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A vivid picture of wartime Lincolnshire, and an engagingly readable account of the life of a busy parish priest.

In a disruptive media landscape characterized by the relentless death of legacy newspapers, Nigeria's Digital Diaspora shows that a country's transnational elite can shake its media ecosystem through distant online citizenjournalism.

An unprecedented close textual analysis of numerous films within their contemporary cultural context.This book engages with representations of social crisis in Argentine fictional cinema between 1998 and 2005, a period when Argentina experienced a deep economic crisis that brought about significant changes in politics, culture, society and the arts. It focuses on the ways in which cinema interpreted and represented both contemporary and long-established issues within national and social discourse, while re-assessing notions of national identity, culture and class. Despite a growing body of scholarship on Argentine film published in English over the past few years, the role of more conventional films aimed at the public at large remains underexplored. By combining close textual analysis of films with the study of their cultural context, this book argues that fictional cinema at large addressed predominantly middle-class audiences, offering both reflective and divergent views on social reality that enriched the cultural arena in which Argentineans could reflect on their past, their daily life, and their relationship with the other. In this sense cinema helped Argentine people to learn to live in democracy. Santiago Oyarzabal is Associate Fellow in Hispanic Studies at the University of Warwick.

The first translation of Baldric's Historia Ierosolimitana, a spirited account of the First Crusade, into modern English.

Reframes the story of modern Ethiopia around the contributions of the Oromo people and the culturally fluid union of communities that shaped the nation's politics and society.

Essays on the performance of drama from the middle ages, ranging from the well-known cycles of York to matter from Iran.Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The articles here focus on civic theatre and display. Chester, York, Durham and Newcastle, and London. Practicalities are to the fore: what the Drawers of Dee actually did, how the actors in the York Corpus Christi Play knewwhat time it was, the difficulties presented to London pageantry by unauthorised house-extensions and horse-droppings. Even the stately entertainments of a royal tour by James VI & I featured (in Newcastle, of course) negotiationover the monopoly on coal disguised as a historical event in a play about King Alfred and Canute. Ranging further afield is an introduction to the living tradition of Iranian mystery plays, whose history and development have somethought-provoking parallels with those of medieval waggon plays in the West. Finally, the director and producer discuss their 2019 production of John Redford's Wit and Science by Edward's Boys, the first to be played by aboys' company since the sixteenth century. Contributors: Philip Butterworth, Mark Chambers, E. Lucy Deacon, Elisabeth Dutton, Ernst Gerhardt, Gaspar Jackovac, Perry Mills, Meg Twycross.

An affective reading of twentieth-century Afro-Cuban literature focussing on a set of concerns ranging from the filial to the erotic.

An in-depth study of the presence and representation of Jews in contemporary Argentine film, focusing on films shot since the year 2000.Runner-up for the AHGBI-Spanish Embassy Doctoral Publication Prize for 2017 Notwithstanding the current visual prominence of Jewish life and Jewish culture on the Argentine big screen, surprisingly little has been written about Jewish film characterization in academic scholarship. In order to fill this lacuna, Portrayals of Jews in Contemporary Argentine Cinemaexplores the depiction of the Jews of Argentina in modern Argentine cinema with particular attention to the ways in which Jews and Jewishness interact with issues of national identity. The central aim of the book is to investigate how Argentine cinema negotiates the argentinidad of Jewish Argentines, thereby adding to the mosaic that is the imagined community of Argentina. To this end, key films by both Jewish and non-Jewish directors are scrutinized, shedding light on three main areas: the masculinity of the Jewish gaucho, the effects of the 1994 AMIA bombing and family relations, including fatherhood and the intermarriage between Jews and Gentiles. Organized around these topics, the book comprises four chapters and with the exception of the first, which is a historical exposition of Jewish presence in Argentina and Argentine film, all subsequent ones take a theme-centered approach. Mirna Vohnsen is a faculty member in Spanish and Latin American Studies at Maynooth University.

The first comprehensive history of Calais under English rule, casting new light on the development of its vigorous political and commercial society.

The authors describe the varying roles which "poets" have historically filled in society, suggesting their various functions. They draw on a wide range of texts - Irish, Gaelic, Welsh, Norse - to illustrate these functions and the centrality of "wisdom literature" to the tribal poet.

