbing they are. It's a clever trick. The appeal of the macabre, put to good use as propaganda for a good cause. They sit in the back of the mind, nagging you to think about your relationship with animals.This book could be the start of a conversation, or a process of self-education. It could be the start of a journey for you, and then who knows...?

Discover the true story behind the iconic London fashion label 'BOY' told by the man himself - Stephane Raynor. Packed with punk attitude and original photography, buy a ticket and take the ride. Join Raynor on a journey through a life less ordinary - lived in a tireless pursuit for THE NEW. Artist, innovator, designer, anarchist, hedonist, maverick, Raynor lives like he means it. The guy behind the guy behind the guy - he was there from the beginning...fomenting and agitating in the background of punk, new romantic, acid house, you name it.

Colossus is the definitive showcase of epic European street art. From Berlin to Barcelona, Budapest to Lisbon it''s a visual guide to both the astonishing and the epic. From figurative to abstract, geometric to photo-realistic, all of the major creative executions are covered in the expansive collection. This book is the culmination of years of obsessively keeping up with the explosion of the art form. Featuring QR codes for many of the major European cities, you too will be able to visit the artwork in person.

Expanded and updated, this edition is a painstakingly detailed chronicle of this unique band of brothers, and trawls deep into their history to detail the early town-sieges of America's Midwest in the 1940s through to the British Mods and Rocker coastal clashes of the 1960s, the Easy Riders of the 1970s, the Street Fighters of the 1990s, and the vibrant multifaceted scene of the first quarter of 21st century.