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First exploration of Jarman's engagement with the medieval, revealing its importance to his work.FINALIST IN THE HISTORIANS OF BRITISH ART BOOK AWARDS 2020 The artist and filmmaker Derek Jarman (1942-1994) had a lifelong appreciation of medieval culture. But with the possible exception of Edward II, Jarman's films have not been identified to date as making a major contribution to the depiction of the Middle Ages in cinema. This book is the first to uncover a rich seam of medievalism in Jarman's art. Taking in major features such as Caravaggio, The Garden and The Last of England, as well as some of the unrealised screenplays and short experimental films, the book proposes an expanded definition of medieval film that includes not just worksset in or about the Middle Ages, but also projects inspired more broadly by the period. It considers Jarman's engagement with Anglo-Saxon poetry (notably The Wanderer); with works by fourteenth-century poets such as Chaucer, Dante and Langland; with saints and mystics from Joan of Arc to Julian of Norwich; and with numerous paintings, buildings and objects from this so-called "e;middle"e; time. Organised around several key themes - periodisation,anachronism, ruins and wandering - the book also asks what happens when (with Jarman, but also more broadly) we think the categories "e;medieval"e; and "e;modern"e; together. As such, it will be of interest to film scholars, art historians and medievalists of all stripes who wish to rattle the temporal cages of their fields. ROBERT MILLS is Professor of Medieval Studies at University College London.

A new approach to the mysterious ballads, and their relationship with the past.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume engage with real and metaphorical relations between humans and nonhumans, with particular focus on spiders, hawks, and demons; discuss some of the earliest Middle English musical and, it is argued, liturgical compositions; describe the generic flexibility and literariness of medical discourse;consider strategies of affective and practical devotion, and their roles in building a community; and offer an example of the creativity of fifteenth-century vernacular religious literature. Texts discussed include the Old English riddles and Alfredian translations of the psalms; the lives of saints Dunstan, Godric, and Juliana, in Latin and English; Piers Plowman, in fascinating juxtaposition with Hugh of Fouilloy's Aviarium; medical remedybooks and uroscopies, many from unedited manuscripts; and the fifteenth-century English Life of Job. LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX is University Lecturer in English and Fellow of Trinity College, Cambridge; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; DAVID LAWTON is Professor of English at Washington University in St Louis. Contributors: Jenny C. Bledsoe, Heather Blurton, Hannah Bower, Megan Cavell, Cathy Hume, Hilary Powell, Isabella Wheater

Essays studying the relationship between literariness and form in medieval texts.

A full-scale survey of crusading lyrics in Old French and Occitan.

First full comprehensive guide to one of the most important genres of music in the Middle Ages.

The best new research on medieval clothing and textiles, drawing from a range of disciplines.The essays here continue in the Journal's tradition of drawing on a range of disciplines. Topics include evidence for dress in multicultural sixth-century Ravenna; the incidence of Byzantine and Oriental silks in ninth- tothirteenth-century Denmark; a new analysis of the chronology of and contexts for the French hood; an examination of the mysterious garment called a bliaut in French literature; a discussion of the vocabulary and loan wordsin Italian/Anglo-Norman mercantile transactions; and revelations that fashions in body hair were an important feature of women's appearance. Contributors: John Block Friedman, Anne Hedeager Krag, Karen Margrethe Hoskuldsson, Olga Magoula, Megan Tiddeman, Monica L. Wright

The relationship between people and parish in the late medieval ages illuminated by this study of a remarkable survival from the period.

Geoffrey le Baker's chronicle covers the reigns of Edward II and Edward III up to the English victory at Poitiers. David Preest's new translation includes extensive notes and an introduction by Richard Barber.

The theme of warfare as a collective enterprise investigated in the theatres of both land and sea.From warhorses to the men-at-arms who rode them; armies that were raised to the lords who recruited, led, administered, and financed them; and ships to the mariners who crewed them; few aspects of the organisation and logistics ofwar in late medieval England have escaped the scholarly attention, or failed to benefit from the insights, of Dr Andrew Ayton. The concept of the military community, with its emphasis on warfare as a collective social enterprise, has always lain at the heart of his work; he has shown in particular how this age of warfare is characterised by related but intersecting military communities, marked not only by the social and political relationships within armies and navies, but by communities of mind, experience, and enterprise. The essays in this volume, ranging from the late thirteenth to the early fifteenth century, address various aspects of this idea. They offer investigations of soldiers' and mariners' equipment; their obligations, functions, status, and recruitment; and the range and duration of their service. Gary P. Baker is a Research Associate at the University of East Angliaand a Researcher in History at the University of Groningen; Craig L. Lambert is Lecturer in Maritime History at the University of Southampton; David Simpkin teaches history at Birkenhead Sixth-Form College. Contributors: Gary P. Baker, Adrian R. Bell, Peter Coss, Anne Curry, Robert W. Jones, Andy King, Craig L. Lambert, Tony K. Moore, J.J.N. Palmer, Philip Preston, Michael Prestwich, Matthew Raven, Clifford J. Rogers, Nigel Saul, David Simpkin.