New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume investigate a range of writers from late antiquity to the fifteenth century. They explore encounters between humans and animals in French romance; reflect on what contemporary sound studies can offer to Anglo-French poetry; trace how the reception of Trojan history is influenced by late medieval military practices; attend to the complex multilingualism of a devotional poetry that tests the limits of both language and theology; analyse the ways in which Christ's sexuality upsets religious typology inlate medieval drama; document the lines of national and European affinities found in French poetic manuscripts; and argue for why we should study "e;ugly"e; manuscripts of practical instruction not only for what they teach us but alsofor their insights into medieval literacy. Texts discussed include romances such as Chretien de Troyes's Yvain and Beroul's Tristan; the theologian John of Howden's adaptation of the Philomela legend in his Rossignos; Chaucer's Troilus and Criseyde read alongside siege chronicles of the Hundred Years War; Bruder Hans's quadrilingual Ave Maria; the York Corpus Christi Plays; the poetry of Charles d'Orleans; and a group oflate medieval manuscripts which include herbals, account books, and medical treatises. KELLIE ROBERTSON is Professor of English and Comparative Literature at the University of Maryland; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX Is University Lecturer inEnglish and Fellow of Trinity College, Cambridge, Contributors: Lukas Hadrian Ovrom, Terrence Cullen, Steven Rozenski, Tison Pugh, Rory G. Critten, Daniel Wakelin.

First full-length investigation of Elizabethan and Jacobean genealogy, showing how it could be manipulated to legitimise - and oppose.Shakespeare lived in an age when royal genealogy mattered. Queen Elizabeth succeeded her father despite accusations of illegitimacy after Anne Boleyn's beheading. As she defied suitors and potential spouses, and refused not only to produce but even to nominate an heir, factions arose siding with the numerous candidates, particularly Mary Queen of Scots. When, upon Elizabeth's death, James VI, the king of Scotland, prepared to ascend for the first time in history to the English throne, it became paramount that he should fashion himself as an English monarch as well. In this game of thrones, royal genealogy was the instrument that could best represent, distort, create, favour orundermine the ancestral right of the current ruler and their potential successors. In the form of scrolls, charts, books, paper rags and even maps, the genealogies of Elizabeth I, James I, and the main pretenders were circulatedin Britain and Europe in manuscript and print, officially or surreptitiously. This book - the first systematic study of this subject - explores the most fascinating examples of royal genealogy in this era, from the rooms of Whitehall to the pockets of Jesuits in London prisons. Most of these texts are here reproduced in print for the first time, with lavish illustrations; they reveal the political divisions, concerns, treasons and celebrations that lurked behind their splendour. SARA TREVISAN studied at the University of Padua. After working as a lecturer and postdoctoral researcher in Renaissance Studies in Britain and the US, she is now a full-time rare books andmanuscripts specialist in the antiquarian book trade and Honorary Research Fellow at the University of Warwick.

Wide-ranging examination of women's achievements in and influence on many aspects of medieval culture.

Essays on the post-modern reception and interpretation of the Middle Ages,To attract followers many professional politicians, as well as other political actors, ground their biases in (supposedly) medieval beliefs, align themselves with medieval heroes, or condemn their enemies as medieval barbarians. The essays in the first part of this volume directly examine some of the many forms such medievalism can take, including the invocation of "e;blood libels"e; in American politics; Vladimir Putin's self-comparisons to "e;Saint Equal-of-the-Apostles Prince Vladimir"e;; alt-right references to medieval Christian battles with Moslems; nativist Brexit allusions to the Middle Ages; and, in the 2019 film The Kid Who Would be King, director Joe Cornish's call for Arthurian leadership through Brexit. These essays thus inform, even as they are tested by, the subsequent papers, which touch on politics in the course of discussing the director Guy Ritchie's erasure of Wales in the 2017 film King Arthur: Legend of the Sword; medievalist alt-right attempts to turn one disenfranchised group against another; Jean-Paul Laurens's 1880 condemnation of Napoleon III via a portrait of Honorius; Henry Wadsworth Longfellow's extraordinarily wide range of medievalisms; the archaeology of Julian of Norwich's anchorite cell; the influence of Julian on pity in J.K. Rowling's Harry Potter book series; the origins of introductory maps for medievalist narratives; self-reflexive medievalism in a television episode of Doctor Who; and sonic medievalism in fantasy video games. Contributors: Laura Cochrane, James Cook, Esther Cuenca, Andrew B.R. Elliott, Ali Frauman, JohnWyatt Greenlee, Sean Griffin, Christopher Jensen, M.J. Toswell, Laura Varnam, Usha Vishnuvajjala, Anna Fore Waymack, Daniel Wollenberg, Victoria Yuskaitis

