Bøker utgitt av Boydell & Brewer Ltd

A collection of essays achieving a deeper understanding of the historical roots and theoretical assumptions that inform the realities and fantasies of German female leadership.The Western tradition of excluding women from leadership and disparaging their ability to lead has persisted for centuries, not least in Germany. Even today, resistance to women holding power is embedded in literary, cultural, andhistorical values that presume a fundamental opposition between the adjective "e;female"e; and the substantive "e;leader."e; Women who do achieve positions of leadership are faced with a panoply of prejudicial misconceptions: either considered incapable of leadership (conceived of as alpha-male behavior), or pigeonholed as suited only to particular forms of leadership (nurturing, cooperative, egalitarian, communicative, etc.). Focusing on the German-speakingcountries, this volume works to dismantle the prevailing disassociation of women and leadership across a range of disciplines. Contributions discuss literary works involving women's political authority and cultivation of community from Maria Antonia of Saxony to Elfriede Jelinek; women's social activism, as embodied by figures from Hedwig Dohm to Rosa Luxemburg; women in political film, environmentalism, neoliberalism, and the media from Leni Riefenstahlto Petra Kelly to Maren Ade; and political leaders Hillary Clinton and Angela Merkel. Contributors: Dorothee Beck, Seth Berk, Friederike Bruhofener, Margaretmary Daley, Aude Defurne, Helga Druxes, Sarah Vandegrift Eldridge, Anke Gilleir, Rachel J. Halverson, Peter Hudis, Elisabeth Krimmer, Stephen Milder, Joyce Marie Mushaben, Lauren Nossett, Patricia Anne Simpson, Almut Spalding, Inge Stephan, Lisa Fetheringill Zwicker. Elisabeth Krimmer is Professor of German at the University of California, Davis. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln.

Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present.

Biography of three artists closely associated with the Pre-Raphaelites whose letters give a vivid insight into the dramas of their personal life.

Essays on book history, manuscripts and reading during a period of considerable change.The production, transmission, and reception of texts from England and beyond during the late medieval and early renaissance periods are the focus of this volume. Chapters consider the archives and the material contexts in which texts were produced, read, and re-read; the history of specific manuscripts and early printed books; and some of the continuities and changes in literary and book production, dissemination, and reception in the fifteenth and sixteenth centuries. Responding to Professor Julia Boffey's pioneering work on medieval and early Tudor material and literary culture, they cover a range of genres - from practical texts written in Latin to works of Middle English poetryand prose, both secular and religious - and examine an assortment of different reading contexts: lay, devotional, local, regional, and national. TAMARA ATKIN is Senior Lecturer in Late Medieval and Early RenaissanceLiterature, and JACLYN RAJSIC is Lecturer in Medieval Literature, at the School of English and Drama, Queen Mary University of London. Contributors: Laura Ashe, Priscilla Bawcutt, Martin Camargo, Margaret Connolly, Robert R. Edwards, A.S.G. Edwards, Susanna Fein, Joel Grossman, Alfred Hiatt, Pamela M. King, Matthew Payne, Derek Pearsall, Corinne Saunders, Barry Windeatt, R.F. Yeager.

Essays on aspects of early drama.Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The articles in this fortieth volume engage with the key communities for early theatre: royalty, city and household, and religious institutions. Topics include the Royal Entry of Elizabeth Woodville into Norwich (1469); Henry VIII's Robin Hood entertainment for Catherine of Aragon; the sun's contribution to stage effects in the York Corpus Christi Play: the engagement with local worthies in Mankind; and the convent drama of Huy, in the Low Countries. Contributors: Aurelie Blanc, Philip Butterworth, Clare Egan, John Marshall, Olivia Robinson, Michael Spence, Meg Twycross.

The work of an unjustly neglected antiquarian brought to life, showing his contribution to the field.