A pioneering approach to contemporary historical writing on the First Crusade, looking at the texts as cultural artefacts rather than simply for the evidence they contain.

Considering silk as a major force of cross-cultural interaction, this book examines the integration of silk production and consumption into various cultures in the pre-modern world.

A new view of Sweden's relations with the world beyond its borders, from the sixteenth to the eighteenth century.Sweden's connections to and relationships with the European and wider world is a field of study attracting considerable scholarly attention. The essays here, from archaeologists and historians, offer a new perspective on early modern Sweden as deeply affected by the increasing internationality of the 16th-18th centuries. Set in the socio-political context of an expanding and changing kingdom, they deal with the character and impact of a wide range of cultural encounters - at home, in the colonies and during overseas travel. They consider how new fashions, commodities and ideologies were perceived and appropriated, and they discuss how these encounters shaped the discourses of the familiar and the foreign - from curiosity, acceptance and appreciation, to prejudice, rejection and conflict. In taking a broad and interdisciplinary approach, and by departing from traditional themes of political history, the volume as a whole offers a different view of the kingdom, its people, and its involvement with the outside world. MAGDALENA NAUM is an Associate Professor at the Department of Archaeology and Heritage Studies, Aarhus University, Denmark; FREDRIK EKENGREN is an Associate Professor in Archaeology at the Department of Archaeology and Ancient History, Lund University, Sweden. Contributors: Per Cornell, Christina Dalhede, Lu Ann De Cunzo, Magnus Elfwendahl, Matti Enbuske, Adam Grimshaw, Jens Heimdahl, Lisa Hellman, Kimmo Katajala, Jonas M. Nordin, Risto Nurmi, Kenneth Nyberg, Carl-Gosta Ojala, Joachim Ostlund, Claes B. Pettersson, Christina Rosen, Anna-Kaisa Salmi, Goran Tagesson, Annemari Tranberg,

A lively exploration of the relation between the arrival of the novel, the literary form that uses life-as-a-journey as its master trope, and the transport revolution in eighteenth-century Britain.

A pathbreaking, new intellectual biography of the composer and conductor Wilhelm Furtwangler.

Shaped by eighteenth-century assumptions, Liverpool nonetheless laid the foundations for the nineteenth-century Britain that emerged from the Reform era.

Essays exploring the influence of the sacred buildings of Jerusalem on architecture worldwide.Jerusalem - earthly and heavenly, past, present and future - has always informed the Christian imagination: it is the intersection of the divine and human worlds, of time and eternity. Since the fourth century, it has been the site of the round Church of the Holy Sepulchre, built over the empty tomb acknowledged by Constantine as the tomb of Christ. Nearly four hundred years later, the Sepulchre's rotunda was rivalled by the octagon of the Dome of the Rock. The city itself and these two glorious buildings within it remain, to this day, the focus of pilgrimage and of intense devotion. Jerusalem and its numinous buildings have been distinctively re-imagined and re-presented in the design, topography, decoration and dedications of some very striking and beautiful churches and cities in Western Europe, Russia, the Caucasus and Ethiopia. Some are famous, others are in the West almost unknown. The essays Inthis richly illustrated book combine to do justice to these evocative buildings' architecture, roles and history. The volume begins with an introduction to the Sepulchre itself, from its construction under Constantine to theCrusaders' rebuilding which survives to this day. Chapters follow on the Dome of the Rock and on the later depiction and signifcance of the Jewish Temple. The essays then move further afeld, uncovering the links between Jerusalemand Byzantium, the Caucasus, Russia and Ethiopia. Northern Europe comes finally into focus, with chapters on Charlemagne's chapel at Aachen, the role of the military orders in spreading the form of the Sepulchre, a gazetteer of English rounds, and studies of London's New Temple. ROBIN GRIFFITH-JONES is Master of the Temple at the Temple Church in London and Senior Lecturer (Theology and Religious Studies) at King's College London. He co-edited The Temple Church in London with David Park (2010). ERIC FERNIE is Director Emeritus of The Courtauld Institute of Art, London. Contributors: Alan Borg, Antony Eastmond, David Ekserdjian, Eric Fernie, Jaroslav Folda, Emmanuel Fritsch, Michael Gervers, Robin Griffith-Jones, Nicole Hamonic, Cecily Hennessy, Robert Hillenbrand, Catherine E. Hundley, Philip J. Lankester, Robin Milner-Gulland, Robert Ousterhout, David W. Phillipson, Denys Pringle, Sebastian Salvado.