The Book of Margery Kempe set in the context of medieval medical discourse.Margery Kempe's various illnesses, mental, spiritual and physical, are a recurring theme in her Book. This volume, the first full-length interdisciplinary study from a medical humanities perspective, offers a medicalized reading of Kempe's spirituality in the context of the ubiquitous medieval notion of Christ the Physician, and thus a new way of interpreting the Book itself: as a narrative of Kempe's own engagement with the medical paradigms of which she has previously been a passive subject. Focusing on the interactions of medicine, mysticism and reproduction as a feminist project, the author explores the ontology of female flesh; the productive use of pain, suffering and sickness; and the ethics of a maternal theology based on the melancholic and surrogate activities that underlie Kempe's experience. Structured broadly via a traverse through the life course, the book shows how Kempe'sresponse to suffering is illuminated by the medieval medical discourse by which she is contemporaneously read, and by which she engineers her own construction and understanding of self. It also explores Kempe's persistent attendance to her mystical body and refusal to compromise her instinct to authentically show how she feels. LAURA KALAS is a Lecturer in Medieval Literature at Swansea University.

An overlooked aspect of the iconography of the Annunciation investigated - Mary's book.

This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW

A fresh approach to the construction of "Anglo-Saxon England" and its depiction in art and writing.

First in-depth investigation of the genealogies of medieval Wales, bringing out their full significance.Genealogy was a central element of life in medieval Wales. It was the force that held society together and the framework for all political action. For these reasons, genealogical writing in medieval Wales, as elsewhere in Europe,became a fundamental tool for representing and manipulating perceptions of the socio-political order across historical and literary time. From its beginnings within an early medieval Insular genre of genealogical writing, Welsh genealogy developed across the Middle Ages as a unique and pervasive phenomenon. This book provides the first integrated study of and comprehensive introduction to genealogy in medieval Wales, setting it in the context of genealogical writing from Ireland, England and beyond and tracing its evolution from the eighth to the sixteenth century. The three most important collections of secular genealogies are carefully analysed and their composition is considered in relation to medieval Welsh politics. Particular attention is devoted to the pedigrees of the kings and princes of Gwynedd, which were subject to many intricate alterations over time. The book also includes fresh criticaleditions of the most significant extant collections of secular genealogy. Dr BEN GUY is a Junior Research Fellow at Robinson College, Cambridge.

Ground-breaking interdisciplinary approach to the medieval manor pre- and post-Conquest.Medieval manors have long been the subject of academic study, though the ways in which these houses reflected and shaped - and were shaped by - their occupants to express social authority have not yet been fully explored. This book undertakes a wide-ranging and interdisciplinary examination of them, aiming to provide a fuller account of how concepts of space and domestic place were understood, represented, and used by their occupants in England and Normandy from c. 900 to c. 1200, and how this illuminates aspects of gender and authority in the period. Blending approaches from archaeology and history, it uses evidence from Anglo-Saxon wills, standing and excavated manorial sites inEngland and Normandy, and a variety of written texts from vitae to history to poetry, in order to delve into, deconstruct and reconstruct gendered notions of authority in the period. This book ultimately challenges ideas ofgendered objects and places through the medieval construction of authoritative personae, and the use and representation of medieval manors, focusing on the household as a place and space of performance in the age of the Norman Conquest. KATHERINE WEIKERT is Senior Lecturer in Early Medieval History at the University of Winchester.

Reassesses the context in which the state of Northern Ireland was created.Most studies of the Irish Revolution focus on republican violence and on the establishment of the Irish Free State in 1922. This book, on the other hand, based on extensive original research, considers the situation in the north of Ireland, which was predominantly unionist and affected much less by republican violence. The book examines unionist violence, including the riots during which Catholic homes and businesses in Lisburn were burned, discusses the establishment of the state of Northern Ireland and its security forces, and explores largely constitutional response of Northern Ireland's nationalist community and how this community was affected. It discusses the relationship between politicians, the British government and local communities, assesses the degree to which unionist violence was a reaction to republican violence, and provides a detailed analysis of the Northern Irish security force, the Ulster Special Constabulary. The book concludes that although the Ulster Special Constabulary was clearly drawn from one community, claims that its membership was deliberately recruited according to its ability to inflict havoc on theCatholic population are not correct. CHRISTOPHER MAGILL completed his doctorate at Queen's University, Belfast.

