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Peering through the windows of private homes and Assembly Rooms alike, this book shines a new light on the middle classes during the long eighteenth century.

An account of poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the St Peter Port workhouse and an outline of the development of Guernsey's modern social security system.This book, based on extensive original research, provides an account of parochial poor relief in Guernsey from the Reformation to the twenty-first century, incorporating a detailed case-study of the parochial workhouse in the townof St Peter Port, and an outline of the development of Guernsey's modern social security system from its beginnings in the 1920s to the present day. Guernsey has had throughout much of its history a disproportionately large population for its size: in the early eighteenth century St Peter Port was on a par with English county towns such as Warwick and Lincoln. Moreover, since Guernsey was outside the jurisdiction of the Westminster Parliament and retainedcultural affinities with France, the island developed its own social welfare regime which was closer, in some respects, to continental regimes than it was to the English Poor Law model. The differing nature of welfare regimes, how they arose and and how they differ is a major focus of interest amongst historians of social welfare; besides being a fascinating local study, the book has much to contribute to the wider history of social welfare in Britain andEurope. Rose-Marie Crossan completed her doctorate at the University of Leicester and is the author of Guernsey, 1814-1914: Migration and Modernisation (The Boydell Press, 2007). .

Provides a thorough examination of the role of women in Ascendancy Ireland.The late seventeenth and early eighteenth century was a period of great social and political change within Ireland, as the Protestant Ascendancy gained control of the country, aided by the English government and aristocracy, withwhom the ruling class in Ireland mixed through marriage and travel. The resulting Anglo-Irish elite, with its distinct transnational identity, differed markedly from the preceding Irish elite, but, at the same time, because of itsIrish dimension, was very different also from the contemporary English and Scottish upper classes. Women played key roles in this Anglo-Irish elite, and the nature of the Protestant Ascendancy can only be completely understood byconsidering women's roles fully. This book provides a thorough examination of the role of women in Ascendancy Ireland. It discusses marriage, family and social life; explores women's roles in economic and political life and in charitable activities; and places Irish elite women of this period in their wider historiographical context. The book is based on extensive original research, including among the papers of aristocratic families in Ireland and Britain, and provides a wealth of detail on elite women's lives in this period. Rachel Wilson completed her doctorate in modern history at Queen's University, Belfast.

The renowned treatise on music, by an eleventh-century monk, in a critical edition with annotated English translation, introduction, and detailed indexes.

Presents thirteen studies that engage with the notion of formal function in a variety of waysAmong the more striking developments in contemporary North American music theory is the renewed centrality of issues of musical form (Formenlehre). Formal Functions in Perspective presents thirteen studies that engage with musical form in a variety of ways. The essays, written by established and emerging scholars from the United States, the United Kingdom, Canada, and the European continent, run the chronological gamut from Haydn and Clementito Leibowitz and Adorno; they discuss Lieder, arias, and choral music as well as symphonies, concerti, and chamber works; they treat Haydn's humor and Saint-Saens's politics, while discussions of particular pieces range from Mozart's arias to Schoenberg's Verklarte Nacht. Running through the essays and connecting them thematically is the central notion of formal function. CONTRIBUTORS: Brian Black, L. Poundie Burstein, Andrew Deruchie, Julian Horton, Steven Huebner, Harald Krebs, Henry Klumpenhouwer, Nathan John Martin, Francois de Medicis, Christoph Neidhofer, Julie Pedneault-Deslauriers, Giorgio Sanguinetti, Janet Schmalfeldt, Peter Schubert, Steven Vande Moortele Steven Vande Moortele is assistant professor of music theory at the University of Toronto. Julie Pedneault-Deslauriers is assistant professor of music at the University of Ottawa. Nathan John Martin is assistant professor of music at the University of Michigan.

Employs research on the GDR's healthcare system along with feminist and queer theory to get at socialism's legacy, revealing a specifically East German literary convention: employment of "symptomatic female bodies" to either enforce or rebel against political and social norms.

The chronicles of Jean le Bel are one of the most important sources for the beginning of the Hundred Years' War. This is the first English translation of a work written from eyewitness accounts and personal experience.

