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The presentation, the use, and the possible reception of the book of Genesis to lay audience largely unable to read the original texts.
First comprehensive study of the representations of St Michael in the liturgy, literature, and iconography of the period.
A vivid picture of the public and private life of a professional musician in late eighteenth- and early nineteenth-century London.
New studies of the great French composer by Jacques Barzun, David Cairns, Joel-Marie Fauquet, Hugh Macdonald, Julian Rushton, and other prominent experts.
An investigation of the considerable influence of Wagner's stay in Zurich from 1849 to 1858 -- a period often discounted by scholars -- on his career.
Text and facing English translation of a version of the Tristan story from north-east Italy.The Tristano Corsiniano is preserved in a unique manuscript of the Biblioteca Corsiniana housed at the Accademia Nazionale dei Lincei in Rome (MS 55.K.5; formerly Rossi 2593). Written in a mixture of northeastern Italian dialects, the manuscript was probably copied in the third quarter of the fourteenth century. The contents are a much abbreviated descendent of the noted French prose Roman de Tristan; opening with Dinadan's amusing discoursesand misadventures, the majority of the story concerns the famous three-day Tournament at Loverzep, and concludes with King Arthur and Lancelot visiting Tristan, Yseut and their companions. The manuscript, although not luxurious,is heavily decorated with designs that perfectly reflect the vigorous and spirited narrative style. This volume presents a new edition of the text, accompanied by the first ever translation into English, thereby making this important version of the Tristan story available more widely. It also includes an introduction, listing of illuminations, bibliography and explanatory notes. Gloria Allaire is Assistant Professor of Italian at theUniversity of Kentucky.
Fourteenth Century England has quickly established for itself a deserved reputation for its scope and scholarship and for admirably filling a gap in the publication of medieval studies. HISTORY
A fresh look at the Albigensian Crusade, highlighting its effects upon the indigenous nobility.
A reappraisal of the links between Hanover and Great Britain, highlighting their previously un-explored importance.
A study of letter-writing in Renaissance Spain.
A collection of essays investigating key historical and scientific questions relating to the concept of natural purpose in Kant's philosophy of biology.
A fresh approach to the mester de clerecia, a group of narrative poems (epics, hagiography, romances) composed in thirteenth-century Spain by university-trained clerics for the edification and entertainment of the predominantly illiterate laity.
The first book-length study of Hoelderlin's postwar reception and a case study of Germanistik.
A fascinating examination of alleged demon possession and witchcraft in a seventeenth-century convent in Carpi, Italy.
An interdisciplinary study on the myth of racial democracy in Brazil through the prism of producers of Afro-Brazilian culture.
Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen.Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "e;canonical"e; repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition. Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, Laszlo Somfai, Leo Treitler, James Webster, and Robert Winter. Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.
A critical study of Edward Wilmot Blyden, whose voluminous writings laid the groundwork for some of the most important African and black diasporic thinkers of the twentieth century.
Essays provide current interpretations of Germany's military, economic, racial, and diplomatic policies in 1941.
A dynamic, event-centered exploration of the hundred-year history of German-language film.
This book challenges the recently established consensus that the trial was a carefully prepared and executed judicial process in which the judges were amenable to reasonable arguments.Thomas More's treason trial in 1535 is one of history's most famous court cases, yet never before have all the major documents been collected, translated, and analyzed by a team of legal and Tudor scholars. This edition serves asan important sourcebook and concludes with a 'docudrama' reconstructing the course of the trial based on these documents. Legal experts H. A. Kelly and R. H. Helmholz take different approaches to the legalities of this trial, and four experienced judges [including Justice of the Queen's Bench Sir Michael Tugendhat] discuss the trial with some disagreements - notably on the meaning and requirement of 'malice' called for in the Parliamentary Act of Supremacy. More's own accounts of his interrogations in prison are analyzed, and the trial's procedures are compared to and contrasted with 16th-century concepts of natural law and also modern judicial practices and principles. The book is a 'must read' not only for students of law and Tudor history but also for all concerned with justice and due process. As a whole, the book challenges Duncan Derrett's conclusions that the trial was conducted in accord with contemporary legal norms and that More was convicted only on the single charge of denying Parliament the power to declare Henry VIII Supreme Head of the English Church [testified to by Richard Rich] - a position that has been uniformly accepted by historians since 1964. HENRY ANSGAR KELLY is past Director of the Center for Medieval and Renaissance Studies, UCLA. LOUIS W. KARLIN is an attorney with the California Court of Appeal and Fellow of the Center for Thomas More Studies, University of Dallas. GERARD B. WEGEMER is Director of the Center for Thomas More Studies.
An examination of Puritan iconoclasm, the reasons which led to it, and the forces which sustained it.
A study of the interchange between Cuba and Africa of Yoruban people and culture during the nineteenth century, with special emphasis on the Aguda community.
New insight gained into this exciting period of English history through focusing on the activities of Swein Forkbeard and, after his death in 1014, the Danish warlord Thorkell the Tall.
A crucial year in the Britten/Auden relationship, which reshaped and redefined artistic direction in the immediate pre-war period.
An account of the critical reception of Gongora's Soledad primerain the 17c.
Christabel Pankhurst, one of the leading champions of women's suffrage in Britain, entered the evangelical world after the first world war as a preacher of the second coming. Larsen shows that the two causes, far from being automatically antagonistic, could be complementary.
Berlin's traumatic past and vibrant present explored and explained in a guide to the culture, buildings and society of the city.
Studies of the fairy tale describe different interpretations of the form and theories of its origin and transmission.
Wolfram's Parzival continues to inspire and influence, in modern times works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino.Vast in its scope, incomparably dense in its imagery, Wolfram von Eschenbach's Parzival ranks alongside Dante's Divine Comedy as one of the foremost narrative works to emerge from medieval Europe. This book is a newtranslation of Parzival, together with the fragments of the Titurel, an elegiac offshoot of Parzival, and the nine love-songs attributed to Wolfram. Parzival is the greatest of the medieval Grail romances. In its depth and complexity of characterisation this work of the early thirteenth century anticipates the modern novel. It encompasses deeds of chivalry, tournaments and sieges, courtly love, and other erotic undertakings, but also sin and penance, and a deeply moving study in depression. Centre stage are the Grail Castle and Arthur's Round Table, but the pagan world of the Orient also is also reflected. Parzival has inspired and influenced works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino. Cyril Edwards' thoughtful translation vividlyconveys the power of this complex, wide-ranging medieval masterpiece. CYRIL EDWARDS is a lecturer in German at St Peter's College and Research Fellow of the Faculty of Medieval and Modern Languages, University of Oxford. He is the author of The Beginnings of German Literature (Camden House, 2002), and numerous articles on the medieval lyric and Old High German. His previous translations include Hans Sachs's "e;Song of the Nose"e; for the King's Singers, Bernhard Maier's Dictionary of Celtic Religion and Culture (Boydell & Brewer, 1997) and The Medieval Housebook (Prestel-Verlag, 1997).
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