Examines the role of the East India Company in the production and development of British art, demonstrating how art and related forms of culture were closely tied to commerce and the rise of the commercial state.This book examines the role of the East India Company in the production and development of British art during the eighteenth and early nineteenth centuries, when a new "e;school"e; of British art was in its formative stages with the foundation of exhibiting societies and the Royal Academy in 1768. It focuses on the Company's patronage, promotion and uses of art, both in Britain and in India and the Far East, and how the Company and its trade with the East were represented visually, through maritime imagery, landscape, genre painting and print-making. It also considers how, for artists such as William Hodges and Arthur William Devis, the East India Company, and its provision of a wealthy market in British India, provided opportunities for career advancement, through alignment with Company commercial principles. In this light, the book's main concern is to address the conflicted and ambiguous nature of art produced in the service of a corporation that was the "e;scandal of empire"e; for most of its existence, and how this has shaped and distorted our understanding of the history of British art in relation to the concomitant rise of Britainas a self-consciously commercial and maritime nation, whose prosperity relied upon global expansion, increasing colonialism and the development of mercantile organisations. GEOFF QUILLEY is Professor of Art History at the University of Sussex, specializing in the relation of British and western visual culture to empire and global expansion in the eighteenth and nineteenth centuries. He was previously Curator of Fine Art at the National Maritime Museum, London, and has written and edited numerous books, including Empire to Nation: Art, History and the Visualization of Maritime Britain, 1768-1829 (Yale University Press 2011).

How did the case of the 'mild mannered murderer', Hawley Harvey Crippen, come to have such an enduring cultural resonance?Almost as notorious as Jack the Ripper, US citizen and homeopath Dr Hawley Harvey Crippen was forty-eight years old when he was hanged in London in November 1910 for the murder and mutilation of his wife. When Cora Crippen vanished in February 1910, he claimed that she had returned to the United States. Yet the discovery of a dismembered body, buried beneath the cola cellar of their house, and Crippen's attempt to flee to Canada with his cross-dressed mistress exposed and convicted him. The case aroused enormous public interest at the time, and it has remained in the popular imagination ever since, memorialised in crime history, fiction, film and even musical theatre. As late as 2007, some American academics were claiming that the dead body was not Cora's and that Crippen was in fact innocent. This book aims to account for the endurance of the Dr Crippen murder case in the cultural imagination. Highlighting the case's disruptive blending of cultural traditions, it discusses historical precedents, analyses diverse literary traditions, looks at broadside balladry and music-hall repertoire and addresses queer theory discourses. The book shows how the case, part throwback to earlier crime sensations and part presage of a new understanding of criminality, represents a watershed in the representation of criminality and played a distinctive role in the development of crime fiction. ROGER DALRYMPLE is a Principal Lecturer in Education at Oxford Brookes University.

The third of four volumes, containing the edited texts, commentaries and source notes for each of the nearly nine hundred occasions of special worship including the development of national days of prayer during the two world wars,and a proliferation of nation-wide services for royal occasions.

Interactions between age groups were central to major social and cultural developments in eighteenth-century England, and this book serves as a powerful reminder that people lived through not in the past.This book explores the links between age relations and cultural change, using an innovative analytical framework to map the incremental and contingent process of generational transition in eighteenth-century England. The study reveals how attitudes towards age were transformed alongside perceptions of gender, rank and place. It also exposes how shifting age relations affected concepts of authenticity, nationhood, patriarchy, domesticity and progress. The eighteenth century is not generally associated with the formation of distinct generations. This book, therefore, charts new territory as an age cohort in Newcastle upon Tyne is followed from infancy to early adulthood,using their experiences to illuminate a national, and ultimately imperial, pattern of change. The chapters begin in the nurseries and schoolrooms in which formative years were spent and then traverse the volatile terrain of adolescence, before turning to the adult world of fashion and politics. This investigation uncovers the roots of a generational divide that spilled into the political arena during the parliamentary election of 1774. But more than that,it demonstrates that the interactions between age groups were central to major social and cultural developments in the eighteenth century and serves as a powerful reminder of the need to recognise that people lived throughnot in the past. BARBARA CROSBIE is Assistant Professor in Early Modern Social History at Durham University and co-edited (with Adrian Green) Economy and Culture in North-East England, 1500-1800 (Boydell Press, 2018).

