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Volume 30 features special sections on "unexpected bodies" and on new directions in eighteenth-century studies (on Enlightenment, whiteness, and race), as well as a range of other articles.

A unique historical and linguistic resource for those in anthropology, art, folklore, history, linguistics, literature, psychology, religion, sociology, and environmental studies, as well as performers and poets.

First full-length assessment of the role of the herald in medieval Europe.

First comprehensive study of miracles in Crusade narrative, showing how and why they were deployed by their authors.

Offers new insights into the struggle against Apartheid, and the poverty and inequality that instigated political resistance.

The first book-length study on the relationship between African literature and new media.

Innovative and challenging study that provides fresh insights on the anthropology of death and postcolonial politics.

Cutting-edge research in the study of Islamic scholarship and its impact on the religious, political, economic and cultural history of Africa; bridges the "europhone"/"non-europhone" knowledge divides to significantly advance decolonial thinking, and extend the frontiers of social science research in Africa.

Focuses on a key issue of conservation: the commodification of nature. Can the successful marketization of wilderness help to provide for biodiversity conservation, economic development and social emancipation?

Shows that while the GDR is generally seen as - and mostly was - an oppressive and unfree country, from late 1989 until autumn 1990 it was the "freest country in the world": the dictatorship had disappeared while the welfare system remained.Stephen Brockmann's new book explores the year 1989/1990 in East Germany, arguing that while the GDR is generally seen as - and was for most of its forty years - an oppressive and unfree country, from autumn 1989 until the autumn of 1990 it was the "freest country in the world," since the dictatorship had disappeared while the welfare system remained. That such freedom existed in the last months of the GDR and was a result of the actions of East Germans themselves has been obscured, Brockman shows, by the now-standard description of the collapse of the GDR and the reunification of Germany as a triumph of Western democracy and capitalism.Brockmann first addresses the culture of 1989/1990 by looking at various media from that final year, particularly film documentaries. He emphasizes punk culture and the growth of neo-Nazism and the Antifa movement - factors often ignored in accounts of the period. He then analyzes three later semiautobiographical novels about the period. He devotes chapters to dramatic films dealing with German reunification made relatively soon after the event and to more recent film and television depictions of the period, respectively. The final chapter looks at monuments and memorials of the 1989/1990 period, and a conclusion considers the implications of the book's findings for the present day.

A history of the nineteenth-century poetry of slavery and freedom framed as an argument about the nature of poetry itself: why we write it, why we read it, how it interacts with history.

Examines both academic and popular assessments of Conan Doyle's work, giving pride of place to the Holmes stories and their adaptations, and also attending to the wide range of his published work.

A collection of new essays bringing into view the push and pull of the national and the international in the German-language cultural field of the period.

El ferí de Benastepar by Spanish writer José Miguel Hué y Camacho (1803-1841) relates the doomed romance between Castilian lady Elvira de Castro and the eponymous ferí de Benastepar, Abenamet.

Music gives specific meanings to our lives, but also to how we experience death; it forms a central part of death rituals, consoles survivors, and celebrates the deceased.

Sébastien Erard (1752-1831) was a major force in the technical, musical and visual upgrading of the harp as both a novel instrument and symbol of status.

This book investigates a puzzling and neglected phenomenon - the rise of English Arminianism during the decade of puritan rule.

How can the concept of nostalgia illuminate the culturally specific ways in which societies understand the contested relationship between the past, present, and future?

A close look at the medical and social theories of prominent Philadelphia physician Benjamin Rush and how they influenced American medicine in the years following the Revolutionary War.

Examines African debates on captivity, legal and illegal enslavement, and religious and ethnic identity in the era of West African jihads.

The music of the Dutch composer Alphons Diepenbrock (1862-1921) is one of the glories of European late-Romantic culture, although is hardly known outside his native Netherlands. This translation makes Leo Samama's masterly study of Diepenbrock available to non-Dutch readers for the first time.

During a period of tumultuous change in English political, religious and cultural life, music signified the unspeakable presence of the divine in the world for many.

A series of drawings of medieval buildings in Stamford, made in the 1730s by William Stukeley, provide important new evidence for the history of the town, while documents demonstrate the contemporary vitality.

A fresh perspective on conflict and peace-making that highlights the cosmologies and invisible entities that state, society and religious authorities draw on to claim or reclaim legitimacy and control.

This study takes the sword beyond its functional role as a tool for killing, considering it as a cultural artifact , and the broader meaning and significance it had to its bearer.

Annual volume on medieval textual cultures, engaging with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field.

Shows how cinematic treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of postwar German women.This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such asThe Murderers Are among Us, Street Acquaintance, and Destinies of Women as well as neglected works such as And the Heavens above Us, Martina, Modell Bianka, and Ingrid. These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume - in films produced both by DEFA and by West German studios - is a productive site to explore the intersections between realism and escapism. With its focus on costumes within the context of the films' production, distribution, and reception, this bookopens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion,both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Professor of German at Miami University, Oxford, Ohio.