Revisionist approach to the question of the authenticity - or not - of the documents in the Book of Llandaf.Awarded the Francis Jones Prize in Welsh History 2019 by Jesus College Oxford The early-twelfth-century Book of Llandaf is rightly notorious for its bogus documents - but it also provides valuable information on the earlymedieval history of south-east Wales and the adjacent parts of England. This study focuses on its 159 charters, which purport to date from the fifth century to the eleventh, arguing that most of them are genuine seventh-century and later documents that were adapted and "e;improved"e; to impress Rome and Canterbury in the context of Bishop Urban of Llandaf's struggles in 1119-34 against the bishops of St Davids and Hereford and the "e;invasion"e; of monks from English houses such as Gloucester and Tewkesbury. After assembling other evidence for the existence of pre-twelfth-century Welsh charters, the author defends the authenticity of most of the Llandaf charters' witness lists, elucidatestheir chronology, and analyses the processes of manipulation and expansion that led to the extant Book of Llandaf. This leads him to reassess the extent to which historians can exploit the rehabilitated charters as an indicator of social and economic change between the seventh and eleventh centuries and as a source for the secular and ecclesiastical history of south-east Wales and western England. PATRICK SIMS-WILLIAMS is a Fellow of the British Academy; he was formerly Reader in Celtic and Anglo-Saxon in the University of Cambridge and Professor of Celtic Studies at Aberystwyth University.

Multi-disciplinary investigation of Anglo-Saxon funerary traditions.

Essays on aspects of iconography as manifested in the material culture of medieval England.Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and understudied sculpted stone monuments of Anglo-Saxon England. This volume builds on her scholarly interests, offering new engagements with medieval culture and the current scholarly methodologies that shape the discipline. The contributors approach several significantobjects and texts from the early and later Middle Ages, working across several disciplinary backgrounds and periods, largely focusing on the Insular World as it intersects with wider global contexts of the period. The chapters cover a wide range of subjects, from the material culture of baptism, to the material, symbolic and iconographic consideration of the artistic outputs of the Insular world, with essays on sculpture, metalwork, glass and manuscripts,to ideas of stone and salvation in both material and textual contexts, to intellectual puzzles and patterns - both material and mathematic - to consideration of the ways in which the conversion to Christianity played out on the landscape. MEG BOULTON is Research Affiliate and Visiting Lecturer in the History of Art Department at the University of York; MICHAEL D.J. BINTLEY is Lecturer in Early Medieval Literature and Culture at Birkbeck, University of London. Contributors: Elizabeth Alexander, Michael Brennan, Melissa Herman, Mags Mannion, Thomas Pickles, Harry Stirrup, Heidi Stoner, Colleen Thomas, Philippa Turner, Carolyn Twomey,

A series which is a model of its kind. Edmund King, HistoryThis year's volume continues to demonstrate the vitality of scholarship in this area, across a variety of disciplines. There is a particular focus on the material culture of the Norman Conquest of England and its aftermath, from study of horses and knights to its archaeologies to castle construction and the representation of a chanson de geste on an Italian church facade. The volume also includes papers on royal and private authority in Anglo-SaxonEngland; the relationship between Anglo-Norman rulers and their neighbours; intellectual history; priests' wives; and noble lepers. Contributors: Sabina Flanagan, Hazel Freestone, Sally Harvey, Tom Lambert, Aleksandra McClain, Nicholas Paul, Charlotte Pickard, David Pratt, Richard Purkiss, David Roffe, Nicolas Ruffini-Ronzani, Lucia Sinisi, Linda Stone, Naomi Sykes

This book examines the silk-processing activities of the English East India Company in Bengal.

Sir Henry J. Wood (1869-1944), co-founder and chief conductor of the Proms, is often noted for his championing of the leading composers of the day, including Richard Strauss, Debussy, Rachmaninov, Ravel and Vaughan Williams. He also played pivotal role in advocating and performing the music of J.S. Bach.

First multi-disciplinary study of the cultural and social milieu of the post-medieval castle.The castle was an imposing architectural landmark in late medieval and early modern England and Wales. Castles were much more than lordly residences: they were accommodation to guests and servants, spaces of interaction between the powerful and the powerless, and part of larger networks of tenants, parks, and other properties. These structures were political, symbolic, residential, and military, and shaped the ways in which people consumed the landscape and interacted with the local communities around them. This volume offers the first interdisciplinary study of the socio-cultural understanding of the castle in the late fifteenth and early sixteenth centuries, a period duringwhich the castle has largely been seen as in decline. Bringing together a wide range of source material - from architectural remains and archaeological finds to household records and political papers - it investigates the personnel of the castle; the use of space for politics and hospitality; the landscape; ideas of privacy; and the creation of a visual legacy. By focusing on such an iconic structure, the book allows us to see some of the ways in which men and women were negotiating the space around them on a daily basis; and just as importantly, it reveals the impact that the local communities had on the spaces of the castle. AUDREY M. THORSTAD teaches in the Department of History, University of North Texas.

