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Ruth is a 74-year-old woman. Rowan is a 23-year-old man. They're in love. And Ruth's 43-year-old son is freaking the hell out.

Two rooftops in suburban Ohio. A 75-year-old man and a 9-year-old girl sit on houses full of secrets. Literally. Bernard wants nothing more than to enjoy his beer (and perhaps kill a few sparrows), but Rory next door has different plans for him. With six decades between them and only four chance encounters to connect, these unlikely new friends unearth what's buried in each other and find new ground. Warning: this play includes tap dancing, pumpkin throwing and air-hugging.

JUNETEENTH STREET is the journey of a family, a church, and a community after the death of their patriarch and head pastor. His loss not only leaves the family reeling, but now the community and church are at risk of being torn down due to gentrification promoted by one of their own.

From the adaptor's note: This play is full of transformations, and through the act of adaptation, it has undergone transformations of its own. I have sought to maintain the wonder of Gozzi's fantastical world, with its magical creatures and enchantments, without presenting a museum piece. This version of THE KING STAG relinquishes the traditional masks of the commedia dell'arte, but maintains its improvisation and highly physical performance style. Additionally, by bringing Gozzi's eighteenth-century tale into conversation with the present, I have made some significant changes¿-¿women, for example, have a much more active role than in the original.

Who gets to be a part of Latinidad? While Valery fights to prove Ximena isn't Cuban, Alia has given up fighting that she is Latine. As the women in this play discover the truth about themselves and each other, they also have to face the internal bias that allowed a white woman to be Cuban but didn't allow a Belizean to call herself Latine.

A Wild West: A world where men ride horses and women ride bicycles. A world that is changed forever when Ruthie's husband, Jack (biggest pistol in town), wins three larger-than-life stallions in an auction. Hell-bent on riding the stallions, Ruthie finds herself enticed by Rooster and Pearl, two women with their eyes set on the horizon line, on a place impossible to reach by bicycle. With the help from a forward-thinking heifer (yes, a cow), the women discover the kind of strength female friendship can inspire. And ultimately, they try to find a place all their own.

Set in present-day Queens, NO GOOD THINGS DWELL IN THE FLESH features an immigrant master tailor struggling to convince her assistant to take over her business as she loosens her grip on the material world. When her deranged ex-boyfriend begins to stalk her in her shop, she's forced to reconsider what her legacy can be and make peace with what can't be fixed, salvaged, or even known.

After an attack influenced by her race, Cass wants to just forget about it and move on with her life but her (white) roommate and the dean of the university push her to "make an example of it." Suddenly Cass is roped into planning a diversity day and trying to convince her roommate not to plan a sit-in. WELL-INTENTIONED WHITE PEOPLE explores how liberals attempt to deal with discrimination not directed at them and how sometimes "well intentions" can be just as problematic.

"In a dark (darkly awesome!) future, New York's boroughs have grown too dangerous to police. Shoguns reign, vampires infest Brooklyn, and most terrifying of all, it's still stylistically the '70s. After losing her lover to some undead hoodlums, Dewdrop gets herself a training montage and a sidekick, and sets off for revenge. Explosively funny nonsense ensues. SOUL SAMURAI kicks the Vampire Cowboys recipe up a notch; the script has the complexity of a graphic novel, though it hasn't sacrificed its zinelike homemade sweetness. Yes, outside it's still the chill dead of winter, but go and guffaw your way through SAMURAI. It can bring you back to life. A Time Out New York Critic's Pick!"Helen Shaw, Time Out New York "Not many theater groups can count both Comic Con as a sponsor and the Ma-Yi Theater Company as an artistic partner, but then there aren't a lot like Qui Nguyen's Vampire Cowboys, where pop culture and theater artistry combine seamlessly and satisfyingly. It's smart and funny stuff that's deftly supported in this sure-handed production, where Asian theater traditions are ably blended with Nguyen's exhilarating fight choreography. Side-splittingly funny and slyly intelligent!"Andy Propst, Village Voice "Even if, unlike me, you don't have a fondness for petite women brandishing large weapons, SOUL SAMURAI offers plenty of charm and entertainment. SOUL SAMURAI, a glorious melting pot of influences and inspirations, is theatre at its best. A Critic's Pick!"Mark Peikert, Backstage