For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians.For centuries, the sea and those who sail upon it have inspired the imaginations of British musicians. Generations of British artists have viewed the ocean as a metaphor for the mutable human condition - by turns calm and reflective, tempestuous and destructive - and have been influenced as much by its physical presence as by its musical potential. But just as geographical perspectives and attitudes on seascapes have evolved over time, so too have culturalassumptions about their meaning and significance. Changes in how Britons have used the sea to travel, communicate, work, play, and go to war have all irresistibly shaped the way that maritime imagery has been conceived, represented, and disseminated in British music. By exploring the sea's significance within the complex world of British music, this book reveals a network of largely unexamined cultural tropes unique to this island nation. The essaysare organised around three main themes: the Sea as Landscape, the Sea as Profession, and the Sea as Metaphor, covering an array of topics drawn from the seventeenth century to the twenty-first. Featuring studies of pieces by thelikes of Purcell, Arne, Sullivan, Vaughan Williams, and Davies, as well as examinations of cultural touchstones such as the BBC, the Scottish fishing industry, and the Aldeburgh Festival, The Sea in the British Musical Imagination will be of interest to musicologists as well as scholars in history, British studies, cultural studies, and English literature. ERIC SAYLOR is Associate Professor of Musicology at Drake University. CHRISTOPHER M. SCHEER is Assistant Professor of Musicology at Utah State University. CONTRIBUTORS: Byron Adams, Jenny Doctor, Amanda Eubanks Winkler, James Brooks Kuykendall, Charles Edward McGuire, Alyson McLamore, Louis Niebur, Jennifer Oates, Eric Saylor, Christopher M. Scheer, Aidan J. Thomson, Justin Vickers, Frances Wilkins

Peral Vega explores the importance of Pierrot as a symbol of failure in matters of love in Garcia Lorca's imagery and his literary and personal life.Academic research has paid little attention to the importance of the figure of Pierrot in Garcia Lorca's imagery and, above all, in his literary and personal life. An image of marginality and failure, Pierrot was soon taken over by Spanish intellectuals of the early twentieth century as a representation of the bohemian spirit and, corresponding to his marginal status in matters of love, as a symbol of furtive desires experienced by those whose sexuality had to remain silent. Consequently, Garcia Lorca, as Pierrot, needs a mask to cover his identity, facing perpetual failure in his relentless pursuit of the other. As can be seen already from the poems, prose and plays of his youth,Garcia Lorca outlines in Pierrot his innermost self, a trend that will continue in the aforementioned series of drawings and some of his major pieces, such as El publico. Pierrot / Lorca: White Carnival of Black Desire aims, from a multidisciplinary perspective, to open new critical readings of both Garcia Lorca's work and some episodes of his life; as with, for example, his relationship with Salvador Dali, which can be presented in theatrical terms: Harlequin (Dali) / Pierrot (Garcia Lorca). Emilio Peral Vega is Associate Professor of Spanish Literature at the Universidad Complutense de Madrid.

La edicion que aqui se presenta se basa en el estudio cuidadoso de los dos unicos ejemplares que quedan del impreso de 1514. Va acompanada de una introduccion novedosa, de numerosas notas a pie de pagina, imprescindibles hoyla comprension del texto, de un importante glosario y de una bibliografia al dia. This edition is based on a careful comparison of the two only surviving texts of the 1514 printed edition.Lucas Fernandez (1474-1542) fue musico, dramaturgo y poeta. De sus obras solo quedan las Farsas y eglogas que se publicaron en 1514 en Salamanca. La edicion que aqui se presenta no pretende ofrecer lo que pudo ser el manuscrito original y se basa en el estudio cuidadoso de los dos unicos ejemplares que quedan del impreso de 1514. Va acompanada de una introduccion novedosa, de numerosas notas a pie de pagina, imprescindibles hoy para la comprension del texto, de un importante glosario y de una bibliografia al dia. Francoise Maurizi es profesora en la Universidad de Caen, Francia. Lucas Fernandez was a musician, playwright and poet. His only survivingworks are the Farsas y eglogas , which were published in Salamanca in 1514. This edition, rather than attempting to reconstruct an original manuscript, is based on a careful comparison of the two sole surviving texts of the1514 printed edition. It is accompanied by an introduction, full and informative footnotes to the text, a glossary, and bibliography. Francoise Maurizi is a professor of Spanish at the Universite de Caen, France.

Domus offers a novel analysis of literary representations of homes and urban dwellings in early modern Spain.

First ever English translation of an important medieval German Arthurian romance, with facing original text.

An examination of the depiction and function of memory in a variety of romances, including Troilus and Criseyde and Sir Gawain and the Green Knight.In Middle English romances many memories are created, stored, forgotten, and rediscovered by both the characters and audience; such memory work is not, however, either simple or obvious. This study examines the ways in which recollection is achieved and sustained through physical, cognitive, and interpretative challenges. It uses examples such as Sir Gawain and the Green Knight, Sir Orfeo, and Emare, alongside romances by Chaucer and Malory,to investigate the genre's reliance on individual and collective memorial processes. The author argues that a tale's objects, places, dreams, discoveries, disguises, prophecies, and dramatic ironies influence that romance's essential memory work, which relies as much on creativity as it does accuracy. He also explores the imaginative crafts of memory that are employed by romances themselves. Dr Jamie McKinstry teaches in the Department of English Studies at Durham University, where he is a member of the Institute of Medieval and Early Modern Studies.

Essays on the writing and textual culture of Europe in the middle ages.Medieval Europe was characterized by a sophisticated market for the production, exchange and sale of written texts. This volume brings together papers on a range of topics, centred on manuscript studies and textual criticism, which explore these issues from a pan-European perspective. They examine the prolonged and varied processes through which Europe's different parts entered into modern reading, writing and communicative practices, drawing on a range ofapproaches and perspectives; they consider material culture, multilingualism in texts and books, book history, readers, audience and scribes across the Middle Ages. Dr Aidan Conti teaches in the Department of Linguistic, Literary and Aesthetic Studies, University of Bergen; Dr Orietta Da Rold teaches in the Faculty of English, University of Cambridge; Dr Philip Shaw teaches at the School of English, University of Leicester. Contributors: Rolf H. Bremmer Jr, Stewart Brookes, Aidan Conti, Orietta Da Rold, Helen Fulton, Marilena Maniaci, Debora Matos, Annina Seiler, Peter A. Stokes, Nadia Togni, Svetlana Tsonkova, Matilda Watson, George Younge.

A survey of the complexity and sophistication of English royal government in the thirteenth century, a period of radical change.

Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.

First comprehensive study of Italy's "art police", an organisation devoted to protecting cultural artefacts.

Fruits of the most recent research into the "long" thirteenth century.

In nineteenth-century Britain, learned societies and clubs became contested sites in which a new kind of identity was created: the charisma and persona of the scholar, of the intellectual.

Exploring how crises have shaped economic and social life from the thirteenth century to the twenty-first.

A detailed study of the domestic life of the early modern, non-elite householdThis book is a detailed study of the domestic life of the early modern, non-elite household, focussing on the Oxfordshire market town of Thame. Going beyond the exploration of the domestic economy and trends in living standards and consumption, it shows how close examination of the material context within which the household operated can provide evidence of its habitual activities, the relationships between its members, and the values that informed both. The book uses a familiar source, the probate inventory, supplemented by other contemporary written and pictorial evidence, to reveal how activities in the household were directly related to the agricultural, mercantile, and socialenvironment. It illustrates the variable and shifting nature of social relationships and shows how the early modern household was part of the wider economic and social narrative of modernism and how it responded to altered modes of production and consumption, social allegiances, and ideologies. Offering new perspectives to reinvigorate the discussion of domestic relationships and rigorously examine the vexed question of change, Domestic Culture in EarlyModern England will be of interest to scholars and postgraduate students of material culture as well as historians of the household and family more generally. ANTONY BUXTON lectures on design history, material anddomestic culture for the Department for Continuing Education, University of Oxford and other institutions. He has published articles in various scholarly journals and holds a PhD from the University of Oxford.

Cases of mutiny and other forms of protest are used to reveal full and interesting details of lascar shipboard life.Shortlisted for the Royal Historical Society's 2016 Gladstone Prize. Lascars were seamen from the Indian subcontinent and other areas of the Indian Ocean region who were employed aboard European ships from the sixteenth to the twentieth centuries. They experienced difficult working conditions and came from a wide variety of ethnic, cultural and religious backgrounds, which created considerable scope for friction between them and their Europeanofficers. This book, based on extensive original research, examines the role of lascars employed aboard country ships, East Indiamen and other British sailing vessels. The focus is on protest in its various forms, from mild unrest to violent acts of mutiny in which lascar crews murdered officers, seized ships and then sought refuge with local rulers. It is only through descriptions of such events - found in logbooks, seafaring diaries and the East India Company's judicial records - that many aspects of lascar life at sea become visible and lascar voices can be heard. Through the study of mutiny and other forms of protest, the book provides a detailed insight into shipboard conditions amongst lascars employed during this period. Aaron Jaffer completed his doctorate in history at the University of Warwick.

Fresh approaches to one of the most important poems from medieval Scotland.

An investigation of the growth and influence of the cult of St Edmund, and how it manifested itself in medieval material culture.

Examines the remarkable career of leading soprano castrato Venanzio Rauzzini (1746-1810), the first castrato to make Britain his home.

Warren Roberts has discovered a Rossini that others have not seen, a composer who commented ironically and satirically on religion and politics in Post-Napoleonic Europe.

Examines the decline and resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale.By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged "e;Papa Haydn,"e; a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.

New collection of essays promising to re-energize the debate on Nazism's occult roots and legacies and thus our understanding of German cultural and intellectual history over the past century.

First comprehensive survey of how kinship rules were discussed and applied in medieval England.Two separate legal jurisdictions concerned with family relations held sway in England during the high middle ages: canon law and common law. In thirteenth- and fourteenth-century Europe, kinship rules dominated the lives of laymenand laywomen. They determined whom they might marry (decided in the canon law courts) and they determined from whom they might inherit (decided in the common law courts). This book seeks to uncover the association between the two, exploring the ways in which the two legal systems shared ideas about family relationship, where the one jurisdiction - the common law - was concerned about ties of consanguinity and where the other - canon law - was concerned toadd to the kinship mix of affinity. It also demonstrates how the theories of kinship were practically applied in the courtrooms of medieval England.