Fresh perspectives on the English clergy, their books, and the wider Anglo-Saxon church.

This innovative collection explores how a distinctively British model of sociability developed in the period from the Restoration of Charles II to the early nineteenth century through a complex process of appropriation, emulationand resistance to what was happening in France and other parts of Europe.The study of sociability in the long eighteenth century has long been dominated by the example of France. In this innovative collection, we see how a distinctively British model of sociability developed in the period from the Restoration of Charles II to the early nineteenth century through a complex process of appropriation, emulation and resistance to what was happening in France and other parts of Europe. The contributors use a wide range of sources - from city plans to letter-writing manuals, from the writings of Edmund Burke to poems and essays about the social practices of the tea table, and a variety of methodological approaches to explore philosophical, political and social aspects of the emergence of British sociability in this period. They create a rounded picture of sociability as it happened in public, private and domestic settings - in Masonic lodges and radical clubs, in painting academies and private houses - and compare specific examples and settings with equivalents in France, bringing out for instance the distinctively homo-social and predominantly masculine form of British sociability, the role of sociabilitywithin a wider national identity still finding its way after the upheaval of civil war and revolution in the seventeenth century, and the almost unique capacity of the British model of sociability to benefit from its own apparenttensions and contradictions. VALERIE CAPDEVILLE is Senior Lecturer in British Civilisation at the University of Paris 13. ALAIN KERHERVE is Professor of British Studies at the Faculte des Lettres et Sciences Humaines Victor Segalan, University of West Brittany (UBO Brest). CONTRIBUTORS: Pierre-Yves Beaurepaire, Valerie Capdeville, Michele Cohen, Norbert Col, Annick Cossic, Brian Cowan, Remy Duthille, Markman Ellis, Allan Ingram, Emrys Jones, Alain Kerheve, Elisabeth Martichou, Marie-Madeleine Martinet, Ian Newman, Jane Rendall

The first cohesive Faust narrative in facsimile form, German transcription, and (first-ever) English translation, plus a history of Faust illustrations and an assessment of Faust's historicity.The Faust legend, which has come down to us most famously in Goethe's tragedy but also in countless other incarnations since the late sixteenth century, was first collected and presented as a cohesive narrative (in manuscript) byChristoph Rosshirt during the 1570s. Rosshirt was also the first to provide illustrations of Faust, hand-colored by Rosshirt himself. This book offers a critical edition of Rosshirt's six tales, including an introductory chapter,a facsimile of the manuscript, a transcription and first-ever English translation on facing pages, as well as a history of Faust illustrations, with Rosshirt's own illustrations and other examples up through Delacroix, the most complete survey of such illustrations to date. A final chapter rounds out the study with an assessment of Rosshirt's significance for the Faust tradition, a review of the evidence for a historical Faust, and a rejection of his historicity (because it is unprovable) in favor of his existence only in his story - a story Rosshirt helped to tell - and in our imaginations that animate that story. J. M. van der Laan is Professor Emeritus of German at Illinois State University.