The first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II.Cheer Up! is the first book to deal exclusively with the British musical film from the very beginning of talking pictures in the late 1920s through the Depression of the 1930s up to the end of World War II. The upsurge in production at British studios from 1929 onwards marked the real birth of a genre whose principal purpose was to entertain the British public. This endeavour was deeply affected by the very many emigres escaping Nazi Germany, who flooded into the British film industry during this decade, as the genre tried to establish itself. The British musical film in the 1930s reflects a richness of interest. Studios initially flirted with filming what were essentially stage productions plucked from the West End theatre but soon learned that importing a foreign star was a box-office boost. Major musical stars including Jessie Matthews, Richard Tauber and George Formby established themselves during this period. From its beginning, the British musical film captured some of the most notable music-hall performers on screen, and its obsession with music-hall persisted throughout the war years. Other films married popular and classical music with social issues of poverty and unemployment, a message of social integration that long preceded the efforts of the Ealing studios to encourage a sense of social cohesion in post-war Britain. The treatmentof the films discussed is linear, each film dealt with in order of its release date, and allowing for an engaging narrative packed with encyclopaedic information. ADRIAN WRIGHT is a performer, novelist and writer. Hisprevious books with Boydell include A Tanner's Worth of Tune: Rediscovering the Post-War British Musical (2010), West End Broadway: The Golden Age of the American Musical in London (2012) and Must Close Saturday:The Decline and Fall of the British Musical Flop (2017). He has previously written on the subject of film music in his biography of William Alwyn, The Innumerable Dance (2008), and his fiction includes the Francis and Gordon Jones Mysteries series: The Voice of Doom, The Coming Day and Forget Me Not.

By common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him.This collection of revised reprints of essays, reviews and analyses first published between 1995 and 2018 surveys a cross-section of contemporary classical composition in the UK. The governing perspective is the impact of the lifeand work of Benjamin Britten (1913-1976) on British composers who, with the exception of Michael Tippett and Robert Simpson, were born between the 1930s and the 1980s. Despite obvious and considerable differences in character andstyle, British composers like Harrison Birtwistle and Thomas Ades, Robin Holloway and James Dillon, have continued, like Britten himself, to seek personal perspectives on the still prominent procedures and personalities of more distant baroque, classical and romantic eras. Most if not all of these composers would deny being influenced by Britten, and many have reservations about his music. Yet, in light of the fact that British musical life and the institutions that support it have not changed radically since Britten's own time - the pace of technological change notwithstanding - to speak of 'British music after Britten' inevitably involves something more than mere chronology. Asby common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him. ARNOLD WHITTALL is Professor Emeritus of Music Theory & Analysis, King's College London and one of the leading authorities on twentieth-century music and analysis.

New insights into key texts and interpretive problems in the history of England and Europe between the eighth and thirteenth centuries.

The Miserere by Italian composer Gregorio Allegri (1582-1652) is one of the most popular, oft performed and recorded choral pieces of late Renaissance/early Baroque music. Yet the piece known today bears little resemblanceto Allegri's original or to the piece as it was performed before 1870.The Miserere attributed to the Italian composer Gregorio Allegri (1582-1652) is one of the most popular, often performed and recorded choral pieces of late Renaissance/early Baroque music. It was composed during the reign of Pope Urban VIII in the 1630s, for the exclusive use of the Papal Choir in the Sistine Chapel during Holy Week, the last of thirteen surviving Misereres sung at the services of Tenebrae since 1514. When the young Mozart visited Rome, so the story goes, he transcribed it from memory, risking excommunication but helping posterity to reclaim the piece. Yet the Miserere known today bears little resemblance to Allegri's original or to its method of performance before 1900. This book is the first detailed account of this iconic work's performance history in the Sistine Chapel, in particular focussing on its heyday in the eighteenth and nineteenth centuries. Rather than looking at the Miserere as a work on paper, the key to its genesis - as this book reveals - can only be found in a performance context. The book includes consideration both of the implications of that context in recreating it for performance, and of the history and practice of the "e;English Miserere"e; - the version commonly heard today. Appendices present key source transcriptions and two performance editions. GRAHAM O'REILLY is founderand conductor of the French-based Ensemble William Byrd, which recorded the Miserere from a late Vatican manuscript in 2000.

A complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover.