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First full-length study of the impact of the Gothic Revival across the arts, from literature and architectural theory to houses, furniture and interiors.

An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England.

First full-length collection on one of the most significant and influential historians of the medieval period.

Reveals the history of the individuals who worked to make psychiatry more available to Harlem's black community in the early Civil Rights Era.

New examinations of the role storytelling played in medieval life.

The author, a former BBC radio producer, conducted interviews with many leading British composers of the day, and his account provides for a unique insight into this often overlooked genre.

First printed edition, with facsimile and studies, of a significant manuscript from medieval England.The Thorney liber vitae (BL, MS Add. 40,000, fols 1-12v) consists of many hundreds of names written in the front of a tenth-century gospel book. This liber vitae is one of only three such compilations surviving frommedieval England, the others being the Durham liber vitae (BL, MS Cotton Domitian A vii) and the New Minster liber vitae (BL, MS Stowe 944). Begun at Thorney abbey (Cambridgeshire) in the late eleventh century and continued into the late twelfth, it purports to be a record of the names of confraters of the abbey, that is of those people who, through their friendship and gifts to the abbey, were included in the daily prayers of the monks of the community. The present volume is the first complete edition of this important text, and includes a complete facsimile of the pages. It also contains studies of the manuscript context, of the names included and, where possible, the identities and relationship to the abbey of those named, many of whom are also entered in the priory cartulary known as the Red Book of Thorney. The introduction provides a wide-ranging historical context for the production of the liber vitae. Lynda Rollason is Honorary Research Fellow in the Department of Archaeology at Durham University. With contributions from Richard Gameson, John Insley and Katharine Keats-Rohan.

Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.Classical music in the German Democratic Republic is commonly viewed as having functioned as an ideological support or cultural legitimization for the state, in the form of the so-called "e;bourgeois humanist inheritance."e; The largenumbers of professional orchestras in the GDR were touted as a proof of the country's culture. Classical music could be seen as the polar opposite of Americanizing pop culture and also of musical modernism, which was decried as formalist. Nevertheless, there were still musical modernists in the GDR, and classical music traditions were not only a prop of the state. This collection of new essays approaches the topic of classical music in the GDR from an interdisciplinary perspective, presenting the work of scholars in a number of complementary disciplines, including German Studies, Musicology, Aesthetics, and Film Studies. Contributors to this volume offer a broad examination of classical music in the GDR, while also uncovering nonconformist tendencies and questioning the assumption that classical music in the GDR meant nothing but (socialist) respectability. Contributors: Tatjana Bohme-Mehner, Martin Brady, Lars Fischer, Kyle Frackman, Golan Gur, Peter Kupfer, Albrecht von Massow, Carola Nielinger-Vakil, Jessica Payette, Larson Powell, Juliane Schicker, Martha Sprigge, Matthias Tischer, Jonathan L. Yaeger, Johanna Frances Yunker Kyle Frackman is Assistant Professor of Germanic Studies at the University of British Columbia. Larson Powell is Professor of German at the University of Missouri-Kansas City.

The first monograph to treat comprehensively the epoch-making though now too often forgotten scandal that rocked German political culture from 1906 to 1909, now in English translation.

Provides the first comprehensive analysis of the history of returning German POWs after the Second World War, explored as a history of memory both during Germany's division and after unification.

Latest volume in a series which is "a monumental achievement" (Review of English Studies)

Catalonia's towering Romantic poet and rebel priest, Jacint Verdaguer (1845-1902), delves deep into the Catalan imaginary in his foundational long poem Mount Canigo (1886), recounting the historical and legendary mix, bothtragic and triumphant, of the medieval origins of modern Catalonia.

A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.Since Carajicomedia was published in 1519, it has been largely ignored by critics because of its strong sexual content. The author of Carajicomedia: Parody and Satire in Early Modern Spain believes that it is a sophisticated and complex composition that provides as good a vantage point from which to examine the ideology of the period as does La Celestina. In their poems, the writers of Carajicomedia inadvertently reveal thedeep worries of the knights and nobles who opposed the regencies of Ferdinand the Catholic and Francisco Jimenez de Cisneros pending the arrival of Charles V. Carajicomedia is therefore a harbinger of the War of the Comuneros, the great popular revolt that convulsed Spain in 1520. In this book's chapters, the author examines the parodic relationship between the text of Juan de Mena's El Laberinto de Fortuna, the glosses of Hernan Nunez's Las Trezientas, and Carajicomedia. He then turns to its actual writers and their settings, and shows how their satirical attitudes towards males, females, and conversos reveals the failure of the societal mechanisms in place to control desire and miscegenation. Carajicomedia: Parody and Satire in Early Modern Spain concludes with a paleographic edition of the text and appendices that contain a modern Spanish version and its Englishtranslation, as well as examine Carajicomedia's language. Frank A. Dominguez is a professor of medieval Spanish literature and culture at the University of North Carolina at Chapel Hill.

