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Presents a single-volume history of sixteenth-century music that focuses on the different ways people encountered music in their everyday lives.

Elizabeth Bishop is increasingly recognised as one of the twentieth century's most original writers. Consisting of thirty-five ground-breaking essays by an international team of authors, including biographers, literary critics, poets and translators, this volume addresses the biographical and literary inception of Bishop's originality, from her formative upbringing in New England and Nova Scotia to long residences in New York, France, Florida and Brazil. Her poetry, prose, letters, translations and visual art are analysed in turn, followed by detailed studies of literary movements such as surrealism and modernism that influenced her artistic development. Bishop's encounters with nature, music, psychoanalysis and religion receive extended treatment, likewise her interest in dreams and humour. Essays also investigate the impact of twentieth-century history and politics on Bishop's life writing, and what it means to read Bishop via eco-criticism, postcolonial theory and queer studies.

New English translations of the scattered fragments and testimonies regarding Hermes Thrice Great from antiquity through the Middle Ages.

"This book advances a new perspective on the birth of ancient Israel combining the archaeological data and biblical sources through the discovery of the metallurgical background of ancient Yahwism. It should concern archaeologists, biblical scholars, and readers with an interest in the development of the religions based on the biblical tradition"--

"This book shows how South African writing can help us to understand change after apartheid. It focusses on changes in the workplace, land reform, indigenous knowledge, xenophobia, corruption and crime, arguing that literary and cultural texts have a unique and powerful capacity for illuminating these issues"--

Conventional approaches to the Synoptic gospels argue that the gospel authors acted as literate spokespersons for their religious communities. Whether described as documenting intra-group 'oral traditions' or preserving the collective perspectives of their fellow Christ-followers, these writers are treated as something akin to the Romantic poet speaking for their Volk - a questionable framework inherited from nineteenth-century German Romanticism. In this book, Robyn Faith Walsh argues that the Synoptic gospels were written by elite cultural producers working within a dynamic cadre of literate specialists, including persons who may or may not have been professed Christians. Comparing a range of ancient literature, her ground-breaking study demonstrates that the gospels are creative works produced by educated elites interested in Judean teachings, practices, and paradoxographical subjects in the aftermath of the Jewish War and in dialogue with the literature of their age. Walsh's study thus bridges the artificial divide between research on the Synoptic gospels and Classics.

"The Making of a Dialogical Theory Creating a stimulating social theory with long-lasting influence for generations of scholars is driven by multiple interacting factors. The fortune of a theory is determined not only by the author's creative mind, but also by the ways in which principal concepts are understood and interpreted. The proper understanding of a social theory requires a good grasp of major historical, political, and cultural challenges that contribute to its making. Considering these issues, Markovâa explores Serge Moscovici's theory of social representations and communication as a case study in the making of a dialogical social theory. She analyses both the undeveloped features and the forward-moving, inspirational highlights of the theory and presents them as a resource for linking issues and problems from diverse domains and disciplines. This dialogical approach has the potential to advance the dyad Self-Other as an irreducible intellectual, ethical, and aesthetic unit in epistemologies of the human and social sciences. Ivana Markovâa was born in Czechoslovakia and is now Professor Emeritus in Psychology at the University of Stirling, UK. Previous books include The Making of Modern Social Psychology (with Serge Moscovici, Polity Press, 2006), Dialogicality and Social Representations (Cambridge University Press, 2003), and The Dialogical Mind: Common Sense and Ethics (Cambridge University Press, 2016). She is a Fellow of the British Academy, the Royal Society of Edinburgh, and the British Psychological Society"--

"Combining both qualitative and quantitative methods and juxtaposing two linguistic theories, this study provides an account of the function and development of evaluative of-binomials, an important phenomenon in the English language. Comprehensive in its scope, it is essential reading for researchers in syntax, semantics, and corpus linguistics"--

Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings. Numerous scholars have taken up remix - a term co-opted from DJs and sound engineers - as the defining aesthetic of twenty-first century art and literature. Others have examined modernism's debt to the phonograph. But in the gap between these moments, one finds that the reciprocal relationship between the literary arts and sonic technologies continued to evolve over the twentieth century. A mix of American literary history, sound studies, and media archaeology, this interdisciplinary study will appeal to scholars, students, and audiophiles.

The therapist-client relationship in psychotherapy is considered one of the most important factors in promoting well-being and facilitating change in clients. This pioneering book provides a novel perspective on relationships by focusing on how they are accomplished through client-therapist interactions. Drawing on the key concept of affiliation from conversation analysis, it provides new insights into how therapists and clients forge affiliations in the course of therapy and how therapists successfully re-establish affiliation with their clients following disagreement or opposition - or fail to do so. It is the first book of its kind to offer a systematic overview of the range of interactional practices found in a particular psychotherapeutic approach (Emotion Focused Psychotherapy, EFT). By forming linkages between psychotherapy concepts and conversation analysis, this timely study is of importance not only to scholars of linguistics and interaction, but also to clinicians and clinical researchers.

The new wave of populism that has emerged over the last five years in Europe and in the US urgently needs to be better understood in a comparative and historical context. Using Italy - including the experiment of a self-styled populist coalition government - as a case study, this book investigates how populists in power borrow, use and manipulate categories of constitutional theory and instruments of constitutional law. Giuseppe Martinico goes beyond treating constitutionalism and populism as purely antithetical to dive deeply into the impact of populism on the activity of some instruments of constitutional democracy, endeavoring to explore their role as possible fora of populist claims and targets of populist attacks. Most importantly, he points to ways in which constitutional democracies can channel populist claims without jeopardizing the legacy of post-World War II constitutionalism. This book is aimed at academics and practicing lawyers interested in populism and comparative constitutional law.

"Offering a revisionist account of the history of the novel in the eighteenth and nineteenth centuries, Lauren Gillingham contends that nineteenth-century novelists found in fashion a temporal model for articulating a heightened sense of the evanescence of modernity and the cycle of novelty and obsolescence that organizes contemporary life"--