Shows how it was not just the London elite and City merchants who had connections to British India.Over the long eighteenth century, thousands of men and women from the English provinces lived and worked in the East Indies. Yet the provincial commitment of human, financial and social capital to ventures in the East Indies has largely been disregarded. This book challenges the widely held view that British rule in India was driven primarily by the interests of London merchants and national political elites. Based on extensive original research, including the piecing together of biographical fragments of over 400 men and women from the Cumbrian counties, setting them in their family, social, financial and cultural networks, and outlining the details of their sojourns in the East,the book portrays a provincial world heavily implicated in the East Indies. It discusses how provincial people's encounter with the East Indies was driven by the desire of middling folk and gentry to promote, sustain, and, in some cases, revive fortunes, position and influence in their own provincial milieu, and thereby demonstrates how provincial preoccupations shaped the East Indies, and how East Indies experiences shaped provincial life. KaySaville-Smith is Director of the Centre for Research, Evaluation and Social Assessment in Wellington, New Zealand. She completed her doctorate at the University of Lancaster.

Sheds light on the skills and techniques of the medieval military engineer, over a thousand year sweep.

This collection uncovers how music criticism contributed to national and transnational preoccupations and agendas.Music Criticism in France examines the aesthetic battles that animated and informed French musical criticism during the interwar period (1918-1939). Drawing upon a rich corpus of critical writings and archival documents, the book uncovers some of the public debates surrounding classical music in the immediate aftermath of the Great War until the eve of World War II. As such, it provides new insights into the priorities, values and challenges that affected the musical milieu of this war-bound generation. This collection of essays brings together scholars from different areas of musicology and related humanities disciplines; it also draws on different anglophone and francophone intellectual traditions. As well as considering the reception of individual works, the contributors examine key individuals, composer-critic pairings, the composer as critic and technician, the role of influential journals, and music criticism as a pedagogical tool for concert-going and radio audiences. Focusing on the themes of authority, advocacy and legacy, it shows the contribution of principal critics such as Vuillermoz, Vallas, Prunieres, Schloezer and Koechlin to shaping our understanding of music in the first half of the twentieth century in France. We see how criticism contributes to national and transnational preoccupations and agendas, which were of considerable importance throughout the interwar period and continue to have relevance today. BARBARA L. KELLY is Director of Research and Professor of Musicology at the Royal Northern College of Music, Manchester. CHRISTOPHER MOORE is Associate Professor of Musicology at the University of Ottawa. Contributors: PHILIPPE CATHE, MICHEL DUCHESNEAU, KIMBERLY FRANCIS, JACINTHE HARBEC, BARBARA L. KELLY, PASCAL LECROART, CHRISTOPHER MOORE, RACHEL MOORE, JANN PASLER, CAROLINE RAE, DANICK TROTTIER, MARIANNE WHEELDON

Despite much triumph in adversity, illness fuelling composition is a misconception.

A comprehensive overview of the subject, demonstrating that the maritime aspects of the civil wars were much more important than has hitherto been acknowledged.