A new investigation into the 1641 Irish rebellion, contrasting its myth with the reality.

An examination of how the Roman past was perceived, and used, by Victorian Britain.

A detailed investigation of the place of women in thirteenth-century society, using individual case studies to reappraise orthodox opinion.

An examination of the various dimensions - political, social and economic - to the evolution of Franco-Irish relations in the early modern period.The period 1500 to 1610 witnessed a fundamental transformation in the nature of Franco-Irish relations. In 1500 contact was exclusively based on trade and small-scale migration. However, from the early 1520s to the early 1580s, the dynamics of "e;normal"e; relations were significantly altered as unprecedented political contacts between Ireland and France were cultivated. These ties were abandoned when, after decades of unsuccessful approaches to the French crown for military and financial support for their opposition to the Tudor regime in Ireland, Irish dissidents redirected their pleas to the court of Philip II of Spain. Trade and migration, which had continued at a modest level throughout the sixteenth century, re-emerged in the early 1600s as the most important and enduring channels of contact between the France and Ireland, though the scale of both had increased dramatically since the early sixteenth century. In particular, the unprecedented influx of several thousand Irish migrants into France in the later stages and in the aftermath of the Nine Years' War in Ireland (1594-1603) represented a watershed in Franco-Irish relations inthe early modern period. By 1610 Ireland and Irish people were known to a significantly larger section of French society than had been the case 100 years before. The intensification of their contacts notwithstanding, the intricacies of Irish domestic political, religious and ideological conflicts continued to elude the vast majority of educated Frenchmen, including those at the highest rank in government and diplomatic circles. In their minds, Ireland remained an exotic country whose people they judged to be as offensive, slothful, dirty, prolific and uncouth in the streets of their cities and towns as they were depicted in the French scholarly tracts read by the French elite. This study explores the various dimensions to this important chapter in the evolution of Franco-Irish relations in the early modern period. MARY ANN LYONS lectures in the Department of History, St Patrick's College,Drumcondra, Dublin City University.

A reassessment of the relationship between the UK and the USSR at a troubled time.

A study of the development of the hospital as a economic, medical and voluntary institution in the second half of the nineteenth century.

A complete reappraisal of the scale and significance of female criminality in a period of major legislative changes.

A fresh look at the complex question of outdoor poor relief in the nineteenth century.

A fresh examination of how the seasons are depicted in medieval literature.

Analysis of how emotion is pictured in Arthurian legend.

The group of Hebrew manuscripts at Corpus Christi College Oxford forms one of the most important collections of Anglo-Jewish manuscripts in the world. Although few in number, the College's holdings are outstanding in rarity and value.

A generously illustrated survey of memorials to different kinds of seafarers, recounting the stories behind them.This book discusses memorials - stained glass windows, church, cemetery and public monuments - commemorating British seafarers, shipbuilders and victims of shipwreck from the sixteenth century to the present. Examples have been chosen mainly from Great Britain and Ireland with a few from wider afield. They include important works by major British artists as well as more modest productions by anonymous carvers. The book retells the dramatic stories behind them, illustrating significant social and cultural changes in Britain's relationship to the sea. Memorials vividly illustrate the hazards of seagoing life and the impact these had both upon the family of the deceased and the general public. The book has a cultural historical focus. Each chapter includes case studies of both high status and popular memorials, showing how iconography such as the depiction of the wrecked ship was widely transmitted. The book covers both naval and commercial aspects of seafaring and includes memorials to naval officers, merchants, explorers, fishermen, leisure sailors, victims of shipwrecks and lifesavers, with around 100 illustrations of memorials. Barbara Tomlinson was Curator of Antiquities at Royal Museums Greenwich (part of which is the National Maritime Museum) for over thirty-five years and is Hon. Secretary of the Church Monuments Society. Publishedin association with the National Maritime Museum, part of Royal Museums Greenwich.