New essays providing fresh insights into the great 20th-century American poet Lowell, his writings, and his struggles.Robert Lowell (1917-1977) holds a place of unchallenged prominence in the poetic pantheon of the twentieth-century United States. He is an essential focal point for understanding the connection between poetry and American history,social justice, and personal identity. A recent spate of publications both by and about him, as well as allusions to him in the work of major American poets such as Wanda Coleman and Claudia Rankine, attest to his continued relevance. In March 2017, leading Lowell scholars from Europe and America gathered at the University of Fribourg, Switzerland in commemoration of his 100th birthday. The essays deriving from the conference and presented here aftercareful revision reveal new aspects of Lowell: for instance, the poet's influence on his peers, discussed by Thomas Travisano, the biographer of Elizabeth Bishop; or echoes of Milton in Lowell's work, discussed by Saskia Hamilton, editor of the forthcoming Dolphin Letters between Lowell and Elizabeth Hardwick. Other essays examine Lowell's struggles with bipolar illness, with marriage, and with money; his economic views and his early personality issues with respect to his poetic production; his extended sojourn in Amsterdam; and his special relationship with Ireland. Several essays focus on his 1961 volume Imitations, his major poetic engagement with the European tradition, unjustly neglected in the US. The essays will appeal to the wide audience that Lowell scholarship continues to command. Contributors: Steven Gould Axelrod, Massimo Bacigalupo, Philip Coleman, Ian D. Copestake, Astrid Franke, Jo Gill, Saskia Hamilton, Frank J. Kearful, Grzegorz Kosc, Diederik Oostdijk, Francesco Rognoni, Thomas Travisano, Boris Vejdovsky. Thomas Austenfeld is Professor of American Literature at the University of Fribourg.

Explores the culturally complex and cosmopolitan histories of islands off the African coastIslands and island chains like Cabo Verde, Madagascar, and Bioko are often sidelined in contemporary understandings of Africa in which mainland nation-states take center stage in the crafting of historical narratives. Yet in the modern period, these small offshore spaces have often played important if inconsistent roles in facilitating intra- and intercontinental exchanges that have had lasting effects on the cultural, economic, and political landscape ofAfrica. In African Islands: Leading Edges of Empire and Globalism, contributors argue for the importance of Africa's islands in integrating the continent into wider networks of trade and migration that links it with Asia, Europe, and the Americas. Essays consider the cosmopolitan and culturally complex identities of Africa's islands, analyzing the process and extent to which trade, slavery, and migration bonded African elements with Asian, Arabic, and European characteristics over the years. While the continental and island nations have experienced similar cycles of invasion, boom, and bust, essayists note both similarities and striking differences in how these events precipitated economic changes in the different geographic areas. This book, a much-needed broadly comparative study of the African islands, will be an important resource for students and scholars of the region and of topics such as colonialism, economic history, and cultural hybridity. TOYIN FALOLA is Jacob and Frances Sanger Mossiker Chair in the Humanities and Professor of History at the University of Texas at Austin. R. JOSEPH PARROTT isAssistant Professor of History at Ohio State University. DANIELLE PORTER SANCHEZ is Assistant Professor of History at Muhlenberg College.

A richly documented study of early modern state formation, sovereignty, legitimacy, and comparative political culture in Alsace between the Peace of Westphalia and the French Revolution

The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States.

Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others.

Looks at the politics of the Catholic Church during a turbulent period in central MozambiqueThis book is concerned with the internal diversity and complexity of the Roman Catholic Church. It aims at exploring, unpacking, and explaining how the Roman Catholic institution works, how its politics are made, and how the latter impact its environment. Using the diocese of Beira in central Mozambique as a case study, and following insights by Max Weber, author Eric Morier-Genoud takes the novel "e;horizontal"e; approach of looking at congregations within the Church as a series of autonomous entities, rather than focusing on the hierarchical structure of the institution. Between 1940 and 1980, the diocese of Beira was home to some fifteen different congregations rangingfrom Jesuits to Franciscans, from Burgos to Picpus fathers. As in many areas of the world, the 1960s brought conflict to Catholic congregations in central Mozambique, with African nationalism and the reforms of Vatican II playinga part. The conflict manifested in many ways: a bishop's flight from his diocese, a congregation abandoning the territory in protest against the collusion between church and state, and a declaration of class struggle in the church. All of these events, occurring against the backdrop of the war for Mozambican independence, make the region an especially fruitful location for the pioneering analysis proffered in this important study. ERIC MORIER-GENOUD is Senior Lecturer in African History at Queen's University Belfast.

