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Essays on the many key aspects of medieval literature, reflecting the significant impact of Professor Derek Brewer.Derek Brewer (1923-2008) was one of the most influential medievalists of the twentieth century, first through his own publications and teaching, and later as the founder of his own academic publishing firm. His working life of some sixty years, from the late 1940s to the 2000s, saw enormous advances in the study of Chaucer and of Arthurian romance, and of medieval literature more generally. He was in the forefront of such changes, and his understandings ofChaucer and of Malory remain at the core of the modern critical mainstream. Essays in this collection take their starting point from his ideas and interests, before offering their own fresh thinking in those key areas of medieval studies in which he pioneered innovations which remain central: Chaucer's knight and knightly virtues; class-distinction; narrators and narrative time; lovers and loving in medieval romance; ideals of feminine beauty; love,friendship and masculinities; medieval laughter; symbolic stories, the nature of romance, and the ends of storytelling; the wholeness of Malory's Morte Darthur; modern study of the medieval material book; Chaucer's poetic language and modern dictionaries; and Chaucerian afterlives. This collection builds towards an intellectual profile of a modern medievalist, cumulatively registering how the potential of Derek Brewer's work is being reinterpreted and is renewing itself now and into the future of medieval studies. Charlotte Brewer is Professor of English Language and Literature at Oxford University and a Fellow of Hertford College, Oxford; Barry Windeatt is Professor of English in the University of Cambridge and a Fellow of Emmanuel College, Cambridge. Contributors: Elizabeth Archibald, Charlotte Brewer, Mary Carruthers, Christopher Cannon, Helen Cooper, A.S.G. Edwards, Jill Mann, Alastair Minnis, Derek Pearsall, Corinne Saunders, James Simpson, A.C. Spearing, Jacqueline Tasioulas, Robert Yeager, Barry Windeatt.

Explores the issues and the use of best practice interpretation principles in bringing the Roman world to life for visitors and educational users.Issues in the public presentation and interpretation of the archaeology of Hadrian's Wall and other frontiers of the Roman Empire are explored and addressed here. A central theme is the need for interpretation to be people-focussed, and for visitors to be engaged through narratives and approaches which help them connect with figures in the past: daily life, relationships, craft skills, communications, resonances with modern frontiers and modern issues allprovide means of helping an audience to connect, delivering a greater understanding, better visitor experiences, increased visiting and spend, and an enhanced awareness of the need to protect and conserve our heritage. Topics covered include re-enactment, virtual and physical reconstruction, multi-media, smartphones, interpretation planning and design; while new evidence from audience research is also presented to show how visitors respond to different strategies of engagement. Nigel Mills is Director, World Heritage and Access, The Hadrian's Wall Trust. Contributors: Genevieve Adkins, M.C. Bishop, Lucie Branczik, David J. Breeze, Mike Corbishley, Jim Devine,Erik Dobat, Matthias Fluck, Christof Flugel, Snezana Golubovic, Susan Greaney, Tom Hazenberg, Don Henson, Richard Hingley, Nicky Holmes, Martin Kemkes, Miomir Korac, Michaela Kronberger, Nigel Mills, Jurgen Obmann, Tim Padley, John Scott, R. Michael Spearman, Jurgen Trumm, Sandra Walkshofer, Christopher Young,

The story of the war at sea in the reign of Edward III, including the important sea battles, and an analysis of the development of the English navy in the period.

This collection of original essays focuses on the cross-currents and points of contact among Spain, Portugal and Latin America and their impact on the regions' film industries.This book focuses on the cross-currents and points of contact in film production among so-called Hispanic countries (Spain, Portugal and Latin America), and in particular the impact that co-production and supranational funding initiatives are having on both the film industries and the films of Latin America in the twenty-first century. Together with chapters that discuss and further develop transnational approaches to reading films in the Hispanic and Latin American context, the volume includes chapters that focus on funding initiatives, such as IBERMEDIA, that are aimed at Spain, Portugal and Latin America. An analysis of such initiatives facilitates a nuanced discussion of the range of meanings afforded to the term transnationalism: from the workings of those driven by economic imperatives, such as co-productions and 'Hispanic' film festivals, to the cultural, for example the invention of a marketable 'Latinamericaness' in Spain, or a 'Hispanic aesthetic' elsewhere. Stephanie Dennison is Reader in Brazilian Studies at the University of Leeds

Essays consider the changes and development of Scotland at a time of considerable flux in the twelfth and thirteenth centuries.

