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"Standing a while ago upon the flower-clad plain above Tiberius, by the Lake of Galilee, the writer gazed at the double peaks of the Hill of Hattin. Here, or so tradition says, Christ preached the Sermon on the Mount--that perfect rule of gentleness and peace. Here, too--and this is certain--after nearly twelve centuries had gone by, Yusuf Salah-ed-din, whom we know as the Sultan Saladin, crushed the Christian power in Palestine in perhaps the most terrible battle which that land of blood has known. Thus the Mount of the Beatitudes became the Mount of Massacre. Whilst musing on these strangely-contrasted scenes enacted in one place there arose in his mind a desire to weave, as best he might, a tale wherein any who are drawn to the romance of that pregnant and mysterious epoch, when men by thousands were glad to lay down their lives for visions and spiritual hopes, could find a picture, however faint and broken, of the long war between Cross and Crescent waged among the Syrian plains and deserts. Of Christian knights and ladies also, and their loves and sufferings in England and the East; of the fearful lord of the Assassins whom the Franks called Old Man of the Mountain, and his fortress city, Masyaf. Of the great-hearted, if at times cruel Saladin and his fierce Saracens; of the rout at Hattin itself, on whose rocky height the Holy Rood was set up as a standard and captured, to be seen no more by Christian eyes; and of the Iast surrender, whereby the Crusaders lost Jerusalem forever. Of that desire this story is the fruit." -- H. Rider Haggard
The famous ruins in Zimbabwe suggested this story to Haggard, in which he makes this "lost city" the Biblical Ophir, said to have fallen because of the wickedness of its religion and people. As always, a rousing story in Haggard's finest style.
Garth had given the mighty Sword of Bheleu into the Forgotten King's keeping. Now he needed it back, and the King demanded that Garth bring him the Book of Silence in exchange -- but Garth feared that the King would use the Book to bring about an Age of Death.
Moon of Israel (1918) was one of the earliest Haggard books to be filmed (in 1924, as a silent movie directed by Michael Curtiz). The movie adaptation has been released both as Moon of Israel and The Slave Queen. Interestingly, Paramount bought the original film and suppressed it so it wouldn?t complete with the release of DeMille?s original silent version of The Ten Commandments. As a book, it is an exceptional retelling of the Biblical story of the Exodus. I?m certain most modern readers will be familiar with the original story. By selecting an unlikely viewpoint character?the scribe Ana?Haggard provides a down-to-earth narrator for a story of fantastic proportion. The novel was first serialized in The Cornhill Magazine from January through October in 1918 and released in book for in October 1918. Author and critic Jessica Amanda Salmonson has called Moon of Israel ?a beautifully written Jewish legend,? and adds, ?Haggard was pro-Zionist advocating a Jewish homeland in Palestine as early as 1915.?
Carnacki, the Ghost-Finder is a collection of occult detective short stories and is listed as No. 53 in Queen's Quorum: A History of the Detective-Crime Short Story As Revealed by the 100 Most Important Books Published in this Field Since 1845 by Ellery Queen.During their original run, the magazine that published them boasted: "Complaints continue to reach us from all parts of the country to the effect that Mr. William Hope Hodgson's Carnacki stories are producing a widespread epidemic of Nervous Prostration! So far from being able to reassure or calm our nervous readers, we are compelled to warn them that 'The Whistling Room,' which we publish this month, is worse than ever. Our advertising manager had to go to bed for two days after reading the advance sheets; a proofreader has sent in his resignation; and, worst of all, our smartest office boy--But this is no place to bewail or seek for sympathy. Yet another of those stories will appear in April!"
The tale of Allan Quatermain's second wife, Stella, is also a classic fantasy African adventure, complete with magic and ghosts, plus Haggard's trademark gripping narrative style.
Allan and the Ice Gods is the final volume of the Allan Quatermain saga, and it comprises the fourth part of a loosely linked series begun with Allan and the Holy Flower, The Ivory Child, and The Ancient Allan. Once more Quatermain takes the hallucinogenic taduki drug, as he did in previous novels, and he gets to see a previous incarnation?
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