Witold Lutoslawski was one of the most important composers of the twentieth century, whose significance extends far beyond his native Poland. His vita is just as captivating as his compositionally path-breaking music.Witold Lutoslawski (1913-1994) was one of the most important composers of the twentieth century. His significance extends far beyond his native Poland: his classical music was premiered by internationally renowned performers likethe LaSalle Quartet and Krystian Zimerman, and his symphonies, concertante, chamber, instrumental and vocal music are produced by the leading labels of the recording industry. Lutoslawski's vita is just as captivating as his compositionally path-breaking music. He lived through the Second World War and brutal German oppression of Poland, negotiated the challenges of Soviet influence and fluctuating local politics during Poland's post-war transition to communism, and finally strove for a new voice in the post-Stalin Thaw of the mid-1950s. Lutoslawski's Worlds is a landmark volume which looks at the multi-faceted spheres that informed the composer's life and works andrepresents a new departure in the study of his music. Throughout his life, he steered musicologists away from the connections between his extraordinary biography and concert music. He also sought to minimize scholarly attention tothe many other spheres of creative activity - popular music, theatre music, film scoring, propaganda music, and educational music - that occupied him. In this volume, for the first time, the world's leading Lutoslawski scholars consider the full range of his musical output and the biographical, cultural and historical contexts in which those musics were created. It contends that all of Lutoslawski's worlds are equally worthy of study, because each represents an opportunity better to understand the life and music of a figure of paramount importance to the critical and cultural history of twentieth-century music. LISA JAKELSKI is Associate Professor of Musicology at the Eastman School of Music, University of Rochester. NICHOLAS REYLAND is Head of Undergraduate Programmes at the Royal Northern College of Music. Contributors: STANISLAW BEDKOWSKI, ANDREA F. BOHLMAN, DANUTA GWIZDALANKA, LISA JAKELSKI, MICHAEL L. KLEIN, IWONA LINDSTEDT, WIOLETA MURAS, KATARZYNA NALIWAJEK-MAZUREK, NICHOLAS REYLAND, ZBIGNIEW SKOWRON, STEVEN STUCKY, ADRIAN THOMAS, DAVID TOMPKINS, LISA COOPER VEST

Demonstrates, through an investigation of material culture, the complexity of the relationship between rulers and ruled in early nineteenth-century British India.

In the First World War, civilian life played a fundamental part in the war effort; and music was no exception.

Shows how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated.A growing body of scholarship is making visible the contribution of translators to the creation, preservation, and transmission of knowledge about the Holocaust. The discussion has tended to be theoretical or to concentrate on exposing the "e;distorted"e; translations of texts by important witnesses such as Anne Frank or Elie Wiesel. There is therefore a need for a positive, concrete, and contextually aware approach to the translation of Holocaust testimoniesthat acknowledges the achievements of translators while being sensitive to the consequences of particular translation strategies. Peter Davies's study proceeds from the assumption that translators are active co-creators whose workdoes not simply mediate a pre-existing text, but creates a representation of that text for a new readership in a specific context. Translators of Holocaust testimonies, then, provide a form of textual commentary that works through ideas about witnessing, historical truth, and the meaning of the Holocaust. In this way they are important co-creators of knowledge about the Holocaust and its legacy. The study focuses on translations between English and German, and from other languages (principally French, Russian, and Polish) into English and German. It works through a number of case studies, showing how making translation and its effects visible contributes to a clearer understanding of how knowledge about the Holocaust has been and continues to be created and mediated. Peter Davies is Professor of German at the University of Edinburgh.

New essays engaging with the developing field of literary geography to devote attention to the "e;regional"e; settings of Munro's stories and how they affect her characters' development or stasis.Alice Munro, the 2013 Nobel Prize laureate in Literature, has revolutionized the architecture of the short story. This collection of essays on Munro engages with literary geography, an emergent interdisciplinary field that is located at the interface between human geography and literary studies and is one of the most salient manifestations of the ongoing spatial turn in the arts and humanities. Critical readings of Munro's stories have labeled her literary production "e;regional,"e; since she sets the majority of her short stories in the area of rural Ontario where she grew up. Until now, however, little attention has been devoted to the role of that location in the stories and tothe way that particular setting interacts with her characters' development or stasis. This collection contains eleven essays organized in two parts: first, Conceptualizing Space and Place: Houses, Landscapes, Territory; and second, Close Readings of Space and Place. Contributors: Corinne Bigot, Lynn Blin, Giuseppina Botta, Fausto Ciompi, Ailsa Cox, Christine Lorre-Johnston, Robert McGill, Claire Omhovere, Anca-Raluca Radu, Eleonora Rao, Caterina Ricciardi. Christine Lorre-Johnston is a senior lecturer in English at the Sorbonne Nouvelle in Paris. Eleonora Rao teaches English and American literatures at the University of Salerno.

Uncovers the central role of Brecht reception in Turkish theater and Turkish-German literature, examining interactions between Turkish and German writers, texts, and contexts.

The first comprehensive biography in English of the leader of the Bavarian Revolution and Republic of 1918/19, the first Jewish head of a European state and a man who embraced and embodied modernity.