Essays dealing with the question of how the theory and practice of archaeology should engage with the recent past.Heritage, memory, community archaeology and the politics of the past form the main strands running through the papers in this volume.The authors tackle these subjects from a range of different philosophical perspectives, with manydrawing on the experience of recent community, commercial and other projects. Throughout, there is a strong emphasis on both the philosophy of engagement and with its enactment in specific contexts; the essays deal with an interest in the meaning, value and contested nature of the recent past and in the theory and practice of archaeological engagements with that past. Chris Dalglish is a lecturer in archaeology at the University of Glasgow. Contributors: Julia Beaumont, David Bowsher, Terry Brown, Jo Buckberry, Chris Dalglish, James Dixon, Audrey Horning, Robert Isherwood, Robert C Janaway, Melanie Johnson, Sian Jones, Catriona Mackie, Janet Montgomery, Harold Mytum, Michael Nevell, Natasha Powers, Biddy Simpson, Matt Town, Andrew Wilson

Informed by recent historical research on nineteenth-century nationalism, this book demonstrates how the construction of a German national identity, especially in girls' education, came to be experienced by reading girls.

A re-examination of the George Circle in the cultural and political contexts of Wilhelmine, Weimar, and Nazi Germany.

Zayas's prose through a gynocentric lens.Maria de Zayas y Sotomayor published two volumes of novellas, Novelas amorosas y ejemplares [1637] and Desenganos amorosos [1647], which enjoyed immense popularity in her day. She has recently been reinstated as a major figure of the Spanish Golden Age. This study examines Zayas's prose through a gynocentric lens. Drawing on an extensive array of primary and secondary sources, and referring to the ideas of Irigaray, Kristeva, Cixous,Raymond and Genette, O'Brien reflects on the interactions of Zayas's women in such relationships as friendship, sisterhood, and motherhood, analyzing these interactions through the collections as a whole, and connecting the novellas with the frame stories, an aspect of Zayas's writing which has often been overlooked by critics. EAVAN O'BRIEN is a Lecturer in Hispanic Studies at Trinity College Dublin.

A magisterial, landmark study of the dramatic reorganizations that transformed the Dutch Army into a disciplined force able to successfully withstand the mighty armies of both Philip II's Spain and Louis XIV's France.

Fresh study of the intricate roles played by gender, visibility, and the idea of romance in Malory's Morte.

A gendered reading of monster and the monstrous body in medieval literature.

Analyzes Wolf's, Drewitz's, and Weil's views of individual responsibility in history, with reference to theories of memory and feminist ethics.

First modern edition, with facing translation, of two of the most mysterious Old English texts extant.

The autobiography of an influential medieval Catalan intellectual.

A magisterial survey of medieval siege warfare in the middle ages, tracing links across continents and linking contemporary historical accounts with archaeological studies.

Draws upon unpublished sources and interviews with those who knew him to give a full picture of Roger Quilter's artistic world and musical output.

Studies of Britain in transition from Romano-British to medieval Celtic economy.

The motif of death and dying traced through over a thousand years of the English Arthurian tradition.

Essays exploring the complex relationship between literature and science.

How did the British navy maintain authority among its potentially disorderly crews? And what order exactly did it wish to establish?

The scholarly quality of all of these contributions does justice to the richness of the entire collection. MODERN LANGUAGE REVIEW Articles examining aspects of the French manuscripts in the Parker Library.

Catalogue of the famous collection of French manuscripts at the Parker Library, Corpus Christi College, Cambridge.

A phonological, grammatical, and lexical description of a German-American dialect, Michigan Frankenmuth.

New translations of short stories by one of the great women writers of the 19th century.

Translation of medieval Dutch drama featuring first known use of the play-within-a-play device.

The Goethe Yearbook is a publication of the Goethe Society of North America, which was founded in 1980 to promote the study of Goethe and his contemporaries. Originally conceived as a vehicle for Goethe criticism in English during the Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not available to most Western scholars, the Yearbook subsequently gained the respect of the international community, and has published articles, in both English and German, by scholars from around the world; it is unique among other periodicals devoted to the 'Goethezeit' for its extensive book review section.

Comparative studies of normal self-development and atypical psychopathological populations contribute to an understanding of normal development of the Self.

A close examination of the representation of criminals in the understudied theatrical genres of the jacara and comedias de valentones.