"Remember the excitement of each new production from the Ridiculous Theatrical Company? The company would offer a riff on a classic, shot through with enough satire to stand on its own. Vampire Cowboys Theater Company is channeling that energy in LIVING DEAD IN DENMARK, the hilarious and witty new play by Qui Nguyen. Nguyen, like Charles Ludlam before him, knows his Shakespeare. Using HAMLET as a jumping-off point, Nguyen throws in martial arts, horror movies, pop songs, puppetry, and comic books. Eat your heart out, Ed Wood.... A Backstage Critic's Pick!"Victor Gluck, Backstage "Qui Nguyen's comic book fantasia on Bardic themes takes characters from the main tragedies and throws them into an us-versus-zombies apocalyptic scenario, with enough rock-accompanied stage combat to keep an Elizabethan groundling satisfied. This gamely trashy treat is a perfect storm of theater-and horror-geek obsessions."David Cote, Time Out New York

Nothing is rotten in the state of Denmark as young Hamlet leaps into action to save the nunnery with Ophelia and Yorick the jester! What could possibly go wrong? This hysterical prequel answers all the important questions, like: Why can't Ophelia take swim lessons? Where the hell is Mrs Polonius? And why does Hamlet's mother spend so much time at his uncle's house? What will young Hamlet grow up To Be? That is the question! A fast, funny, and physical extravaganza filled with scary ghosts, wee Scots, singing nuns, and a mysterious vassal in the castle!

Maybell has a problem: Guys never stick around after she sleeps with them. She thinks she just needs to adjust her dating radar, but when her court-appointed gynecologist discovers that Maybell's vagina is actually sending her lovers to space, the federal government decides it wants a piece of the action, leading Maybell to ask "Am I Woman, or am I Weapon?"

Jason returns from war to literary glory after writing an international bestseller, but his celebrity is underscored by his marriage to Madeeha, an Iraqi woman he saved. When he reunites with old friends, Amir and Lynn, questions emerge about the veracity of the book and its particular patriotic American gaze. Lust, jealousy, and personal politics bring things between old friends to a boiling point and we are asked "what is the expense of lies ¿-¿ personally and as a country?"

No matter where you live, the ups and downs of married life are universal. For a middle-aged American couple traveling to Egypt on a business trip-slash-vacation, their relationship is put to the test when an old connection leads to new temptation. As the eager tourists strive to connect with Egyptian culture in an authentic way, they end up getting more than they bargained for as long-dormant marital issues begin to percolate. Drawing from the political, cultural, and religious realities of living in the region, this quick-witted dramedy set in the heat of Cairo pits loyalty against attraction as its characters grapple with the ever-changing struggle of staying committed to their partners.

Medea has abandoned her family and homeland of Colchis for the love of the great hero Jason, and her loyalty, cunning and talents in witchcraft have repeatedly rescued him. Now, after bearing him two fine sons and settling in Corinth, Jason announces that Medea is to be cast aside, freeing him to marry royalty. Finding herself not only abandoned but banished from Corinth and driven beyond madness, a desperate Medea commits an unspeakable act of vengeance against her former husband. This English adaptation of Euripides' classic play is in rhymed verse to create a close approximation of the rhythms and poetry of the original Greek text.

A high-level intelligence officer and his wife welcome a cultural attaché from a foreign country into their home and into their lives. The result is a triangle of danger and passion. A play about secrets and what they do to those who possess them.

Ellie is an ambitious high school senior who is determined to fulfil one of her life goals: to marry her high school sweetheart. The only problem is, she doesn't have one. However, when a new foreign-exchange student arrives in the last few months of school, Ellie channels the advice of her hero, Eleanor Roosevelt, to try to make her plan come to fruition.

LITTLE COMEDIES, an evening of five short plays by Anton Chekhov, span the author's career; this version of ON THE HARMFULNESS OF TOBACCO was one of the last pieces he wrote. Often presented as short farces or even one-note jokes, these plays are much more. Here characters struggle, are lost, unaware, scared ¿-¿ and always recognizably human. And as with Chekhov's great full-length plays, the "comedy" of these "comedies" is that of being profoundly human. LITTLE COMEDIES is newly translated by Larissa Volokhonsky and Richard Pevear (the foremost translators of Russian literature into English alive today) and playwright Richard Nelson.

Eric Overmyer's cosmic comedy probes the world of international conspiracy, political paranoia, and intergalactic connections."Paranoia produces profits in the dark, dangerous world created by Eric Overmyer's IN PERPETUITY THROUGHOUT THE UNIVERSE, a strange, sinister comedy ... Overmyer is a dazzling verbal acrobat as well as a serious student of pop culture. Both linguist and cultural anthropologist get a workout here ... A darker expedition, probing the fears and prejudices of society. Overmyer makes it a wild unnerving ride." -Michael Kuchwara, A P"One of the most fascinating new scripts I've encountered in recent years ... Overmyer's intellectually nimble play does not yield to easy summary, but, in brief, it deals with bright young adults who ghost-write hatebooks for powerful bigots. Such is Overmyer's tricky dramaturgy that four members of the cast play both Good Guys and Bad Guys ... it deserves to find its way to the stages of many resident professional theaters." -Wayne Johnson, Seattle Times"Thanks to writing skills unequalled among American playwrights, brilliant wordsmith Eric Overmyer transforms all this paranoia into a theatrical witch-hunt titled IN PERPETUITY THROUGHOUT THE UNIVERSE ... Overmyer speaks from the heart of the Twentieth Century." -Richard Stayton, Los Angeles Herald Examiner

Tech whiz kid Eddie Fisker joins forces with a new technology leader to create what amounts to a billion dollar house of cards. Surrounded by corporations that remember books as "little paper websites" and remind each other of various characters from the Muppets, the two try to survive the shockwaves, real and imagined, that threaten to topple their new product's success.

A Tuscarora woman, who was born outside of her Clan, and therefore outside of Longhouse tradition, struggles to find her place on her very traditional reservation."...the play is an exploration of who belongs where, and how, and why, told through a tale of family and community tensions...as with any good play, there are no easy answers; only big, complicated questions to wrestle with."Robert A K Gonyo, Go See A Show

The alien Legion has taken over. Once a veteran fighter pilot, Mel now spends her days hiding from the constant threat of the alien Legion in the basement of an old ranger station, deep in the untouched wilderness of the Pacific Northwest. But when Laione, a winged Legion scout, is shot down right over her head, Mel seizes what could be her last chance to fulfill a lifelong dream. What starts out as an uneasy truce slowly morphs into something more as they race against the clock. The Legion is coming. Can they finish in time?

Monsieur Jourdain is a middle class merchant who foolishly believes he can break into the upper echelon of society. Desperate to elevate himself and his station, it seems there is no humiliation too great as he tries to better himself via tutelage from a variety of instructors who are more than happy to relieve him of his money. He also finds himself an easy mark for a penniless nobleman who uses him to fund an extravagant lifestyle. Monsieur Jourdain's long-suffering wife and daughter find themselves caught up in one of his latest schemes, involving a poorly planned affair, several sets of unhappy lovers and a full orchestra and ballet company invading the household. It will fall to the clever servants to find sense in the madness and set things right.

"I despaired that any playwright, no matter how skilled, could wrestle this teeming narrative about Buffalo's grand days at the turn of the last century into an effective script for the theater. I needn't have worried. CITY OF LIGHT is a remarkable adaptation. Working closely with Belfer, Clarvoe has managed to condense the 500-plus-page book by focusing tightly on the theme of electricity and how the then-radically new technology spawned events that impinge on the life of Louisa Barrett, headmistress of the Macaulay School and quiet feminist who hobnobs with the great men of Buffalo." Richard Huntington, The Buffalo News

When the alien Legion took over, Sheena lost everything. All she has left is one final, unlikely dream: the Rebellion. But when she arrives, it's to a Rebellion shattered by the loss of its leader, pushed to increasingly desperate measures-including working with their alien enemy. As tensions mount, Sheena has to face the question: when you have nothing left, what do you fight for?

What would happen to our world if anyone could choose to remix and rewrite their memories and personalities?Rich and Gretchen seem to have the ideal marriage, until they learn that it was manufactured by a mysterious biotech company which installed it into their brains. Because they can no longer afford this service, the company must repossess their improvements.REPOSSESSED explores questions of identity, morality, and authenticity amidst a world of rapidly changing technology and the ethics that come with it. "...the panoply of intriguing themes built into the play..."Tom Hall, artswfl.com

"...WILDER GONE...is a funny, strange and provocative new play by Angela Hanks.... Set in 1921, mostly on a contested piece of property on Wilder Street in a black neighborhood still arising from uncultivated farmland... Despite its bright cheer and generally happy ending WILDER GONE really [is] provocative...insofar as hopefulness may now feel provocative. It's hard not to be moved, and challenged..."Jesse Green, The New York Times

Life's meaning lies in the persistence of its creatures to establish their uniqueness and freedom in confrontation with their environment. The heroes of Sternheim ae not of the traditional cast-good, but not too good. They are, in fact, repulsive, malicious, cynical, morally degenerate creatures who nevertheless seem to win the approval of the author as exemplary representatives of vital principles in the order of things.Carol A MelilloSternheim's characters demonstrate a process that defines the whole of bourgeois society, and that might be called a quiet pandemonium of cold-blooded, insidious inhumanity.Walter SokelSchippel is a Chaplinesque figure in a bowler hat, but at the same time an Expressionistic "New Man" capable of total transformation. With him there is no question of continuity of character or personality; what he experiences and thereby demonstrates is "a sudden change for the better. A rebirth..." ... By the end of the play Schippel has demonstrated his truly "heroic" qualities and proved himself worthy to the full of "the lofty blessings of the middle class."J M RitchieThe bourgeois girl Thekla Hicketier embarks on a love affair with the young prince with a superior awareness that is not only astonishing in the most charming way-the scene is one of the most delightful that Sternheim ever wrote-but at the same time every tragic conflict that might occur in a conventional plot is cut off at the start. Thekla succeeds in parodying herself and her love with a cheerfully open awareness, using all the conventional romantic clichés, which she consciously uses as clichés and contrasts with the "real" situation. Wilhelm Emrich

Banned by the Nazis and then produced by dozens of German theatres following the end of World War II, NATHAN THE WISE is a timely and exuberant rebuke of prejudice and intolerance. Written in the Enlightenment Age and set in Jerusalem during the 12th century reign of Saladin, it features the first positive portrayal of a Muslim leader, a Jewish merchant who comes to his aid, and a Templar Knight in the midst of a change of heart. Its multicultural characters offer numerous opportunities for multi-ethnic casting. Michael Bloom's contemporary adaptation is written in a colloquial style that blows the dust off this former costume drama. With surprising humor, this version underlines the influence of Shakespearean comedies and THE MERCHANT OF VENICE. "...quite wonderful...the script makes thoughtful, insightful commentaries about life, religion, and politics that are forever relevant...one of those productions you want to cheer during the curtain call." Broadway World "An affectionate treatment of an 18th century tale...a plot that builds like a classical comedy...a pleasing fairy-tale quality...opens an illuminating window on Jerusalem's history...a serendipitous meeting ground such as the one NATHAN THE WISE offers arrives like a reassuring refreshment."Washington Post "Lively, humorous, and utterly relevant." MD Theatre Guide "Enlightenment becomes delight in NATHAN THE WISE." DC Metro Theatre Guide

Rostand's masterpiece in verse CYRANO DE BERGERAC has enchanted audiences worldwide since the play's 1897 premiere in Paris. The iconic title role has inspired countless actors to light up stages large and small with wit, passion, and swashbuckling bravado. The play has seen thousands of productions in dozens of translations and adaptations and its plot has even found its way to modern Hollywood films and television sitcoms.This unabridged translation was crafted to adhere closely to Rostand's original intent of rendering the entire play in rhymed couplets to maintain the larger-than-life theatricality of the play and its title character.