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First scholarly monograph devoted to Klee's poetry illuminates the reciprocity of poetry and painting in Klee's creative world and in early modernism.
New, interdisciplinary essays on an array of topics ranging from Goethe and mineralogy to theories of masculinity around 1800.
Essays on the Wilhelm Meister novels, Faust, Goethe's early plays, Schiller's Rauber and on Goethe's thought in relation to current debates on cosmopolitanism and postcoloniality.
The first English scholarly edition of Schiller's pivotal essay, accompanied by the first comprehensive commentary on it.
Volume 12 is dedicated to founding editor Thomas P. Saine, and includes essays on Goethe's novels, plays, and poems, the Ilmpark, Bach, Ossian, Goethe reception, and Schiller.
First comparative study of an unlikely group of authors: 18th-century women peasants.
Examines the image of the US in German poetry and the reception and influence of American poetry in Germany since 1945.
A detailed, contextualized picture of the very beginnings of writing in German from around 750 to 1100.
The German fascination with Italy, as seen in Goethe's Italian Journey and in a number of literary reactions to it.
The first full-length study of the literary criticism on the works of the controversial twentieth-century German writer Hans Henny Jahnn.
A collection of fresh essays examining the wide scope and significance of early Germanic culture and literature.The first volume of this set views the development of writing in German with respect to broad aspects of the early Germanic past, drawing on a range of disciplines including archaeology, anthropology, and philology in addition toliterary history. The first part considers the whole concept of Germanic antiquity and the way in which it has been approached, examines classical writings about Germanic origins and the earliest Germanic tribes, and looks at thetwo great influences on the early Germanic world: the confrontation with the Roman Empire and the displacement of Germanic religion by Christianity. A chapter on orality -- the earliest stage of all literature -- provides a bridgeto the earliest Germanic writings. The second part of the book is devoted to written Germanic -- rather than German -- materials, with a series of chapters looking first at the Runic inscriptions, then at Gothic, the first Germanic language to find its way onto parchment (in Ulfilas's Bible translation). The topic turns finally to what we now understand as literature, with general surveys of the three great areas of early Germanic literature: Old Norse, Old English, and Old High and Low German. A final chapter is devoted to the Old Saxon Heliand.Contributors: T. M. Andersson, Heinrich Beck, Graeme Dunphy, Klaus Duwel, G. Ronald Murphy, Adrian Murdoch, Brian Murdoch, Rudolf Simek, Herwig Wolfram.Brian Murdoch and Malcolm Read both teach in the German Department of the University of Stirling in Scotland.
A look at neglected aspects of the early career of one of the premier poets of the German language.
The influence of German literature and philosophy on American intellectuals in 19th-century New England.
New essays on the first flowering of German literature, in the High Middle Ages and especially during the period 1180-1230.
The first detailed study of a major but neglected work by Thoreau.
The latest volume in the respected series, this issue as usual contains cutting-edge criticism on topics of interest to scholars of the period 1770-1832.
The first study of the literary criticism on Murdoch's novels.
Provides a view of the late Stifter as a forerunner of twentieth-century modernism.
Study of the three most signficant late works of the Austrian novelist and playwright Thomas Bernhard. (In German language.)
Annual volume, this time featuring special sections on Brecht's dramatic fragments and on comedy in post-Brechtian theater, along with a variety of other contributions.
The leading scholarly publication on Brecht; volume 43 contains a wealth of articles on diverse topics and a reconstruction of the two-chorus version of The Exception and the Rule.
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