New insights into inscribed and stone monuments from across Europe in the early middle ages.

Contemporary British composers talk about their music, with the emphasis on the aesthetic sensibilities and psychological processes behind composing rather than technique.

Discusses the complexities of a trading network in this period, outling commodity chains, links between colonies and colonial centres, and tensions between local polities and competing empires.This book explores European mercantile activity in Southeast Asia at a time when trade in this part of the world was being transformed and extended much more widely. Based on extensive original research including in newly discovered archives, the book reveals, through the study of one particular merchant and his extensive network, how trade in the region worked. It outlines the activities of Gillian Maclaine, a young Scottish "e;adventurer"e; (his word) who came to the region in about 1816 and established an enduring business in Batavia (present day Jakarta), trading in cotton goods and coffee, and later in opium. It examines the multi-faceted nature of such a trading network, including the wide scope of commodity chains, the associated link between colony and colonial metropole, and the many tensions between colonial powers, in this case the Dutch and the British, and with local polities. The book demonstratesthat Southeast Asian maritime trade was every bit as important to European worldwide commercial networks as the trade with India and China, which have been much more extensively studied, and it contributes to current scholarly debates about western imperialism, colonialism and the nature of empire. G. Roger Knight is an Associate Professor in the School of History and Politics in the University of Adelaide. He has published three previous books and numerous journal articles on the economic and social history of Southeast Asia.

The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of BeethovenSir George Thomas Smart (1776-1867) was a significant musical animateur of the early nineteenth century, who earned his living primarily as a conductor but was also significant as an organist, composer and recorder of events. Smart established successful and pioneering London concert series, was a prime mover in the setting up of the Philharmonic Society and the Royal Academy of Music, and taught many of the leading singers of the day, being well versed in the Handelian concert tradition. He also conducted the opera at the Covent Garden Theatre and introduced significant new works to the public - he was most notably an early champion of the music of Beethoven. His journeys to Europe, and his contacts with the leading European musical figures of the day (including Weber, Meyerbeer, Spohr, and Mendelssohn), were crucial to the direction music was to take in nineteenth-century Britain. This detailed account of Smart's life and career presents him within the context of the vibrant concert life of London and wider European musical culture. It is the first full length, critical study of this influential musical figure.JOHN CARNELLEY is Deputy Director of Music and Head of Academic Music, Dulwich College, London. He holds a PhD in Historical Musicology from the University of London (Goldsmiths College) and has previously published research on the eighteenth-century organ manuscripts of John Reading, held in the Dulwich College Archive.

Encounters with a 'multicultural' Britain in the Tudor and Stuart periods written with an eye to debates about immigration and ethnicity in today's Britain.This book recovers the encounter with a "e;multicultural"e; Britain by British travellers in the Tudor and Stuart periods. When William Camden, writing in the sixteenth century, set out to write the history of Britannia, he deliberately took to the roads to discover it first-hand, and those diverse cultures guided and informed his journeys. Here, John Cramsie offers original perspectives on Camden's multicultural Britain through the study of British travellersand their narratives. We meet characters such as the Tudor traveller John Leland, who intended to tell the peoples of England and Wales about themselves; chronicle how they came to settle the towns, villages, valleys, and mountaintops they called home; record the marks they left in the landscape; and celebrate the noble histories and cultures they created. Dozens - eventually hundreds - of Britons shared the same passion to meet their island neighbours and relate their experiences. The individuals studied in this book include actual as well as armchair travellers and those who blurred the boundaries between them. Their letters, diaries, journals, and histories range from the epic,poignant, and matter of fact to the exotic, preposterous, and hateful; the sources include actual and imaginative narratives and those which combined both elements. Travellers painted Britain with, in Leland's words, native colours that were rich, vibrant, and, above all, complex. Their remarkable journeys are the story of how Britons over two centuries met, interacted, and attempted (or not) to understand one another. Written with an eye to debates aboutimmigration and ethnicity in today's Britain, the book emphasizes the long history of making and remaking the island's cultural mosaic. The encounter with Britain's native colours has been a burden of history and opportunity formillennia, not simply for our own times. JOHN CRAMSIE is Associate Professor, Department of History, Union College, NY.