An investigation into two important Saints Lives provides a window into the Anglo-Saxon perception of the non-human world.The question of the relationship between humanity and the non-human world may seem a modern phenomenon; but in fact, even in the early medieval period people actively reflected on their own engagement with the non-human world, with such reflections profoundly shaping their literature. This book reveals how the Anglo-Saxons themselves conceptualised the relationship, using the Saints Lives of Cuthbert and Guthlac as a prism. Each saint is fundamentally linked to a specific and recognisable location in the English landscape: Lindisfarne and Farne for Cuthbert, and the East Anglian fens and the island of Crowland for Guthlac. These landscapes of the mind were defined by the theological and philosophical perspectives of their authors and audiences. The world in all its wonder was Creation, shaped by God. When humanity fell in Eden, its relationship to this world was transformed: cold now bites, fire burns, andwolves attack. In these Lives, however, saints, the holy epitome of humanity, are shown to restore the human relationship with Creation, as in the sea-otters warming Cuthbert's frozen feet, or birds and fish gathering to Guthlac like sheep to their shepherd. BRITTON ELLIOTT BROOKS is Project Assistant Professor at the University of Tokyo, Centre for Global Communication Strategies.

Discusses how Britain replicated the "Singapore model" - the use of imported "industrious" Chinese labour - to other parts of its empire, with varying degrees of success.

Reports of the surveyors of Westminster Abbey in the twentieth century provide a wealth of information on this most important building.

A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords.

A comprehensive study of every aspect of chivalry and chivalric culture.

Known for his orchestral, operatic and choral works, James MacMillan (b. 1959) appeals across the spectrum of contemporary music making.

This year's volume is highlighted by a special section on Goethe's narrative events in addition to a range of other articles from emerging and established scholars.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 26 features a special section on Goethe's narrative events, with contributions on "e;Narrating (against) the Uncanny: Goethe's "e;Ballade"e; vs. Hoffmann's Der Sandmann,"e; "e;The Absence of Events in Die Wahlverwandtschaften,"e; and "e;Countering Catastrophe: Goethe's Novelle in the Aftershock of Kleist."e; This issue also showcases work presented atthe 2017 Atkins Goethe Conference (Re-Orientations around Goethe), including contributions by Eva Geulen on morphology and W. Daniel Wilson on the Goethe Society of Weimar in the Third Reich. In addition there are articles by emerging and established scholars on Klopstock, Schiller, Goethe and objects, dark green ecology, and texts of the Goethezeit and beyond through the lens of world literature. Book reviews conclude the volume. Contributors: Lisa Marie Anderson, Thomas O. Beebee, Fritz Breithaupt, Christopher Chiasson, Patrick Fortmann, Sean Franzel, Eva Geulen, Willi Goetschel, Stefan Hajduk, Samuel Heidepriem, Bryan Klausmeyer, Lea Pao, Elizabeth Powers, James Shinkle, Heather I. Sullivan, Christian P. Weber, W. Daniel Wilson, Karin A. Wurst. The Goethe Yearbook is edited, beginning with this volume, by Patricia Anne Simpson, Professor of German and Chairperson of Modern Languages at the University of Nebraska-Lincoln, and Birgit Tautz, George Taylor Files Professor of Modern Languages at Bowdoin College. Book Review Editor is Sean Franzel, Associate Professor of German at the University ofMissouri-Columbia.

This important collection reveals that Augustine's political thought drew on and diverged from the classical tradition, contributing to the study of questions at the center of all Western political thought.Studies on Augustine have burgeoned over the past decade, but attention has focused primarily on his writings on philosophy and theology. Less attention has been given to his political teaching, despite his well-known and influential statements on politics, most notably in his City of God. This collection of essays examines Augustine's corpus with a view to understanding his political thought. Taking seriously what he has to say about politics, the contributors here begin with Augustine's own reflections on politics-and often in writings where one least expects to find such reflections, such as the autobiographical Confessions, his letters, and his sermons.The contributors then consider the ways in which Augustine's teaching relates to that of his predecessors, the classical thinkers, as well as to the thought of other medieval thinkers, revealing that Augustine both drew on and diverged from the classical tradition and influenced the political thought of later medieval and even modern thinkers. This important collection thus contributes to the history of political thought and to the study of the questionsat the center of all Western political thought. RICHARD J. DOUGHERTY is professor of politics and chair of the Department of Politics at the University of Dallas.