Bøker utgitt av Brill

This collection of essays, written by leading scholars in the fields of East German art, film, literature, music, and museum studies, seeks to renegotiate the artistic legacy of the German Democratic Republic. Combining a range of theoretical and practical perspectives, the volume challenges the narrow frameworks of totalitarianism and Ostalgie that have dominated discussions of art produced in the GDR. It explores the diversity of art produced in the state and contests the long-held perception that socialist realism and artistic innovation were mutually exclusive. Crucially, the collection puts art itself to the fore; GDR art is considered not simply as a political by-product, as is so often the case, but as an entity of innovation and aesthetic value in its own right.

Over the last decade German culture has been engaged in a re-examination of the traumatic events of the Second World War and their post-war legacy in the public and private sphere. This shift in German memory culture from a focus on responsibility for the Holocaust to a focus on wartime suffering has attracted a lot of critical attention over the past decade, in both Cultural and Literary Studies and History. This volume brings together British, German, Dutch and American scholars from the fields of Cultural Studies, History and Sociology to address the national and international significance of discourses of 'German wartime suffering' in post-war and contemporary Germany. The focus of this interdisciplinary volume is both on the historical roots of the 'Germans as victims' narratives and the forms of their continuing existence in contemporary public memory and culture. The first three sections of this volume explore the conditions of German victim discourses in a variety of media and public arenas from historiography, sociology, literature and film to monuments, civil defence bunkers and local public memory. The final section sets the contemporary re-articulation of German wartime suffering in an international context with respect to its reception and its reflection in both Western and Eastern Europe and Israel.

This volume offers new and fascinating insights into some of the most urgent and relevant dimensions of violence in our time. Specialists from a broad range of disciplines explore some of the reasons and ways in which humans choose to harm one another. The two sections of the book engage a common theme, namely how ideological constructions influence, facilitate, and shape the understanding of our own involvement in violence. Whilst the first section focuses on one specific form of violence, namely genocide, the second explores our construction of violent images: verbally, visually, aurally, legally, socially, imaginally. This book should be required reading for anyone who wants to understand the multi-faceted and complex dimensions of violence in our contemporary, global world.

This volume examines the many ways in which violence, domination, and oppression manifest themselves. This examination opens the way to creative suggestions for overcoming injustice. The authors in this volume also describe the features of a just community and inspire readers to implement peaceful transformation.

This book makes a bold announcement for the beginning of a postethnophilosophical phase in modern African thought. It re-considers the question: "What is African philosophy," and introduces a strategy for setting a broad and productive agenda for contemporary African philosophical thought.